Pete Postlethwaite Movies

A British couple's attempts to circumvent local food-rationing regulations trigger a chaotic series of events in this satirical comedy set in post-World War II England. The couple's scheme centers on a massive hog which has been illegally raised by a local farmer. Seeing a chance to capitalize on pork's scarcity, the ambitious Joyce Chilvers (Maggie Smith) convinces her mild-mannered husband (Michael Palin) to steal the pig. Unfortunately for the Chilverses, a vigilant food inspector is on duty and determined to stop all such illegal activity. The couple's efforts to hide the pig provide much material for frantic and sometimes grotesque farce. Playwright Alan Bennett's acerbic targets the British class system and the wife's social ambitions. ~ Judd Blaise, All Movie Guide

Set in 1940s England, Distant Voices/Still Lives is a compassionate look at a radically dysfunctional family. The son and his mother must endure the casual and overt cruelties of the bull-necked father. The ongoing abuse takes its toll in the form of failed marriages and misguided attempts at seeking security outside the family unit. As was the case with his earlier short subject trilogy (The Children, Madonna and Child, Death and Transfiguration), director Terence Davies based much of the material on his own life, combining rheumy-eyed cynicism with soft-edged nostalgia (the musical track, drawn from popular wartime songs, is particularly evocative). ~ Hal Erickson, Rovi

The brilliant young British actress Jane Horrocks made her film debut in The Dressmaker. She plays Rita, the 17-year-old niece of two Liverpool sisters, who are united only by a common hatred. Older sister Nellie (Joan Plowright) is an emotionally repressed dressmaker, while Margo (Billie Whitelaw) is her brash, libertine younger sibling. Caught in the middle, Rita spends most of her time snivelling over her fate. Though it is clear that no love is lost in this household, the aunts betray a nasty jealous streak when the niece falls in love with American Wesley (Tim Ransom). This quietly turbulent domestic drama was based on The Secret Glass, a novel by Beryl Bainbridge. ~ Hal Erickson, Rovi

Franco Zeffirelli directs his third Shakespeare adaptation (after Romeo and Juliet and Otello) with this film version of the tragedy Hamlet. The titular prince of Denmark (Mel Gibson), returns home to his family's castle of Elsinore after years of attending school in Germany to find out his father has died and his uncle Claudius (Alan Bates) is the new king. To make matters worse, Claudius has married Hamlet's mother, Queen Gertrude (Glenn Close), whom he has unusually strong feelings for. Hamlet is visited by his father's ghost (Paul Scofield), who asks him to seek revenge for his murder. In order to find out who the real killer is, Hamlet stages a theatrical scene resembling his father's death. Claudius is upset by the production and leaves to arrange for Hamlet's murder. In the ensuing confusion, Hamlet accidentally kills Polonious (Ian Holm) instead of Claudius; Hamlet's lover, Ophelia (Helena Bonham Carter), goes mad and commits suicide; and eventually Hamlet and Claudius both meet their fate. ~ Andrea LeVasseur, Rovi

Based on the novel by Graham Swift, this drama follows the past and present crises of schoolteacher Tom Crick (Jeremy Irons), who attempts to resolve the problems in his own life and the apathy of his students by relating stories of his troubled childhood in the English Fens (a marshy region in Britain). ~ Iotis Erlewine, Rovi

Crash landing on a barren penal-colony planet with an unwelcomed visitor in tow, Ripley (Sigourney Weaver) contends with a group of hardened convicts while using nothing but her wits to battle a terrifying new breed of alien. The sole survivor of her crashed escape pod, Ripley is rescued from the craft by the remaining inhabitants of Fiorina 161, a group of rapists and murders who chose to repent for their sins in deep space after the penal colony was officially decommissioned. When remaining warden Andrews (Brian Glover) announces Ripley's presence to the inmates, their spiritual leader, Dillon (Charles S. Dutton), begins to fear that her presence will stir up trouble. As a result, Ripley is placed in the care of prison doctor Clemens (Charles Dance), and restricted to the infirmary until a rescue ship arrives. But Ripley isn't the only new visitor on Fiorina 161; an alien stowaway survived the crash as well, and it has planted its seed in a feral dog. Before long, a new breed of alien has burst from the dog's chest, a stealthy hunter that moves on all fours and can navigate the darkened prison corridors virtually undetected. When the inmates start to disappear, the remaining survivors must fight for their lives without weapons to defend themselves. The only person who knows the alien well enough to beat it is Ripley, and while her plan to corner and kill the creature just might work, a horrifying discovery reveals that her fight is far from over. ~ Jason Buchanan, Rovi

In the fourteenth century, few options were open to women, and anyone showing the slightest degree of independence was likely to be denounced as a witch and summarily burned. In this story, young Christine (Natalie Morse) has a strong devotion to the Virgin Mary, and has asked to be walled up in the church as an anchorite for the rest of her life. This suits her ambitious parish priest (Christopher Eccleston) perfectly, and she is forthwith walled up. Her mother (Toyah Wilcox), an herbalist, midwife and wise-woman, is not of the same mind, but she is not only ignored, but soon runs afoul of the local authorities. Meanwhile, Christine is adapting to her new life in strange ways, and finds ways to transcend her imprisonment through making good use of the completely unusual privacy it affords. In one erotic scene, she even manages to find a physical expression for her mystical marriage. ~ Clarke Fountain, Rovi

In this war adventure a brave British GI saves the beautiful wife of a colonel from a group of AWOL soldiers. The plot is based on a Bernard Cornwell novel. ~ Sandra Brennan, Rovi

Sean Bean returns as the stubbornly independent Captain Richard Sharpe in this historical adventure. Sharpe, an officer in the British Army, and his men are in Spain, fighting against Napoleon's forces, when he learns that Teresa (Assumpta Serna), his mistress, has given birth to his daughter. As Sharpe comes to terms with fatherhood, he loses control of the South Essex company, and learns he must now fight alongside Sgt. Obadiah Hakeswill (Pete Postlethwaite), his nemesis from his days fighting in India. As Sharpe battles Hakeswill with a vehemence that matches his contempt for the French forces, he looks for a way to regain control of the South Essex company. Sharpe's Company was based on the novel by Bernard Cornwell. ~ Mark Deming, Rovi

Near the end of The Usual Suspects, Kevin Spacey, in his Oscar-winning performance as crippled con man Roger "Verbal" Kint, says, "The greatest trick the Devil ever pulled was convincing the world he didn't exist." This may be the key line in this story; the farther along the movie goes, the more one realizes that not everything is quite what it seems, and what began as a conventional whodunit turns into something quite different. A massive explosion rips through a ship in a San Pedro, CA, harbor, leaving 27 men dead, the lone survivor horribly burned, and 91 million dollars' worth of cocaine, believed to be on board, mysteriously missing. Police detective Dave Kujan (Chazz Palminteri) soon brings in the only witness and key suspect, "Verbal" Kint. Kint's nickname stems from his inability to keep his mouth shut, and he recounts the events that led to the disaster. Five days earlier, a truckload of gun parts was hijacked in Queens, NY, and five men were brought in as suspects: Kint, hot-headed hipster thief McManus (Stephen Baldwin), ill-tempered thug Hockney (Kevin Pollak), flashy wise guy Fenster (Benicio Del Toro), and Keaton (Gabriel Byrne), a cop gone bad now trying to go straight in the restaurant business. While in stir, someone suggests that they should pull a job together, and Kint hatches a plan for a simple and lucrative jewel heist. Despite Keaton's misgivings, the five men pull off the robbery without a hitch and fly to Los Angeles to fence the loot. Their customer asks if they'd be interested in pulling a quick job while out West; the men agree, but the robbery goes horribly wrong and they soon find themselves visited by Kobayashi (Pete Postlethwaite), who represents a criminal mastermind named Keyser Soze. Soze's violent reputation is so infamous that he's said to have responded to a threat to murder his family by killing them himself, just to prove that he feared no one. When Kobayashi passes along a heist proposed by Soze that sounds like suicide, the men feel that they have little choice but to agree. ~ Mark Deming, Rovi

Economics and music are the twin focal points of this comedy/drama about a community in crisis. The small British town of Grimley has long been dominated by the coal mine where most of the men work, and the town's greatest source of pride is the Grimley Colliery Band, a brass ensemble that's won a number of nationwide competitions. Danny (Pete Postlewaite) is a retired miner in poor health who directs the band; a national championship is coming up, and Danny is determined that Grimley will walk away with a trophy. But many of his musicians have other things on their minds: word has it that the mine may soon close down, and, in a city already suffering an economic downturn, this is just short of a death sentence. Adding to the intrigue is the return of Gloria (Tara Fitzgerald), who used to live in Grimley and is back in town for a while on an assignment. While the band has traditionally been all-male, Danny considers bending the rules to allow Gloria in the band, as she's a fine fluglehorn player, but her presence is bad news for the town: she works for the government and is investigating the feasibility of closing down the mine. Ace trumpeter Andy (Ewan McGregor) also has mixed feelings about Gloria; they were once a couple, and he still has feelings for her, but he's not sure he wants to set himself up for another breakup. The real-life Grimethorpe Colliery Band performs on the soundtrack. ~ Mark Deming, Rovi

Set in a future in which the media has become nearly omnipotent, this violent and gory crime thriller blurs the thin line between life and art while commenting upon the insanity of those who would do anything for fame. The trouble begins when unemployed actor Bobby is hired to play a serial killer on a crime reenactment television series. Wanting to fully understand the killer's motivations, Bobby begins researching the crimes and even gets helpful police officers to furnish the grisly details of recent murders. By the show's taping, Bobby has become an expert. Soon afterward, Bobby becomes a star, something that delights the real culprit and inspires him to go on to even more lurid, headline-grabbing crimes. ~ Sandra Brennan, Rovi

A young boy's discovery of a gigantic peach triggers an eventful journey across the sea in this strikingly designed and surprisingly twisted animated adventure. A live-action framing device establishes the dark yet fanciful mood one might expect from an adaptation of a Roald Dahl story, as young British lad James (Paul Terry) is orphaned by the death of his parents and forced to live with two cruel, repulsive aunts (played by noted British character actors Miriam Margolyes and Joanna Lumley of British TV hit Absolutely Fabulous). The visit of a mysterious stranger provides a means of escape, however, through a magic bag of "crocodile tongues" that bring about the appearance of the giant peach. The curious James soon winds up inside the fruit, at which point his body changes, and the film switches to a combination of stop-motion and digital animation. The new James meets up with a group of talking, oversized insects, including a vampish spider (voiced by Susan Sarandon), a sarcastic centipede (voiced by Richard Dreyfuss), and a matronly ladybug (voiced by Jane Leeves). These creatures become his traveling companions when the peach rolls into the Atlantic Ocean, and James and his new friends must brave a variety of dangers to reach the shore. Director Henry Selick provides further proof of the visual skill he demonstrated in The Nightmare Before Christmas, creating a fascinating, often eerie alternate universe, while Randy Newman provides the upbeat musical accompaniment. Young children may be disturbed by the story's creepier overtones, but the mixture of remarkable visuals, oddball characters, and off-kilter fantasy will appeal to all other audiences. ~ Judd Blaise, Rovi