Graduation

Self-made wealthy guy Thornton Melon (Rodney Dangerfield) decides he needs a better education -- and also to spend some time away from his cheating new wife. Thornton joins his son, Jason (Keith Gordon) at college. Dad hopes to gain his son's respect (isn't that always Dangerfield's motivation?), while his son tries to fit in with his snobbish and brutish fellow students. English professor Diane Turner (Sally Kellerman) forms a strong bond with Thornton, encouraging both father and son to stick out their first year despite all odds. The finale involves some slapstick at the swimming pool diving board, and the obligatory commencement address delivered by Dangerfield, who proves that he can crack jokes without tugging at his tie. ~ Hal Erickson, Rovi

Robin Williams toned down his usually manic comic approach in this successful period drama. In 1959, the Welton Academy is a staid but well-respected prep school where education is a pragmatic and rather dull affair. Several of the students, however, have their thoughts on the learning process (and life itself) changed when a new teacher comes to the school. John Keating (Williams) is an unconventional educator who tears chapters of his textbooks and asks his students to stand on their desks to see the world from a new angle. Keating introduces his students to poetry, and his free-thinking attitude and the liberating philosophies of the authors he introduces to his class have a profound effect on his students, especially Todd (Ethan Hawke), who would like to be a writer; Neil ( Robert Sean Leonard), who dreams of being an actor, despite the objections of his father; Knox (Josh Charles), a hopeless romantic; Steven (Allelon Ruggiero), an intellectual who learns to use his heart as well as his head; Charlie (Gale Hansen), who begins to lose his blasé attitude; unconventional Gerard (James Waterston); and practical Richard (Dylan Kussman). Keating urges his students to seize the day and live their lives boldly; but when this philosophy leads to an unexpected tragedy, headmaster Mr. Nolan (Norman Lloyd) fires Keating, and his students leap to his defense. Dead Poets Society was nominated for four Academy Awards, including Best Picture and Best Actor for Williams; it won one, for Tom Schulman's original screenplay. ~ Mark Deming, Rovi

Teenaged Ferris Bueller (Matthew Broderick) is a legend in his own time thanks to his uncanny skill at cutting classes and getting away with it. Intending to make one last grand duck-out before graduation, Ferris calls in sick, "borrows" a Ferrari, and embarks on a one-day bacchanal through the streets of Chicago. Dogging Ferris' trail at every turn is high-school principal Rooney (Jeffrey Jones), determined to catch Bueller in the act of class-cutting. Writer/director John Hughes once again tries to wed satire, slapstick, and social commentary, as Ferris Bueller's Day Off starts like a house afire and goes on to make "serious" points about status-seeking and casual parental cruelties. It brightens up considerably in the last few moments, when Ferris' tattletale sister (Jennifer Grey) decides to align herself with her merry prankster sibling. A huge moneymaker, Ferris Bueller's Day Off eventually spawned a TV sitcom. ~ Hal Erickson, Rovi

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, Rovi

Ione Skye plays Diane Court, high-school valedictorian on the verge of heading to England on a prestigious scholarship. This is especially thrilling to Diane's divorced father, James (John Mahoney), who has always shared a special relationship with the girl, less father/daughter than friend/friend. When Diane begins dating irresponsible army brat Lloyd Dobler (John Cusack), her father despairs at her choice of an "underachiever." Pressured by her dad to break off the relationship, Diane spends the rest of the summer being pursued by the lovestruck Lloyd, who does everything he can to win her back. Diane finally realizes there's more to life than perfection when her sainted father comes under the scrutiny of the IRS. ~ Hal Erickson, Rovi

Like George Lucas' American Graffiti, Richard Linklater's Dazed and Confused is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950's, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts, pot smoking and Frampton Comes Alive. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. ~ Jason Ankeny, Rovi

Master of infantilism Adam Sandler stars as the title character, an overgrown rich kid who wiles away his days poolside, swilling kegs of beer and appreciating fine nudie magazines such as "Drunk Chicks" -- that is, until his father (Darren McGavin) decides to test his mettle as future head of the family business by posing a challenge: retake and pass grades K-12 in 24 weeks or watch control of the business pass to the requisite conniving underling (Bradley Whitford). Forced into action, Billy vows to change his drunken ways. He enrolls in kindergarten, makes new friends, pelts pint-sized kids with playground balls and develops a love interest in a pretty teacher (Bridgitte Wilson). The action culminates in an academic showdown between Billy and the purportedly Harvard-educated underling for the future of the family enterprise -- no small feat for a man fresh out of the first grade. There's gross, moronic, off-color low humor galore in Billy Madison, particularly in one subplot involving a romantically forward elementary school principal (Josh Mostel, son of theater great Zero Mostel) and his secret former life as a professional wrestler; another scene includes the hypertense school bus driver (Chris Farley, in a typical over-the-top cameo) lying in the meadow with a hallucinatory penguin. As one might suspect, Billy Madison is not for every taste; Sandler fans will laugh from start to finish; others beware. ~ Jeremy Beday, Rovi

Three women plot revenge on their two-timing husbands in this comedy. Brenda (Bette Midler), Elise (Goldie Hawn), and Annie (Diane Keaton) were close friends in college, but 27 years after graduation they've lost touch with each other, and it's not until a mutual friend of the three commits suicide that they meet at the funeral for the first time in years. It seems that their friend grew despondent after her husband left her for a younger woman, and all three find themselves in similar situations. Elise is an actress who finds herself out of work now that she's seen the shady side of 40, and her husband and producer Bill (Victor Garber) is demanding a divorce (and half of her fortune). Brenda helped her husband Morton (Dan Hedaya) open a profitable chain of discount electronics stores, but now that his commercials have made him a minor celebrity, he's taken up with a much younger (and thinner) woman. Annie has allowed her husband Aaron (Stephen Collins) to use her as a doormat throughout their marriage, and she's at a loss now that he's leaving her. After comparing notes, Brenda, Elise, and Annie decide that it's time to do something about their problems, and they hatch an elaborate blackmail scheme that will win them control of their ex-husband's businesses and allow them to do something positive with the money they helped earn. Heather Locklear and Ivana Trump both make cameo appearances. ~ Mark Deming, Rovi

As Shakespearean adaptations go, it's not quite as odd as moving The Tempest to another planet (as in Forbidden Planet) or Hamlet to a Canadian brewery (the secret subtext of Strange Brew), but it's still safe to say no one was expecting a version of The Taming of the Shrew set in an American high school. But unlike the previously mentioned films, 10 Things I Hate About You at least gives the Bard screen credit for his contribution to the story. In 10 Things I Hate About You, Bianca Stratford (Larisa Oleynik) is a tenth grader who has never gone on a date, as her parents have a little rule where Bianca isn't allowed to go out with boys until her older sister gets a boyfriend. The problem is, while her older sister Kat (Julia Stiles) is attractive and intelligent, she's also a mean-spirited misanthrope who rubs nearly everyone the wrong way -- especially boys. But Bianca and the guy she has her eye on, Joey Donner (Andrew Keegan), are eager to get their romance on the road, so Joey fixes Kat up with Patrick Verona (Heath Ledger), a new kid in town who may be just bitter and mysterious enough to suit her. 10 Things I Hate About You is the first feature film for director Gil Junger, who previously worked extensively in television, including episodes of Dharma and Greg, Ellen, and Blossom. ~ Mark Deming, Rovi

Filmmaker Terry Zwigoff, who enjoyed breakthrough success with his 1994 documentary Crumb, shifts gears as he examines the lives of two young women on the verge of leaving their adolescence behind in his first dramatic feature. Enid (Thora Birch) and Rebecca (Scarlett Johansson) are two close friends who've just graduated from high school, and are trying to decide what to do with their lives. Enid is a dark-haired arch cynic who is tired of living at home with her ineffectual dad (Bob Balaban) and his annoyingly perky girlfriend Maxine (Teri Garr), while Rebecca is prettier and a bit cheerier, but no more certain about her future. While the two girls have vague plans of getting an apartment together, they seem content to while away their summer hanging out and indulging in their shared infatuation with Josh (Brad Renfro), a friend from school who works at a convenience store and doesn't seem to be especially attracted to either of them. Enid discovers that in order to get her diploma, she'll have to take an additional class over the summer, where she winds up studying art with Roberta (Illeana Douglas), who is determined to encourage Enid's creative impulses, whether Enid likes it or not. More significantly, Enid meets Seymour (Steve Buscemi), a geeky record collector more than twice her age, and while they would seem to have little in common (and Rebecca thinks he's a creep), Enid discovers a kindred spirit in fellow misfit Seymour, who shares her disgust with the world around them, and a relationship begins to develop between the two. Ghost World is based on the award-winning graphic novel by comic artist Daniel Clowes, who also wrote the film's screenplay. ~ Mark Deming, Rovi

Three men relive their carefree college years by killing off as many brain cells as possible in this over-the-top comedy. Mitch (Luke Wilson) returns home from a less-than-pleasant business trip one evening to discover his wife, Heidi (Juliette Lewis), involved in a ménage à trois with two blindfolded strangers. Feeling less than welcome at home after this, Mitch rents a house near the campus of a nearby college; two of Mitch's old college buddies, Beanie (Vince Vaughn) and Frank (Will Ferrell), stop by to cheer him up. They soon become regular guests at Mitch's place, despite the fact that Frank only recently wed Marissa (Perrey Reeves), while Beanie and his wife, Lara (Leah Remini), are busy with two kids. Beanie decides to throw a housewarming party for Mitch, and since Beanie sells audio equipment for a living, he's able to trick out the big bash with a massive PA system and an appearance by Snoop Dogg. Mitch soon finds he's the not-entirely-willing proprietor of the school's leading party spot, which raises the ire of Pritchard (Jeremy Piven), a dean at the college who was the target of Mitch, Frank, and Beanie's abuse when they were all students. Pritchard arranges to have Mitch's neighborhood zoned into a student housing district, but Beanie and Frank respond by forming a fraternity and making Mitch's home their headquarters. Mitch, however, is not enthusiastic about the idea, especially as he's trying to impress Nicole (Ellen Pompeo), a beautiful divorcee who is less than enchanted with Frank and Beanie's "party hearty" lifestyle. Old School director Todd Phillips knows more than a bit about the seamy side of fraternity life as director of the infamous unreleased documentary Frat House. ~ Mark Deming, Rovi

Hollywood filmmaker Michael Tollin directs the sports drama Radio, based on a true story and adapted for the screen by Mike Rich (The Rookie). Set in a small South Carolina town during the '60s, the film stars Ed Harris as Harold Jones, a high school football coach who barely has time to spend with his daughter, Mary Helen (Sarah Drew), or his wife, Linda (Debra Winger). When Coach Jones meets the mentally challenged student who goes by the name of Radio (Cuba Gooding Jr.), he allows him to help out with his football team. While the townsfolk just aren't sure about Radio hanging around the team, the star player Johnny Clay (Riley Smith) is downright mean about it. Nevertheless, Radio continues to support the team for the next three decades. Also starring Alfre Woodard as the principal. ~ Andrea LeVasseur, Rovi