Cult Classics

This is an amiable little parody from director Trey Parker, best known as co-creator of the cult TV series South Park. Set in 1873, the film deals with Alfred Packer (Juan Schwartz, aka Trey Parker), who is accused of cannibalizing members of his six-man party on a trip West. There are comic songs, Japanese people pretending to be Indians, and a cyclops whose eye spurts pus. The film's highlight may be Alfred's saloon kung fu fight with a cocky fur trapper named Frenchy over his beloved horse Liane. Cannibal! is surprisingly light on gore for a Troma Team release (save for the prologue and finale), concentrating instead on goofy sight gags, sex jokes, and silly songs like "Shpadoinkle" and "Hang the Bastard." The cinematography is attractive, evoking all those frontier musicals of yore, and the overall quality is good, if obviously low budget. This film also features a cameo by underground film maven Stan Brakhage as the father of one of the pioneers. ~ Robert Firsching, All Movie Guide

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

A group of adolescent monster movie enthusiasts form a club that meets in a treehouse in this pre-teen horror feature. When Dracula, The Mummy, Frankenstein, and The Wolfman are joined by Gill-Man in the search for a magic amulet, the boys form the Monster Squad to battle the forces of evil. The boys get unexpected help from Frankenstein when the monster grows tired of being continually bossed around by Dracula. ~ Dan Pavlides, All Movie Guide

This violent and allegorical Mexican western attracted a cult following in its day. It is the story of El Topo, a gunslinger who sets out for revenge against the outlaws who slew his wife. He ends up getting his revenge and saving the life of a woman who is being terrorized by bandits. She leads El Topo (which means "the Mole" in English) on a search for the region's top four gunfighters. But before they set off, Topo leaves his young son in a monastery. He and the woman hook up with another female and begin their search. During one battle, El Topo is wounded and the women leave him to die. His comatose body is found by a strange group of cave dwelling people who take him to their subterranean home. He does not wake up for many years. When he does, he is enlisted to help the clan dig an escape tunnel. Later they come to a tiny town where the residents belong to a weird religious cult and El Topo's son has become a monk. The townsfolk are terrorized by a sadistic sheriff. When the clan members come into the town, the stage is set for a blood-soaked tragedy. ~ Sandra Brennan, All Movie Guide

Considered fairly gruesome in its day, the original 1958 The Fly looks like Mister Rogers' Neighborhood compared to this 1986 remake. Jeff Goldblum and Geena Davis star as Seth Brundle, a self-involved research scientist, and Veronica Quaife, a science-magazine reporter. Inviting Veronica to his lab, Seth prepares to demonstrate his "telepod," which can theoretically transfer matter through space. As they grow closer over the next few weeks, she inadvertently goads Seth into experimenting with human beings rather than inanimate objects. Seth himself enters the telepod, preparing to transmit himself through the ether -- but he doesn't know that he is sharing the telepod with a tiny housefly. ~ Hal Erickson, All Movie Guide

In 1992, Reservoir Dogs transformed Quentin Tarantino practically overnight from an obscure, unproduced screenwriter and part-time actor to the most influential new filmmaker of the 1990s. The story looks at what happens before and after (but not during) a botched jewelry store robbery organized by Joe Cabot (Lawrence Tierney). Mr. White (Harvey Keitel) is a career criminal who takes a liking to newcomer Mr. Orange (Tim Roth) and enjoys showing him the ropes. Mr. Pink (Steve Buscemi) is a weaselly loner obsessed with professionalism. Mr. Blonde (Michael Madsen) has just gotten out of jail after taking the rap on a job for Cabot; he's grateful for the work but isn't the same person he used to be. While Mr. Blonde goes nuts during the heist, the thieves are surprised by the sudden arrival of the police, and Mr. Pink is convinced one of their team is a cop. So who's the rat? What do they do about Mr. Blonde? And what do they do with Mr. Orange, who took a bullet in the gut and is slowly bleeding to death? Reservoir Dogs jumps back and forth between pre- and post-robbery events, occasionally putting the narrative on pause to let the characters discuss such topics as the relative importance of tipping, who starred in Get Christie Love!, and what to do when you enter a men's room full of cops carrying a briefcase full of marijuana. ~ Mark Deming, All Movie Guide

Tobe Hooper's influential cult classic continues the subgenre of horror films based on the life and "career" of Wisconsin serial killer Ed Gein, which began with Alfred Hitchcock's own influential cult classic Psycho. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and several other friends together to see if grandpa's remains are still in one piece. While in the area, Sally and her friends decide to visit grandfather's old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included amongst the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human horror show who wears a face mask made out of human skin. Sally's friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan. ~ Paul Brenner, All Movie Guide

Bill Murray co-directed (along with Howard Franklin) this mixture of The Out-of-Towners and After Hours, concerning Grimm (Bill Murray), a frustrated city planner who is fed up with the corruption and venality of New York City. Getting together a couple of accomplices -- Phyllis (Geena Davis), who admires Grimm for his audacity, and Loomis (Randy Quaid), a follower to Grimm's leader since grade school -- Grimm decides to rob a bank, pocket the money, get out of town and take off to tropical splendor. Dressing in a clown suit, Grimm devises a unique way to rob a bank -- taking a group of hostages at the bank and inviting the police to surround the bank. Amazingly, although pursued by a police chief (Jason Robards), the trio manage to pull off the robbery. However, the problems really start when they try to get from the bank to the airport -- which proves to be more difficult than the robbery. ~ Paul Brenner, All Movie Guide

Filmed intermittently over the course of a five-year period, David Lynch's radical feature debut stars Jack Nance as Henry Spencer, a man living in an unnamed industrial wasteland. Upon learning that a past romance has resulted in an impending pregnancy, Henry agrees to wed mother-to-be Mary (Charlotte Stewart) and moves her into his tiny, squalid flat. Their baby is born hideously mutated, a strange, reptilian creature whose piercing cries never cease. Mary soon flees in horror and disgust, leaving Henry to fall prey to the seduction of the girl across the hall (Judith Anna Roberts). An intensely visceral nightmare, Eraserhead marches to the beat of its own slow, surreal rhythm: Henry's world is a cancerous dreamscape, a place where sins manifest themselves as bizarre creatures and worlds exist within worlds. Interpreting the film along the lines of Lynch's claims that it's the product of his own fears of fatherhood may make Eraserhead easier to digest on a narrative level, if need be. ~ Jason Ankeny, All Movie Guide

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed '60s refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude's life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire's sexy young wife Bunny (Tara Reid). Later, Jeffrey ("The Big") Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine -- except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski's daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers. ~ Bhob Stewart, All Movie Guide

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, All Movie Guide