AFI Top Passions

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, All Movie Guide

Based on William Goldman's novel of the same name, The Princess Bride is staged as a book read by grandfather (Peter Falk) to his ill grandson (Fred Savage). Falk's character assures a romance-weary Savage that the book has much more to deliver than a simpering love story, including but not limited to fencing, fighting, torture, death, true love, giants, and pirates. Indeed, The Princess Bride offers a tongue-in-cheek fairy tale depicting stable boy-turned-pirate Westley's journey to rescue Buttercup (Robin Wright), his true love, away from the evil prince (Chris Sarandon), whom she had agreed to marry five years after learning of what she had believed to be news of Westley's death. With help from Prince Humperdinck's disgruntled former employee Miracle Max (Billy Crystal), swordsman Inigo Montoya (Mandy Patinkin), and a very large man named Fezzik (Andre the Giant), the star-crossed lovers are reunited. ~ Tracie Cooper, All Movie Guide

A teenage girl learns about love, adult responsibility, and how to do The Dirty Boogie in this romantic drama. In 1963, "Baby" Houseman (Jennifer Grey) is a 17-year-old spending the summer with her family at a resort hotel in the Catskills; she plans on being in the Peace Corps next summer, so this is expected to be her last summer as a carefree adolescent. Baby doesn't get along with her older sister, Lisa (Jane Brucker), and she's bored to tears by most of the older guests at the resort. However, one night Baby hears what sounds like a party going on in the employee's dormitory, and she pokes her head in to discover most of the hotel staff enjoying the sort of close dancing that would get you kicked out of the senior prom in no time flat. Baby is particularly struck by handsome Johnny Castle (Patrick Swayze), a dancer in the resort's floor show, and falls head over heels in love, wanting to be near him. When Johnny's dance partner, Penny (Cynthia Rhodes), finds herself pregnant after a fling with one of the waiters, Baby volunteers to learn her steps and take her place; however, Baby's father, Dr. Jake Houseman (Jerry Orbach), will have none of it, convinced that Johnny is a low life and that his daughter is too young to understand her own feelings. Dirty Dancing was a surprise box-office hit, and the soundtrack album was an even bigger success, spawning several hit singles and inspiring a top-drawing concert tour featuring several of its artists. ~ Mark Deming, All Movie Guide

This spectacular epic re-creates the ill-fated maiden voyage of the White Star Line's $7.5 million R.M.S Titanic and the tragic sea disaster of April 15, 1912. Running over three hours and made with the combined contributions of two major studios (20th Century-Fox, Paramount) at a cost of more than $200 million, Titanic ranked as the most expensive film in Hollywood history at the time of its release, and became the most successful. Writer-director James Cameron employed state-of-the-art digital special effects for this production, realized on a monumental scale and spanning eight decades. Inspired by the 1985 discovery of the Titanic in the North Atlantic, the contemporary storyline involves American treasure-seeker Brock Lovett (Bill Paxton) retrieving artifacts from the submerged ship. Lovett looks for diamonds but finds a drawing of a young woman, nude except for a necklace. When 102-year-old Rose (Gloria Stuart) reveals she's the person in the portrait, she is summoned to the wreckage site to tell her story of the 56-carat diamond necklace and her experiences of 84 years earlier. The scene then shifts to 1912 Southampton where passengers boarding the Titanic include penniless Jack Dawson (Leonardo DiCaprio) and society girl Rose DeWitt Bukater (Kate Winslet), returning to Philadelphia with her wealthy fiance Cal Hockley (Billy Zane). After the April 10th launch, Rose develops a passionate interest in Jack, and Cal's reaction is vengeful. At midpoint in the film, the Titanic slides against the iceberg and water rushes into the front compartments. Even engulfed, Cal continues to pursue Jack and Rose as the massive liner begins its descent.

Cameron launched the project after seeing Robert Ballard's 1987 National Geographic documentary on the wreckage. Blueprints of the real Titanic were followed during construction at Fox's custom-built Rosarito, Mexico studio, where a hydraulics system moved an immense model in a 17-million-gallon water tank. During three weeks aboard the Russian ship Academik Keldysh, underwater sequences were filmed with a 35mm camera in a titanium case mounted on the Russian submersible Mir 1. When the submersible neared the wreck, a video camera inside a remote-operated vehicle was sent into the Titanic's 400-foot bow, bringing back footage of staterooms, furniture and chandeliers. On November 1, 1997, the film had its world premiere at the 10th Tokyo International Film Festival. ~ Bhob Stewart, All Movie Guide

An interesting hybrid of popular film genres, Ghost showcases the talents of its entire cast. While out on the town one evening, New York couple Sam (Patrick Swayze) and Molly (Demi Moore) are confronted by a mugger. After submitting to his demands, Sam is murdered anyway. He then finds himself a disembodied spirit, invisible to the living world, wandering without hope until he finds a spiteful spirit aboard the subway (Vincent Schiavelli) who gives him some helpful pointers on how to co-exist. Soon Sam comes back into contact with those he knew in life, and he begins to learn piece-by-piece of his close friend and co-worker Carl's (Tony Goldwyn) embezzling plot which caused his death; the apparent mugging was, in fact, a premeditated murder. In the meantime, Carl has designs on Molly, and Sam is determined to extract revenge. He contacts a psychic (Whoopi Goldberg), and together, the two set out to serve justice and stop the maniacal Carl from getting to Molly. Blending comedy, romance, action, and horror, Ghost was a box-office smash and managed to garner five Academy Award nominations, including "Best Picture," "Best Supporting Actress" (Goldberg), "Best Original Screenplay," "Best Editing," and "Best Score"; Goldberg won her first Oscar. ~ Jeremy Beday, All Movie Guide

Richard Gere plays Zack Mayo, an aloof, taciturn man who aspires to be a navy pilot. Once he's arrived at training camp for his 13-week officer's course, Mayo runs afoul of abrasive, no-nonsense drill sergeant Emil Foley (Louis Gossett Jr.). Mayo --or "Mayonnaise," as he is dubbed by the irascible Foley -- is an excellent cadet, but a little cold around the heart. Foley rides Mayo mercilessly, sensing that the young man would be prime officer material if he weren't so self-involved. Zack's affair with working girl Paula Pokrifi (Debra Winger) is likewise compromised by his unwillingness to give of himself. Only after Mayo's best friend Sid Worsley (David Keith) commits suicide over an unhappy romance does Zack come out of his shell and mature into a real human being. Take away the R-rated dialogue and the sex scenes, and Officer and a Gentleman could have been a 1937 MGM flick, maybe with Robert Taylor as Zack, Wallace Beery as Foley, and Jimmy Stewart as Sid. An Officer and a Gentleman was nominated for 7 Oscars, with wins to Gossett and to the hit song "Up Where We Belong." The closing scene has surely become a classic of movie romance. ~ Hal Erickson, All Movie Guide

There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance. In his last film, Henry Fonda plays Norman Thayer, a cranky 80-year-old retired professor, making his annual pilgrimage with his wife Katharine Hepburn (in her only teaming with Henry Fonda) to their New England summer cottage. Their solitude is interrupted when the couple's daughter Chelsea (Jane Fonda) arrives with her fiance Bill (Dabney Coleman) and his son Doug McKeon in tow. It takes a while, but Jane Fonda and Coleman, about to go on a vacation of their own, persuade Henry Fonda and Hepburn to take care of McKeon. Henry Fonda and the kid dislike each other from Square One, and it looks as though this summer (which may very well be Henry Fonda's last) will be a depressing experience. Gradually, Henry Fonda and McKeon grow to love one another; their bond is strengthened during a near-fatal accident while fishing. It is through the warm relationship between Henry Fonda and the boy that the old man and his daughter Jane Fonda are at last able to display affection towards each other--the first time they've done so in years. Gorgeously photographed by Billy Williams, On Golden Pond is a wonderful valedictory for Henry Fonda, who died not long after the film's completion; Katharine Hepburn has less to do, but few can do so much with so little. Academy Awards were bestowed upon Henry Fonda, Hepburn, and screenwriter Ernest Thompson (who adapted the film from his stage play). ~ Hal Erickson, All Movie Guide

The recipient of seven Oscar® nominations, this film version of Jane Austen's classic 1811 novel stars Emma Thompson as Elinor Dashwood. With her mother and sisters, Elinor struggles financially after the death of her father, who bequeathed the Dashwood estate to his oafish son by an earlier marriage. While sorting out the family's affairs, the shy, self-sacrificing Elinor secretly falls for her stepbrother-in-law, Edward Ferrars (Hugh Grant), a sensitive, well-educated bachelor who cannot court her because of his foolhardy youthful engagement to the greedy Lucy Steele (Imogen Stubbs). The grateful Dashwoods are offered a modest country home by family friends, which they accept. Once relocated, Elinor's brash, spirited sister Marianne (Kate Winslet) falls for a dashing local, John Willoughby (Greg Wise), a womanizer who nevertheless seems to share her affections. A prominent neighbor, Colonel Brandon (Alan Rickman), also falls in love with Marianne, but she is oblivious to the older man's affections. Eventually, Willoughby fails Marianne, breaking her heart, until she realizes Brandon's feelings. When Edward's family disowns him, Lucy marries his brother instead, leaving him free to pursue an exultant Elinor. Thompson won the film's sole Oscar® for her screenplay adaptation of Austen's novel. ~ Karl Williams, All Movie Guide

Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten. ~ Hal Erickson, All Movie Guide

Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises. ~ Hal Erickson, All Movie Guide

In Philip Kaufman's surprisingly successful film adaptation of Czech author Milan Kundera's demanding 1984 bestseller, Daniel Day-Lewis stars as Tomas, an overly amorous Prague surgeon, while Juliette Binoche plays Tereza, the waiflike beauty whom he marries. Even though he's supposedly committed, Tomas continues his wanton womanizing, notably with his silken mistress Sabina (Lena Olin). Escaping the 1968 Russian invasion of Prague by heading for Geneva, Sabina takes up with another man and unexpectedly develops a friendship with Tereza. Meanwhile, Tomas, who previously was interested only in sex, becomes politicized by the collapse of Czechoslovakia's Dubcek regime. The Unbearable Lightness of Being may be too leisurely for some viewers, but other viewers may feel the same warm sense of inner satisfaction that is felt after finishing a good, long novel. ~ Hal Erickson, All Movie Guide