Valentina Vargas Movies

French filmmaker Josée Dayan directs the erotic drama Les Liaisons Dangereuses, based on the 18th century novel by Choderlos de Laclos and updated by screenwriter Eric-Emmanuel Schmitt. A co-production of France and Canada, this French-language television miniseries is reimagined with a swinging '60s setting. Madame de Mertueil (Catherine Deneuve) and Vicomte de Valmont (Rupert Everett) are a couple of wealthy and seductive aristocrats. Advancing in years, Mertueil grows jealous when she learns that her old flame Gercourt (Andrzej Zulawski) is planning to marry the much younger Cécile Volanges (Leelee Sobieski). The bored rich couple plot a scheme to have Valmont seduce Cécile before the wedding. Valmont also goes to visit Rosemonde (Danielle Darrieux) in Saint Tropez, where he meets the married woman Marie Tourvel (Nastassja Kinski). Featuring a musical score by Angelo Badalamenti and period costumes by Jean-Paul Gaultier. Les Liaisons Dangereuses premiered on U.S. television on WE: Women's Entertainment in March 2004. ~ Andrea LeVasseur, Rovi

Clive Barker's horrific creation Pinhead (Doug Bradley) returns to the screen for the fourth (and purportedly final) time in this time-juggling horror opus. In 18th century France, Phillip Lemarchand (Bruce Ramsay) constructs a black puzzle box for the wizard Duc de L'Isle (Mickey Cottrell); however, the box has potentially deadly consequences when it's discovered that it can be used to open the gates of hell, freeing the demonic Pinhead. Two hundred years later, the box finds its way into the hands of John (also played by Bruce Ramsay), a New Yorker and distant descendant of Lemarchand who is being pursued by Pinhead and his minions, while another 200 years hence, Dr. Paul Merchant (Ramsay again) is trying to make his way aboard a space station in hopes of reclaiming the puzzle box, hoping to destroy it before it can be used to once again release the demons upon the world; Merchant is also attempting to build a second box that can close the gates that the first box opens. While makeup artist Kevin Yagher made his directorial debut with this film, the final cut was taken away from him and considerably shortened, which in his mind severely compromised the film's complex, time-traveling narrative. He opted to instead credit his work to Alan Smithee, which was the Directors Guild's official pseudonym for directors who feel their work has been tampered with. ~ Mark Deming, Rovi

Ambiguous symbolism and minimalist storytelling imbue this pantomime-like film with some fine imagery. In the story, a medieval family group has traveled for quite some time when they arrive at a hut on the shores of a mysterious lake. Their arrival is accompanied with omens such as a swarm of drowning rats. They are attempting to protect the woman of the family from being ravished by the local feudal lord. Nothing is explained, and there is little dialog. ~ Clarke Fountain, Rovi

Sam Fuller's last film as a director, made during his self-imposed European exile, stars Keith Carradine as once glamorous pop singer Michael, who has been reduced to a grizzled street bum scavenging for booze and food. The cause of his downfall was his affair with the beautiful Celia (Valentina Vargas), a mistress of ruthless crime boss Eddie (Marc de Jonge). The mobster punished the singer "where it hurts most" -- by slitting his throat and thus ruining his career. Years later, Michael crosses paths with Eddie and his thugs again and gets a chance for revenge. ~ Yuri German, Rovi

Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques (Jean-Marc Barr) and Enzo (Jean Reno) are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men (he even considers a school of dolphins as his extended family). As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johanna (Rosanna Arquette), a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea. Le Grand Bleu ran 132 minutes in its original French version, but it was trimmed to 118 for American release, with the original score by Eric Serra replaced by music from Bill Conti. While the film did middling business in the U.S., it was a huge success in Europe, and director Luc Besson released an expanded 168-minute version in 1998. ~ Mark Deming, Rovi