Holiday & Seasonal Featured Lists

Ingenue Julie Delpy does triple duty as writer, director, and star of this romantic comedy. French photographer Marion (Delpy) and American interior designer Jack (Adam Goldberg) are returning from a vacation in Venice. Despite the fact that it was supposed to be the ultimate romantic getaway, disagreements and misunderstandings seemed to drive them farther apart rather than bringing them closer together. Before they return to the United States, Marion and Jack have a quick two-day stop in Paris to visit Marion's parents and pick up the cat that they had been pet-setting for their daughter. Unfortunately for Jack, Paris proves to be quite a culture shock. Not only are Marion's parents a pair of eccentric former "revolutionaries" who make no qualms about having knock-down-drag-out arguments regardless of who's present, but they also appear to have a particular distaste for Americans. Add to this the fact that Marion's friends hold nothing back when it comes to discussing their sexual lives, seem fixated on food rituals, and that Marion seems to run into former lovers on every street corner, and Jack quickly begins to suspect that he doesn't know his girlfriend half as well as he thought he did when they were living the simple life back in New York. ~ Jason Buchanan, All Movie Guide

A once-loving Chicago couple whose happily-ever-after quickly turned into a never-again finds their crumbling romance complicated when both parties refuse to move out of the pair's recently purchased condo. The Break-Up is a romantic comedy that starts where all the others end. The future once looked promising for thirtysomething couple Brooke (Jennifer Aniston) and Gary (Vince Vaughn), but lately it seems like a series of increasingly petty and intolerable squabbles have snuffed any semblance of romance in their relationship. Their confrontation endlessly fueled by mean-spirited suggestions of revenge tactics from friends and family and their stubborn refusal to budge resulting in an excruciating stalemate, Brooke and Gary ultimately decide to spitefully stick it out as hostile roommates until the weaker party eventually admits defeat. As the competition to drive one another out grows increasingly intense and outrageous, however, Brooke eventually comes to the realization that she's not fighting for possession of the condominium as much as she is fighting to salvage her relationship with the man she once viewed as the love of her life. ~ Jason Buchanan, All Movie Guide

A man sets out to find the son he didn't know he had and winds up getting answers to some questions he never asked in this comedy drama from director Jim Jarmusch. Don Johnston (Bill Murray) is an emotionally blank middle-aged man who has never married and lives a quiet, comfortable life thanks to shrewd investments in computers (though he doesn't use one himself). After being given his walking papers by his latest girlfriend, Sherry (Julie Delpy), Don receives an anonymous letter informing him he fathered a son 19 years ago, and that the boy wants to find his dad. Not sure what to do, Don shows the note to Winston (Jeffrey Wright), a neighbor who fancies himself an amateur detective. With Winston's help, Don narrows the list of possible mothers down to four women, and with a mixture of reluctance and resigned determination he sets out to find them. Armed with a CD of traveling music from Winston, Don pays unannounced visits to Laura (Sharon Stone), an oversexed widow with a libidinous teenage daughter (Alexis Dziena); Dora (Frances Conroy), a stuffy real estate agent; Penny (Tilda Swinton), an aging biker with no happy memories of Don; and Carmen (Jessica Lange), a self-styled analyst for pets whose outward eccentricity disguises a firm inner stability. ~ Mark Deming, All Movie Guide

Were it not for its profanity-laden opening scenes, John Hughes' Planes, Trains and Automobiles might have been suitable family entertainment: certainly it's heaps less violent and mean-spirited than Hughes' Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, All Movie Guide

Based on the beloved story by Little Women author Louisa May Alcott, director Graeme Campbell's holiday-themed family drama tells the tale of a headstrong teenager who seeks to rescue her family from financial ruin by writing to her long lost grandmother, a wealthy New York socialite. Mathilda Bassett is a quick-witted young writer who just lost her father in an untimely tragedy, and now her mother is struggling just to make ends meet. Though she has never met her grandmother Isabella, Mathilda secretly puts pen to paper in a desperate bid to keep her family afloat financially. ~ Jason Buchanan, All Movie Guide