Clive Brook Movies

Adrian Messenger (John Merivale) asks his friend, British colonel Anthony Gethryn (George C. Scott), to check on the whereabouts of the eleven men named on a written list. Not long afterward, the plane on which Messenger is travelling is deliberately blown up. The mystery killer slipped the bomb on the plane while disguised as a priest, and we soon learn that the killer adopts a different guise for each of his subsequent murders. As Gethryn tracks down the men on Messenger's list, he discovers that all had been POWs in the same Burmese stockade during World War II, and he deduces that the murderer, who is methodically decimating those on the list, had been a traitor and informer. Gethryn traces the killer to the British estate of The Marquis of Gleneyre (Clive Brook), where his visit coincides with the return of "prodigal" American relative George Brougham (Kirk Douglas). Gethryn is convinced that Brougham is the killer, and that he plans to murder the only heir who stands in the way of the family fortune, but he has no tangible proof. Filmed primarily in Ireland, The List of Adrian Messenger received good theatrical bookings by virtue of its gimmick: several of the bit characters are played by famous stars in heavy makeup, and each of these stars -- Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, and Tony Curtis -- "unmasks" in the epilogue. In truth, only Douglas and Mitchum did any real acting under their mounds of collodion and crepe hair; the others showed up only to shoot their unmasking scenes (at a salary of $75,000 each!) and were "doubled" in the film itself. ~ Hal Erickson, Rovi

English actor Clive Brook's only directorial effort, On Approval, is based upon Frederick Lonsdale's frothy 1926 play, though reset in the late 19th century. Brook plays George, a titled duke whose wealth has largely been spent but who has no intention of settling further into genteel poverty. George is enormously appealing to Helen (played by Googie Withers), a good-natured American heiress, and is equally appalling to Maria (Bea Lillie), an Englishwoman of considerable means. The imperious Maria is dating the eternally devoted Richard (Roland Culver), who worships her. Maria decides that she will marry Richard -- after he spends a month with her in a secluded Scottish castle, where she will try him out "on approval." Maria, however, does not intend to discover whether they are suitable for all aspects of marriage; every night he is to row across the loch and spend his nights at a local inn. Neither Maria nor Richard will lack for company, though, as George and Helen invite themselves along. Things get complicated when it turns out that there are no rooms available at the inn, leaving the men to share the castle with the women -- a prospect that so horrifies the servants that they promptly leave the two couples high and dry. Left to their own devices, the foursome get to know each other -- and they don't necessarily like what they find. ~ Craig Butler, Rovi

The Shipbuilders is a rare film of true merit from prolific British "quota quickie" director John Baxter. Clive Brook heads the cast as the owner of a shipbuilding firm, presently dedicated to the War effort. Though naturally concerned that his business will flag once the war is over, it is shown that Brook has nothing to worry about, so long as diligent, patriotic men like riveter Morland Graham are on his payroll. The film's message is clear: While it's important to think of one's service to the present National Crisis, it is equally important to take the Future into consideration. Actual footage shipbuilders at work give this hastily assembled patriotic exercise a veneer of reality. ~ Hal Erickson, Rovi

In this WW II propaganda film, a German doctor, highly praised by his Nazi employers, finds it increasingly difficult to support the oppressive, increasingly brutal movement. At first he does nothing as his friends are persecuted and his wife becomes increasingly enamored with the party's misguided philosophies. Eventually he enlists the aide of an engineer and creates a secret radio station where he broadcasts condemnations of Hitler and prays for a "better" Germany to arise out of the ashes of his ruined country. ~ Sandra Brennan, Rovi

Clive Brook heads the cast of this low-key British war film. Brook plays the skipper of a tiny English cruiser, performing convoy duty in the north seas. A German battleship targets the cruiser for a deadly game of cat and mouse. Just when it seems that Brook and his crew will be blown out of the water, a battle squadron comes to the rescue. One of the first World War II combat films, Convoy features future stars Stewart Granger and Michael Wilding in very minor roles. ~ Hal Erickson, Rovi

This film takes a look at British decorum and civilities when a highly conscientious army officer is accused of cheating at cards and turns to the courts to clear his name. At stake, of course, is his good name and the respect of his peers. The film depicts the British class and court systems and features a fairly powerful cast. Of significance is an excellent performance by Francis Sullivan as the defendant's attorney. ~ Rovi

Released in the U.S. as Scotland Yard Commands, The Lonely Road was based on a novel by Nevil Shute (of On the Beach fame). When his marriage proposal is rejected by his sweetheart, retired naval commander Stevenson (Clive Brook) goes on a bender and drives his car wildly along a country road. No, he doesn't hit anyone, but he does plow his way right into a gang of weapons smugglers. Fearing that he'll blow the whistle on them, the crooks knock out Stevenson and arrange the evidence so as to convince him that he suffered his cranial blow in an auto accident. Released from hospital, Stevenson heads to a cabaret, where he makes the acquaintance of dancer Molly Gordon (Victoria Hopper) -- who turns out to be the sister of one of the smugglers. Falling in love with Molly, Stevenson must wrestle with his conscience when afforded the opportunity to turn the crooks over to the authorities. ~ Hal Erickson, Rovi

In this romantic costume drama, a man in the service of a king finds that falling in love with the queen can carry a high price. Struensee (Clive Brook) is a doctor from Hamburg who is called upon to treat Denmark's King Charles VII (Emlyn Williams) while the potentate visits Germany. The grateful King brings Struensee back to Denmark with him where he will be afforded a life of luxury. However, Struensee's new and idyllic life hits a considerable snag when he falls in love with Queen Caroline (Madeleine Carroll). The Queen is also infatuated with Struensee, but the Queen Mother (Helen Hayes) soon learns of their affair and has both Struensee and Caroline put behind bars. Struensee is able to arrange for the Queen's escape, but she refuses to leave without the man she loves. The film was also shown under the titles The Loves of a Dictator, The Love Affair of the Dictator, and For Love of a Queen. ~ Mark Deming, Rovi

In this drama, a doctor and his wife find themselves dreaming of others and thinking about divorce. The wife decides to sow a few oats when she meets a handsome young man. When the doctor finds out about the affair, he is surprised to discover that after 10 years of marriage, he could care less. They begin divorce proceedings, but just before it is finalized, they realize that their love isn't as dead as they had thought, and the relationship is renewed. ~ Sandra Brennan, Rovi

Where Sinners Meet was based on The Dover Road, a whimsical play by A. A. Milne. Clive Brook and Diana Wynyard, stars of the 1933 Oscar-winner Cavalcade, are reunited herein. A reclusive eccentric who has survived two unhappy marriages, Mr. Latimer pursues the strange hobby of arranging traffic accidents so that he can "kidnap" extramarital couples to warn them of the pitfalls of infidelity. His latest captives are Anne and Leonard (Wynyard and Reginald Owen) and Eustacia and Nicholas (Billie Burke and Alan Mowbray), all four of whom are escaping what they believe to be mismatched marriages. Genteelly imprisoning the two couples in his comfortable country estate, Mr. Latimer allows them enough time together to get on one another's nerves and realize that they should all return to their legal mates. Both Leonard and Nicholas are sufficiently frightened to make a break for it, but Anne and Eustacia insist upon remaining with their host -- which isn't exactly what Latimer had in mind! Where Sinners Meet was previously filmed in 1927 as The Little Adventuress. ~ Hal Erickson, Rovi

The only Academy Award winning picture for Fox Studios (in its pre-20th Century-Fox era), Cavalcade is a stately film adaptation of the pageant-like stage hit by Noel Coward. The film concentrates on the years 1901 through 1933, as seen through the eyes of an upper-class British family and its servants. Clive Brook and Diana Wynyard portray the "upstairs" Marryots, while Herbert Mundin and Una O'Connor represent the "downstairs" Bridges (the incidents and characterizations in Cavalcade are very, very close to those seen in the popular 1970s BBC series Upstairs, Downstairs). The triumphs and tragedies of both masters and servants are placed in context with the death of Queen Victoria, the Boer War, World War I, the Jazz Age, and the Depression. Both classes have their troubles with their children, what with their offsprings' predilection for opposing authority, marrying the wrong people, and dying at the least opportune moments. The film's highlight was also the most talked-about scene in the original play: newlyweds Edward Marryot (John Warburton) and Edith Harris (Margaret Lindsay), discussing their future while on their honeymoon cruise, reveal at the scene's fadeout that they've been standing in front of a life preserver bearing the name "TITANIC". On the whole, however, Cavalcade creaks a bit when seen today, and is best viewed from a historical perspective. ~ Hal Erickson, Rovi

This version of Sir Arthur Conan Doyle's famed tale is set in contemporary London and follows Holmes and Watson as they seek to bring the nefarious Professor Moriarty to justice. ~ Sandra Brennan, Rovi

Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, Rovi