Horror Classics

Debuting Friday, September 13, 1974 on ABC, the weekly, hour-long sci-fi/fantasy series Kolchak: The Night Stalker was spun off from two well-received feature length entries from the same network's Movie of the Week: The Night Stalker (1971) and The Night Strangler (1973). Starring in both these made-for-TV offerings was Darren McGavin as Carl Kolchak, a fly-by-night newspaper reporter who'd stumbled onto proof of actual paranormal and supernatural activity (a vampire terrorizing Las Vegas in Night Stalker, a werewolf decimating Seattle in Night Strangler), only to have his stories suppressed and himself bullied into silence by nervous police officials and politicians who didn't want to scare away tourists and merchants. By the time the Kolchak series proper began, the title character (still played by McGavin) had been effectively blacklisted by every major publisher in the US, and was forced to work for the Chicago-based Independent News Service, a seat-of-the-pants operation edited by Tony Vincenzo (another carryover from the movie versions). Having likewise been exiled from the higher journalistic circles thanks to Kolchak's "unbelievable" news scoops, Vincenzo harbored a grudge against our hero, but kept him on the payroll all the same. As for Kolchak, he was determined to regain his credibility by filing a story about the Supernatural that could be proven beyond doubt--and of course, he was always foiled when the evidence "mysteriously" vanished at the end of each episode. Making matters worse, Kolchak couldn't even post a "normal" news story, since bizarre and unexplainable things kept happening around him wherever he went. Other regulars included Jack Grinnage as Ron Updike, Independent News' fledgling society reporter who yearned to break into the "big time" and was willing to stab Kolchak in the back to get what he wanted; and Ruth McDevitt as the service's advice columnist Miss Emily Cowles, the only person whom Kolchak could rely upon when things got rough. As for the series' various ghosts, monsters, vampires, mummies and lycanthropes, they were seldom seen full-face but instead lurked in the shadows, in the tradition of the classic Val Lewton "psychological horror" epics of the 1940s (Trivia note: among the series' writers was a young Robert Zemeckis). Although the series enjoyed the built-in following of viewers who'd loved The Night Stalker and The Night Strangler, Kolchak: The Night Stalker languished in the ratings opposite such competition as Police Woman and The Rockford Files. Even if the series had been a hit, however, it would have been scuttled by a lawsuit instigated by Jeff Rice, author of the novel upon which the original Night Stalker was based, who insisted he had not given anyone permission to turn his property into a weekly series. Some thirty years after its cancellation on August 30, 1975, Kolchak: The Night Stalker was revived by the X-Files team under the simplified title Night Stalker, with Stuart Townsend as Carl Kolchak. ~ Hal Erickson, Rovi

Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, Rovi

Fans of outrageously bad drive-in fare from New World Pictures will find much to love in this bargain-bin science fiction weirdness -- one of several Alien rip-offs foisted on defenseless audiences by Roger Corman's legendary B-movie factory. The plot -- which, of course, is irrelevant to the action -- involves a food-research team on a distant planet, whose latest genetic product decides it would rather eat than be eaten...and boy, is it hungry. Then enters our hero, an undefined government specialist (Jesse Vint) whose dreams in hypersleep find their way into almost every scene in the film -- his apparent powers of precognition, however, are never mentioned. Vint responds to the team's distress signal and shows up with his robot pal to blast the slime-beast to smithereens -- and, of course, to engage in a little intergalactic nookie with the team's female personnel. Meanwhile, the constantly mutating monster chews its way through virtually the entire cast before one cancer-ridden scientist devises a highly original (and extremely disgusting) solution. The ever-thrifty Corman recycled sets and scenes from Battle Beyond the Stars and Galaxy of Terror to pad out this weekend wonder, making up for its threadbare production values (which include plenty of cheap scares, nudity, and graphic gore). ~ Cavett Binion, Rovi

Considered fairly gruesome in its day, the original 1958 The Fly looks like Mister Rogers' Neighborhood compared to this 1986 remake. Jeff Goldblum and Geena Davis star as Seth Brundle, a self-involved research scientist, and Veronica Quaife, a science-magazine reporter. Inviting Veronica to his lab, Seth prepares to demonstrate his "telepod," which can theoretically transfer matter through space. As they grow closer over the next few weeks, she inadvertently goads Seth into experimenting with human beings rather than inanimate objects. Seth himself enters the telepod, preparing to transmit himself through the ether -- but he doesn't know that he is sharing the telepod with a tiny housefly. ~ Hal Erickson, Rovi

Joe Spinell, who appeared in Taxi Driver, stars in this unsavory horror film as Frank Zito, a character reminiscent of an even more disturbed Travis Bickle. Frank is an embittered loser who talks to himself and his dead mother, stalks a pretty model (Caroline Munro), and spends his spare time brutally murdering women. He then scalps his victims and puts the trophies on mannequins which he takes to bed with him at night. An unpleasant film with a relentlessly downbeat tone, Maniac! features graphic, bloody special-effects makeup by cult favorite Tom Savini, who meets a gruesome end in a cameo as "Disco Boy." Highlights include a realistic scalping by Exacto knife and an exploding head. The ending takes an interesting twist as Spinell hallucinates his victims returning to life and tearing him limb from limb. Spinell and Munro reteamed in 1982 for The Last Horror Film. Adult film star Sharon Mitchell (whom director William Lustig discovered in The Violation of Claudia) appears briefly as a nurse. ~ Robert Firsching, Rovi

Tobe Hooper's influential cult classic continues the subgenre of horror films based on the life and "career" of Wisconsin serial killer Ed Gein, which began with Alfred Hitchcock's own influential cult classic Psycho. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and several other friends together to see if grandpa's remains are still in one piece. While in the area, Sally and her friends decide to visit grandfather's old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included amongst the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human horror show who wears a face mask made out of human skin. Sally's friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan. ~ Paul Brenner, Rovi

This special effects-heavy science fiction sequel moves the action from the first film's Amazon forest to the urban jungle of L.A. Danny Glover stars as Lt. Mike Harrigan, an LAPD detective baffled by his latest case, the ritualistic slaughter of several drug dealers by a devastating killer who leaves no traces. As Harrigan and his partners, Danny Archuletta (Ruben Blades), Leona Cantrell (Maria Conchita Alonso), and Jerry Lambert (Bill Paxton), try to figure out who or what killed the criminals, FBI investigator Stephen Keyes (Gary Busey) attempts to warn the team away from investigating further. When two of his team are killed in a particularly grisly way, Harrigan uncovers the truth -- their quarry is an alien creature that hunts humans for sport. Attracted to violence, its latest choice of prey is gun-toting Jamaican drug dealers. Keyes and his team know all about the nasty extraterrestrial and its bloody pastime because they've been studying it for ten years, and they've come up with a possible means of dispatching the beast. When that plan backfires, however, it comes down to Harrigan and an extremely irritated otherworldly foe, slugging it out in a rooftop confrontation. ~ Karl Williams, Rovi

Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). Anthony Hopkins is obsessed vampire hunter Van Helsing, while Keanu Reeves takes on the role of Jonathan Harker, and Tom Waits plays bug-eating Renfield. Bram Stoker's Dracula was the winner of three Academy Awards. ~ Hal Erickson, Rovi

It was "The Night HE Came Home," warned the posters for John Carpenter's career-making horror smash. In Haddonfield, IL, on Halloween night 1963, six-year-old Michael Myers inexplicably slaughters his teenage sister. His psychiatrist Dr. Loomis (Donald Pleasence) can't penetrate Michael's psyche after years of institutionalization, but he knows that, when Myers escapes before Halloween in 1978, there is going to be hell to pay in Haddonfield. While Loomis heads to Haddonfield to alert police, Myers spots bookish teenager Laurie Strode (Jamie Lee Curtis) and follows her, constantly appearing and vanishing as Laurie and her looser friends Lynda (P.J. Soles) and Annie (Nancy Loomis) make their Halloween plans. By nightfall, the responsible Laurie is doing her own and Annie's babysitting jobs, while Annie and Lynda frolic in the parent-free house across the street. But Annie and Lynda are not answering the phone, and suspicious Laurie heads across the street to the darkened house to see what is going on.... ~ Lucia Bozzola, Rovi

British sleaze artist Pete Walker applies his characteristic sleazy, ultra-violent touch to this audacious, Catholic-bashing tale. A deranged, sex-mad priest (Anthony Sharpe) exploits the sanctity of his office as a means of harassing young women who confide their sins in his confessional, recording their confessions in order to blackmail them into doing his vile bidding. Eventually, evidence of these transgressions reaches other members of his parish (including his mother), prompting him to bump them off in creative ways, utilizing the trappings of his profession -- strangulation by rosary, arsenic-laced communion wafers, bludgeoning by incense burner, etc. Much criticism has been leveled against this film for its unabashed attacks on Catholicism, but it's really Walker's trademark amoral approach to filmmaking that elicits a strong urge to take a hot bath after viewing. ~ Cavett Binion, Rovi

The Mummy represented Boris Karloff's second horror starring role after his "overnight" success in Frankenstein. Brought back to life after nearly 3,700 years, Egyptian high priest Imhotep wreaks havoc upon the members of the British field exposition that disturbed his tomb (shades of the King Tut curse). While disguised as a contemporary Egyptologist, he falls in love with Zita Johann, whom he recognizes as the latest incarnation of a priestess who died nearly 40 centures earlier. Spiriting Zita away to the tomb, he relates the story of how he had dared to enter her ancestor's sacred burial crypt, hoping to restore her to life. Caught in the act, he was embalmed alive and his tongue was cut out for his act of sacrilege. Now that he has returned, he intends to slay Zita, so that they will be reunited for all time in the Hereafter. Despite its melodramatic trappings, The Mummy is essentially a love story, poetically related by ace cinematographer and first-time director Karl Freund. Jack Pierce's justly celebrated makeup skills offers us two Karloffs: the wizened Egyptologist and the flaking, rotting mummy, who though only seen for a few seconds remains in the memory long after the film's final image has faded. Best line: "It went for a little walk." The Mummy was followed by four stock footage-laden sequels, none of which approached the power and poignancy of the original. ~ Hal Erickson, Rovi

Four teens head into a forest in search of a long-lost scientist (played by science fiction novelist Fritz Leiber). Monitoring the kids' every move is a forest ranger (Jack Woods), who is in reality the ancient demon god Asmodeus. When the kids come across a precious book of incantations, the ranger conjures up an intimidating variety of horrible monsters and nightmarish visions, the better to retrieve the volume. The man responsible for the special effects in Equinox is Dennis Muren, who began the film as a nonprofessional 16-millimeter project in 1967. The picture was completed by director Edward Connell, using the same cast throughout (the actors' ages noticeably fluctuate from scene to scene). Long a Late Late Show staple, Equinox in time garnered a cult following, and later appeared on video under the title The Beast. ~ Hal Erickson, Rovi

A group of sorority girls are instructed to spend the night in a haunted house as an initiation. None of them believe in ghosts, and all expect their boyfriends to show up at midnight in an attempt to scare them with store-bought masks, so they relax in their pajamas and wait for the fun to start. Little do they suspect that the house also holds a secret laboratory where a mad scientist is performing nefarious experiments, turning beautiful girls into gorillas. The girls are abducted and chained in the basement, but luckily their boyfriends arrive in the nick of time and fight off the crazy doctor's henchmen (a werewolf, a gorilla, and a creature of some indeterminate type). Incensed at his monsters' failure to procure a girl for his experiments, the mad scientist instructs them to blast a hole in the movie screen with a laser gun and venture out into the audience. At this point the screen goes blank, and during Monsters Crash the Pajama Party's original theatrical run, actors wearing identical monster costumes would run through the crowd, chasing girls to bring back up onscreen with them. It's all played for laughs and both the comedy and horror is extremely lightweight, best enjoyed by fans of schlock cinema or anyone who feels nostalgic for the live "spook shows" that used to tour the country so many years ago. ~ Fred Beldin, Rovi