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Helen Mirren Movies

Perhaps the ultimate thinking man's sex symbol, Helen Mirren is also one of the most respected actresses of British stage, screen, and television. With classical training, years of work on the London stage, an acclaimed television series, and dozens of films to her name, Mirren has proven herself an actress of talent, versatility, and unforgettable presence.

Born Ilynea Lydia Mironoff on July 26, 1945, in London, Mirren is a descendant of the White Russian nobility. Her father was a member of an aristocratic Russian military family who came to England during the Russian Revolution, but while Mirren was growing up, he worked in turn as a violinist with the London Philharmonic, a taxi driver, and a driving instructor. His daughter, on the other hand, knew her true calling by the age of six, when she realized she wanted to become an actress, in the "old-fashioned and traditional sense." After trying to please her parents with a stint at a teacher's college, Mirren joined the National Youth Theatre, where she first made her mark playing Cleopatra. The acclaim for her performance led the way to other work, and she was soon a member of the vaunted Royal Shakespeare Company, with whom she performed a wide range of classics.

Her stage career thriving, Mirren made her screen debut in 1968 in the somewhat forgettable Herostratus. The same year, she made a more auspicious appearance as Hermia in Peter Hall's lauded adaptation of A Midsummer Night's Dream, and her screen career soon took off. She worked steadily throughout the late '60s and '70s, starring in 1969's Age of Consent and working with such directors as Robert Altman on The Long Goodbye (1973) and Lindsay Anderson on O Lucky Man! (also 1973). In 1977, Mirren earned permanent notoriety for her work in Caligula, a mainstream porn offering from the powers at Penthouse that also starred such notables as Peter O'Toole, John Gielgud, and Malcolm McDowell.

During the subsequent decade, Mirren continued to work on the stage, and she also broadened her cinematic resumé and fan base with such films as Excalibur (1981) and Cal (1984). Her portrayal of an older woman in love with a younger man in the latter film earned her a Best Actress award at the Cannes Film Festival and further established her reputation as an actress willing to explore the kind of unconventional relationships often ignored on the screen. The actress' willingness go beyond safe conventionality was demonstrated with her work in such films as The Mosquito Coast (1986), Pascali's Island (1988), The Cook, the Thief, His Wife and Her Lover (1989), and The Comfort of Strangers (1991). She again took on the role of an older woman in love with a younger man in Where Angels Fear to Tread in 1991, proving that seven years after Cal, her powers of attraction had been in no way tempered by time.

At the beginning of the 1990s, Mirren began appearing on the television series Prime Suspect. Her character, Jane Tennison, a hard-boiled detective, proved immensely popular with viewers and critics alike, and she stayed with the series for its seven incarnations. Mirren also continued to do acclaimed work for the stage and screen, earning a Cannes Best Actress award and Oscar and BAFTA nominations for her work in The Madness of King George in 1994, and making her Broadway debut in Turgenev's A Month in the Country in 1995. The following year, she earned further acclaim for her work in Some Mother's Son, in which she played the mother of a Belfast prison hunger striker.

In 1997, Mirren found the time to marry producer/director Taylor Hackford before signing on to provide the voice of the Queen in the Disney animated film The Prince of Egypt (1998). In 1999, she played the titular teacher in Kevin Williamson's disappointing Teaching Mrs. Tingle, earning the only good reviews given the movie, and she again won over critics with her title role in the made-for-television The Passion of Ayn Rand, earning an Emmy for her performance. Back on the big screen, Mirren continued with a lighthearted role as a master gardener in Greenfingers (2000), turned up in director Hal Hartley's comic monster fable No Such Thing (2001) and earned her second Oscar nomination for her re-teaming with Altman in the director's acclaimed comedy Gosford Park (2001).

This pattern solidified for Mirren as her career moved through the new millennium. She was well received for her performance in yet another quirky British sleeper in 2003, with Calendar Girls. In it she played a middle-aged woman who raises money (as well as eyebrows) for a Women's Institute by posing nude with her peers. She also made notable appearances in movies like the thriller The Clearing (2004) and the romantic comedy Raising Helen (2004), before awing audiences with a performance in Shadowboxer (2005) as an assassin who is diagnosed with terminal cancer.

2005 would prove to be a special year for Mirren as September of that year would kick off a full 12 months of nonstop praise and excitement. Two of Mirren's projects would emerge during this period that would usher her into the upper tier of cinema's lead actresses -- a place that critics and fans had known she belonged all along. Coincidentally, these two projects would find her playing two different English monarchs who shared the same name. First, her performance as Queen Elizabeth I in the BBC miniseries Elizabeth I aired in September 2005, blowing viewers away with her ability to convey the full power and command of perhaps the most important crowned head in British history, all while confined to the small screen. Immersing herself into the opulent 16th century costumes and sets, Mirren tackled the Virgin Queen as a leader, a woman, and a human being, leaving such an impression that the miniseries was later aired in the U.S.

By September 2006, the commotion over Mirren's performance had died down just enough for her to make an even bigger splash with her acclaimed role as Queen Elizabeth II in Stephen Frears' film The Queen. Despite the shared name, playing the modern-day figure was as different from her earlier role as it could be. Taking place in 1997 after the death of the globally beloved Princess Diana -- whose divorce from Prince Charles had been a source of epic tabloid controversy -- The Queen found Mirren playing a monarch who wielded little-to-no executive power, but whose title derived all its meaning from tradition, symbolism, and national pride. Mirren handled this queen with gentle attention to detail, following her on confused journeys both personal and in the national consciousness, showing her surprise and bewilderment as the stoic exterior on which a queen's public face had always been built suddenly caused her to be reviled. Mirren's two Elizabeths were both honored with Golden Globe wins, one for Best Actress in a Drama, and one for Best Actress in a TV Movie or Mini-Series. She was further rewarded for her efforts by capturing the Oscar for Best Actress in The Queen.

In the next year she appeared in the blockbuster sequel National Treasure: Book of Secrets, but in 2009 she starred opposite Christopher Plummer in The Last Station as the wife of the dying Leo Tolstoy. For her work in that drama Mirren garnered acting nominations from the Screen Actors Guild, the Independent Spirit Awards, and the Academy. Substantial roles continued to rack up honors and acclaim for the actress in 2010, as she played an intriguing role as a former Mossad agent in The Debt, and no-longer-retired secret agent in Red, and none other than the leading role in William Shakespeare's The Tempest - with the gender of the part changed to female. Mirren would then make a comic turn in the 2011 remake of Arthur alongside British comedian Russell Brand, before delving back into drama once more with the reflective 2012 film The Door. ~ Rebecca Flint Marx, Rovi
1992  
R  
The British psychological thriller The Hawk stars Helen Mirren as Anne Marsh, a housewife with a history of mental illness who begins to suspect that her husband (George Costigan) is a hunted serial killer. ~ Jason Ankeny, Rovi

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Starring:
Helen MirrenGeorge Costigan, (more)
 
1991  
R  
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In this erotic thriller, a young English couple on vacation in Venice find themselves seduced by a mysterious older couple. Mary (Natasha Richardson) and Colin (Rupert Everett) have come to Italy to chart the future of their troubled relationship. They soon meet Robert (Christopher Walken), the enigmatic owner of a picturesque watering hole. He entertains them with copious vino and colorful stories of a childhood spent with a brutal, domineering father. Later, drunk and lost in the maze-like city, the couple once again encounter Robert, who puts them up at his gorgeous villa. They also meet his wife, Caroline (Helen Mirren), who suffers from crippling back pain and obvious emotional instability. Fascinated by the glamorous older couple but disturbed by their dysfunctions, Colin and Mary find themselves slowly drawn into sexual and emotional games that culminate in sudden violence. Directed by Paul Schrader, The Comfort of Strangers was adapted by playwright Harold Pinter from the novel by Ian McEwan. Richardson previously starred in Patty Hearst, Schrader's portrait of the newspaper heiress-turned-terrorist. ~ Brian J. Dillard, Rovi

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Starring:
Christopher WalkenRupert Everett, (more)
 
1991  
PG  
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A wealthy, upper-class British widow marries a much younger Italian man with disastrous results in this turn-of-the-century costume drama based on the E.M. Forster novel. After marrying into a wealthy family and then losing her husband, middle-aged Lilia Herriton (Helen Mirren) suffers under the disapproving yoke of her haughty mother-in-law (Barbara Jefford). At the suggestion of family friend Caroline Abbott (Helena Bonham Carter), Lilia leaves her young daughter and in-laws for a holiday in Italy, where she falls in love with the penniless but handsome Gino Carella (Giovanni Guidelli). When she announces her plans to marry Gino, the family dispatches her brother-in-law, Philip (Rupert Graves), to prevent the union. But the alternately caddish and thoughtful Philip fails in his mission. Gino proves to be as charming to other women as he is to his wife, but he's genuinely bereaved when she dies in childbirth. Soon, Philip and his high-strung sister, Harriet (Judy Davis), arrive in Tuscany in an attempt to spirit away Lilia's son. But the principled Caroline turns up, determined to stop them, setting the stage for unexpected realizations and unforeseeable tragedy. Where Angels Fear to Tread reunites Bonham Carter and Graves, who co-starred in the previous E.M. Forster adaptation, A Room With a View. Each actor also starred in other Forster films: Bonham Carter in Howards End and Graves in Maurice. ~ Brian J. Dillard, Rovi

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Starring:
Helena Bonham CarterJudy Davis, (more)
 
1991  
 
Created by Lynda La Plante, the sporadically broadcast British TV series Prime Suspect succeeded in bestowing international stardom upon actress Helen Mirren. Set in London, the series dealt with female homicide detective Jane Tennison (Helen Mirren), who did her best to do her job in the face of sexual prejudice on the job and political corruption from the higher-ups. Virtually every time that Tennison investigated a murder, the trail of clues led to a compromising situation for a prominent civic leader, who invariably pulled strings to get the heroine off his scent. Not unexpectedly, Tennison was plagued with feelings of doubt and inadequacy, especially whenever her instincts proved (initially) to be wrong. Even so, by the time the series had run its course, Tennison had been promoted to superintendent. Making its British debut on April 7, 1991, Prime Suspect was broadcast for six seasons, each season progressively retitled as Prime Suspect 2, Prime Suspect 3, and so forth. In America, the property was seen over the PBS network and the A&E cable service. ~ Hal Erickson, Rovi

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Starring:
Helen Mirren
 
1989  
 
Tom Skerritt plays an end-of-tether CIA agent in Red King, White Knight. His superiors persuade Skerritt to take one last assignment: to prevent the assassination of the Russian president. Max Von Sydow plays Skerritt's opposite number at the KGB, who despite orders to kill the American agent, teams up with him to save the Soviet leader. Meanwhile, Skerritt's private life is complicated by the return of ex-lover Helen Mirren. Though unrated, the film contains violence and nudity. Produced for the HBO Cable Service, Red King, White Knight was first telecast November 25, 1989. ~ Hal Erickson, Rovi

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1989  
 
Having previously essayed the role of real-life Canadian physician/political activist Norman Bethune in a 1977 TV movie, Donald Sutherland returns to the role in the 1989 theatrical feature Bethune: The Making of a Hero. Over a period of several decades, Dr. Bethune grows increasingly disenchanted with the corrupt politics that have fomented so many wars. Radicalized during the Spanish Civil War, he declares himself by fighting with Mao Tse Tung's Chinese Communist forces against the Japanese in World War 2. He remains a staunch Mao supported in the postwar years, winning him both loyal supporters and bitter foes in the West. This warts-and-all film makes no effort to cover up Bethune's personal demons, notably his boozing and philandering. Still, one emerges from the film wishing to learn just a wee bit more about the good doctor's motivations. Bethune: The Making of a Hero was released in the US in 1993 as Doctor Bethune. ~ Hal Erickson, Rovi

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Starring:
Donald SutherlandHelen Mirren, (more)
 
1989  
PG  
In this English drama, set during World War I, a strange, deaf man, known to all as "The Birdman" (Paul Scofield), must enlist the help of young Daniel Pender (Max Rennie) and Gracie Jenkins (Helen Pearce) to prevent the narwhal whales from suffering abuse at the hands of the local islanders. ~ Iotis Erlewine, Rovi

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Starring:
Paul ScofieldDavid Threlfall, (more)
 
1989  
NC17  
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, Rovi

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Starring:
Richard BohringerMichael Gambon, (more)
 
1988  
 
Until Jane Goodall came along, field studies of the life-cycles of major primates and mammals were a rare thing. Arrogant biologists somehow imagined that they understood all there was to know about these beings from their captive behaviors. This lavishly filmed documentary, sponsored by the National Geographic Society, draws upon her research into the behavior of a tribe of chimpanzees (and features many of those followed in her research) to show the character of their community over a period of twenty years. The story's main "characters" include Flo, the clan matriarch, and Fifi, whose ascension from "girlhood" to become the clan matriarch is shown. Obviously, this carefully crafted film took a very long time to create and features a fine script by Nancy LeBrun and is narrated by Britain's Helen Mirren. ~ Clarke Fountain, Rovi

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1988  
PG13  
The year is 1908; after centuries of unchecked power, the Ottoman empire is rapidly crumbling. As a result, Turkey's secret agents--those that haven't already been eliminated by downsizing or death--operate in a vacuum, their superiors knowing little and caring less about their activities. One such spy is Ben Kingsley, a minor bureaucrat of no ambition. When ordered to help disreputable English citizens Charles Dance and Helen Mirren in the theft of a precious Greek artifact, Kingsley goes along without question. He is even prepared to follow orders and double-cross Dance the moment the robbery is pulled off. But as the film progresses, Kingsley becomes less and less of a by-the-book government functionary and more and more of an enigma--to Dance, to Mirren, to his country, to himself. More than your usual "caper" film, Pascali's Island has more layers than an artichoke. ~ Hal Erickson, Rovi

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Starring:
Ben KingsleyCharles Dance, (more)
 
1987  
 
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When the ailing husband of an adulterous wife is discovered bludgeoned to death and suspicions fall on the older woman's young lover, the newly widowed woman claims that it was she who was solely responsible for the death despite evidence that points to the contrary in this dramatic account of true-life 1935 trial that shocked all of England. Though notable evidence and strong suspicion suggests that the murder may have been of crime of passion perpetrated by the jealous lover only half her age, Alma Rattenbury (Helen Mirren) confesses to the murder of her husband and is soon brought to trial. Despite the fact that Alma is already being deemed guilty by the general public for her adulterous indiscretion alone, her lawyer, star attorney T.J. O'Connor (David Suchet), remains convinced that his client will eventually be cleared of all charges. ~ Jason Buchanan, Rovi

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Starring:
Helen MirrenDavid Suchet, (more)
 
1987  
 
A documentary video that tells the history of the films by Maya Deren. ~ Rovi

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1986  
PG  
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Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, Rovi

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Starring:
Harrison FordHelen Mirren, (more)
 
1986  
PG13  
Vic Mathews (Tom Conti) is a Glasgow teacher who works in a Catholic school for backward students. Though the school is named for Edith Semple, a long-dead Scotswoman who supposedly performed several miracles in her lifetime, Vic is doggedly nonreligious, insisting that it's miracle enough that his students can learn anything. The rest of the faculty hopes to have Edith Semple canonized as a saint, but Vic wants no part of this. After he is diagnosed with a malignant brain tumor, Vic is amazed when the tumor suddenly vanishes, just like...like a miracle. Many other strange happenings occur around Vic, prompting extensive media coverage. Still, Vic steadfastly refuses to believe in divine miracles--which causes no end of trouble with the other teachers, the Vatican authorities, and Vic's new lady friend Helen Mirren. The easy-to-take Gospel According to Vic has also been released as Heavenly Pursuits. ~ Hal Erickson, Rovi

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Starring:
Tom ContiHelen Mirren, (more)
 
1985  
PG13  
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The fancy footwork and star appeal of Gregory Hines as Raymond, an exiled American, and the powerful grace of Mikhail Baryshnikov as Nikolai, a defector, combine with a great production design to carry this otherwise thinly-stretched tale of intrigue. With a stellar supporting cast (Isabella Rossellini as Raymond's wife, Helen Mirren as Nikolai's lover, and Jerzy Skolimowski, the Polish director, as a wily KGB agent), the film has a few excellent moments. Nikolai has defected from the former USSR some time in the past. While on a trip, his plane spectacularly crashes on a runway in Siberia. Trapped in the country he had escaped, he is brought to stay with Raymond, an American who defected during the Vietnam war. Nikolai desperately wants to get out of the country, but the Russians have other plans. ~ Eleanor Mannikka, Rovi

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Starring:
Mikhail BaryshnikovGregory Hines, (more)
 
1985  
 
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The romantic entanglements of renowned author D.H. Lawrence (Kenneth Branaugh) and Frieda Von Richthofen (Helen Mirren) become intertwined with the life of a man in present day who is obsessed with the noted writer. ~ Jonathan Crow, Rovi

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1984  
R  
In the opening scenes of this politically-oriented drama, a killer enters the home of a policeman and in a shocking sequence murders him in cold blood -- an act that becomes the key to the rest of this film about the conflict between politics and life. Young Catholic, Cal (John Lynch) works in a slaughterhouse during the day and has participated in terrorist activities, but he wants out after he has been forced to drive a getaway car in the murder of the policeman. Meanwhile, he is slowly enchanted by Marcella, an older woman (Helen Mirren) who has just started working at the local library. Smitten but shy, Cal manages to ease himself into a job on her land, and when his father's home is burned to the ground by Protestants, Cal moves into a cottage on the woman's estate. Eventually, the two start a quiet liaison -- but Cal's inner turmoil disturbs the happiness he feels when he is with Marcella. Can he continue to hide his terrorist past from Marcella, who knows nothing about what he has done? While this question and others raised by the film are reasonable, director Pat O'Connor's treatment of the story may be too muted, and John Lynch's Cal too innocuous and frail (especially in contrast to Helen Mirren's Marcella) to win over all viewers. ~ Eleanor Mannikka, Rovi

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Starring:
Helen MirrenJohn Lynch, (more)
 
1984  
PG  
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This belated sequel to Stanley Kubrick's 2001: A Space Odyssey (1968) is directed by Peter Hyams. Roy Scheider plays the astronaut/skipper of a U.S.-Soviet space mission, sent to find out what happened to the missing Discovery flight that carried Keir Dullea into the beyond in the original 2001. Scheider's polyglot crew includes Americans John Lithgow and Bob Balaban (the latter a computer whiz, responsible for the notorious HAL 9000) and Russians Helen Mirren, Elya Baskin and Natasha Schneider. The reason for this international mixture is that the world is on the brink of nuclear war, and it is hoped that the space mission will assure east-west solidarity (in this respect, 2010 dates far more than 2001, given the collapse of the Iron Curtain). When the astronauts catch up with Dullea, still in orbit around Jupiter, producer/director/writer Hyams attempts to demystify the enigmatic climax of 2001. Arthur C. Clarke, author of the story upon which 2001 was based, appears in 2010 as a man on a park bench. Incidentally, the voice-over credited to Olga Mallsnerd is actually Candice Bergen. (The name Mallsnerd is a play on the name of one of the characters created by her ventriloquist father Edgar.) ~ Hal Erickson, Rovi

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Starring:
Roy ScheiderJohn Lithgow, (more)
 
1984  
G  
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Mork and Mindy's Pam Dawber plays the title role in this hour-long adaptation of The Little Mermaid. This is the tale of a beautiful young mermaid with an exquisite singing voice, who falls in love with a human being. To gain "human-hood" herself, she must give up all that she holds dear-including her voice. The spirit of the original Hans Christian Andersen story is strictly adhered to, with some delightfully anachronistic interpolations. Ms. Dawber is ably supported by such reliables as Brian Dennehy, Karen Black, Treat Williams and Helen Mirren. The Little Mermaid was originally telecast on the Showtime cable service as part of the Shelley Duvall's Faerie Tale Theatre anthology. ~ Hal Erickson, Rovi

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1981  
R  
The later years of the life of author D.H. Lawrence are dramatized in this screen biography. Following the controversial reception of his novel The Rainbow, David Herbert Lawrence (Ian McKellen) and his wife Frieda (Janet Suzman) leave England for the U.S., where they hope that Lawrence's bold themes will be received in a more tolerant climate. Such is not the case, and the Lawrences travel first to Mexico, and then to Italy while David attempts to complete and then publish his best known (and most controversial) work, Lady Chatterley's Lover. However, as the furor over the book taxes David's well being, tuberculosis saps his physical health. The supporting cast includes John Gielgud as censorship crusader Herbert G. Muskett and Ava Gardner as Mabel Dodge Luhan. ~ Mark Deming, Rovi

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Starring:
Ian McKellenJanet Suzman, (more)
 
1981  
 
This play gets its title from the name of a British holiday called Midsummer Day, the feast of John the Baptist, celebrated on June 24 with merrymaking. On Midsummer Night, witches, goblins, and fairies materialized to hold a festival of their own. Shakespeare's play capitalizes on the magic of the occasion. Set in Athens, it begins when Duke Theseus orders gala ceremonies for his coming marriage to Hippolyta, Queen of the Amazons. But domestic strife intrudes upon the gay atmosphere when one of the duke's subjects, Hermia, chooses Lysander as her future husband over her father Egeus' choice, Demetrius. Theseus reminds Hermia of a law requiring her to obey her father or face death or banishment. Hermia and Lysander then escape to the woods. There, tradesmen are rehearsing a play for the duke's wedding. Demetrius, the rejected suitor, searches the woods for Hermia, while another young lady, Helena, follows him, praying that he will bestow his love on her instead of Hermia. Also in the woods are fairies gathered to bless the duke's wedding. Oberon, the fairy king, argues violently with his queen, Titania, after she refuses to give him a boy he wants as a servant. In retaliation, Oberon orders a fairy named Puck to concoct a potion of flower juice, which, when squeezed on Titania's eyelids, will enamor her of the first creature she sees -- whether animal or man. Witnessing the love problems of Helena and Demetrius, Oberon decides a dose of flower juice will do them good. But because of mischief and mixups, Puck's potion anoints indiscriminately, and everyone temporarily falls in love with the wrong person. Titania ends up with bumpkin Bottom, a tradesman wearing the head of an ass. Eventually, remedial magic rights the wrongs and a triple wedding takes place. ~ Mike Cummings, Rovi

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Starring:
Helen Mirren
 
1981  
R  
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John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. Interestingly, the quest for the Grail is the least effective part of the film, despite bold cinematography by Alex Thomson (who was nominated for an Oscar) and a fine performance by Paul Geoffrey as Perceval, whose greatest desire is attained in his dying sight. It is the scenes of Camelot in which Boorman is at his most effective, as Arthur is betrayed by the burning passions of Guenevere (Cherie Lunghi) and Lancelot (Nicholas Clay), whose boiling internal forces cannot be denied, whatever the cost. The wicked Mordred (Robert Addie) and Morgana (Helen Mirren) are commanding when onscreen, and Nicol Williamson's performance as the grandiosely self-sacrificing Merlin is outstanding. Liam Neeson and Patrick Stewart also appear in this dense, passionate, and stirring triumph featuring a marvelous Trevor Jones score. The gruesome effects by Peter Hutchinson and Alan Whibley, however, and sights such as a knight having sex in full body armor make this a fairy tale strictly for adults. ~ Robert Firsching, Rovi

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Starring:
Nigel TerryNicol Williamson, (more)
 
1980  
R  
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John Mackenzie's masterfully directed British crime drama features a star-making performance by Bob Hoskins as Harold Shand, a successful London gangster whose world falls apart over the course of one weekend. Shand controls the London docks and is planning a big real estate deal, financed by money from the American mob and given the okay by the London organization. His world is sweet -- he lives in a fancy penthouse, he owns a yacht, and has a sensitive and intelligent mistress. But suddenly a bomb explodes inside his Rolls Royce, another bomb destroys a pub he owns, and a third is found inside his casino. Shand can't understand who would suddenly want him dead, particularly over the Easter weekend, when representatives from the American mafia are coming into town to discuss investing in Shands's real estate project. ~ Paul Brenner, All Movie Guide

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Starring:
Bob HoskinsHelen Mirren, (more)
 
1980  
PG  
Peter Sellers gets to play both hero and bad guy at the same time in this comedy variation on Sax Rohmer's infamous stories of Asian super-villian Fu Manchu. The 168-year-old Fu Manchu (Sellers) is starting to run out of the youth-preserving formula that has kept him alive and kicking for the past eight or so decades, and he decides it's high time he made up some more. However, the list of ingredients includes a few items you can't usually get at your corner drug store, and Fu and his minions become a crime wave of their own as they attempt to steal an ancient Egyptian mummy and the Crown Jewels of England. (In the meantime, Fu keeps his heart beating by administering himself the occasional electric shock.) When word gets out that the evil Fu Manchu is back, his long-time nemesis, Scotland Yard's Nayland Smith (also played by Sellers), is put on the case, but like Fu, Smith isn't quite the man he used to be after all these years. Peter Sellers also contributed to the screenplay of The Fiendish Plot of Dr. Fu Manchu without credit, and is said to have briefly taken over as director, though the results lack the snap of his best work; sadly, it would prove to be the great comic's last film. Sid Caesar, Hellen Mirren, and David Tomlinson also appear in the supporting cast. ~ Mark Deming, Rovi

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Starring:
Peter SellersHelen Mirren, (more)
 

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