Sci-Fi & Fantasy Classics

One of special-effects wizard Ray Harryhausen's pre-Seventh Voyage of Sinbad efforts, 20 Million Miles to Earth borrows a few pages from King Kong. An American spaceship crashlands off the coast of Sicily. The rescue party discovers that the astronauts have inadvertently brought back a curious gelatinous mass from the planet Venus. This lump of goo rapidly evolves into be a living reptilian creature, which scientists label an "Ymir". While being subjected to laboratory experimentation, the Ymir begins growing by leaps and bounds, and before long the gigantic monstrosity has escaped and is wreaking havoc in Rome. After battling a zoo elephant and taking a swim in the Tiber, the gargantuan creature holes up in the Colosseum, where the film's pyrotechnic finale occurs. ~ Hal Erickson, Rovi

Filmed in black-and-white, the first season of Lost in Space took itself more seriously than subsequent seasons -- at least at the outset. Set in 1997, the series began as the Robinsons, a family of space travelers preparing for a five-year exploratory voyage to the Alpha Centauri star system in the "Jupiter II." Unfortunately, an enemy spy named Dr. Zachary Smith (Jonathan Harris) intends to sabotage the mission and kill the family, with help of his malevolent robot. But when the Jupiter II blasts off, Dr. Smith is trapped inside the vehicle with his intended victims: Prof. John Robinson (Guy Williams); his wife, Maureen (June Lockhart); his children, Judy (Marta Kristen), Will (Bill Mumy), and Penny (Angela Cartwright), and ship's pilot Don West (Mark Goddard). Thanks to Smith's dirty work, the ship veers way off course to an unchartered planet where the Robinsons et. al. will spend the remainder of the season. It had been intended to kill off both Dr. Smith and the evil robot after the first five-episode story arc; instead, the robot "reforms" and becomes an unending fount of valuable information for the space castaways, periodically bursting forth with cries of "Warning! Warning!" and "Danger! Danger!" and dealing with matters beyond his ken by muttering metallically, "That does not compute." As for Smith, he evolves from snarling villain to cowardly buffoon, whom the others inexplicably tolerate, even though Smith's perfidy and duplicity causes nothing but trouble for them. The notion to "serialize" the episodes is dropped early on in favor of self-contained stories, though each episode ends with a cliff-hanging preview of the following week's installment. Unlike the next two seasons of Lost in Space, guest stars are kept at a minimum during season one. ~ Hal Erickson, Rovi

This 7-Disc set includes all nineteen episodes from the second season.

26 episodes on 7 discs: The Homecoming, The Circle, The Siege, Invasive Procedures, Cardassians, Melora, Rules of Acquisition, Necessary Evil, Second Sight, Sanctuary, Rivals, The Alternate, Armageddon Game, Whispers, Paradise, Shadowplay, Playing God, Profit and Loss, Blood Oath, The Maquis Part I, The Maquis Part II, The Wire, Crossover, The Collaborator, Tribunal, The Jem'Hadar.

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

"You're traveling to another dimension...a dimension not only of sight and sound but of mind...a journey into a wondrous land whose boundaries are that of imagination. Your next stop: The Twilight Zone." Originally telecast on CBS from October 2, 1959, to September 18, 1964 (not counting a brief spate of network reruns in the summer of 1965), The Twilight Zone was one of the foremost filmed dramatic anthologies on TV and one of a precious few that specialized in fantasy and science fiction. Created by Rod Serling, whose previous TV writing credits included such classic live dramas as Patterns and Requiem for a Heavyweight, the series specialized in concise, economical playlets dealing with the offbeat andsupernatural, many of them with surprising and ironic climactic twists. Many of the individual episodes have stood the test of time as indisputable classics, among them "Eye of the Beholder," "The Monsters are Due on Maple Street," "The Invaders," "It's a Good Life," "To Serve Man," "The Invaders," and "Nightmare at 20,000 Feet." Rod Serling served as the series' host and narrator, and also wrote most of the dramas. Other noteworthy contributors included Richard Matheson, Charles Beaumont, and, on one memorable occasion (the episode "I Sing the Body Electric"), Ray Bradbury.

A veritable constellation of guest stars brought the stories to life; among those making multiple appearances were Burgess Meredith, Jack Klugman, William Shatner, Martin Landau, Anne Francis, Bill Mumy, Ed Wynn, and Lee Marvin, while many more showed up for memorable single performances including Charles Bronson, Elizabeth Montgomery, Robert Redford, Robert Duvall, James Coburn, Mickey Rooney, and Dennis Hopper. The series' famous theme music (heard from the second season onward) was composed by Marius Constant with unforgettable incidental music provided by the likes of Bernard Herrmann and Jerry Goldsmith. Although the series' title has become a household word and many of its episodes are acknowledged masterpieces, Twilight Zone was never a huge ratings attraction during its network run. Indeed, after only three seasons, CBS decided to yank the show. It was saved at the last minute and brought back as a mid-season replacement, expanded from 30 to 60 minutes per week in the process. For its fifth and final season, Twilight Zone returned to its familiar half-hour format, still playing to appreciative but comparatively small audiences. It was not until the series went into off-network reruns that Twilight Zone truly built its fan following, which has increased many times over in the ensuing years. Twilight Zone was revived twice with new, full-color episodes, first as a CBS (and later syndicated) weekly in 1985, then on UPN in 2002. Rod Serling was not involved with these revivals, having passed away in 1975; the 1985 version had no host, though its narrators included Charles Aidman and Robin Ward, but the 2002 version was hosted by Forest Whitaker. In addition, a theatrical feature, Twilight Zone: The Movie, was released in 1983. ~ Rovi

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

Before the black oil, the Cigarette Smoking Man, and the threat of global alien colonization, there was just Fox "Spooky" Mulder (David Duchovny) researching FBI cases with a paranormal bent in his basement office and Scully (Gillian Anderson), the skeptical agent with a degree in medicine and directions to debunk Mulder's findings. Thus, The X-Files: Season One is relatively devoid of the vast government conspiracy for which the series would become known, and serves mainly as an introduction to the show's two protagonists. Mulder, despite his reputation, is no kook; best in his class and well-known for his criminal profiling abilities, the rogue agent chose his path in hopes of finding his sister, Samantha, whom he witnessed -- or, at least, believes he witnessed -- being abducted by aliens. As eager as Mulder is to find an unearthly solution to his cases, Scully is equally determined to find an answer more consistent with the laws of science. Alone, both agents are somewhat blinded by their respective philosophies, but as partners they are able to complement one another nicely, and Scully's initial task is thrown to the wayside for a deep friendship and mutual respect that would test the boundaries of work, and ultimately the planet itself. ~ Tracie Cooper, Rovi

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

After a moderately successful first season in syndication, the H.G. Wells-based science fiction series War of the Worlds returns for a second season with several radical changes in place--and not merely the new title, War of the Worlds: The Second Invasion. As we shall see, the series has abruptly taken on the dimensions of two other entertainment properties: the Mad Max movies, and the briefly popular network sci-fi series V. As before, scientist Harrison Blackwood (Jared Martin) and his astrophysicist colleague Suzanne McCullough (Lynda Mason Green) continue to wage war against an army of extraterrestrial invaders, but not precisely the same invaders as in the previous season. It turns out that the dreaded Mortaxians, who had the ability to assume the bodies and identities of humans in order to carry out their dirty work undetected, were actually soldiers in the employ of an even stronger other-worldly race, the human Morthrai. Summarily exterminating the Mortaxians for failing to complete their mission of conquering the Earth, the Morthrai show up to finish the job--which is distressingly easy, inasmuch as the entire infrastructure of earthly society has apparently collapsed between Seasons One and Two, leaving the planet in a chaotic, dysfunctional state, with the "leadership" in the hands of local despots and scoundrels. (So much for Mad Max) Commandeering the Morthrai is the Hitlerlike Malzor (Denis Forest) and his beautiful-but-deadly consort Mana (Catherine Disher). Dictating the progress of the war against the humans is the "Joseph Mengele"-type scientist Ardix (Julian Richings), bent on "purifying" the earth by purging all undesirables. Malzor, Mana and Ardix are guided in their sinister ambitions by a jellyfish-shaped deity called The Eternal. (So much for V) Though he hadn't received much official support during Season One, Dr. Blackwood is almost completely on his own during Season Two in his Herculean efforts to ward off the invaders and save the world. Worse still, two of his former colleagues, computer whiz Norton Drake and Army colonel Paul Ironhorse, have been killed off. Luckily, Blackwood can still count on the help and support of his trusted aide Suzanne McCullough, as well as a newcomer to his team, ex-soldier John Kincaid (Adrian Paul). With their original headquarters destroyed, the alien fighters were forced literally underground, running their resistance movement from their city's sewer system. Sensing that the "improvements" wrought on Season Two of War of the Worlds were more hindrance than help, the producers decided to wrap things up permanently in the 44th and final episode "Knight Time", in which a clear victor in the Earth-Morthrai conflict is declared (as if we're going to tell you who it is!) ~ Hal Erickson, Rovi