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Documentary

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1983  
 
Hosted by opera legend Placido Domingo, Mario Lanza: The American Caruso follows the life of the "singing truck driver" from his roots in Philidelphia to his tragic Hollywood story. Though Lanza's exceptional tenor helped to bring classical music and opera to the masses through his work in The Great Caruso and The Toast of New Orleans, he eventually succumbed to over-eating and a has-been status. Through interviews, rare footage, and many clips from his most popular recordings, the oftentimes sad truth of Lanza's career is revealed. ~ Tracie Cooper, Rovi

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1999  
 
This video documentary looks at the history of Hispanic or Latino stars and pictures in Hollywood, focusing on the last half of the 20th century. Stars such as Jimmy Smits, Antonio Banderas, Sonia Braga, and others discuss their experiences as Hispanic actors. They reflect on prejudices and attitudes, "Latin lovers" such as Valentino, and on how their positions in Hollywood differ compared to previous Hispanic actors. Highlights include excerpts from various movies with Latino actors, stories or themes, including the Academy Award-winning West Side Story (1961), Neptune's Daughter (1949), The Ballad of Gregorio Cortez (1982), Stand and Deliver (1987), and others. ~ Steve Blackburn, Rovi

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Starring:
Rita HayworthDolores Del Rio, (more)
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2001  
 
This documentary is part of a series that profiles outstanding women artists. This volume focuses on the Mexican artist Frida Kahlo. As a young girl, Kahlo suffered terrible injuries in a traffic accident. Her lifelong struggle with pain shaped and informed her art. Her bold style and emotionally charged works capture the passion she displayed in all aspects of her life. Married to the muralist Diego Rivera, she was great friends with Leo Tolstoy, whose philosophy she embraced. This documentary presents some of Kahlo's best-known paintings. ~ Rose of Sharon Winter, Rovi

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2000  
 
American filmmakers Laurie Ann Schag and Casey Stoll journeyed to Cuba to investigate the nuts and bolts of day-to-day life for artists and musicians in Cuba, and Great Day in Havana is the result, offering a look at the literal state of the arts in Cuba's capital city. Sculptor Pedro "Pulido" Gonzalez, performance artist Tania Bruguera, singer and songwriter Carlos Varela, and jazz musicians Ele Valdes and Carlos Alfonso all discuss their work, the political climate in Cuba, their feelings about Fidel Castro, and their views on America's economic embargo against their nation. Elio Ruiz, a filmmaker born in Cuba who now lives elsewhere, also lends his perspectives on Cuba's large exile community. Yareli Arizmendi narrates. ~ Mark Deming, Rovi

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Paco De Lucia is renowned as one of the master flamenco guitarists of his time. This biography examines his unique sound and his life using a mixture of performance clips, interviews with contemporaries, and backstage footage. ~ Perry Seibert, Rovi

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2002  
R  
In June of 2000, a young homeless man, evidently high on drugs, made a failed attempt to rob a bus in a wealthy Rio de Janeiro neighborhood. When his plans went awry, the young man, Sandro do Nascimento, armed with a pistol, took the bus passengers hostage. Soon, cops and reporters surrounded the bus. A SWAT team arrived. About four hours later, the incident came to a horrific and tragic end. Filmmaker José Padilha's documentary, Bus 174, explores the events of that day. The film uses a great deal of file footage of the event, in addition to interviews with hostages, policemen, reporters, and others connected to the incident and to the unstable and desperate young man at its center. The filmmakers explore social conditions in the city, along with the personal traumas that led Sandro to his desperate act. As a child, Sandro had witnessed the brutal murder of his mother, and had subsequently found himself on the streets at an early age. In 1993, he survived the infamous massacre of homeless youths at Candelária, which is widely thought to have been committed by police officers. Sandro was also imprisoned at a youth facility, and in a city jail, and the appalling conditions in those prisons are also depicted in the film. Bus 174 was shown at New Directors/New Films in 2003. ~ Josh Ralske, Rovi

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2004  
 
From the very folks who brought viewers The Dirty South and Trick Daddy: Uncut comes a tantalizing look at some of the craziest and most alluring Latin ladies from across the country. These women certainly aren't shy, and as the bass from Trick Daddy and Trina's latest releases bumps on the soundtrack, the wildest women from Miami to Puerto Rico make no bones about baring it all for the camera. Whether they're in the club or on the streets, these ladies certainly know how to party and with this release, viewers don't need a special invitation to join in on all the raunchy fun. ~ Jason Buchanan, Rovi

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2004  
 
Carlos Menem was the president of Argentina between 1989 and 1999; under his administration, many of the nation's public works were privatized, and the nation's peso was linked to the value of the American dollar. When the nation quickly fell into debt, the International Monetary Fund stepped in to give the nation massive loans -- a tactic that only sent Argentina deeper into the hole, as the government struggled to pay the interest on their notes. The results were little short of disastrous, sending the economy into a tailspin and forcing much of Argentina's industry to shut down. In 2001, following the example of other out-of-work laborers, the former employees of an Argentinean auto plant walked into the abandoned factory where they once worked and announced their plans to take it over and run the business as a cooperative. The auto company's owners soon stepped in to claim what they said was theirs, while labor advocates argued that since the company had been floated by IMF-backed loans before it closed, the true ownership of the shop was an open question. The Take is a documentary by activist filmmakers Avi Lewis and Naomi Klein that chronicles the standoff between the displaced laborers occupying their former workplace and the private and public forces who united against them. ~ Mark Deming, Rovi

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2004  
 
An artist whose life was as bold and startling as her work, Frida Kahlo battled physical infirmity and a male-dominated art establishment to become one of the most acclaimed and influential painters of her generation. Kahlo also had a passionate interest in politics with her leftist views informed by the Mexican Revolution; she was an outspoken advocate of Communism and a powerful symbol of the progressive movement throughout her life. The Life and Times of Frida Kahlo is a documentary which tells Kahlo's story as a woman, as an artist, and as a symbol of women's rights and Latin progress. The film is narrated by actress Rita Moreno, while singer Lila Downs provides the voice of Kahlo. ~ Mark Deming, Rovi

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2005  
 
This documentary follows one man's efforts to better his own life and the community he calls home. Anderson Sa grew up in the ghettos of Rio de Janeiro (known locally as "favelas"), where drug dealing, gangs, corrupt police officials, and violence were a common part of daily life. However, Sa came to realize that the life he was living was a dead end, and gave up selling drugs and gang life to become a community activist. Sa also had musical talent, as did a handful of like-minded friends, and together they began fusing the energy and immediacy of hip-hop with the hypnotic grooves of reggae, creating a new sound called afro-reggae in the process. Favela Rising follows Sa and his comrades as they share the story of his violent past, his vision of a better future for the favelas of Brazil, and the crucial message behind their music. ~ Mark Deming, Rovi

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2005  
 
This episode of the long-running A&E series Biography takes a look at the life and career of the artist Frida Kahlo. Her impressive art as well as her remarkable life are both well represented in this biography that combines interviews with art historians and archival footage in order to discuss many aspects of her life and work, including her relationship with the famed Diego Rivera. ~ Perry Seibert, Rovi

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2005  
 
The hardships of a Mexico City construction crew struggling to complete a second deck atop the massive Periférico Freeway are explored in director Juan Carlos Rulfo's studied look at the modern work ethic. As countless drivers zoom past the enormous worksite day after day, the anonymous workers toil away in a relentless drive to finish construction on the massive freeway addition by the scheduled completion date of December 2005. Despite the long hours and sometimes harsh working conditions, workers such as "Shorty" and "EL Grande" look past the sub-standard safety conditions to focus on the task at hand. Though both men know that when the project is finally completed they will likely receive little to no recognition for their monumental feat, the differing attitudes that they take towards their jobs offers a compelling look at the divisive opinions that many Mexicans hold in regards to both themselves and their country. ~ Jason Buchanan, Rovi

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Starring:
Shorty Rogers & His BandEl Grande, (more)
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2006  
 
The dangerous journey of poor Central Americans though Mexico as they attempt to sneak into America in search of a better life is brought to the screen in this documentary. The majority of Central Americans live below the poverty line and most are in a constant struggle for survival; desperate to improve their circumstances, many try to leave their home behind and attempt to improve their circumstances by joining the underground economy in America. However, the path through Mexico to America is not a safe or simple one to follow, and each year an estimated 145,000 Central Americans are captured by Mexican police and sent back home. Many suffer brutal treatment at the hands of Mexican authorities, and hunger, disease, and exposure also claims the lives of many undocumented immigrants. Filmmaker Tin Dirdamal interviews a number of Central Americans trying to make their way through Mexico, as well as others who were unsuccessful in their efforts, and a handful of Mexicans sympathetic to the plight of the immigrants. No One was screened as part of the 2006 Sundance Film Festival. ~ Mark Deming, Rovi

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Starring:
Maria Luisa PonceAntonio Ponce, (more)
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2006  
 
Eusebio de Haro Espinosa was a young man from Mexico who slipped over the U.S. border into Texas and was desperate for a drink of water when he happened upon the home of Samuel Blackwood. Later the same day, seventy-year-old Blackwood shot and killed Espinosa; some reports say Blackwood and his wife were chasing the young man in their car when he was killed, while Blackwood's friends and family insist the death was the result of an accident. When Blackwood's case came to trial, it was discovered that part of his initial indictment paperwork had gone missing -- including a key passage concerning weapons -- and eventually the elderly man was released with a suspended sentence, while Espinosa's family insist racism is to blame for their son's death and the failure to bring Blackwood to justice. Filmmakers John Sheedy, David Eckenrode and John Eckenrode examine the Eusebio de Haro Espinosa case in El Inmigrante, a documentary which focuses on the realities of illegal immigration in America -- overworked border guards who feel more compassion than anger towards their charges, amateur vigilantes who discuss their fears of who may be coming into America, and Espinosa's family in Mexico who talk about the young man's death and what prompted him to leave his home. El Inmigrante was screened as part of the 2006 New York Latino Film Festival. ~ Mark Deming, Rovi

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Filmmaker Mika Kaurismäki delves deep into the century-old Brazilian musical style known as "Choro" in this documentary that shows just how the sounds of Europe blend with Brazilian African and Indian traditions to offer a musical reflection of Brazil's diverse ethnic heritage. ~ Jason Buchanan, Rovi

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2006  
 
Cherry Ridez, Vol. 2 features custom cars, motorcycles, and trucks, as well as a number of attractive young women posing in bikinis, all set to a beat heavy soundtrack. ~ Perry Seibert, Rovi

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