Joel McCrea Movies

The man who assembled the remarkable documentary George Stevens: A Filmaker's Journey had the benefit of knowing the subject intimately: the film was written, produced and directed by George Stevens Jr. Utilizing pristine-quality filmclips and interviews, Stevens Jr. details Stevens Sr.'s rise from silent-film cameraman to one of the top producer/directors in Hollywood. We are treated to snippets of Stevens' camerawork on the Laurel and Hardy films at Hal Roach Studios, then we are transported to his salad days as a feature director at RKO. Among the films highlighted from this first chapter of Stevens' directorial life are Alice Adams (1935), Swing Time (1936) and Gunga Din (1939) (one would like to have heard a bit more background info concerning Stevens' Wheeler and Woolsey comedies). Next we find Stevens as an autonomous entity at Columbia Pictures, producing and directing such classics as The More the Merrier (1943). The war years are thoroughly covered via Stevens' vivid color footage of the invasion of Europe. The last stages of Stevens' Hollywood career is traced through generous portions of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). The many interviewees include Katharine Hepburn, Cary Grant, Fred Astaire, Ginger Rogers and Warren Beatty. As an added filip, A Filmmaker's Journey includes rare home-movie sequences showing George Stevens at home and at work--all filmed with as much care and professionalism as Stevens' "mainstream" pictures. ~ Hal Erickson, Rovi

Rodeos and the people who work in them are the focus of this documentary. It demonstrates the resonance between the modern rodeo and the lifestyle of pioneer settlers of the American West. The 1973 film's main focus is on veteran Larry Mahan and a newcomer, Phil Lyne, as they prepare for, and compete in their events. Joel McCrea narrates this film, which celebrates this form of Americana with great affection. ~ Clarke Fountain, Rovi

This Sam Peckinpah-directed feature outing was intended as the cinematic swan song for both Randolph Scott and Joel McCrea; while McCrea would unexpectedly emerge from retirement, this 1961 western serves as an excellent valedictory for both men. The time is the early 1900s, when the Old West was slowly and stubbornly giving way to the new. McCrea plays Steve Judd, an ex-lawman living on the fringes of poverty but maintaining his dignity and honesty. Hired to escort a gold shipment from the wide-open mining town of Coarse Gold, he engages his old pal Gil Westrum (Scott) to help him. But Gil hasn't Steve's integrity, and he and his young saddle pal Heck Longtree (Ronald Starr) hope to talk Steve into helping them steal the gold. En route to Coarse Gold, the three riders spend the night at the farm of a religious fanatic (R.G. Armstrong), whose daughter Elsa (Mariette Hartley in her film debut), chafing at her father's loud piety, is planning to elope with her boyfriend Billy (James Drury). The next day, Elsa insists on joining up with the group so she can marry Billy at Coarse Gold, leading to numerous complications and, of course, a final shoot-out that allows Steve and Gil to reconcile their differences and pave the way for the film's elegiac finale. Released at the tail end of the western genre, and virtually thrown away by MGM, Ride the High Country feels like an elegy for the western itself -- and Peckinpah himself would go on to revise western conventions with such later efforts as The Wild Bunch (1969) and Pat Garrett and Billy the Kid (1973). ~ Hal Erickson, Rovi

A brave cowboy/ex-con hits the dusty trail as the leader of a major cattle drive in this western. He is offered the job by the very townspeople his gang terrorized a few years before. They are also the same people who put him in the slammer, and even though he accepts the task, he secretly plots his revenge. He gets it by proving himself courageous and honest. ~ Sandra Brennan, Rovi

Joel McCrea essays the title role in this moody little western. McCrea is a Union officer wounded in battle, who joins up with a wagon train heading westward. He is ostracized by those passengers who'd fought on the Confederate side, though leading lady Virginia Mayo welcomes his presence. McCrea redeems himself in the eyes of the ex-Confederate homesteaders when he acts as mediator in a range dispute with a land baron (Barry Kelly)--who happens to be McCrea's own half brother. Tall Stranger is based on a novel by the prolific Louis L'Amour. ~ Hal Erickson, Rovi

In this western, the trouble begins when a ruthless outlaw impersonates a mine owner. When the sheriff begins to suspect him, the badguy kills him. A government agent, working undercover replaces the sheriff, exposes the crook and wins the love of a purty gal in the process. ~ Sandra Brennan, Rovi

Cashing in on the popularity of TV's Davy Crockett and the jukebox favorite "Yellow Rose of Texas", Allied Artists came up with the CinemaScope biopic The First Texan. The title character is Sam Houston, played with rugged assuredness by Joel McCrea. The film begins when Houston leaves Tennessee for Texas, where at first he keeps to himself and avoids politics. As events overwhelm him, however, Houston evolves into the territory's most conspicuous patriot. His efforts to thwart Mexican general Santa Ana's efforts to recapture Texas for Mexico culminate in the battle of the Alamo, which is recreated in brisk, economical fashion. Somewhat perversely, Davy Crockett is reduced to a bit part in The First Texan. ~ Hal Erickson, Rovi

Filmed around the same time as Gunfight at the OK Corral, Wichita is a more modest--and to some, more entertaining--slant on the Wyatt Earp legend. Joel McCrea does his usual smooth, underplayed job as Earp, who aims to bring law and order to the wide-open cow town of Wichita. His least popular move is to take away the guns of everyone in town, no matter how important. Only when town banker McCoy (Walter Coy) is hit with a personal tragedy does Earp's no-guns edict begin to make sense. Linking the episodic storyline is an offscreen ballad, sung High Noon style by Tex Ritter. Interestingly, Joel McCrea would later star in the 1959 TV western Wichita Town--though not, of course, as Wyatt Earp (Hugh O'Brien was busy with that character on another network!) ~ Hal Erickson, Rovi

Black Horse Canyon was adapted from The Wild Horse, a novel by Lee Savage Jr. Joel McCrea stars as novice rancher Del Rockwell, who takes it upon himself to capture a magnificent wild black stallion who has been spiriting mares away from other ranchers. Rockwell hopes to use the stallion for stud purposes, as does his disreputable neighbor Jennings (Murvyn Vye). Also desirous of corralling the stallion for her ranch is Aldia Spain (Mari Blanchard), who throws in with Rockwell. An exciting climax which reveals everyone's true nature caps this beautifully photographed western. ~ Hal Erickson, Rovi

Scripted by Eric Ambler from a novel by Geoffrey Household, the British Rough Shoot top-bills Hollywood stars Joel McCrea and Evelyn Keyes. McCrea plays Taine, an American colonel stationed in England. When he spots what appears to be a prowler, Taine tries to scare the fellow away with a round of buckshot. The prowler immediately falls to the ground -- dead. Assuming that he's responsible, Taine hides the body, an act that sparks a chain reaction of sinister events, resulting in the colonel's involvement in an Iron-Curtain spy ring and an exciting finale at Madame Tussaud's wax museum. Evelyn Keyes' role as Colonel Taine's wife is overshadowed by the scene-stealing performances of supporting actors Herbert Lom and Marius Goring. Rough Shoot was originally released in Great Britain as Shoot First. ~ Hal Erickson, Rovi

Cattle Drive stars Joel McCrea as boss drover Dana Mathews. It is Mathews' task to make a man out of Chester Graham Jr. (Dean Stockwell), the spoiled-rotten son of railroad executive Chester Graham Sr. (Leon Ames). Accidentally left behind when his dad's train pulls out of a small cow town, Chester Jr. resents being forced to work side by side with Mathews and his drovers, but soon proves to be every bit as virile and capable as his co-workers (shades of Captains Courageous). Reportedly, much of the cattle utilized in Cattle Drive came from Joel McCrea's own ranch. Though the film has no leading lady, a photograph is briefly shown, revealing that Dana Mathews' sweetheart is none other than McCrea's real-life wife Frances Dee. ~ Hal Erickson, Rovi

Stars in My Crown is an episodic movie about a rural Southern community in the 19th century. Though the film features a number of characters, it focuses on a preacher who moves into the city and helps solve the town's problems. ~ Stephen Thomas Erlewine, Rovi