Film Festivals

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Ang Lee's adaptation of E. Annie Proulx's story Brokeback Mountain stars Jake Gyllenhaal and Heath Ledger as young cowboys named Jack Twist and Ennis Del Mar. Each of them is hired to corral sheep on the title location and they soon bond very closely. Their platonic relationship explodes into a physical one, but eventually the two are separated when their job comes to an end. Although the two follow different life paths -- one becoming a father of two and the other marrying into a successful business -- they have a reunion years later. Each is affected profoundly by the rekindling of their old feelings for each other. Those feelings lead each to consider what continuing their hidden relationship would cost them. The screenplay was written by Pulitzer Prize-winning author Larry McMurtry and Diana Ossana. ~ Perry Seibert, All Movie Guide

Matt Damon and Ben Affleck co-scripted and star in this drama, set in Boston and Cambridge, about rebellious 20-year-old MIT janitor Will Hunting (Damon), gifted with a photographic memory, who hangs out with his South Boston bar buddies, his best friend Chuckie (Affleck), and his affluent British girlfriend Skylar (Minnie Driver). After MIT professor Lambeau (Stellan Skarsgard) stumps students with a challenging math formula on a hallway blackboard, Will anonymously leaves the correct solution, prompting Lambeau to track the elusive young genius. As Will's problems with the police escalate, Lambeau offers an out, but with two conditions -- visits to a therapist and weekly math sessions. Will agrees to the latter but refuses to cooperate with a succession of therapists. Lambeau then contacts his former classmate, therapist Sean McGuire (Robin Williams), an instructor at Bunker Hill Community College. Both are equally stubborn, but Will is finally forced to deal with both his past and his future. ~ Bhob Stewart, All Movie Guide

Simon Grim (James Urbaniak) is a garbageman, and his life is about as unpleasant and uneventful as you'd expect given his profession; he doesn't much care for his work, he's treated with violence or contempt by most of the people in his neighborhood, and he shares a house with Mary (Maria Porter), his cranky, pill-head mother, and Fay (Parker Posey), his morally suggestible sister. One day, Henry Fool (Thomas Jay Ryan) appears; he claims to be a writer in the midst of a major project, entitled "Confessions," and needs a place to stay. Henry ends up moving in with Simon and his family, where he wastes no time in bedding both Mary and Fay, and encourages Simon to write in a journal. Simon begins to write in long torrents of words that surprisingly fall together into iambic pentameter; Henry tells Simon that what he's writing is poetry, and he's truly gifted. Simon seems dubious at first, but when several of Simon's pieces are posted on the Internet, he developes a huge and rabid following and is acclaimed as one of the great authors of our time. Henry, however, isn't able to get anywhere with his own book or his own life; as Simon's star slowly rises, Henry's orbit slowly sinks past the horizon. ~ Mark Deming, All Movie Guide

Writer/director Paul Thomas Anderson followed his critical and commercial breakthrough Boogie Nights with this wildly ambitious story of lives intertwining on a single day in California's San Fernando Valley. Earl Partridge (Jason Robards), a successful producer of television game shows, left his wife when she contracted cancer to marry the younger and more beautiful Linda (Julianne Moore). Now, Earl has cancer himself, and Linda spends her day fetching medicines and trying to deal with the imminent death of her husband, whom she has only now come to love. Earl asks his nurse Phil (Philip Seymour Hoffman) to arrange a meeting with his estranged son, Frank Mackey (Tom Cruise), known for his self-help program "Seduce and Destroy," in which he preaches the importance of male sexual prowess; he cared for his mother after Earl left her, and he has no desire to see his father again. Earl's best-known show is hosted by Jimmy Gator (Philip Baker Hall), who also learns that he is dying. Jimmy's show pits bright adults against unusually smart kids; one of Jimmy's child contestants, Stanley (Jeremy Blackman), arrives late for a taping after being left stranded by his father Rick (Michael Bowen), who is supported by his more successful son. Meanwhile, Donnie Smith (William H. Macy), who was a champ on Jimmy's show as a child, is not having as much luck as an adult; he's just lost his job and needs to pay for some expensive dental work. Jimmy wants to reconcile with his estranged and emotionally fragile daughter Claudia (Melora Walters), who despises him and who will become involved with well-meaning police officer Jim Kurring (John C. Reilly), who has been desperately lonely since his divorce three years ago. Magnolia reunites much of the cast and crew of Boogie Nights and features eight original songs by singer/songwriter Aimee Mann and a musical score by Jon Brion. ~ Mark Deming, All Movie Guide

In a village in China mired in poverty, Gao (Gao Enman) is the lone teacher in a school so threadbare he must ration chalk to make sure he has enough for the day. The destitution of the village is not limited to the school; some of the children sleep in the schoolhouse because they have nowhere else to go, and many students have already dropped out to go to work to help feed their families. Gao is forced to leave town for a month, and no one in the village is able to take over for him except a 13-year-old girl, Wei Minzhi (Wei Minzhi), who possesses only the most rudimentary education herself. What she lacks in educational credential, she makes up for in determination -- she needs money, and teaching is an honest job that pays, and since she'll get a 10 yuan bonus if all 28 students are still attending when Gao gets back, she is determined that no one will drop out on her watch. So when one student turns up missing, and word has it he's been sent to the city by his mother to work, she travels to the city to look for him. In a place where thousands of children are working in the underground labor force or begging on the street, one boy hardly stands out from the crowd, and she has little luck. However, she's able to persuade a sympathetic TV station manager to let her make an announcement in hopes someone knows where he has gone. Despite its serious and often grim theme, Yi Ge Dou Bu Neng Shao is often light in tone and draws on the strength and humor of its characters; the film won the Golden Lion at the 1999 Venice Film Festival. ~ Mark Deming, All Movie Guide

A Dublin-based busker and vacuum-cleaner repairman enters into a fruitful relationship with a piano playing florist in a toe-tapping "video album" directed by John Carney and featuring a cast comprised entirely of professional musicians. He (Glen Hansard of the Frames) was a six-stringed street musician. She (Markéta Irglová) was a flower woman who couldn't afford to purchase a piano of her own. One day, after admiring the musician's songs and asking if he would take a look at her broken vacuum, the flower-pushing piano player discovers that she shares a remarkable sonic rapport with the mechanically savvy guitarist. As their musical sensibilities quickly converge to striking effect, the talented pair soon determines to record an album together. ~ Jason Buchanan, All Movie Guide

Raja (Najat Benssallem) is a 19-year-old Moroccan girl. An orphan, she's led a difficult life, but has gotten off the streets and lives with her cousin Nadira (Ilham Abdelwahad) and her family. Raja and Nadira are happy to get low-paying jobs working in the garden of a wealthy middle-aged Frenchman, Fred (Pascal Greggory). Fred is immediately attracted to the new girl and the other girls tease Raja about his interest, encouraging her to go after his money. Fred discusses his growing infatuation with his two elderly cooks, Oum El Aid (Oum El Aid Ait Youss) and Zineb (Zineb Ouchita), who try to discourage his interest. Because they don't speak the same language, Fred and Raja often have to rely on others to translate as they dance around each other. Fred hires Raja to be his maid, and flirts shamelessly with her. She's intrigued, and desperate to change her life, but she keeps him at a distance, uncertain of the seriousness of his interest. Raja has a boyfriend, Youssef (Hassan Khissal), who resents her relationship with the Frenchman; in addition, her brother (Abdelilah Lamrani), who pimped her out as a girl, still tries to control her life, taking a share of the money she earns. He plans for her to marry a policeman he knows. Fred struggles with his emotions. They obviously feel something for each other, but the cultural and economic differences between them may be too immense to overcome. Raja, written and directed by Jacques Doillon (Ponette), was shown at the 2003 New York Film Festival. Benssallem won the Marcello Mastroianni Award (for best first performance) at the 2003 Venice Film Festival. ~ Josh Ralske, All Movie Guide

The British prime minister and the Royal Family find themselves quietly at odds in the wake of a national tragedy in this drama from director Stephen Frears. On August 31, 1997, Diana, Princess of Wales died in an auto accident in Paris; despite the controversial breakup of her marriage to Prince Charles, she was still one of the most famous and best-loved women in the world, and the public outpouring of emotion over her passing was immediate and intense. However, given the messy circumstances of Diana's breakup with Charles, official spokespeople for the Royal Family were uncertain about how to publicly address her passing. It didn't take long for the media to pick up on the hesitation of Buckingham Palace to pay homage to Diana, and many saw this as a sign of the cool emotional distance so often attributed to the royals, which in this case was widely seen as an insult against Diana and the many people who loved her. Prime Minister Tony Blair (played by Michael Sheen) saw a potential public-relations disaster in the making, and took it upon himself to persuade Queen Elizabeth II (played by Helen Mirren) to make a statement in tribute to the fallen Diana -- an action that went against the taciturn queen's usual nature. The Queen was released the same year that Helen Mirren played Queen Elizabeth I in an acclaimed miniseries for British television; The Queen also gave Michael Sheen his second opportunity to play Tony Blair after portraying the prime minister in the television film The Deal. ~ Mark Deming, All Movie Guide

Two sisters learn that the bonds of family don't always end after death in this gentle observational comedy drama that marks celebrated Spanish filmmaker Pedro Almodóvar's 16th feature. The story explores the interactions between three generations of women in a Spanish family. Raimunda (Penélope Cruz) was born and raised in the apocryphal village of Alcanfor de las Infantas, in La Mancha, Spain. However, she now resides in Madrid, where she works as a janitor. She is married to Paco (Antonio de la Torre), an unemployed layabout, and looks after her daughter, Paula (Yohana Cobo). Raimunda's mother, Irene (Carmen Maura), died several years back (along with her father) in a house fire. Raimunda's younger sister, Sole (Lola Dueñas), also lives in Madrid and works as a hair stylist, while their aunt Paula (Chus Lampreave) still makes her home in La Mancha, with occasional help from neighbor Agustina (Blanca Portillo). The story takes an unusual and mystical twist when Agustina mentions that Irene has begun reappearing in ghostly form -- a fact questioned by Raimunda and Sole. After a murder and an unexpected family tragedy, Paula's story is indeed corroborated by the appearance of Irene's spirit (who has come to comfort her family), and Sole must decide how to respond to the long-dead mother's strange, enchanting presence. ~ Mark Deming, All Movie Guide

Director Cristian Mungiu's drama 4 Months, 3 Weeks and 2 Days unfolds in Romania in the late '80s, during the last waning days of Communist rule. Anamaria Marinca and Laura Vasiliu play, respectively, Otilia and Gabita, two female friends and students who share a Bucharest flat. They soon find themselves saddled with an overwhelming problem: Gabita is expecting. With abortion illegal in Romania at that time, the women seek an illicit termination at the hands of one Mr. Bebe (Vlad Ivanov) in a seedy Romanian hotel -- but Bebe refuses to accept money in return for his services and demands a certain "alternate" commodity instead. ~ Nathan Southern, All Movie Guide

Director Chris Smith made this documentary about independent filmmaking which had its world premiere at the 1999 Sundance Film Festival, where it won the Grand Jury Prize. American Movie centers on a low-budget horror-film buff named Mark Borchardt, who grew up on such horror classics as The Texas Chainsaw Massacre and Night of the Living Dead. Now in his late twenties, he has decided to make the ultimate horror opus in the form of an indie feature entitled Northwestern, the scariest film ever made in his Wisconsin town. Filled with determination and passion (and very little else), this documentary follows Mark for a year and a half in the making of Northwestern. The audience sees Mark fending off creditors, including the IRS, and avoiding child support payments so he can make this direct-to-video flick. His efforts to round up cast and crew are disastrous, as there is nobody in his town who shares his knowledge and passion for moviemaking. Eventually he decides to star in his film and wears a dozen crew members' hats as writer, producer, director, cameraman, editor, and soundman. American Movie follows this man with a dream to his dying uncle's trailer park, where he raises three thousand dollars. Unable to make an entire feature for that price, he scraps the idea in exchange for completing one of his many abandoned short films, Coven, which also premiered at the 1999 Sundance Film Festival. The end is a world premiere as satisfying as getting accepted into Sundance. ~ Arthur Borman, All Movie Guide

For his sophomore feature film effort, visual artist Julian Schnabel chronicles the life of one of Cuba's most charismatic literary voices, the late Reinaldo Arenas. Working with Arenas' friends and family, Schnabel recounts the author's impoverished rural upbringing and the intense love and support he receives from his mother (played by the director's wife, Olatz Lopez Garmendia). As a young man, Arenas (Javier Bardem) is singled out by his teachers and encouraged to further his skills as a writer -- no easy task, considering the Castro regime's censorship of any work considered to be subversive or anti-authoritarian. Still, the author manages to smuggle his work out of the country through friends, who arrange for one of his novels to be published in France. Not only persecuted for his creative beliefs, the openly gay Arenas is jailed on a bogus sex charge; he escapes internment only to be captured and persecuted later for his contraband dispatches. In 1980, Arenas is finally allowed to leave Cuba for the United States, where he achieves freedom of expression but not prosperity. Schnabel's first film was another portrait of an artist, 1996's Basquiat; Bardem made his name in several of director Pedro Almodovar's Spanish-language productions. Before Night Falls premiered at the 2000 Venice Film Festival, where it received the Best Actor and Grand Special Jury prizes, and made its North American premiere at the Toronto International Film Festival. Bardem would go on to receive a host of accolades, including an eventual Best Actor nomination at the 2001 Academy Awards. ~ Michael Hastings, All Movie Guide