Berlin Film Festival

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, All Movie Guide

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. ~ Merle Bertrand, All Movie Guide

Ang Lee's adaptation of E. Annie Proulx's story Brokeback Mountain stars Jake Gyllenhaal and Heath Ledger as young cowboys named Jack Twist and Ennis Del Mar. Each of them is hired to corral sheep on the title location and they soon bond very closely. Their platonic relationship explodes into a physical one, but eventually the two are separated when their job comes to an end. Although the two follow different life paths -- one becoming a father of two and the other marrying into a successful business -- they have a reunion years later. Each is affected profoundly by the rekindling of their old feelings for each other. Those feelings lead each to consider what continuing their hidden relationship would cost them. The screenplay was written by Pulitzer Prize-winning author Larry McMurtry and Diana Ossana. ~ Perry Seibert, All Movie Guide

A historical drama about the relationship between a Civil War soldier and a band of Sioux Indians, Kevin Costner's directorial debut was also a surprisingly popular hit, considering its length, period setting, and often somber tone. The film opens on a particularly dark note, as melancholy Union lieutenant John W. Dunbar attempts to kill himself on a suicide mission, but instead becomes an unintentional hero. His actions lead to his reassignment to a remote post in remote South Dakota, where he encounters the Sioux. Attracted by the natural simplicity of their lifestyle, he chooses to leave his former life behind to join them, taking on the name Dances with Wolves. Soon, Dances with Wolves has become a welcome member of the tribe and fallen in love with a white woman who has been raised amongst the tribe. His peaceful existence is threatened, however, when Union soldiers arrive with designs on the Sioux land. Some detractors have criticized the film's depiction of the tribes as simplistic; such objections did not dissuade audiences or the Hollywood establishment, however, which awarded the film seven Academy Awards, including Best Picture. ~ Judd Blaise, All Movie Guide

At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew's partner, Joanne Woodward as Andrew's mother, and Stephanie Roth as Joe's wife. ~ Paul Brenner, All Movie Guide

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

Model-turned-actress Charlize Theron leaves her glamorous image behind for this gritty drama, in which she plays a disturbed prostitute who becomes a serial killer. Aileen Wuornos (Theron) was a woman who survived a brutal and abusive childhood in Michigan to become a thick-skinned but emotionally damaged adult. Homeless most of her life, Wuornos subsisted by working as a street prostitute; later, when she was in Florida, down to her last five dollars and pondering suicide, she stopped into a bar for a beer. There, Aileen met Selby Wall (Christina Ricci), a woman in her early twenties who had been sent to live with relatives after her Christian parents became aware of her lesbian lifestyle. Selby is immediately attracted to Aileen, and while Aileen tells Selby she's never been in a lesbian relationship, she soon finds herself equally infatuated with her. Selby runs away from her family and moves into a cheap hotel with Aileen, who initially pays the bills by hooking. However, as their money runs low and Aileen finds herself unable to land a regular job, tensions mount between the two. One night, after a john attacks her, Aileen pulls a gun and kills the man. Although her first murder can be categorized as self-defense, Aileen's loathing for the men who pay her for sex becomes so extreme that she begins killing her customers regardless of their behavior. Meanwhile, Selby slowly becomes aware of the full extent of her lover's instability and the bloody consequences of her actions. Monster was inspired by the true story of Aileen Wuornos, whose life and death was chronicled in two documentaries by filmmaker Nick Broomfield, Aileen Wuornos: The Selling of a Serial Killer, and Aileen: The Life and Death of a Serial Killer. ~ Mark Deming, All Movie Guide

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, All Movie Guide

In a 29-day shoot, Barry Levinson filmed this $15 million political and media satire, adapted by Hilary Henkin and David Mamet from Larry Beinhart's novel, American Hero. Two weeks prior to re-election, the President (Michael Belson) is accused of cornering an underage girl in the Oval Office. To keep the media from learning of this, Presidential adviser Winifred Ames (Anne Heche) brings in political consultant and spin doctor Conrad Brean (Robert De Niro), a specialist in such salvage operations. Brean suggests fabricating denials of non-existent emergencies -- such as denials about the B-3 bomber. The denial, of course, is true, since no B-3 bomber exists. Brean visits the mansion of Hollywood producer Stanley Motss (Dustin Hoffman) and gives him the assignment to create a patriotic campaign centered around a war in Albania. Motss assembles a creative team -- Liz Butsky (Andrea Martin), the trend-setter Fad King (Denis Leary), and songwriter Johnny Green (Willie Nelson). Treated like an ad campaign, the songs and symbols are transmitted directly from a Hollywood soundstage to CNN. The star of their campaign is a "rescued" pilot -- in reality, a psychotic military prisoner (Woody Harrelson), who's a ticking time bomb. The flag-waving song, "The American Dream" was written for the film by Tom Bahler (who co-wrote "We Are the World"). Beinhart's original novel involved a real President (Bush), a real war (the Gulf War), and the premise that George Bush and Saddam Hussein staged it. ~ Bhob Stewart, All Movie Guide

Director Marc Forster, winner of Best Feature at Slamdance for his debut film Loungers (1996) and the "Someone to Watch" Independent Spirit Award for his indie drama Everything Put Together (2000), follows up those acclaimed projects with this intense, racially charged romance. Billy Bob Thornton stars as Georgia prison guard Hank Grotowski, a hard-drinking racist ex-cop whose father, Buck (Peter Boyle), is dying of emphysema and whose son, Sonny (Heath Ledger), works the execution detail at the prison's death row. When Sonny commits suicide, Hank is devastated and quits his job, spiraling into a deep depression until, one night, he comes to the aid of Leticia (Halle Berry), a beautiful African-American woman whose son, Tyrell (Coronji Calhoun), has been hit by a car. When Tyrell dies, Leticia and Hank find themselves to be unexpected soul mates linked together by tragic grief. It's not long before Hank discovers that Leticia is the widow of Lawrence Musgrove (Sean Combs), the man whose execution by electric chair he and his late son helped to orchestrate. Monster's Ball (2001) is based on a screenplay by actors Milo Addica and Will Rokos, who spent five years developing their script into a feature. Their title refers to the name of an English tradition requiring jailers to throw a party for a condemned man on the night before his death. ~ Karl Williams, All Movie Guide