Western Classics

A gunslinging con man develops a tricky scheme to make a killing at a major poker tournament in this comic Western inspired by the popular television show. Mel Gibson assumes the role of Bret Maverick, the handsome rogue who hopes to cheat his way to success. In need of a large stake to enter a major card competition on a Louisiana steamboat, Maverick decides to take advantage of a few small-town poker players. These include the seemingly sweet Annabelle Bransford (Jodie Foster) and the intimidating Angel (Alfred Molina), neither of whom is too happy about their loss. Things become even more complicated for Maverick when the law gets involved, with Marshal Zane Cooper (James Garner, who played the role of Maverick in the original television series) giving chase. A series of stagecoach chases, complicated cons, and gun battles ensues, with Annabelle and Maverick finding time for plenty of flirtation along the way. ~ Judd Blaise, All Movie Guide

Mitch Robbins (Billy Crystal) returns in this sequel to the original City Slickers that attempts to recapture the first film's warmth and character comedy. Despite feeling re-invigorated when we last left him, Mitch again faces a few personal dilemmas: his radio station job is going nowhere and his schlep of a brother (Jon Lovitz, replacing Bruno Kirby as the third of Mitch's cowboy threesome) has come to stay for a while. Things get really strange when Mitch is haunted by the ghost of cowboy Curly (Jack Palance), who died while leading Mitch and friends on their first cattle-herding adventure. Mitch unexpectedly finds a treasure map in the band of Curly's hat and, together with his brother and his friend Phil (Daniel Stern), heads back to the West to find Curly's lost gold mine. Along the way, they hitch up with Curly's twin brother, again played by Palance. ~ Don Kaye, All Movie Guide

A high-energy action adventure based on legend rather than historical fact finds Wyatt Earp (Kurt Russell) desiring to retire from law enforcement. With brothers Virgil (Sam Elliot) and Morgan (Bill Paxton), he arrives in Tombstone, Arizona intending to build his fortune. He discovers that long-time friend Doc Holliday (Val Kilmer) is there and that the town is run by a group of brutal outlaws called the Cowboys. Earp, frustrated with his laudanum-addicted wife, begins a romance with traveling stage actress Josephine Marcus (Dana Delany). Meanwhile, the Cowboys terrorize the citizens of Tombstone unchecked.

When the town marshal is killed by a Cowboy, Earp steps in to prevent a lynching by an angry mob. He also refuses to hand the killer over to his fellows, beginning the enmity between the Cowboys and the Earp brothers. Virgil, overcome with guilt at doing nothing to help the Tombstone citizens, accepts the position of town marshal. With Wyatt and Morgan as his deputies, and the help of Doc, Virgil attempts to arrest several Cowboys, resulting in the famous OK Corral shoot-out. The Cowboys take revenge by ambushing two of the brothers and injuring Virgil and killing Morgan. The Earps leave town, apparently cowed. Wyatt returns, wearing the badge of a U.S. marshal, vowing to destroy every last Cowboy. He hunts them mercilessly, until the leader, Johnny Ringo (Michael Biehn) challenges Wyatt to a duel. While not regarded as an artistic masterpiece, "Tombstone" is considered the best of director George P. Cosmatos' prolific films. The all-star cast (including Thomas Haden Church and Billy Bob Thornton in small roles) delivers solid performances. Both William A. Fraker's cinematography and Bruce Broughton's stirring musical score are expertly designed for dramatic effect. Blood is shown liberally in several key scenes, but seems intended to show that there is nothing glorious in Wyatt Earp's actions, only necessity. He and his deputies take on the symbolism of the horsemen of the apocalypse -- dispensing judgement, and the Biblical references form a symmetry at the beginning and end of the film.
~ Lucinda Ramsey, All Movie Guide

Comedian John Candy, who died during the making of this poorly received comic western, plays James Harlow, a 19th century wagon master who is heading back east with a wagon train full of oddball characters who have had their fill of Western life. They include ex-doctor Phil Taylor (Richard Lewis), kind-hearted prostitute Belle (Ellen Greene), and a bookseller, Julian (John C. McGinley). Harlow is a drunken, washed-up leader who frequently gets lost. The travelers eventually discover that he was a member of the famous Donner party, which resorted to cannibalism when stranded in the mountains. Railroad magnates try to turn back the party, figuring it's bad publicity for people out East to learn that the West is not really a paradise. The tycoons hire gunfighters and villains to stop the expedition, but local Indians protect the wagons, because they are glad to see disgruntled white settlers leaving their lands. This "backwards" western was based on a story by Jerry Abrahamson. ~ Michael Betzold, All Movie Guide

Director Sam Raimi brings his trademark comic book-influenced visual panache to this post-modern Western. Sharon Stone stars as Ellen, a mysterious female gunslinger who arrives in the frontier hamlet of Redemption for a contest pitting quick-draw artists against each other. The event is the brainchild of Redemption's evil, corrupt mayor, Herod (Gene Hackman), a criminal who has taken over the town and charges a 50% tax on local businesses. The pot for Herod's deadly game has swollen, attracting numerous colorful gunfighters from around the territory. As each battle thins the ranks of players, the pasts of several participants are revealed. Ellen is seeking revenge on Herod for a heinous past injustice. The fast-talking braggart known as "The Kid" (Leonardo DiCaprio) may in fact be Herod's son. The pacifist Reverend Cort (Russell Crowe), who refuses to participate in the bloodshed, is the fastest draw in the West and a former colleague of Herod's. After several spectacular slayings, Ellen and Herod stage a final showdown, but not before he has made her an unexpected proposal. The Quick and the Dead (1995) is dedicated to veteran Western actor Woody Strode, who appears in a cameo as Redemption's coffin maker, his final performance. ~ Karl Williams, All Movie Guide

Lawrence Kasdan's Silverado is a fond hark back to the all-star, big-budget westerns of the 1950s and 1960s. The various plotlines converge at the town of Silverado, held in thrall by crooked sheriff Brian Dennehy and his behemoth "deputies." The four disparate heroes--Kevin Kline, Kevin Costner, Scott Glenn and Danny Glover--prepare to do battle against Dennehy for personal reasons ranging from mercenary to altruistic. Sidelines characters include duplicitous, dandified gambler Jeff Goldblum, frontier widow Rosanna Arquette and gimlet-eyed saloon owner Linda Hunt. The film is stolen hands-down by Kevin Costner, playing an irresponsible young gunslinger who never speaks when hootin' and hollerin' will do. A classic, High Noon-style showdown caps this rousing retro western. ~ Hal Erickson, All Movie Guide

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, All Movie Guide

A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam Waterston) and his hired gun Nate Champion (Christopher Walken). Attempting to mediate is idealistic Harvard graduate and county marshal Averill (Kris Kristofferson), who is both Nate's friend and his romantic rival for the affections of Ella Watson (Isabelle Huppert). However, war erupts, at great cost to all involved. Flush from his success with the Oscar-winning The Deer Hunter (1978), Cimino demanded creative control, and his insistence on shooting on location and building historically accurate sets and props multiplied the film's original budget to a then-astronomical $36 million. When United Artists premiered the original 219-minute version (sight unseen), they discovered that Cimino had produced an elliptical epic, compounding the box-office difficulties of making a Western without any major stars. Critics howled about Cimino's incomprehensible self-indulgence, and United Artists pulled the film after several days. Re-released five months later, 70 minutes shorter, Heaven's Gate bombed again, and MGM bought out the financially crippled United Artists. The ailing Western genre virtually vanished during the 1980s, Cimino's career never recovered, and Hollywood studios had had enough of bankrolling financially risky ventures by "auteur" directors. Heaven's Gate's reputation recovered somewhat after its video release, as it garnered praise from some viewers for such visually remarkable sequences as the Harvard dance and the final battle, as well as for David Mansfield's haunting score. Steven Bach's book Final Cut provides a full production history. ~ Lucia Bozzola, All Movie Guide

In this subpar western, gratuitous profanity and violence are at odds with the theme of rescuing a Native American from a marriage she does not want. A bearded Charleton Heston (whose son wrote the screenplay) is the fur trader Bill Tyler, out in the remote mountain ranges looking for a legendary valley where furry animals are plentiful. Brian Keith is his clownish, foul-mouthed sidekick. On their way to finding the best area to set their traps they encounter Running Moon (Victoria Racimo) who is in fact, running away from her husband Heavy Eagle (Stephen Macht. Several battles between Native Americans (portrayed by Caucasian actors) and the fur trappers keep the action moving. ~ Eleanor Mannikka, All Movie Guide

Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is assigned a dangerous mission behind enemy lines in Cuba by evil Colonel Graham (Billy Zane). Joined by a white gambler, Little J (Stephen Baldwin), the troupe is to recover a chest of gold. Realizing that Graham will slaughter them once they've relinquished the booty, Lee and his men retrieve the chest, wound Graham, and head for home. Ambushed by Graham in New Orleans, the "posse" heads for Lee's hometown of Freemanville, a frontier settlement of ex-slaves. Years ago, Lee's minister father (Robert Hooks) was murdered there by Klansmen, and the gunslinger wants revenge. There's new trouble brewing in Freemanville, however. Sheriff Bates (Richard Jordan), top lawman in neighboring Cutterville, plans to wipe out Freemanville's citizens and sell their lucrative property to a railroad. Then there's Graham, still on Lee's trail. ~ Karl Williams, All Movie Guide

The Ballad of Little Jo is based on a true story -- several true stories, in fact. Suzy Amis plays demure young Josephine Monagan, who in 1866 is run out of her home town after bearing an illegitimate child. Fleeing westward, Josephine is terrified by stories of how treacherous the frontier can be for a woman alone. As a result, upon arriving in the muddy burg of Ruby City, she disguises herself as a man, going so far as to scar her face to suggest that she's been in a few scrapes. In this guise, "Little Jo" does just fine by herself for nearly 30 years! Almost as good as Suzy Amis is Bo Hopkins as gunslinger Frank Badger, Little Jo's best buddy (if only he knew....) Written and directed by Maggie Greenwald, The Ballad of Little Jo does a marvelous job conveying the people and places of its period; and, unlike Bad Girls (which was released around the same time), we aren't bludgeoned to death by feminist revisionism. Unfortunately ignored when it went out to theatres in the fall of 1993, The Ballad of Little Jo has fared rather better on video. ~ Hal Erickson, All Movie Guide

Inspired by an epic poem by A.B. "Banjo" Patterson, The Man From Snowy River was a major step forward for the regenerated Australian film industry of the early '80s. This "down-under Western" spotlights Tom Burlinson as Jim Craig, a headstrong young man who goes to work for a powerful cattle baron. Burlinson falls in love with Jessica (Sigrid Thornton), his boss' daughter, and becomes enmeshed in a bitter land feud. Kirk Douglas has a high old time in the dual role of hard-hearted landowner Harrison and grizzled, one-legged old prospector Spur. Previously filmed in 1920, The Man From Snowy River was directed by the other George Miller, not the director of the same name who helmed Mad Max (1979). A monumental moneymaker, the film inspired a 1988 sequel, confusingly titled Return to Snowy River, Part II. ~ Hal Erickson, All Movie Guide