Foreign Classics

The Meaning of Life is without a doubt the most tasteless of the Monty Python feature films; it also happens to be one of the funniest. Life's questions are "answered" in a series of outrageous vignettes, beginning with a pre-credits sequence at a staid London insurance company which transforms before our eyes into a pirate ship. One of our favorite bits involve the National Health doctors who try to claim a healthy liver from a still-living donor, pointing out that there's nothing in his contract preventing this. And of course, there's the scene with the world's most voracious glutton, who brings the art of vomiting to new heights before his spectacular demise. Be warned: though hilarious, this may be the grossest bit of comedy filmmaking ever conceived (there aren't enough words in the world to describe it in detail!). Loyal Pythonites Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin star in The Meaning of Life and share writing responsibilities, while Jones is in the director's chair this time out. ~ Hal Erickson, All Movie Guide

The murder of a millionaire has unexpectedly humorous results in this farcical comedy. When Phoebe (Sean Young) and Julian (Richard Lewis), two Americans on a tour of Europe, discover a lost dachshund, they learn that a $5,000 reward has been posted for the dog's return. Phoebe and Julian head to Monte Carlo to return the pet and claim the money, but they find that the dog's owner has been murdered -- and suddenly, they're suspects in the killing. As hapless detective Inspector Bonnard (Giancarlo Giannini) investigates the crime (imagining that the maid and butler must somehow be involved), he grills several other American tourists he believes are likely suspects, including gambling addict Augie Morosco (John Candy) and loud-mouthed suburbanites Neil and Marilyn Schwary (James Belushi and Cybil Shepherd). George Hamilton appears as an unusually opportunistic gigolo; former SCTV star Eugene Levy directed. ~ Mark Deming, All Movie Guide

The Living Daylights represents the first appearance by Timothy Dalton as "Bond...James Bond." Based very, very loosely on an obscure Ian Fleming short story, the film finds Bond assigned to aid in the defection of KGB agent Jeroen Krabbe. 007 must prevent an unknown sniper from killing Krabbe before he can reach the West. The mysterious assailant turns out to be the luscious Maryam d'Abo, who like practically everyone in the film except Bond is Not All That She Seems. The plot wends its way through a scheme to trade several million dollars' worth of diamonds for weapons, which will be shipped off to mercenaries worldwide. The climax takes place high above the clouds in a cargo plane loaded with opium. Dalton would play Bond one more time in License to Kill (1989) before handing the franchise over to Pierce Brosnan. ~ Hal Erickson, All Movie Guide

Dave Speed is no ordinary Miami cop--he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn't quite know how to use them and this gets him in trouble with his long-suffering partner. The film was also known as Supersnooper. ~ Sandra Brennan, All Movie Guide

In this drama, a wealthy American doctor learns some important lessons about life in one of the poorest cities on Earth. Max Lowe (Patrick Swayze) is a Houston surgeon who has grown weary of the bureaucracy of American medicine. When he loses a patient on the operating table, Max impulsively decides to leave America and travel to India in the hope of "finding himself." Not long after he arrives in Calcutta, Max is attacked by a group of thugs and left without money or a passport. However, a man named Hasari (Om Puri) comes to Max's rescue. Hasari had left his farming community to come to the city, only to be overwhelmed by its dirt, crime, and overcrowding. Despite their poverty, Hasari and his family take Max in and bring him to a medical clinic in the City of Joy, one of the poorest slums in the city. The clinic is run by Joan Bethel (Pauline Collins), an Irish-American nun who urges Max to use his skills to help the people of Calcutta who so desperately need it. Max signs on, and he finds that the experience changes his life. City of Joy was based on a novel by Dominique Lapierre. ~ Mark Deming, All Movie Guide

Wolfgang Petersen adapted Michael Ende's children's story for this charming fantasy film that spawned several sequels. Bastian (Barret Oliver) is dealing with his mother's recent death. His father (Gerald McRaney) is an imperious sort who continually lambastes Bastian for daydreaming and falling behind in school. On top of his father's badgering, he has to contend with a bunch of school bullies waiting for him in the schoolyard. One day he decides to play hooky and walks into a strange bookstore, where in the attic, he discovers a book called "The Neverending Story". As Bastian reads the book, he's enveloped in the unfolding tale. A sickly child-like empress (Tami Stronach) from a land called Fantasia is concerned about who will take over the land if she dies. She decides it is best for Fantasia if she remains alive, so she dispatches a young warrior named Atreju (Noah Hathaway) to find a cure for the empress's malady. It turns out the land is consumed with a plague called The Nothing, generated by blighted dreams and hopeless fantasies. As Atreju continues onward to search for a cure for The Nothing, he encounters an assortment of strange creatures. Bastian is so consumed with the tale that he finds himself catapulted into the land of Fantasia himself. Atreju realizes that the only way to save the land from its blight is with the help of this strange earth boy, Bastian. ~ Paul Brenner, All Movie Guide

Told in flashback, the film relates Francis of Assisi's evolution from rich man's son to religious humanitarian and eventually to full-fledged saint. Francesco was based on Hermann Hesse's Francis of Assisi, which director Liliana Cavani had previously filmed in 1966. The Saint and founder of the Franciscan Order of Friars Minor is played by Mickey Rourke, and his inspiration, the woman who later became Saint Clare, is played by Helena Bonham Carter. Raised as the pampered son of a merchant, Francis goes off to war only to return with a profound horror for the society which generated such suffering. In one scene, as an act of renunciation, he strips himself of his fine clothing in front of his father and leaves the house naked and barefoot, joining the lepers and beggars in the poor section of town. The film follows with a series of episodes from the saint's life rather than a coherent narrative, following up until his final days when he receives the stigmata, or wounds similar to those on the body of Jesus at the crucifixion. ~ Clarke Fountain, All Movie Guide

Jackie Chan returns to his adventuring Indiana Jones-esque Asian Hawk character with this rollicking action-adventure yarn. In this go-around, Jackie (aka the Asian Hawk) is looking for 240 tons of gold stolen by the Nazis and buried beneath the Sahara. Along the way, he teams up with a stuck-up archeologist named Ada (Carol Cheng), a Japanese tourist named Momoko (Shoko Ikeda), and Elsa (Eva Cobo De Garcia), the granddaughter of the Nazi captain who originally hid the booty. Opposing them is various groups of blackguards and mercenaries along with Adolf (Aldo Sanbrell) -- the last surviving soldier from the original company -- who is hell-bent on getting the gold himself. Soon, two of Jackie's companions find themselves sold into slavery while Jackie battles the baddies in a massive WWII-era wind tunnel. This film ran 100 percent over Chan's already lavish -- by Hong Kong standards -- budget, making it one of the most expensive films that industry has ever produced. ~ Jonathan Crow, All Movie Guide

The first of two consecutive films to see director Peter Weir team with Mel Gibson (the other being The Year of Living Dangerously), Gallipoli follows two idealistic young friends, Frank (Gibson) and Archy (Mark Lee), who join the Australian army during World War I and fight the doomed Battle of Gallipoli in Turkey. The first half of the film documents the lives of the young men in Australia, detailing their personalities and beliefs. The second half of the movie chronicles the ill-fated and ill-planned battle, where the Australian and New Zealand Army Corps is hopelessly outmatched by the enemy forces. Gallipoli was the recipient of eight prizes at the 1981 Australian Film Institute Awards. ~ Matthew Tobey, All Movie Guide

Das Boot is one of the most gripping and authentic war movies ever made. Based on an autobiographical novel by German World War II photographer Lothar-Guenther Buchheim, the film follows the lives of a fearless U-Boat captain (Jurgen Prochnow) and his inexperienced crew as they patrol the Atlantic and Mediterranean in search of Allied vessels, taking turns as hunter and prey. There's very little plot, so the movie's power comes from both its riveting, epic battle scenes and its details of the boring hours spent waiting for orders or signs of the enemy. With the exception of one staunch Hitler Youth lieutenant, none of the crew is particularly loyal to the Nazis, and some are openly hostile toward their Fuhrer; this allows viewer sympathy with the men as they perform their laborious, monotonous duties in cramped, filthy quarters, or await death as depth charges explode all around the sub. Prochnow is excellent as the nerves-of-steel commander, and many of the supporting actors -- all German -- are solid as well, although the characterizations border on war movie clichés (the young crewman who has left behind his pregnant girlfriend, the Chief Engineer whose wife is seriously ill). The real star, however, is cinematographer Jost Vacano, who makes the sub's grimy, claustrophobic interior come to vivid life, as his camera follows the crew through hatches, up ladders, into bunks, and under pipes, creating a palpable sense of claustrophobia while injecting it with movement. Originally edited by writer/director Wolfgang Petersen as both a two-and-a-half hour theatrical release and a six-hour German miniseries, Das Boot was re-released in a restored version in 1997 with nearly one hour of added footage which made it even more suspenseful than before. ~ Don Kaye, All Movie Guide

Internationally famed action star Jackie Chan tones down his usual martial arts pyrotechnics for a more traditionally dramatic role in this police drama. Crime Story finds Chan portraying a Hong Kong police detective, an honest cop guilt-ridden over his participation in a recent shoot-out. He is absolved of wrong-doing by the force, however, and assigned to protect a major real estate developer. Despite Chan's best efforts, though, the man under his care is soon kidnapped. The criminals demand millions in payment from the developer's wife, and Chan takes it upon himself to try and foil their plot and rescue the developer. His job is made more difficult by the fact that his new partner on the case, an esteemed detective, is secretly in cahoots with the criminals. Though there are a number of martial arts sequences near the film's climax, much of the action is more typical of Hollywood than Hong Kong, consisting of shoot-outs, explosions, and extended car chases. The ample amount of blood and the overall gritty tone combines with Chan's restrained performance to create a darker experience than most other Chan films familiar to American audiences. ~ Judd Blaise, All Movie Guide

The gritty underbelly of New York's complex, ethnically divided criminal world is exposed in this dark drama from director Abel Ferrara. Christopher Walken stars as Frank White, a drug lord who's just been released from a long stint in prison. Aware that feeding off of society's depravity has made him a wealthy man, Frank has become determined to give something back to the city, and he hatches a scheme to build a multimillion-dollar public hospital in one of Brooklyn's worst ghetto neighborhoods. Needing the assistance of his fellow criminals to pull it off, Frank and his adjutant Jimmy Jump (Laurence Fishburne) encounter a wall of resistance from every faction, including drug-trade partner Lance Wong (Joey Chin) and temperamental cop Dennis Gilley (David Caruso). Frank's do-gooder efforts ultimately result in a Mob war and in a bloody showdown between the city's various ethnic criminal actions. Ferrara followed King of New York with a similarly themed film that many critics considered his masterpiece, Bad Lieutenant (1992). ~ Karl Williams, All Movie Guide