Director's Cuts

LA cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

Porter (Mel Gibson) is pulled into a heist by his old friend, Val (Brian De Palma regular, Gregg Henry). As they're stealing $130,000 in laundered drug money from Chinese Triads, no one is going to call the police. Everything goes smoothly until Porter's wife, Lynn (Deborah Kara Unger), shoots Porter in the back. After Val had shown Lynn a photo of Porter in the arms of another girl (Maria Bello), the two planned the double-cross together to pay off Val's mob debts so he could return to "The Syndicate." They didn't plan well enough, though, because five months later Porter's back, a complete sociopath who wants his $70,000. Brian Helgeland, the screenwriter for L.A. Confidential and Conspiracy Theory, makes his directing debut with this adaptation of the novel The Hunter by Donald E. Westlake writing under the pseudonym, Richard Stark. The same novel served as the basis for John Boorman's Point Blank starring Lee Marvin. ~ Chris Gore, All Movie Guide

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star. ~ Robert Firsching, All Movie Guide

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, "loose cannon" LA detective Martin Riggs and Riggs' partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what's going on thanks to characterless character witness Joe Pesci, he can't touch the villain because of "diplomatic immunity." After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4. ~ Hal Erickson, All Movie Guide

Inspired by the epic Old English poem of the same name, director Robert Zemeckis's digitally rendered film follows the Scandinavian hero Beowulf (Ray Winstone) as he fights to protect the Danes from a ferocious beast named Grendel (Crispin Glover). Though at first Grendel seems invincible, Beowulf eventually manages to defeat him in a desperate battle to the death. Devastated by her son's violent demise at the hands of Beowulf, Grendel's mother (Angelina Jolie) sets out in search of revenge. Later, Beowulf faces the biggest challenge of his life when he attempts to slay a powerful dragon. Anthony Hopkins, Robin Wright Penn, Alison Lohman, John Malkovich, and Brendan Gleeson co-star in an epic fantasy adventure penned by Roger Avary and Neil Gaiman. ~ Jason Buchanan, All Movie Guide

The fourth film to chronicle the life of fourth-century B.C. ruler Alexander the Great, Oliver Stone's Alexander stars Colin Farrell as the titular Macedonian conqueror. The film follows the young king as he leads his forces on a bloody empirical conquest across the known world, taking large parts of Asia and the Middle East to amass a giant empire, all by the time he turned 25. Anthony Hopkins co-stars as Ptolemy I along with Rosario Dawson as Roxane, Angelina Jolie as Olympias, Jared Leto as Hephaistion, Val Kilmer as King Philip II, and Jonathan Rhys-Meyers as Cassander. ~ Matthew Tobey, All Movie Guide

In this sci-fi thriller, a man and a woman must fend off a killer whom they cannot see. Scientist Sebastian Caine (Kevin Bacon) is working with a secret military research team headed by Dr. Kramer (William Devane), assigned to create new intelligence technology. With the help of his colleagues Linda McKay (Elisabeth Shue) and Matt Kensington (Josh Brolin), Sebastian has been developing a serum that makes people invisible. The formula is new and unstable, but after a risky but successful test on an ape, an impatient Sebastian, under pressure from Kramer, decides to try it on himself. It works, but no one counted on the side effects; unable to reverse the serum's effects, an invisible Sebastian goes insane, and begins pursuing Linda (his former girlfriend) and Matt (Linda's current beau) in a fog of homicidal rage. Directed by Paul Verhoeven, Hollow Man also features Kim Dickens, Mary Randle, Joey Slotnick, and Greg Grunberg. ~ Mark Deming, All Movie Guide

In this science fiction thriller, a spaceship is transporting a disparate group of people to a far-away galactic outpost called New Mecca. Mechanical failures cause the craft to crash-land on an abandoned planet that has three suns and no night. The only member of the crew to survive is junior pilot Carolyn Fry (Radha Mitchell), while the passengers who climb from the wreckage include a police officer (Cole Hauser) and the prisoner he's transporting, Riddick (Vin Diesel). As Fry and the other survivors survey the abandoned dwellings of the desert world while trying to decide what to do next, one of them is killed by a mutant creature living in an abandoned mining site. The vicious and bloodthirsty mutants, who live underground, have killed all previous inhabitants of the planet; they cannot stand sunlight, but research reveals that the planet has a total eclipse every 22 years, and the latest one is due any moment. Pitch Black was directed by David N. Twohy, who also made the sci-fi cult item, The Arrival. ~ Mark Deming, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide

Charlatan Frank Bannister (Michael J. Fox) has genuine psychic powers, but he doesn't use them to help people. Rather, he generates cases for his supernatural private-eye firm by harassing a group of hapless ghosts (including a dearly departed Wild West outlaw and an undead judge played by John Astin) into staging hauntings and poltergeists in the homes of likely marks. Bannister's world turns on its head when he starts noticing real hauntings around town -- ghostly assassinations that seem to be tied to the execution 20 years earlier of a brutal serial killer. Lucy Lunskey (Trini Alvarado), the wife of one unlucky victim, teams up with Bannister to get to the bottom of the killings and find out what shut-in Patricia Bradley (Dee Wallace Stone) and her witchy mother (Julia McCarthy) have to do with the sinister spree. ~ Brian J. Dillard, All Movie Guide

John Dahl directed this war drama based on the true story of one of the most daring military actions of World War II. In the waning days of World War II, General Douglas MacArthur chose to make good on a pledge that he made in 1942 -- that he would return to the Philippines after he and his troops were forced to retreat. However, MacArthur's determination was more than a matter of pride. Over 500 American soldiers were being held in Cabanatuan, a notoriously brutal prisoner of war camp in the Philippines operated by the Japanese army, and MacArthur wanted to see to it that they made it home. MacArthur chose Lt. Col. Henry Mucci (Benjamin Bratt) to lead the Sixth Ranger Battalion on a mission 30 miles behind enemy lines to infiltrate Cabanatuan and liberate the American prisoners. With the help of Capt. Prince (James Franco), Mucci leads his men on a life-or-death raid against forces known for their savagery. The Great Raid was based on William B. Breuer's book The Great Raid on Cabanatuan: Rescuing the Doomed Ghosts of Bataan and Corregidor, and also stars Joseph Fiennes, Connie Nielsen, and Marton Csokas. ~ Mark Deming, All Movie Guide