Dennis Weaver Movies
A track star at the University of Oklahoma, Dennis Weaver went on to serve as a Navy Pilot during World War II. After failing to make the 1948 U.S. decathalon Olympic team, Weaver accepted the invitation of his college chum Lonny Chapman to give the New York theatre world a try. He understudied Chapman as "Turk Fisher" in the Broadway production Come Back Little Sheba, eventually taking over the role in the national company. Deciding that acting was to his liking, Weaver enrolled at the Actors' Studio, supporting his family by selling vacuum cleaners, tricycles and ladies' hosiery. On the recommendation of his Actors' Studio classmate Shelley Winters, Weaver was signed to a contract at Universal studios in 1952, where he made his film debut in The Redhead From Wyoming (1952). Though his acting work increased steadily over the next three years, he still had to take odd jobs to make ends meet. He was making a delivery for the florist's job where he worked when he was informed that he'd won the role of deputy Chester Goode on the TV adult western Gunsmoke. So as not to be continually upstaged by his co-star James Arness (who, at 6'7", was five inches taller than the gangly Weaver), he adopted a limp for his character--a limp which, along with Chester's reedy signature line "Mis-ter Diillon" and the deputy's infamously bad coffee, brought Weaver fame, adulation and a 1959 Emmy Award. Though proud of his work on Gunsmoke--"I don't think any less seriously of Chester than I did about King Lear in college"--Weaver began feeling trapped by Chester sometime around the series' fifth season. Having already proven his versatility in his film work (notably his portrayal of the neurotic motel night clerk in Orson Welles' Touch of Evil [1958]), Weaver saw to it that the Gunsmoke producers permitted him to accept as many "outside" TV assignments as his schedule would allow. Twice during his run as Chester, Weaver quit the series to pursue other projects. He left Gunsmoke permanently in 1964, whereupon he was starred in the one-season "dramedy" series Kentucky Jones (1965). In 1967, he headlined a somewhat more successful weekly, Gentle Ben (1967-69) in which he and everyone else in the cast played second fiddle to a trained bear (commenting upon his relationship with his "co-star", Weaver replied "I liked him, but it was a cold relationship...Ben didn't know me from a bag of doughnuts.") The most successful of Weaver's post-Gunsmoke TV series was McCloud, in which, from 1970 to 1977, he played deputy marshal Sam McCloud, a New Mexico lawman transplanted to the Big Apple. In addition to his series work, Weaver has starred in several made-for-TV movies over the past 25 years, the most famous of which was the Steven Spielberg-directed nailbiter Duel (1971). Dennis Weaver is the father of actor Robby Weaver, who co-starred with his dad on the 1980 TV series Stone. ~ Hal Erickson, Rovi- 1953
Excluding a brace of 1980s TV-movie appearances, It Happens Every Thursday was the final feature film appearance of Loretta Young. As radiantly beautiful at 40 as she'd been as a teen-aged ingenue, Young plays Jane McAvoy, the pregnant wife of big-city newspaper reporter Bob McAvoy (John Forsythe). Tired of the urban rat race, Bob moves to a small California town and assumes ownership of a just-getting-by weekly paper. It's a hand-to-mouth existence for the first few editions, and the situation isn't remedied by the cloistered, resentful behavior of the local citizenry. The outcome of the plot hinges on a publicity stunt engineered by Bob: an attempt to artificially create rain for the drought-ridden community. The well-chosen supporting cast of It Happens Every Thursday includes Edgar Buchanan, Jimmy Conlin, Willard Waterman, and in her last film, Gladys George. ~ Hal Erickson, Rovi
- Starring:
- Loretta Young, John Forsythe, (more)
- 1953
Audie Murphy is suitably cast as cavalry lieutenant Jed Sayre in Universal's Column South. Stationed in Navajo country, Sayre has a pretty good understanding of, and rapport with, the local Indians, but his new CO Lee Whitlock (Robert Sterling) is of the "only good Indian is a dead Indian" school of thought. Eventually Sayre is able to make Whitlock see the light -- and, as a bonus, he gets to romance Whitlock's sister Marcy (Joan Evans). Further complications arise when Confederate General Storey (Ray Collins) hatches an underhanded scheme -- one that will potentially cost many innocent lives -- to force the cavalry troops to join the Southern cause when the Civil War commences. Of interest to modern viewers is the presence of Dennis Weaver, here cast as Navajo chief Menguito. ~ Hal Erickson, Rovi
- Starring:
- Audie Murphy, Joan Evans, (more)
The first film version of W.R. Burnett's novel Saint Johnson was filmed as Law and Order in 1932. Essentially an all-names-changed retelling of the Wyatt Earp legend, the film scored on its humanity and restraint. The 1953 remake eschewed the shadings and subtleties of the original in favor of a traditional shoot-em-up, replete with gratuitous violence. Ronald Reagan stars as the Earp counterpart this time, who has sworn to bring criminal Preston S. Foster to justice. The original Law and Order had no love interest at all; the Reagan version pairs up the star with beautiful Dorothy Malone, and offers a second leading lady in the form of Ruth Hampton. The original had a hanging sequence which was treated as business as usual; the remake turns this sequence into a brutal lynching. Common to both films was the final showdown between Reagan and Foster, given added melodrama in the later version by the fact that Reagan had previously sworn to give up his guns for the love of his lady. Like most of Ronald Reagan's 1950s vehicles, Law and Order paid its way and was then forgotten. ~ Hal Erickson, Rovi
- Starring:
- Ronald Reagan, Dorothy Malone, (more)
- 1953
Virile leading man Phil Carey heads the cast of the 3D western The Nebraskan. Carey plays U.S. Army scout Wade Harper, assigned to keep his Native American aide Wingfoot (Maurice Jara) in protective custody. Accused of killing an Indian chief, Wingfoot is dearly coveted by the dead man's tribe, who'd like to exact their own brand of justice. Stirring up trouble among the whites is the scurrilous Reno (Lee Van Cleef), who gives psychos a bad name. The film's tiny budget is able to accommodate a few gratuitous "comin' at ya" 3D effects, which do little to enhance the overall quality of the film. More fascinating is the presence of Richard Webb, TV's stalwart "Captain Midnight", as a craven coward. ~ Hal Erickson, Rovi
- Starring:
- Philip Carey, Roberta Haynes, (more)
War Arrow is another of Universal's efficiently produced A plus/B minus Technicolor westerns of the early 1950s. Maureen O'Hara and Jeff Chandler star as, respectively, army major Howell Brady and his former sweetheart Elaine Corwin. As Elaine awaits anxiously on the sidelines, Major Brady trains a group of Seminole Indians to aid the army in quelling an impending Kiowa uprising. Commanding officer Col. Meade, a man with a deep abiding hatred for all Indians, thinks that Brady is crazy to trust the Seminoles. Well, he might be, but it's best to wait until the climactic battle scene to decide whether or not Brady knows what he's doing. The ever-reliable Henry Brandon is a tower of strength as Maygro, the Seminole chief whose daughter Avis (Suzan Ball) falls in love with Brady. ~ Hal Erickson, Rovi
- Starring:
- Maureen O'Hara, Jeff Chandler, (more)
- 1952
It's always a pleasure to see ace western director Leslie Selander in action, and Riders of Vengeance is no exception. Originally released as The Raiders, this Universal programmer stars Richard Conte as a miner who leads an expedition of his compatriots to the California Gold Rush. Crooked Morris Ankrum sets about to cheat Conte and his friends out of their claims. The good guys stage a counteroffensive with the help of Mexican miner Richard Martin. Viveca Lindfors once more brings intelligence and charm to a two-dimensional role. Watch for future Gunsmoke star Dennis Weaver as "Logan". ~ Hal Erickson, Rovi
- Starring:
- Richard Conte, Viveca Lindfors, (more)
- 1952
Set in the years following the Civil War, Horizons West stars Robert Ryan as Dan Hammond, one of three Texans who decide to return home after the cessation of hostilities. While his brother Neal (Rock Hudson) and his friend Tiny (James Arness) decide to become ranchers, Dan opts for a more adventurous life out West. Through means both fair and foul (mostly foul), he builds up a veritable empire, defending his turf with legions of hired gunmen. Eventually, the honest Neal is forced to face down his brother Dan, whose megalomania has reached dictatorial dimensions. Julie Adams, still billed as "Julia," plays a self-reliant widow who sets her cap for Dan, who in an earlier scene had gunned down the woman's husband (Raymond Burr)--a characteristically ironic grace-note from director Budd Boetticher. ~ Hal Erickson, Rovi
- Starring:
- Robert Ryan, Julie Adams, (more)
- 1952
The Lawless Breed is based on the exploits of Texas bad man John Wesley Hardin, played here quite convincingly by Rock Hudson. The film takes the Cecil B. DeMille approach of condemning evil by showing as much evil as the censor will allow. After nearly an hour of unrepentant perfidy, Hardin settles down to marry good woman Julie Adams. In middle age, he determines to steer his son clear of outlawry, resulting in a sentimental but non-maudlin finale. Directed by Raoul Walsh, who had given Rock Hudson his first screen role in Fighter Squadron, Lawless Breed was reportedly instrumental in landing Hudson as starring role in George Stevens' Giant (1956). ~ Hal Erickson, Rovi
- Starring:
- Rock Hudson, Julie Adams, (more)
- 2000
- R
- Add Submerged to Queue
In this thriller, an airliner on a routine flight over the Pacific Ocean is hijacked by a gang of terrorists, who deliberately crash the plane into the water. As it turns out, the flight was not as routine as everyone imagined -- one of the passengers is carrying computer hardware that controls a key defense satellite, which can be used to launch America's nuclear arsenal. The terrorists are determined to steal the equipment and use it for their own sinister purposes, but a team of Navy SEALs is given the dangerous assignment of rescuing the airliner and its precious cargo before it's too late. Submerged stars Coolio, Nicole Eggert, Dennis Weaver, Fred Williamson, Brent Huff, and Maxwell Caulfield. ~ Mark Deming, Rovi
- Starring:
- Coolio, Brent Huff, (more)
In this Italian western, an outlaw enlists the aid of his pal and a robber gang to pull off a gold heist. Later, the gang argues about how the loot should be split. The robber gang then absconds with the gold leaving the other pair in the dust. The outlaw and friend set off to capture the treacherous gang. They finally find them in a Mexican town where the residents are celebrating a religious festival. A terrible shootout ensues. ~ Sandra Brennan, Rovi
- Starring:
- James Garner, Dennis Weaver, (more)
One of Hollywood's most acclaimed Westerns gets a new interpretation in this made-for-TV remake of Fred Zinnemann's 1952 classic. Will Kane (Tom Skerritt), the marshal of the frontier town of Hadleyville, is stepping down to marry his sweetheart Amy (Susanna Thompson) and move on to a less demanding occupation. However, on the day of his wedding, Will gets bad news -- Frank Miller (Michael Madsen), an outlaw Will helped to put behind bars, has just been released from jail and will arrive in Hadleyville on the noon train to settle his score with the marshal. Will appeals for support from the local townspeople, most of whom have done little to help him in the past, and they unfortunately behave in much the same manner in his time of greatest need; Amy even turns her back on her fiancé rather than become a widow on the day of her marriage. In the end, Will finds that he alone must face Miller in a shootout in Hadleyville's main street. Also featuring Dennis Weaver, Maria Conchita Alonso, and Reed Diamond, this version of High Noon was produced for the TNT cable network, where it first aired on August 20, 2000. ~ Mark Deming, Rovi
- Starring:
- Tom Skerritt, Susanna Thompson, (more)
In a dual role, Joe Piscopo plays a pair of bungling crooks who kidnap a pair of young girls and hold them hostage. Fortunately for the gals, their talking equine pets, Two-Bits the pony and Pepper the horse, are around to save them, but not without great danger for themselves. ~ Sandra Brennan, Rovi
- 1986
- PG
Made for television, A Winner Never Quits is the true story of one-armed baseball player Pete Gray. Having lost his arm in a childhood accident, Pete (played by Steve Rees as a child, Keith Carradine as an adult) still insists upon pursuing an athletic career in emulation of his older brother Whitey (Ed O'Neill). When Whitey suffers permanent brain damage in a boxing match, Pete takes up the cudgel and enters the world of professional sports. Hired in 1943 as a "freak attraction" and wartime morale-booster by the Memphis Chicks, Class-A minor league ball club, Gray attains a batting average of .333 and a stolen-base record of 63; as a result, he is appointed his league's MVP. Though a success, Pete maintains a tough, defensive veneer, which is softened only by the love of his wife Annie (Mare Winningham) and the adulation of baseball fan Nelson Gary Jr. (Huckleberry Fox), who has also lost an arm (and who would, in real life, become a top minor-league ballplayer himself). With the war depleting big-league baseball's manpower in 1945, Pete Gray finally achieves his goal of entering the Majors when he is hired by the St. Louis Browns. Dennis Weaver and Fionnulla Flanagan costar as Pete's immigrant parents. Burt Prelutsky's screenplay wisely avoids pathos and sentiment throughout; though humanized by his relationships with friends and family, Pete Gray is accurately portrayed as a brusque, temperamental soul, who neither asks for nor tolerates sympathy from anyone. A Winner Never Quits first aired in April of 1986. ~ Hal Erickson, Rovi
- 1971
- PG
Though it bears more than passing resemblance to his macabre hits Hush ... Hush, Sweet Charlotte and Whatever Happened to Baby Jane?, this lesser-known outing from screenwriter Henry Farrell takes a more satirical turn, skewering the eccentricities of the Hollywood studio system. The story opens during the advent of talking pictures, where a school for would-be child stars is opened by voice coach Helen Hill (Shelley Winters) and dance instructor Adelle Bruckner (Debbie Reynolds). Haunted by a dark secret -- each of the women's sons was convicted of murder -- Hill and Bruckner are pursued by a cloaked interloper whose incessant snooping leads to a fatal altercation. Suspicion builds between the two until the expected climax, where it is revealed that one of the two women is even more lethal than her homicidal son. Though the film's absurdist tone is a harsh about-face from the deadly deadpan camp of Farrell's Gothic 1960s thrillers, the period flavor is a nice touch, and accomplished director Curtis Harrington frequently achieves the right balance of horror and humor. ~ Cavett Binion, Rovi
- Starring:
- Debbie Reynolds, Shelley Winters, (more)
Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who'd shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983. ~ Hal Erickson, Rovi
- Starring:
- Dennis Weaver, Jacqueline Scott, (more)
- 1960
- NR
The "mutual admiration society" consisting of actor James Cagney and actor/director Robert Montgomery culminated in the 1960 film The Gallant Hours. Cagney stars as war hero Admiral William F. "Bull" Halsey. On the verge of retirement, Halsey recalls his most fateful wartime experience: his five-week showdown between himself and Japanese Admiral Yamamoto (James T. Goto) in 1942. In command of the American naval forces in the Pacific, Halsey scores a crucial, tide-turning victory at Guadalcanal. In concentrating on the participants rather than the battle itself, The Gallant Hours is a character study of a remarkable American. The a cappella "score" performed by Ken Darby and the King's Men Quartet is a matter of taste. ~ Hal Erickson, Rovi
- Starring:
- James Cagney, Dennis Weaver, (more)
This baroque nightmare of a south-of-the-border mystery is considered to be one of the great movies of Orson Welles, who both directed and starred in it. On honeymoon with his new bride, Susan (Janet Leigh), Mexican-born policeman Mike Vargas (Charlton Heston) agrees to investigate a bomb explosion. In so doing, he incurs the wrath of local police chief Hank Quinlan (Welles), a corrupt, bullying behemoth with a perfect arrest record. Vargas suspects that Quinlan has planted evidence to win his past convictions, and he isn't about to let the suspect in the current case be railroaded. Quinlan, whose obsession with his own brand of justice is motivated by the long-ago murder of his wife, is equally determined to get Vargas out of his hair, and he makes a deal with local crime boss Uncle Joe Grandi (Akim Tamiroff) to frame Susan on a drug rap, leading to one of the movie's many truly harrowing sequences. Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and Dennis Weaver as a tremulous motel clerk. Touch of Evil has been released with four different running times -- 95 minutes for the 1958 original, which was taken away from Welles and brutally cut by the studio; 108 minutes and 114 minutes in later versions; and 111 minutes in the 1998 restoration. Based on a 58-page memo written by Welles after he was barred from the editing room during the film's original post-production, this restoration, among numerous other changes, removed the opening titles and Henry Mancini's music from the opening crane shot, which in either version ranks as one of the most remarkably extended long takes in movie history. ~ Hal Erickson, Rovi
- Starring:
- Charlton Heston, Janet Leigh, (more)
- 1958
- NR
- Add Gunsmoke: The Fourth Season, Vol. 2 [3 Discs] to Queue Add Gunsmoke: The Fourth Season, Vol. 2 [3 Discs] to top of Queue
Having ended its third season as America's top-rated TV series, Gunsmoke managed to retain that title throughout Season Four, not only because of its own innate excellence but also because of its unusually strong lead-in show on CBS' Saturday-night schedule, Have Gun: Will Travel. Even though the series' "adult western" trappings which had been regarded as daring and innovative back when it first aired in 1955 were now considered commonplace and even cliché-ridden, the show remained a viewer favorite even among non-western fans. Inevitably, however, a bit of friction had developed internally on Gunsmoke. Whereas during the series' first three seasons the leading actors were more than willing to follow the scripts as written, by the fall of 1958 those same actors--James Arness (Matt Dillon), Dennis Weaver (Chester), Milburn Stone (Doc), Amanda Blake)--were now full-fledged stars, and acted accordingly. Without going into further detail, we offer this rueful observation from series coproducer Charles Marquis Warren, as originally published in TV Guide: "It reached the point when I'd arrive on the set in the morning only to have Arness tell me that 'Matt Dillon wouldn't say a thing like that!' Everybody suddenly got to be a self-appointed authority." Small wonder that Warren was no longer associated with the series come Season Four, relinquishing the producing chores to his partners Norman McDonnell and John Meston. Having pretty much exhausted the scripts from the radio version of Gunsmoke (which was still running as of 1958), the series began featuring more and more "originals" during its fourth season, many of them penned by producer John Meston. Among the noteworthy actors making guest appearance this season are Martin Landau, Dan Blocker, Charles Bronson, Ross Martin, Warren Oates, Jack Elam and James Drury. ~ Hal Erickson, Rovi
- Starring:
- James Arness, Amanda Blake, (more)
- 1958
- NR
- Add Gunsmoke: The Fourth Season, Vol. 1 [3 Discs] to Queue Add Gunsmoke: The Fourth Season, Vol. 1 [3 Discs] to top of Queue
Having ended its third season as America's top-rated TV series, Gunsmoke managed to retain that title throughout Season Four, not only because of its own innate excellence but also because of its unusually strong lead-in show on CBS' Saturday-night schedule, Have Gun: Will Travel. Even though the series' "adult western" trappings which had been regarded as daring and innovative back when it first aired in 1955 were now considered commonplace and even cliché-ridden, the show remained a viewer favorite even among non-western fans. Inevitably, however, a bit of friction had developed internally on Gunsmoke. Whereas during the series' first three seasons the leading actors were more than willing to follow the scripts as written, by the fall of 1958 those same actors--James Arness (Matt Dillon), Dennis Weaver (Chester), Milburn Stone (Doc), Amanda Blake)--were now full-fledged stars, and acted accordingly. Without going into further detail, we offer this rueful observation from series coproducer Charles Marquis Warren, as originally published in TV Guide: "It reached the point when I'd arrive on the set in the morning only to have Arness tell me that 'Matt Dillon wouldn't say a thing like that!' Everybody suddenly got to be a self-appointed authority." Small wonder that Warren was no longer associated with the series come Season Four, relinquishing the producing chores to his partners Norman McDonnell and John Meston. Having pretty much exhausted the scripts from the radio version of Gunsmoke (which was still running as of 1958), the series began featuring more and more "originals" during its fourth season, many of them penned by producer John Meston. Among the noteworthy actors making guest appearance this season are Martin Landau, Dan Blocker, Charles Bronson, Ross Martin, Warren Oates, Jack Elam and James Drury. ~ Hal Erickson, Rovi
- Starring:
- James Arness, Amanda Blake, (more)
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