Massimo Troisi Movies

In this remake of the 1983 Ardiente Paciencia by Antonio Skarmeta, the time and place have been changed to Italy in the 1950s, but the relationship between the Chilean Nobel Prize-winning poet Pablo Neruda and Mario (Massimo Troisi), the postman who delivers his copious mail, is still the focus of attention. In this version of the story, scripted by a collective of Anna Pavignano, the director Michael Radford, Troisi himself, and a few others (based on Skarmeta's original story), Neruda is an aloof and slightly elitist figure who is seeking solitude on an island off the coast of Italy, taking a respite from political problems at home. Mario is a poet at heart and employs every measure he is capable of inventing to win his way into the affections and attention of the great author. As his efforts start to bear fruit and Neruda unbends and begins to share conversation and philosophy with Mario, the postman idolizes the poet all the more. Eventually, Neruda shares his leftist political philosophy as well -- and helps him win over the captivating Beatrice, the woman of Mario's dreams. When Neruda leaves, Mario enters into high gear as he prepares material for the next time he sees Neruda -- his ardor and patience, alluded to in the original title -- are essentially indestructible. (Massimo Troisi) was fated never to know that Il Postino would receive worldwide acclaim and be nominated for an Oscar for "Best Picture" in 1995 (the first foreign film nominated in that category since Ingmar Bergman's Cries and Whispers 22 years earlier). Suffering from a heart ailment and unable to work more than an hour or two on the filming of Il Postino each day, he died in his sleep at the age of 41, the day after shooting ended on the film. ~ Eleanor Mannikka, Rovi

Marcello (Marcello Mastroiano) has worked hard all his life to achieve a certain standing and success as a lawyer in Rome. He is pleased to be able to offer the fruits of his success to his son Michele (Massimo Troisi), and is perplexed and distressed that his unambitious son has no interest in any of these things. Michele is serving a term in the Italian military in the port town of Civitavecchia, and Marcello is visiting him there. Here he meets Michele's salty girlfriend Loredana (Anne Parillaud). The father and son share some meals and explore their differences. Though at first it appears that these two men will not be able to tolerate one another, they eventually decide to live and let live. ~ Clarke Fountain, Rovi

After discovering that his terrorist brother has committed suicide, Marco (John Savage) travels to Columbia to investigate, in this action film. ~ Jason Ankeny, Rovi

Two of Italy's top comics, Massimo Troisi and Roberto Benigni teamed up to write (with Giuseppe Bertolucci), direct, and star in this comedy about two men accidentally thrown back to the year 1492. In a series of comic sketches, two friends, Saverio (Benigni) and Mario (Troisi) suddenly find themselves in 1492 while on a drive in the Italian countryside. Saverio is enthusiastic, but Mario just wants a ticket home, until he meets the nubile Pia (Amanda Sandrelli). Then Saverio suggests that if they can prevent Christopher Columbus from sailing to the New World, America would never be discovered and the Native Americans would not suffer. Along with this scheme come skits like Saverio explaining a few modern machines to Leonardo Da Vinci. In-between these highlights are lower ebbs in the comic flow, making the end result slightly under the capabilities of both comedians. ~ Eleanor Mannikka, Rovi

Someone is killing off the performers in a tent theater and it is up to an unlikely obituary writer (Lello Arena) to solve the mystery -- at least, that is how his lover Lisa (Maddalena Crippa) sees it. Along with brief comedy skits by Massimo Troisi there are saxophone performances by James Senese to lighten up the proceedings. ~ Eleanor Mannikka, Rovi