Film & Television History

This represents MGM's 1976 sequel to its enormously successful compilation film That's Entertainment (1974). In lieu of the multi-narrator device of the first film, director Gene Kelly chooses to limit the hosting chores to two people: himself, and his friendly rival Fred Astaire. Another departure from the first film was the decision to include comedy and dramatic highlights from MGM's past, with such stars as Greta Garbo (seen in a montage of "I want to be alone"s), Greer Garson, Katharine Hepburn, Cary Grant, Jean Harlow, Wallace Beery, Marie Dressler, Red Skelton, the Marx Brothers, and Laurel and Hardy (though the last-named team's vignettes are culled from Hal Roach productions which were merely released by MGM). Be sure and catch That's Entertainment from the beginning for Saul Bass' opening credits, incorporating a variety of title-sequence styles: waves crashing on the shore, pages turning in a book, and a J. Arthur Rank-style gong. ~ Hal Erickson, All Movie Guide

In 1974, MGM Studios released its first compilation of musical highlights from 45 years of Hollywood extravaganzas. Entitled That's Entertainment!, it was a big box-office hit and inspired a second compilation two years later. Eighteen years went by before MGM tried again. The third installment of the series contains a total of 62 musical numbers and includes scenes from more than 100 films. The cavalcade of memories is hosted by nine stars from the old musicals: Gene Kelly, Esther Williams, Debbie Reynolds, Mickey Rooney, Lena Horne, June Allyson, Cyd Charisse, Ann Miller, and Howard Keel. The film is loaded with outtakes and unfinished numbers that didn't make the cut of the original musicals. At many points, there is a split screen, showing the finished product as filmed as well as behind-the-scenes confusion. It's as much a comic "bloopers" TV show as a tribute to the heyday of the musical. ~ Michael Betzold, All Movie Guide

Director Kevin Smith records a series of question and answer sessions he held at various universities and releases them in this package. Smith, always a good storyteller, fields questions about his films, his career, and his forays into acting with a series of crowds that welcome him and are appreciative for his knowledge, his time, and his humor. ~ Perry Seibert, All Movie Guide

The Art of Action is a compilation film, hosted by Samuel L. Jackson, that offers clips from various action films that featured martial arts action sequences. Among the films excepted for this collection are Rush Hour 2 with Jackie Chan, Charlie's Angels, and the multiple-Oscar-winning Crouching Tiger, Hidden Dragon. The DVD release of the film features interviews with actors and directors. ~ Perry Seibert, All Movie Guide

Based on the book by Raymond McNally and Radu Florescu, this documentary mixes historical research, literary scholarship, film clips, and folklore with dramatic re-creations of scenes from Bram Stoker's famous novel Dracula. Christopher Lee, star of innumerable horror films for England's venerable Hammer Studios, narrates and appears as both Dracula and his historical counterpart, Vlad the Impaler. Examining the facts behind the novel and its inspirations, In Search of Dracula includes footage shot on location in Transylvania, plus Austria, Germany, Switzerland, and Sweden. Although Stoker himself never visited Transylvania, he did his homework; as the footage here attests, his descriptions of the land's mountains and forests prove uncannily accurate. In addition to the landscape of Transylvania itself, the film explores the links between the fictional Count Dracula and Vlad Tepes Dracula, a 15th century Romanian prince known for impaling his many enemies, most notably the Turks, on long spikes. The film also looks at Countess Elisabeth Bathory, a 16th century Hungarian noblewoman whose predilection for bathing in the blood of her servant girls gave her a reputation as a "living vampire" and got her walled up in her own castle. Other topics range from vampire bats and psychological vampirism to the use of vampire imagery in the Greek Orthodox church and the emergence of the femme fatale "vamp" in silent film. Yvonne Floyd's script also spends time exploring the links and similarities between the Dracula mythology and Mary Shelley's Frankenstein. In addition to In Search of Dracula, McNally wrote Dracula Was a Woman, a more focused treatment of Countess Bathory's story. Lee would go on to host another documentary, the 13-part TV series 100 Years of Horror. ~ Brian J. Dillard, All Movie Guide

The son of Italian-American parents who had a strong pride in their national heritage, filmmaker Martin Scorsese grew up watching Italian films with his family, and while he contends that the American cinema was always the most important to him, he also has many powerful memories of the classic period of the Italian cinema (the early '40s to the late '60s). A companion piece to his earlier documentary series A Personal Journey With Martin Scorsese Through American Movies, Il Mio Viaggio In Italia offers Scorsese's perspective on Italian film of the past, chronicling the influence and impact it had on him, as well as the rest of the world. From historical epics like Cabiria (1914) and Fabiola (1949) through neo-realist masterpieces such as Roma, Città Aperta (1945) and Ladri di Biciclette (1948) to the masterworks of Luchino Visconti, Federico Fellini, and Michelangelo Antonioni, Scorsese offers a knowledgeable take on Italian filmmaking, offering background on the artists who made the films as well as a perspective on what made these films so special (analyzing their importance both as art and as social and political documents of their place and time). Il Mio Viaggio In Italia was originally produced as a series for Italian television and given a special screening at the 2001 Cannes Film Festival; Scorsese announced at the time that he planned a companion film that would follow his interest in Italian cinema up to the present, investigating a number of lesser-known filmmakers. ~ Mark Deming, All Movie Guide

Documentarian Les Blank, who filmed Werner Herzog Eats His Shoe, trained his cameras on Herzog again, as the eccentric German filmmaker made his epic, Fitzcarraldo, in the Amazon rainforest of Peru. Herzog's production is in trouble right from the start. He begins filming with Jason Robards playing the title role, and Mick Jagger playing Fitzcarraldo's sidekick, Wilbur. With 40 percent of the film shot, Robards becomes ill and goes back to the states, where his doctor will not let him return. Because of the delay, Jagger, with album and tour commitments, is forced to quit the production. Thinking no one can fill the rock star's shoes, Herzog jettisons Jagger's role. He eventually casts his frequent collaborator Klaus Kinski as Fitzcarraldo and begins shooting again. Violent tribal disputes and unpredictable weather hinder the shoot, but the biggest obstacle is Herzog's own quixotic and dangerous determination to film one antique boat smashing down the Amazonian rapids, and the dragging of an identical boat over a mountain from one river to another. Blank interviews members of the cast and crew, including the impoverished Indian extras, and captures the troubles of the seemingly cursed production, but his interviews with Herzog are the focal point of the film. "If I abandon this project," Herzog explains at one point, "I would be a man without dreams, and I never want to live like that. I live my life or I end my life with this project." Herzog later made his own documentary about Kinski, My Best Fiend, which adds to the lore of this infamously difficult shoot. ~ Josh Ralske, All Movie Guide

For years, one of filmmaker Terry Gilliam's great dreams was to make a screen adaptation of Miguel de Cervantes Saavedra's classic tale Don Quixote, and in 2000 it looked as if his dream was to become a reality. In collaboration with Tony Grisoni, Gilliam had written a script called The Man Who Killed Don Quixote, in which a 20th century advertising man accidentally travels back in time and is mistaken by Don Quixote for his faithful companion, Sancho Panza. After ten years of shopping the project to American studios with no success, Gilliam and his producers had secured financing for the film from a consortium of European sources, and Johnny Depp had been cast as the time-tripping adman, with the venerable French actor Jean Rochefort as Don Quixote. However, as the production moved closer to its start date, more and more things began to go wrong -- contracts went unsigned, key cast and crew members had not yet arrived, and the carefully prepared budget seemed stressed to the breaking point. Nevertheless, Gilliam soldiered on, but after a mere six days of shooting, during which Spanish Air Force jets ruined several takes, flash floods destroyed several sets, and Gilliam struggled to keep his dream afloat, Rochefort suffered a severe back injury. The film's financiers decided to cash in their chips and pulled the plug in order to cash in on their insurance, though Gilliam struggled for months afterward to find a way to put the production back on track. Documentary filmmakers Keith Fulton and Louis Pepe had been invited by Gilliam to make a film about the production of The Man Who Killed Don Quixote, and after shooting 80 hours of footage of the chaotic pre-production process as well as the aborted shooting schedule, they instead created Lost In La Mancha, a look at the "un-making" of the film, which along with the story of the project's brief rise and messy collapse, featured a look at several completed scenes from the film, as well as animated versions of the film's storyboards which offered a glimpse of the look and scale of the film Gilliam was attempting to create. ~ Mark Deming, All Movie Guide

Mark Wexler is a successful photojournalist who has also distinguished himself as a documentary filmmaker, but in many ways he has spent much of his life in the shadow of his more famous father, Haskell Wexler. One of Hollywood's greatest cinematographers, Haskell is also known as a director (he made the acclaimed feature Medium Cool as well as a handful of documentaries) and as a tireless political activist. But while Haskell is widely respected as a major talent, he's also known for being fiercely opinionated and difficult to work with, and Mark makes no secret of the fact that he's had a prickly relationship with his dad. Mark Wexler takes a detailed look at the life and work of Haskell Wexler in Tell Them Who You Are, which examines Haskell's career in the movie business, his relationship with his family (including his three marriages and his frequent lack of respect for Mark), and how he's viewed by his friends and peers. Interview subjects include Jane Fonda, Paul Newman, George Lucas, Michael Douglas, Milos Forman, Ron Howard, Dennis Hopper, and many more. ~ Mark Deming, All Movie Guide

This documentary showcases the great movie studio's celebration of its golden anniversary with a retrospective of its best screen moments. Most of the documentary is a whirlwind tour through the studio and the achievements of its creator Darryl F. Zanuck. There is a montage of classic film clips from over 120 films, revealing interviews, archival footage, and outtakes. Some of the unforgettable stars featured are Shirley Temple, Tyrone Power, Betty Grable, Henry Fonda,and Marilyn Monroe. James Coburn hosts. ~ Karla Baker, All Movie Guide

Part of the Biography television series from A&E, this documentary reviews the career and personal life of actress Katherine Hepburn. Hepburn attained international fame as a strong character actress. Among many of her outstanding films was Woman of the Year, which saw the beginning of a 25-year professional and personal relationship with co-star Spencer Tracy. She won Oscars for Morning Glory, Guess Who's Coming to Dinner?, The Lion in Winter, and On Golden Pond, and she is also remembered for her role in The African Queen. On Broadway she played Shakespearean roles in the 1950s, and enjoyed enormous success in the stage musical Coco. Her television work includes The Glass Menagerie, Love Among the Ruins, and Mrs. Delafield Wants to Marry. In 1991 she published Me: Stories of My Life.
~ John Patrick Sheehan, All Movie Guide

This humorous and insightful documentary is composed exclusively of movie trailers promoting films which depict the lives of African-Americans. From the patronizing promotion for 1946 Disney film, The Song of the South to the hip, tongue-in-cheek promo for Putney Swope, the range of attitudes from the '40s through the '90s is clearly and entertainingly shown. Surprisingly, in the comparison, the promotions for the much-despised "blaxploitation" films of the seventies come off well. ~ Clarke Fountain, All Movie Guide