Action & Adventure Classics

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy's rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy's shooting of the Sherpa warrior. ~ Hal Erickson, Rovi

A skyscraper and an all-star cast go up in flames in Irwin Allen's classic disaster movie. To celebrate the construction of the Glass Tower, the world's tallest building, architect Doug Roberts (Paul Newman) and builder James Duncan (William Holden) hold a gala bash on the highest floors. Trouble is, Duncan's son-in-law and electrical subcontractor Roger Simmons (Richard Chamberlain) installed faulty wiring throughout the 138-story behemoth to save money. While the guests -- including Doug's lady friend (Faye Dunaway), a rich widow (Jennifer Jones), a con man (Fred Astaire), and a politico (Robert Vaughn) -- enjoy the party, and a security guard (O.J. Simpson) wonders why his equipment is on the fritz, a burnt-out circuit breaker ignites some garbage on the 85th floor, swiftly turning the high-rise into, well, a towering inferno. With the guests trapped on the 135th floor, it's up to Roberts and Fire Chief O'Hallorhan (Steve McQueen) to find a way to stop the blaze. Though not the first all-star '70s disaster movie (1970's Airport and 1972's The Poseidon Adventure preceded it), The Towering Inferno was the most popular and the most spectacular. In a move that would become more common in late-'90s blockbuster Hollywood, The Towering Inferno's mammoth production was mounted by two studios; screenwriter Stirling Silliphant combined the two novels owned by the studios into one saga. 1970s "shake 'n bake" maestro Allen, with co-director John Guillermin (Allen did the action sequences), tapped into deep fears about the fragility of modern life in the face of extreme natural phenomena, as well as into the envies and insecurities of middle-aged professional men. The Towering Inferno packed theaters and earned eight Oscar nominations, including Best Picture; it won for Cinematography, Editing, and Song. While its heroic, no-nonsense men provided some traditional comfort, The Towering Inferno still might provoke second thoughts about going into a skyscraper. ~ Lucia Bozzola, Rovi

Hard-Boiled is the last film directed by Hong Kong action auteur John Woo before his arrival in the U.S. This 1992 thriller, along with The Killer, is widely seen as one of his best from his Hong Kong days. Every ingredient of the quintessential Woo thriller is present, including his ever-present anti-hero (Chow Yun-Fat). Yun-Fat portrays a maverick, clarinet-playing cop nicknamed "Tequila" whose partner is killed in the dizzying chaos of a restaurant gunfight with a small army of gangsters. It is soon revealed that one of the mob's high-ranking assassins is Tony (Tony Leung), an undercover cop who, despite his badge, is dangerously close to the edge. Tequila and Tony must team up in a tense partnership, and their common pursuit of a vicious crime lord results in a brilliantly elaborate climax in a hospital, where the heroes must rescue newborn babies from the maternity ward while fighting off dozens of mob soldiers. The characters Tequila and Tony are two sides of the same coin, another trademark theme of Woo's films that would later be most fully realized with Nicolas Cage and John Travolta in the American hit Face/Off. ~ Jonathan E. Laxamana, Rovi

Rhodes Reason is the requisite Hollywood "name" actor in the Japanese-produced King Kong Escapes. While hacking through the jungle, expedition leader Nelson (Reason) and his companions are attacked by a dinosaur. They are rescued by King Kong, who since his traumatic experiences in New York has evidently changed his spots and become a lovable old Joe. Susan (Linda Miller), the prettiest member of Nelson's expedition, takes quite a liking to the big ape (Kong, not Nelson), and the feeling is reciprocated. The emphasis then shifts to dome-headed mad scientist Dr. Who (Eisei Amamoto), whose plans to take over the world include building a huge "Mechni-Kong," a robot designed to put the real Kong out of commission (if Amamoto sounds familiar to you, that's because his voice is dubbed by the ubiquitous Paul Frees). The climactic battle between the two Kongs is staged on a tinker-toy replica of Tokyo Tower -- hardly as imposing a structure as the Empire State Building, but consider what they're working with here. The Rhodes Reason/Linda Miller scenes were directed in Canada by Arthur Rankin Jr., the man responsible for the King Kong animated TV series of the late 1960s. ~ Hal Erickson, Rovi

In this first sequel to 1989's Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck's mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul "Pee-Wee Herman" Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler. ~ Hal Erickson, Rovi

"Gotcha!" is a puerile but popular campus game at UCLA in which students stalk one another armed with paint-spewing pellet guns. Veterinary student Anthony Edwards may not be any great shakes in the classroom, but he's a whiz at Gotcha. His skills come in handy when Edwards, on vacation in Paris, becomes acquainted with the mysterious Linda Fiorentino. She gets him mixed up in international espionage; fortunately, the well-armed spies aren't quite as adept at "Gotcha" as Edwards is. Most of the film was lensed in Paris and Berlin. ~ Hal Erickson, Rovi

A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, Rovi

Based on Elleston Trevor's novel, The Flight of the Phoenix opens with a well-staged plane crash in the middle of the Sahara desert. The pilot (James Stewart) and the navigator (Richard Attenborough) do their best to maintain order among the survivors, a group of oil men not well-suited for survival in the desert wastes. Some of those who appear to be the most resourceful reveal themselves to be inept or cowardly, while other less prepossessing types -- notably bespectacled Standish (Dan Duryea) -- demonstrate surprising inner reserves of strength. The ultimate fate of the survivors rests in the hands of Heinrich Dorfmann (Hardy Kruger), who uses the wreckage of the old plane to design a new one. The Flight of the Phoenix was dedicated to the memory of veteran stunt pilot Paul Mantz, who was killed while filming the take-off scene of the new plane. ~ Hal Erickson, Rovi

Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White--especially since the price is right. The three ride off on Quint's boat "The Orca," soon coming face to teeth with the enemy. ~ Lucia Bozzola, Rovi

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, Rovi

Veteran animator Hayao Miyazaki directs this buoyant children's adventure yarn about a young witch striking out on her own. At her mother's behest, 13-year-old Kiki sets out on a year-long apprenticeship with her black cat in tow. With a shaky command of her broom, she ends up in a charming little coastal town that looks like a cross between the French provincial and San Francisco. Unfortunately, the local hotels have a strict "no witches" policy and the police have taken a dim view of her recent aerial mischief-making. She's saved from the street by a kindly baker's wife, who offers her room and board in exchange for her delivering by broom the baker's wares. Soon she befriends a college-aged artist, an old women who fusses over her, and a boy her same age who is nursing a massive crush. All is well until she wakes up one day and realizes that she can't make her broom levitate nor can she talk to her cat. What will Kiki do? ~ Jonathan Crow, Rovi

Robert Goulet plays David March, an American traitor living in Germany during World War II. Allowed to travel freely within the Nazi hierarchy, March is privy to secrets that would spell his doom were he on "our" side. What the Nazis don't know (but we do) is that March is on our side: he's a secret agent, posing as a turncoat in order to relay Nazi war plans to the allies. His main goal is to destroy a secret weapons factory, but he still has time to romance German scientist Jo Ann Pflug and French chanteuse Christine Carrere. I Deal in Danger was comprised of three half-hour episode of the 1966 TV series Blue Light; the seamwork shows at times, but the film runs a lot more smoothly than most such pastiches. ~ Hal Erickson, Rovi