Totally Awesome 80s

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, Rovi

Ward and June Cleaver have nothing on suburban couple Ray and Carol Peterson (Tom Hanks and Carrie Fisher). Together with their perfect son, Ray and Carol are so clean that they squeak. Thus, when new neighbors Dr. Werner Klopek (Henry Gibson), Uncle Reuben (Brother Theodore), and Hans (Courtney Gains) begin evincing bizarre behavior, Ray is slightly put out. Carol thinks that Ray is getting all worked up over nothing. Ray and his fellow suburbanites endure all sorts of slapstick misadventures in the vain hope of getting "the goods" on the newcomers. ~ Hal Erickson, Rovi

Both a classic movie for kids and a remarkable portrait of childhood, E.T. is a sci-fi adventure that captures that strange moment in youth when the world is a place of mysterious possibilities (some wonderful, some awful), and the universe seems somehow separate from the one inhabited by grown-ups. Henry Thomas plays Elliott, a young boy living with his single mother (Dee Wallace), his older brother Michael (Robert MacNaughton), and his younger sister Gertie (Drew Barrymore). Elliott often seems lonely and out of sorts, lost in his own world. One day, while looking for something in the back yard, he senses something mysterious in the woods watching him. And he's right: an alien spacecraft on a scientific mission mistakenly left behind an aging botanist who isn't sure how to get home. Eventually Elliott puts his fears aside and makes contact with the "little squashy guy," perhaps the least threatening alien invader ever to hit a movie screen. As Elliott tries to keep the alien under wraps and help him figure out a way to get home, he discovers that the creature can communicate with him telepathically. Soon they begin to learn from each other, and Elliott becomes braver and less threatened by life. E.T. rigs up a communication device from junk he finds around the house, but no one knows if he'll be rescued before a group of government scientists gets hold of him. In 2002, Steven Spielberg re-released E.T. The Extra-Terrestrial in a revised edition, with several deleted scenes restored and digitally refurbished special effects. ~ Mark Deming, Rovi

Newly arrived in California from New Jersey, teenager Daniel (Ralph Macchio) almost immediately runs afoul of karate-trained high school bullies. He is rescued by Japanese janitor Miyagi (Noriyuki "Pat" Morita), who agrees to teach Daniel how to harness karate for good instead of brutality. The film culminates in a championship karate bout, pitting Daniel against his sworn enemy Johnny (William Zabka) -- the cruel and thuggish boyfriend of Ali (Elisabeth Shue), with whom Daniel has fallen in love (and vice versa). Real-life karate champ Chuck Norris was offered the role of Kreese, the sadistic coach who goads Johnny into fighting dirty, but Norris turned down the role, refusing to be shown utilizing his skills negatively onscreen. Vastly popular, The Karate Kid spawned three sequels of rapidly descending merit, as well as a Saturday-morning cartoon series. ~ Hal Erickson, Rovi

Jim Henson's Muppets find themselves in Manhattan yearning to get a musical on Broadway in this charming film that also chides show business and its foibles. Kermit the Frog has just put together a successful variety show at Danhurst college (probably somewhere between Amherst and Dartmouth), and although he would like to mount it on Broadway so he would have a hit and be able to marry Miss Piggy, he cannot find backers. The Muppets are then forced to take jobs to support themselves, and it is while working as a waiter that Kermit meets the friendly Jennie (Juliana Donald). Jennie is the daughter of the owner of the restaurant and a source of great jealousy for Miss Piggy, who does not like competition. With stunning musical numbers involving a hundred or so Muppets and on-scene locations in New York City, the film is impressive in its merging of technical achievements and acting. ~ Eleanor Mannikka, Rovi

Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news. Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. ~ Mark Deming, Rovi

Ione Skye plays Diane Court, high-school valedictorian on the verge of heading to England on a prestigious scholarship. This is especially thrilling to Diane's divorced father, James (John Mahoney), who has always shared a special relationship with the girl, less father/daughter than friend/friend. When Diane begins dating irresponsible army brat Lloyd Dobler (John Cusack), her father despairs at her choice of an "underachiever." Pressured by her dad to break off the relationship, Diane spends the rest of the summer being pursued by the lovestruck Lloyd, who does everything he can to win her back. Diane finally realizes there's more to life than perfection when her sainted father comes under the scrutiny of the IRS. ~ Hal Erickson, Rovi

Endlessly imitated, The Terminator made the reputation of cowriter/director James Cameron -- who would go on to make 1997's titanic Titanic -- and solidified the stardom of Arnold Schwarzenegger. The movie begins in a post-apocalyptic 2029, when Los Angeles has been largely reduced to rubble and is under the thumb of all-powerful ruling machines. Kyle Reese (Michael Biehn), a member of the human resistance movement, is teleported back to 1984. His purpose: to rescue Sarah Connor (Linda Hamilton), the mother of the man who will lead the 21st-century rebels against the tyrannical machines, from being assassinated before she can give birth. Likewise thrust back to 1984 is The Terminator (Schwarzenegger), a grim, well-armed, virtually indestructable cyborg who has been programmed to eliminate Sarah Connor. After killing two "Sarah Connors" who turn out to be the wrong women, he finally aims his gunsights at the genuine article. This is the film in which Schwarzenegger declared "I'll be baaaack" -- and back he was, in "kinder and gentler" form, in the even more successful Terminator 2: Judgment Day (1991). ~ Hal Erickson, Rovi

"Greed is Good." This is the credo of the aptly named Gordon Gekko (Michael Douglas), the antihero of Oliver Stone's Wall Street. Gekko, a high-rolling corporate raider, is idolized by young-and-hungry broker Bud Fox (Charlie Sheen). Inveigling himself into Gekko's inner circle, Fox quickly learns to rape, murder and bury his sense of ethics. Only when Gekko's wheeling and dealing causes a near-tragedy on a personal level does Fox "reform"-though his means of destroying Gekko are every bit as underhanded as his previous activities on the trading floor. Director Stone, who cowrote Wall Street with Stanley Weiser, has claimed that the film was prompted by the callous treatment afforded his stockbroker father after 50 years in the business; this may be why the film's most compelling scenes are those between Bud Fox and his airline mechanic father (played by Charlie Sheen's real-life dad Martin). Ironically, Wall Street was released just before the October, 1987 stock market crash. ~ Hal Erickson, Rovi

Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." ~ Perry Seibert, Rovi

After all the backstage intrigues and cast changes that had weighed down the previous two seasons of Three's Company, the series regained its former popularity (and comic momentum) during season seven. While no longer the second highest-rated series in America, the show managed to remain comfortably in sixth place. John Ritter, Joyce DeWitt, and Priscilla Barnes are back as roommates Jack Tripper, Janet Wood, and Terri Alden, living chastely in the Santa Monica apartment building managed by neurotic Ralph Furley (Don Knotts). As before, the very macho Jack has gone to great pains to convince Furley that he is gay so that the landlord won't imagine that any sexual hanky-panky is occurring (not that any is occurring!). Richard Kline, in the supporting role of Jack's photographer pal Larry Dallas, has more to do this season than in previous years, though there is no doubt as to whom the series' real stars are. A few minor changes: Joyce DeWitt has yet another new hairdo, the apartment has been slightly redesigned (reflecting the production's move from Burbank Studios to CBS Television Center), and, after a brief period of work as chef for restauranteur Frank Angelino (Jordan Charney), Jack opens up his own place, Jack's Bistro. Season seven marks something of a milestone for Three's Company, as the series reaches its 150th episode, "Borrowing Trouble." ~ Rovi

Abandoned by her parents, eight-year-old Penelope "Punky" Brewster and her little dog, Brandon, set up a home of their own in an abandoned Chicago apartment, where they are discovered by the building's manager, Henry Warnimont (George Gaynes). A bachelor with no great love for either kids or dogs, Henry nonetheless takes a liking to Punky and Brandon, and arranges with the authorities to have the two castaways live with him -- temporarily of course. Thus begins season one of the NBC sitcom Punky Brewster, in which the wide-eyed, spunky heroine brings happiness and purpose to the life of grumpy old Mr. Warnimont -- and several others along the way. During the series' initial season, Eddie Deezen appears as eccentric apartment-building maintenance man Eddie Malvin, while Dody Goodman is seen as Punky's schoolteacher, Mrs. Morton. Both Deezen and Goodman would be gone from the series before long, but three other characters introduced this year, Punky's classmates Cherie Johnson (played by Cherie Johnson!), Margaux Kramer (Ami Foster), and Allen Anderson (Casey Ellison), would "go the distance" right to the end of the run. Likewise seen throughout the series' four seasons, both on and off the network, is Henry's upstairs neighbor Betty Johnson (Susie Garrett), a registered nurse who has been legal guardian to Cheri ever since the deaths of the girl's parents. Once past its three-part opener, "Punky Finds a Home," the series settles into a unique pattern. While most of the subsequent episodes run a full half-hour, others ("Punky Gets Her Own Room," "Gone Fishin," "Go to Sleep") run a scant 15 minutes each. This is because Punky Brewster was originally telecast on Sunday evenings, just after NBC's weekly football telecasts; whenever a game ran overtime, Punky lost half of its 30-minute time slot, necessitating a stockpile of shorter episodes. Conversely, Punky Brewster's season-one finale, "Fenster Hall," ran a full hour -- that is, it was seen in two half-hour segments over a period of two weeks. In addition to bringing the season to a lively close, this elongated episode was also intended as the pilot for a series starring Billy Lombardo as a resourceful orphan named T.C. Fenestra. ~ Hal Erickson, Rovi

The cozy, respectable, and rather dull existence of the Tanner family is inexorably altered when an alien spaceship crashes into the family's garage in the opening episode of ALF's first season. Out pops a short, furry, orange-haired, and long-nosed space creature, who explains that he is Gordon Shumway from the recently destroyed planet Melmac. Nicknamed ALF (Alien Life Form) by the Tanners, our hero is invited to join the household, though before long, dad Willie Tanner (Max Wright) wishes he'd turned ALF over to the authorities. Not only does ALF stick his huge nose into everyone's business, but he also breaks everything he touches and eats like food is going out of style -- and he never tires of trying to chow down on the family's pet cat, Lucky. Meanwhile, Willie Tanner, his wife, Kate (Anne Schedeen), and their kids, Lynn (Andrea Elson) and Brian (Benji Gregory), work overtime trying to hide ALF's presence from their boorish neighbors, Trevor and Raquel Ochmonek (John LaMotta, Liz Sheridan). Additionally, the Tanners attempt to keep ALF a secret from Kate's overbearing mother, Dorothy (Anne Meara), though she eventually tumbles to his existence and agrees to keep mum. Though ALF was not the most popular sitcom on NBC's 1986-1987 schedule (that honor was bestowed upon The Cosby Show), the series performed well in the ratings during its first season, ranking at number 28 right between Miami Vice and Hunter. ~ Hal Erickson, Rovi