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Jack Mulhall Movies

Elegant silent film leading man Jack Mulhall launched his career as a boy singer on the tent-show circuit, then moved up the ladder to vaudeville and stock companies. Appearing in his first film in 1913, Mulhall rose to full stardom in the 1920s, playing light romantic leads opposite some of Hollywood's most glamorous female stars; his most frequent co-star was Dorothy Mackaill, with whom he appeared in several popular Warner Bros. films of the late silent era. His well-modulated voice, seasoned with a touch of the brogue, assured him a seamless transition to talking pictures. In 1929's Dark Streets, Mulhall essayed the first dual role ever attempted in talkies. By the early '30s, however, Mulhall's star was in eclipse, and he was taking whatever he could get: leads in Poverty Row detective mellers, supporting roles in serials, bits in A-pictures like DeMille's Cleopatra, and so on. Outwardly taking his fall from grace in stride, Mulhall remained perplexed at this reversal of fortune until the end of his days. His best showing in the 1940s was as one of the headliners of the long-running Los Angeles stage revue Ken Murray's Blackouts. Jack Mulhall remained active in films until 1960, keeping busy in his last years on the board of the Screen Actors Guild. ~ Hal Erickson, Rovi
1946  
 
Neath The Canadian Skies was one of a quartet of 45-minute "northerns", all produced by Golden Gate Productions and released by Screen Guild. Russell Hayden stars as a stalwart Mountie who poses as a criminal, the better to solve the murder of a prospector. Allegedly based on a story by James Oliver Curwood, the film ends rather abruptly; a second off-length film, North of the Border, ties up some of the loose plot ends of Neath The Canadian Skies, suggesting that these two short films were originally one long one. Confirming this suspicion is the fact that the supporting casts of both films (Inez Cooper, Douglas Fowley, I. Stanford Jolley etc.) were identical. A second pair of 45-minuters starring Russell Hayden, Where the North Begins and Trail of the Mounties, showed up in 1947. ~ Hal Erickson, Rovi

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1942  
 
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The East Side Kids, featuring Leo Gorcey, Gabriel Dell and Huntz Hall, star in this spirited blend of action and comedy. The kids come to the rescue of a hysterical young girl who is discovered in the apartment with a murdered man. Convinced she's not the killer, the guys hide her as they comb the neighborhood for the real murderer. However, one of the kids made the mistake of picking up the baseball bat that appears to be the murder weapon, and now the fingerprints could point the police investigation at them. 'Neath The Brooklyn Bridge also features Dave O'Brien (best known for his eccentric performance in Reefer Madness) and Noah Beery Jr.. ~ Mark Deming, Rovi

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1939  
 
District attorney Walter Pidgeon pursues the conviction of criminals so diligently that word has gone out in the state prison to "get" Pidgeon at the first opportunity. The DA has several enemies on the outside as well, one of whom frames him on a bribery charge. Pidgeon is sentenced to the prison where he has sent so many miscreants in the past. Dodging attempts on his own life, Pidgeon makes several valuable convict friends and manages to clear himself during a climactic jailbreak. 6,000 Enemies runs only 61 minutes--an average of about 100 enemies per minute. ~ Hal Erickson, Rovi

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Starring:
Walter PidgeonRita Johnson, (more)
 
1936  
 
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A homicidal hunchback known as The Fiend is stalking a theater company in this ultra low-budget whodunit ostensibly based on a short story The Great Mono Miracle by Peter B. Kyne. Looking into the mysterious goings-on, Reporter Frank Gordon (Lloyd Hughes) joins drama editor Jean Monroe (June Collyer) and intrepid, but bumbling, photographer Elmer (Al St. John) in an attempt to flush out the murderer. One of the actors, Reardon (Jack Mulhall), makes himself the prime suspect by behaving highly suspicious, but he, too, is murdered. The Fiend, as Elmer learns the hard way, is someone else entirely, someone who holds a deep-rooted grudge against the company. ~ Hans J. Wollstein, Rovi

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1942  
 
In this crime drama, a remake of Forgotten Faces (1936), a convict busts out of prison to protect his daughter from her conniving mother so that the girl will be able to marry a decent guy in the future. ~ Sandra Brennan, Rovi

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Starring:
Brian DonlevyMiriam Hopkins, (more)
 
1958  
 
While the train he is riding on is temporarily stalled by a blizzard, effusive old rancher Mr. Kilmer (Chill Wills) regales the other passengers with one of his tall tales. Throughout Kilmer's monologue, he is constantly interrupted by an obnoxious eight-year-old boy named Johnny (Peter Lazer). Finally, Kilmer offers Johnny a silver dollar if he can remain quiet for ten minutes. Dutifully, Johnny shuts up -- while outside, the blizzard rages on, and the search for an escaped mental patient continues. ~ Hal Erickson, Rovi

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1956  
 
Awakening in a strange bed and suffering from a terrible headache -- not to mention the mysterious bruises all over her body -- alcoholic Karen Stewart (Phyllis Thaxter) tries to piece together the events leading up to her present condition. All she can recall at first is her most recent promise to her boyfriend Jeff (Warren Stevens) that she will stop drinking, and stop drinking for good. But Jeff had heard that song many times before, and he was in no mood to put up with her subsequent drunken binge. From this point forward, Karen's mind is a blank...but the blank will soon be filled in a horrific fashion. In light of the serious nature of the story, host Alfred Hitchcock foregoes his usual humorous epilogue. ~ Hal Erickson, Rovi

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1920  
 
This amusing little comedy was based on the play by Ernest Denny. Anthony, Lord Crackenthorpe (Orral Humphrey), studies spiders, and he has asked Mrs. O'Mara (Lillian Leighton), the widow of a zoologist, to collaborate with him on a book about the creatures. Mrs. O'Mara and her impetuous daughter, Peggy (Marguerite Clark) move into the Crackenthorpe mansion, much to the chagrin of Anthony's mother, Lady Crackenthorpe (Maggie Fischer). Lady Crackenthorpe is concerned that her son, the heir to the Crackenthorpe estate, will fall in love with Peggy -- not realizing that he's already in love with Peggy's mother. To keep Peggy out of the picture, she encourages the younger son, Jimmy (Jack Mulhall), to keep her away from Anthony. Jimmy is more than happy to oblige. Peggy at first isn't all that interested, but then she finds out that her mother has refused Anthony's marriage proposal until her daughter weds. So Peggy leaves a note claiming that she has married Jimmy and sneaks into his home while he is gone. Lady Crackenthorpe is furious -- even more so when she discovers they aren't married and her son may possibly be caught in a scandal. As a result, Peggy decides, all of a sudden, that she does love Jimmy and they must marry right away. ~ Janiss Garza, Rovi

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1937  
 
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In trying to help Betsy (Joan Barclay), who has stolen a diamond her father left for collateral with loan sharks Crone (Monte Blue) and Jaffin (Jack Mulhall), artist Jimmy Baxter (Herman Brix) soon finds himself up to his neck in trouble. ~ Bill Warren, Rovi

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Starring:
Joan BarclayJack Mulhall, (more)
 
1923  
 
As a stage play, The Bad Man was a success because of its hilarious and colorful dialogue. That was lost when it was made into a film, and the subtitles didn't quite make up for it. However, Holbrook Blinn reprised the role he played on stage, Manuel Lopez (a take on Pancho Villa), and his characterization is definitely a standout. Because his cattle are regularly being rustled, rancher Gilbert Jones (Jack Mulhall) cannot meet his growing debts. One day his former sweetheart (Enid Bennett), who had married another, shows up. So does Lopez, the bandit responsible for all of Jones' misfortune. Lopez is about to completely clean out Jones -- and take his girl -- when he recognizes the hapless rancher. A couple of years before, Jones had saved Lopez's life. The bandit insists that he will take care of Jones, and he does. He puts Jones' affairs in order, proves the villainy of the girl's husband, Morgan Pell (Walter McGrail), and then kills him. Finally, he gives back all the cattle he stole. He also lends Jones enough money to start over before riding off into the sunset. ~ Janiss Garza, Rovi

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Starring:
Holbrook BlinnJack Mulhall, (more)
 
1936  
 
This lavishly appointed Sam Goldwyn soap opera is set in Ireland during "the troubles." Irish rebel leader Dennis Reardon (Brian Aherne) falls in love with Lady Helen Drummond (Merle Oberon), the aristocratic daughter of British diplomat Lord Athleigh (Henry Stephenson). Reardon's underground associates, not so romantically inclined, assume that their leader has sold out to the enemy, when in fact he is working tirelessly for an honorable and equitable end to the hostilities. His best friend O'Rourke (Jerome Cowan) is given the job of assassinating Reardon, leading to a tragic climax more suited to an Italian opera than an Irish political meller. Beloved Enemy was very loosely based on the exploits of Irish patriot Michael Collins, who of course was the subject of the far more accurate 1996 biopic starring Liam Neeson and Julia Roberts. ~ Hal Erickson, Rovi

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Starring:
Merle OberonBrian Aherne, (more)
 
1940  
 
Told in flashback as Dr. Ernest Sovac (Boris Karloff) is marched into the gas chamber, Black Friday concerns kindly college professor George Kingsley (Stanley Ridges), who is seriously injured when he is caught in the middle of a gangster shootout. Kingsley's best friend Sovac performs an emergency "brain-ectomy", replacing Kingsley's gray matter with that of dying gangster Red Cannon. Though the operation is successful, the mild-mannered Kingsley occasionally lapses into Cannon's more brutal personality, and it is during one of these spells that he reveals the existence of a cache of stolen money. Hoping to use these ill-gotten funds to finance his neurological research, Sovac hypnotizes Kingsley into "becoming" Cannon, and while thus entranced the poor fellow commits several murders, including the elimination of his chief rival, mobster Eric Marnay (Bela Lugosi). Ultimately, Sovac is forced to kill Kingsley/Cannon "for the good of mankind", which brings us full circle to Death Row. ~ Hal Erickson, Rovi

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Starring:
Boris KarloffBela Lugosi, (more)
 
1941  
G  
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Former Dead End Kid Huntz Hall made his first appearance with the East Side Kids in 1941's Bowery Blitzkrieg. The plotline concentrates on Danny Breslin (Bobby Jordan), a good kid in danger of going bad thanks to the influence of two-bit crook Monk Martin (Bobby Stone). When Danny is disqualified from the upcoming Golden Gloves boxing championship, his pal Mugs (Leo Gorcey) takes his place. Thanks to the chicanery of Monk and his gambling cronies, the public becomes convinced that Mugs intends to throw the fight. Nothing could be further from the truth, but for a while it looks as though both Mugs and Danny will be kayoed permanently by the villains. As "Limpy", Huntz Hall doesn't have much to do except act as Mugs' dimwitted stooge; Hall's unique comic gifts wouldn't fully blossom until the next East Side Kids entry, Spooks Run Wild. ~ Hal Erickson, Rovi

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Starring:
Leo GorceyBobby Jordan, (more)
 
1924  
 
This domestic drama features Patsy Ruth Miller in the lead. Because his wife, Helen (Myrtle Steadman), has immersed herself in her women's club activities, the neglected Charles Hale (Lou Tellegen) takes up with divorcee Sybil Russell (Betty Blythe). Her jealous ex-husband (Frank Leigh) finds Hale in Sybil's apartment and shoots him. Hale is not seriously hurt, but everyone -- with the exception of Helen, who is at a convention -- discovers the affair. Hale's daughter, Marjorie (Miller), who worshipped him, is disillusioned and she leaves home for the slums so that she can discover the true nature of men. Sybil's ex-husband uses her to get more vengeance by putting her into a compromising position at a road house. The place is about to be raided, but the district attorney, who is Marjorie's sweetheart, keeps her from creating a scandal of her own. Hale finally gives up Sybil and makes up with Marjorie. Helen returns, still blissfully ignorant of everything that has gone on in her absence. ~ Janiss Garza, Rovi

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Starring:
Patsy Ruth MillerJack Mulhall, (more)
 
1940  
 
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MGM's third follow-up to its landmark Broadway Melody is short on story, but that's okay, since the plot is merely a clothesline upon which to hang sleek and opulent musical production numbers by Fred Astaire and Eleanor Powell -- particularly a breathless and eye-popping gloriously black-and-white six-minute tap dance finale between Astaire and Powell to Cole Porter's "Begin the Beguine." The tale itself is a typical backstage contrivance: Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a couple of hoofers working in a dance hall for peanuts. Due to mistaken identity, King gets tapped for the lead in a Broadway show opposite big star Clare Bennett (Eleanor Powell) rather than Johnny. But when King drowns his trouble in booze on opening night, Johnny covers for him, taking his place in the show. ~ Paul Brenner, Rovi

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Starring:
Fred AstaireEleanor Powell, (more)
 
1939  
 
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After starring in two successful serials as All-American Boy in Outer Space Flash Gordon, Larry "Buster" Crabbe found himself visiting very familiar territory in 1939's Buck Rogers, a 12-episode serial in which he played an young adventurer sent 500 years into the future. Buck Rogers (Crabbe), his friend and sidekick Buddy Wade (Jackie Moran), and Buck's sweetheart, Wilma Deering (Constance Moore), are piloting a new and experimental airship when bad weather sends them crashing into the Arctic wastes. A newly developed drug called Nirvano is supposed to keep this crew in suspended animation until help arrives; however, five centuries pass before Buck, Buddy, and Wilma are found by scientists working for Dr. Huer (C. Montague Shaw). Huer is an idealist who is attempting overthrow fearsome ruler Killer Kane (Anthony Warde), who rules the Earth with an iron fist. Buck and his pals throw in their lot with Huer and his staff, and attempt to find allies on Saturn; however, Buck is unaware that Saturn has already fallen to the minions of Kane. Originally released as a serial, Buck Rogers was later re-edited into two different feature-length condensations, Planet Outlaws and Destination Saturn. ~ Mark Deming, Rovi

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Starring:
Larry "Buster" CrabbeJackie Moran, (more)
 
1934  
 
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A serialized remake of a popular 1919 film, the 12-chapter Burn 'Em Up Barnes was simultaneously released as a 74-minute feature version. Jack Mulhall plays stalwart racing-car champion Burn 'Em Up Barnes, while top-billed Frankie Darro portrays his adopted son Bobbie. The two heroes take on crooked promoter Drummond (Jason Robards), who intends to cheat heroine Marjorie Temple (Lola Lane) out of her family's valuable oil deposits. Despite the many roadblocks thrown in his path by the scheming Drummond, Barnes emerges triumphant, while Bobbie achieves personal success as a top newsreel cameraman. The feature-length adaptation of Burn 'Em Up Barnes manages to accommodate all the thrills and spills of the serial version, without any sense of strain or abruptness. ~ Hal Erickson, Rovi

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Starring:
Frankie DarroJack Mulhall, (more)
 
1936  
 
En route from Honolulu to Los Angeles by steamship, Charlie Chan (Warner Oland) is pressed into action when a fellow passenger is killed. The dead man was a prominent horse breeder, whose favorite stallion has been entered in the Santa Anita handicap. At first glance, it appears as though the victim has been kicked to death by his own horse, but further investigation reveals the complicity of a crooked gambling ring. The excitement of the "photo finish" climax is amplified when Charlie and Number One Son Lee (Keye Luke) are kidnapped by the gamblers -- and the murderer still hasn't been revealed! The best line in Charlie Chan at the Race Track occurs at the end, when Lee excitedly bursts into a room with a vital clue that Charlie has already revealed, whereupon Mr. Chan murmurs: "Please -- save clue for next case." ~ Hal Erickson, Rovi

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Starring:
Warner Oland
 
1941  
 
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Something of a distaff Mr. Chips, schoolteacher Ella Bishop (Martha Scott) devotes her life to her work, ageing 50 years (from 19 to 69) in the course of the film. At a testimonial dinner on the occasion of her retirement, Miss Bishop's former students wonder why their beloved teacher never married. In flashback, the audience learns that town grocer Sam (William Gargan) has carried a torch for her for five decades, while she obliviously pursued unfortunate romantic relationships with weak-willed Delbert Thompson (Donald Douglas) and unhappily married John Stevens (Sidney Blackmer). Adapted by Stephen Vincent Benet from the melancholy novel by Bess Streeter Aldrich, Cheers for Miss Bishop was not only a tour de force for Scott, but also represented the screen debut of another young character actress, Rosemary De Camp. ~ Hal Erickson, Rovi

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Starring:
Martha ScottWilliam Gargan, (more)
 
1929  
 
Children of the Ritz was based on a serialized magazine story by future suspense specialist Cornell Woolrich. Spoiled heiress Angela Pennington (Dorothy Mackaill) falls in love with impoverished chauffeur Dewey Haines (Jack Mulhall). Subsequently, their respective social standings are radically changed when Angela's family goes broke and Dewey wins $50,000 at the race track. After their marriage, Angela reverts to her spendthrift ways, quickly depleting her husband's bank account. Disgustedly, he walks out on her and takes a cab-driving job. After several further complications, Angela catches up with Dewey and promises to reform. A silent film, Children of the Ritz was released with synchronized sound effects (mostly honking horns) and a Vitaphone musical score. ~ Hal Erickson, Rovi

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Starring:
Dorothy MackaillJack Mulhall, (more)
 
1935  
 
Dore Schary, several years removed from his tenure as head of MGM, was screenwriter for the modest Universal actioner Chinatown Squad. Lyle Talbot plays Ted Lacey, a disgruntled ex-cop reduced to driving a sightseeing bus in Chinatown. When a man who has been collecting funds for the Chinese communist cause is murdered, Lacey leaps at the opportunity to solve the case in hopes of getting his badge back. The killing is tied in with some stolen airplanes -- and, this being Hollywood's version of Chinatown, there's an abundance of sinister-looking suspects. Eighteen-year-old Valerie Hobson is the pretty if antiseptic heroine. For reasons best known to the folks at Universal, Chinatown Squad was included in TV's "Shock Theatre" package, lumped together with the studio's Frankenstein and Dracula pictures! ~ Hal Erickson, Rovi

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Starring:
Lyle TalbotValerie Hobson, (more)
 
1925  
 
This comedy was based on a novel by author Edna Ferber. Although she is merely a classified ads employee, Babs Comet (Corinne Griffith) is determined to have the finer things in life. She spends all her money on clothes and eschews the subway, preferring instead to entice wealthy young men into driving her home -- of course, if any of them get fresh, she lets them have it. One man, however, won't play her game and he turns out to be garage mechanic Lloyd Whiting (Jack Mulhall). Naturally, Babs falls for him. But first she lands herself in trouble when a wealthy man puts her in a compromising position. His car "breaks down" and she is forced to spend the night walking home. Her parents (Edythe Chapman and Charles Murray) are scandalized, but the man offers to marry her. Babs turns down his offer, preferring to wed Whiting instead. ~ Janiss Garza, Rovi

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Starring:
Corinne GriffithJack Mulhall, (more)
 
1934  
 
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Film historian William K. Everson once observed that the secret to the success of Cecil B. DeMille's 1934 Cleopatra is that DeMille subtly reshaped the known historical events into a contemporary "gold-digger makes good" scenario. Exhibiting the same determination with which Barbara Stanwyck sleeps her way to the top in 1933's Baby Face, Queen Cleopatra (Claudette Colbert) uses her feminine wiles to become sole ruler of Egypt. By turns kittenish and cold-blooded, Cleopatra wraps such otherwise responsible Roman worthies as Julius Caesar (Warren William, who wittily plays his role like one of his standard ruthless business executives) and Marc Antony (Henry Wilcoxon) around her well-manicured little finger. To emphasize the "contemporary" nature of the film, DeMille adds little modernistic touches throughout: The architecture of Egypt and Rome has a distinctly art-deco look; a matron at a social gathering clucks "Poor Calpurnia...well, the wife is always the last to know"; and, after Caesar's funeral, Mark Anthony is chided by an associate for "all that 'Friends, Romans, Countrymen' business!" Cleopatra's barge scene and her suicide from the bite of a snake marked two of the most memorable sequences in DeMille's career. Remarkably, for all the enormous sets and elaborate costumes, Cleopatra came in at a budget of $750,000 -- almost $40 million less than the 1963 Elizabeth Taylor remake. ~ Hal Erickson, Rovi

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Starring:
Claudette ColbertWarren William, (more)
 

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