Horror Comedy Movies

Troma Team Pictures, the company that brought you such classics as The Toxic Avenger, When Nature Calls and Class Of Nuke 'Em High, takes a look inside the making of a "typical" Troma release with Terror Firmer, directed and co-written by Troma co-founder Lloyd Kaufman, who also appears as the director of the film-within-the film. Here, Kaufman (whose character is blind, which would explain a lot about Troma's product) and his crew are making a willfully sleazy horror flick, complete with monsters, gore, gratuitous nudity and loud rock 'n' roll, when a serial killer appears who doesn't happen to be in the script. Terror Firmer is based in part on Kaufman's 1998 book about his career with Troma, All I Need To Know About Filmmaking I Learned From The Toxic Avenger, and includes a plug for the upcoming Jane Austen's Schlock and Schlockability (possibly a follow-up to 1996's Shakespeare variant Tromeo and Juliet). ~ Mark Deming, Rovi

Herbert West (Jeffrey Combs) is a brilliant medical student who has perfected a green-glowing serum for regenerating life into dead things -- or even parts of dead things. But a corrupt superior, Dr. Carl Hill (David Gale), assumes control of West's experiments and winds up, by ghastly necessity, using the stuff on his own severed head and body. West and in-over-his-head co-worker Dan Cain (Bruce Abbott) struggle to control the now out-of-control effects of the serum, but the bone-saws and zombies complicate their plans. ~ Buzz McClain, Rovi

A group of adolescent monster movie enthusiasts form a club that meets in a treehouse in this pre-teen horror feature. When Dracula, The Mummy, Frankenstein, and The Wolfman are joined by Gill-Man in the search for a magic amulet, the boys form the Monster Squad to battle the forces of evil. The boys get unexpected help from Frankenstein when the monster grows tired of being continually bossed around by Dracula. ~ Dan Pavlides, Rovi

While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, Rovi

An outgrowth of the BBC radio series On the Town, the savagely satirical British TV sitcom The League of Gentlemen showcased the comedy troupe of the same name. Having honed their laugh-making skills during a lengthy stint at London's Canal Café, the troupe's three members -- Mark Gatiss, Steve Pemberton, and Reece Shearsmith -- gained nationwide fame by virtue of their award-winning gigs at the Edinburgh Festival. Doubling, tripling, and sometimes quadrupling in roles, Gatiss, Pemberton, and Shearsmith played virtually all of the rather peculiar residents of the cloistered (and implicitly inbred) community of Royston Vasey. Characters included a pair of misanthropic shop owners, an inept and inadvertently homicidal veterinarian, a demented butcher, a blind photographer, a transsexual cab driver, a gypsy who went around kidnapping new brides, a lesbian parole officer, a family of fanatical neat freaks, a radical but ineffective female vicar, a certain "Professor Erno Breastpinch'd," and various and sundry addlepated relatives and tourists. Murder, bestiality, cannibalism, sexual perversion, mental deficiency, and other such social ills were the order of the day in Royston Valley -- but after all, who are we to make value judgments, since everybody on the show seemed to be having such a good time? The three stars also wrote the scripts, in concert with Jeremy Dyson. Making its BBC2 television debut on January 11, 1999, The League of Gentlemen yielded three six-episode seasons and two specials, ending its run on October 24, 2002. ~ Hal Erickson, Rovi

Ronald K. Armstrong wrote, directed, edited and starred in this comic horror film about a group of exterminators who mistakenly use an experimental drug which causes genetic mutation instead of pesticide while spraying a house for insects. Before long, a pack of huge, mutant bugs appear who stand taller than any of the exterminators and have a taste for human flesh. Released by the fearless crew at Troma Team Pictures. ~ Mark Deming, Rovi

In this sequel to 1996's The Dentist, Corbin Bernsen returns as Dr. Feinstone, the obsessive-compulsive dentist whose wife's infidelities left him a deranged monster. Picking up on the IRS audit subplot of the original film, The Dentist II tracks Feinstone after his escape from a mental institution to Paradise, a sleepy little town where he's been socking away his assets and leading a double life under an assumed name. Pretending to have retired from his big-city dental practice, "Dr. Caine" rents a house from the lovely Jamie Devers (Jillian McWirther), but soon finds himself drawn back into the exam room after the local dentist's working habits don't pass muster. Killing the old guy for incorrectly gluing one of his own capped teeth, Feinstone/Caine sets up shop himself, starts dating Jamie, and soon grows homicidally jealous over her friendship with another man. As the killing continues, Feinstone remains unaware that a detective is on his trail. Soon, a toothless, tongueless woman from the dentist's past shows up in Paradise, interrupting his killing spree. In addition to the original The Dentist, Brian Yuzna previously directed such horror films as Return of the Living Dead 3 and Bride of the Re-Animator. ~ Brian J. Dillard, Rovi

This mild horror outing was made for younger audiences and centers on a young boy's attempts to prevent the evil spirit living within a voodoo doll from taking possession of his school teacher. ~ Sandra Brennan, Rovi

The third in director Sam Raimi's stylish, comic book-like horror trilogy that began with The Evil Dead (1982), this tongue-in-cheek sequel offers equal parts sword-and-sorcery-style action, gore, and comedy. Bruce Campbell returns as the one-armed Ash, now a supermarket employee ("Shop Smart...Shop S-Mart") who is transported by the powers of a mysterious book back in time with his Oldsmobile '88 to the 14th century medieval era. Armed only with a shotgun, his high school chemistry textbook, and a chainsaw that mounts where his missing appendage once resided, the square-jawed, brutally competent Ash quickly establishes himself as a besieged kingdom's best hope against an "army of darkness" currently plaguing the land. Since the skeleton warriors have been resurrected with the aid of the Necronomicon (the same tome that can send Ash back to his own time) he agrees to face the enemy in battle. Ash also finds romance of a sort along the way with a beautiful damsel in distress, Sheila (Embeth Davidtz), and contends with his own doppelganger after mangling an important incantation. ~ Karl Williams, Rovi

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, Rovi

This high-octane semi-sequel to Sam Raimi's cult hit The Evil Dead has nearly eclipsed its predecessor's reputation thanks to an endless barrage of hyperkinetic camera acrobatics, rapid-fire editing and "splatstick" gore effects ... not to mention a truly goofy performance by Bruce Campbell. Nearly the entire storyline of the previous film has been re-shot and presented in a drastically condensed form within the first few minutes: rock-jawed but clueless "hero" Ash (Campbell) now visits the mountain cabin only with girlfriend Linda (played here by Denise Bixler). Upon arrival at the cabin, Ash discovers the Sumerian Book of the Dead, the ritual dagger and a reel-to-reel tape containing the professor's translations of the book's hieroglyphics. The incantations summon an unseen, growling spirit from within the woods, which bursts into the cabin and takes possession of Linda's soul. Ash is forced to decapitate her with a shovel, after which he buries her in the forest. At first dawn, Ash tries to make his escape, but is promptly set upon by the spirits, given a solid thrashing and nearly possessed himself, saved only by the arrival of sunlight. Cut off from the outside world, Ash is forced to hole up in the cabin and wait for the next demonic onslaught -- which arrives sooner than expected, led by Linda's rotting corpse. After being bitten by Linda's chatty decapitated head, Ash's hand becomes independent of his body and begins pummeling him repeatedly. The story then jumps to a local airport, where the professor's daughter Annie (Sarah Berry) and her partner Ed Getley (Richard Domeier) have just arrived with the missing pages to the Necronomicon. They employ a cranky pair of local rednecks, Jake (Dan Hicks) and Bobbie Joe (Kassie Wesley), as guides to lead them through the dense woods to the cabin ... where, at that very moment, Ash is removing his belligerent hand with a chainsaw, creating yet another ambulatory foe. Driven to the brink of insanity, Ash fires blindly at a noise outside, unaware that the new arrivals are Annie and company. Bobbie Joe is injured by the gunshot, which incurs the wrath of Jake, who knocks Ash senseless and locks him in the fruit cellar. Believing her father was murdered by Ash, Annie plays the rest of the professor's recording to learn the truth, and discovers her possessed mother was buried in the same cellar -- and not exactly resting in peace. This touches off a string of unbelievably gruesome (and hysterically funny) events, including Henrietta's transformation into a stop-motion creature (reminiscent of a Ray Harryhausen creation), Ed's sudden metamorphosis into a toothy, levitating ghoul, and Ash's climactic confrontation with the forest demon itself. The obvious glee with which Raimi and company present this cavalcade of slime-drenched monstrosities and Three Stooges pratfalls makes it impossible to take seriously as a horror film, but Evil Dead 2 is nevertheless essential viewing among connoisseurs of truly demented cinema. The film's sardonic coda opened the way for a slightly less successful sequel, Army of Darkness. ~ Cavett Binion, Rovi

Where the original Gremlins was a horror film spiked with comedy, Gremlins 2: The New Batch is essentially a black comedy, with a couple of horrifying touches. As the film starts, the fantastical trinket shop in Chinatown, which sold the Mogwai in the first film, is demolished by a crazed multi-media businessman called Daniel Clamp (John Glover). The heroes from the first movie, Billy (Zach Galligan) and Kate (Phoebe Cates), happen to work for Clamp in his huge high-rise. They find the Mogwai within Clamp's building, but not before he has accidentally spawned legions of mischievous, lizard-like Gremlins. Soon, the Gremlins are wreaking havoc throughout the building. In the original film, their misdeeds were violent, but here they're also goofy and satirical. Director Joe Dante has filled the film with quick verbal and visual jokes, which, for many, makes Gremlins 2: The New Batch a satire and inversion of the typical horror film. ~ Stephen Thomas Erlewine, Rovi