Frank Lovejoy Movies

Frank Lovejoy plays the title role in Cole Younger, Gunfighter. The scene is post-Civil War Texas, when the state was under the despotic control of the "bluebellies"-corrupt law enforcement officials, answerable only to carpetbagger-governer E. J. Davis. Persecuting Texans in general and Rebel sympathizers in particular, the bluebellies make life hell for everyone with whom they come in contact. Only a few courageous souls like Kit (James Best) are willing to stand up to these uniformed bullies, and in so doing they find themselves branded as outlaws. While hiding out from the authorities, Kit befriends desperado Cole Younger, believing him to be a kindred spirit. Younger proves that he's a "right guy" by saving Kit from a trumped-up murder charge. ~ Hal Erickson, Rovi

The only thing genuinely brave about Three Brave Men is the second word in the title. The film is based on the true story of a Navy employee who was fired as a security risk, then took the case to court to prove his loyalty to the United States. Ernest Borgnine plays the victimized employee, whose life is ruined simply because he once briefly participated in an alleged "Pinko" organization. Borgnine and his family are ostracized from the community when word leaks out about his so-called disloyalty. Lawyer Ray Milland takes Borgnine's case; he pleads so eloquently on behalf of his client's patriotism that the navy, represented by Eisenhower lookalike Dean Jagger, reinstates Borgnine. The problem in Three Brave Men is in how the material is approached. Instead of attacking the atmosphere of paranoia that fostered the Communist "witch hunts" of the 1950s, the crucifixion of Borgnine is treated as a necessary evil in the interests of "democracy." The low point comes at the end, when Ray Milland profusely thanks the Navy for their open-mindedness before his client has been exonerated. ~ Hal Erickson, Rovi

Julie is most enjoyable if one doesn't take it too seriously. Doris Day plays Julie Benton, whose off-the-coop musician husband Lyle Benton (Louis Jourdan) confesses that he in fact killed Julie's first husband. She immediately recognizes that he is so possessive of her that he would sooner rub her out than lose her altogether, and leaves Lyle, seeking protection under the wing of a country club acquaintance, Cliff Henderson (Barry Sullivan).
The San Francisco police deduce that Julie is in danger from Lyle, and begin to close in on the poor woman to protect her, but she inadvertently misses them. In the film's thrilling final sequence, Julie has returned to the stewardess job she once held - without realizing that Lyle has boarded the plane sans detection, planning to murder out most of the crew and take her out next. Silent film star Mae Marsh, a "regular" in the films of director Andrew L. Stone, appears in the closing scenes as an hysterical passenger. ~ Hal Erickson, Rovi

It is all but impossible to dislike this ultra-cheap "Cold War paranoia" melodrama. Virtually the entire picture takes place on a single set, representing a rundown roadside diner. Lee Marvin plays the aptly named Slob, a lecherous short-order cook who lusts after shapely waitress Kotty (Terry Moore). Also interested in Kotty is a scientist known only as The Professor (Frank Lovejoy), who spends the better part of his free time at the diner's counter. It turns out that the Professor is a traitor, exchanging top-secret information with Slob, who's actually a commie agent. Only the Professor isn't a traitor, see, he's really . . . But why spoil the film for the uninitiated? For the record, Keenan Wynn and Whit Bissell are also in Shack Out on 101. ~ Hal Erickson, Rovi

In this downbeat exploitation drama, a vengeful father vents his wrath on the teenage terrors who bashed his baby's head with a booze bottle. With the hospitalized infant teetering toward death and the cops unable to catch the offending punks, the father suffers a blind rage and goes after the goons himself. Fortunately, a detective is hot on his trail and shows up in time to save the father's life. Unfortunately, the baby is not so lucky. ~ Sandra Brennan, Rovi

In this melodrama, an American soldier finds himself hired by two private eyes, who are working for the wealthy German father of the man the soldier wrongly killed eight years ago. The killer falls right into their trap when he returns to Germany and finds himself prosecuted for the murder. ~ Iotis Erlewine, Rovi

The Americano is Glenn Ford, a north-of-the-border cowboy working in Brazil. Ford has been assigned to deliver a cargo of Brahma bulls to a South American ranch. His progress is impeded by homicidal land-grabber Frank Lovejoy and jovial bandido Cesar Romero. Those are merely the human obstacles; there are also piranhas and jungle predators to contend with. Ford also finds tie to romance Ursula Theiss and Abbe Lane. Luxuriously location-photographed in Technicolor, The Americano was one of the larger-budgeted directorial efforts of exploitation king William Castle. ~ Hal Erickson, Rovi

Leave it to MGM to turn the Korean War into a splashy, big-budget, all-star extravaganza. Men of the Fighting Lady is set on the US aircraft career of the same name. Van Johnson stars as Lt. Howard Thayer, while other MGM stalwarts in the cast include Walter Pidgeon, Kennan Wynn and Louis Calhern. The film's highlight is the famous fact-based scene wherein Lt. Thayer "talks in" blinded pilot Kenneth Schechter (Dewey Martin), assuring a safe landing for the incapacitated flyer. As a novelty, no concessions are made to the "love stuff" addicts in the audience: there is no contrived romantic subplot in the film, nor are there any women in the cast. Men of the Fighting Lady was based on two literary works: "The Case of the Blinded Pilot" by Cmdr. Harry A. Burns, and "The Forgotten Heroes of Korea" by James A. Michener (who is impersonated in the film by Louis Calhern). ~ Hal Erickson, Rovi

The System was one of several "exposé" films inspired by the Kefauver crime committee. The title refers to the manner in which a major gambling syndicate can so insinuate itself in "respectable" business circles that it becomes virtually impossible for justice to prevail. Big-city syndicate head John Merrick (Frank Lovejoy) is targeted for investigation by a crusading newspaper. The publisher (Fay Roope) uses this opportunity as a means to squelch his daughter's (Joan Weldon) romance with the unscrupulous Merrick. Called to testify before a crime commission, Merrick at first invokes the Fifth Amendment. But a series of crushing personal blows, coupled with the realization that his fellow hoods have left him to twist slowly in the wind, leads to an abrupt change of heart on the witness stand. The System boasts one of the most impressive supporting casts in any 1953 film, including virtually every actor who's ever played a thug or lowlife: Dan Seymour, Frank Richards, Vic Perrin, Henry Corden, Bruno VeSota, etc. etc. etc. ~ Hal Erickson, Rovi

With all those flaming arrows being aimed directly at the audience, it is fairly obvious that Charge of Feather River was originally released in 3D. Fresh from his TV success as Wild Bill Hickok, Guy Madison stars as frontiersman Miles Archer (his character name will be amusing to fans of The Maltese Falcon). In the company of cavalry sergeant Baker (Frank Lovejoy) and a column of troops, Archer heads into Indian country to rescue a pair of white female captives. One of the two girls, Ann McKeever (Helen Westcott), is reluctant to return because she's been despoiled by her Indian captors; the other girl, Ann's sister Jennie (Vera Miles), is in love with the tribal chief and intends to betray her rescuers at the first opportunity. The rescue has been staged to divert the Indians' attention away from the railroad that is being constructed across their territory. The trick now is for Archer, the soldiers and the women to return to Cavalry headquarters in one piece. The film ends with the eponymous charge, excitingly staged by director Gordon Douglas. ~ Hal Erickson, Rovi

Ronald Reagan delivers one of his best screen performances as baseball great Grover Cleveland Alexander in The Winning Team. The title refers to the mutually supportive relationship between Alexander and his loving wife Aimee (top-billed Doris Day); with this in mind, is it any surprise that the real Aimee Alexander served as the film's technical advisor. While the basic milestones of Alexander's career are adhered to, the film is a typical Hollywood blend of fact and fancy-plenty of fancy. While playing in the minors, Alexander is is hit on the heat by a batted ball, resulting in the dizziness and double vision that would ever after plague him. After toting up a record of 28 wins with the Philadelphia Phillies, Alex is traded to the Cubs, but World War 1 intervenes. On the battlefield, Alex suffers a recurrence of his double vision; and when he plays his first postwar game with the Cubs, he collapses on the field. Warned that his seizures will persist if he doesn't retire, Alex swears the doctor to secrecy. When the dizzy spells continue, Alex turns to drink. Branded an "alky", he descends to the depths of a House of David-style team, thence to the humiliation of carnival side shows. With the help and support of both Aimee and his old pal Rogers Hornsby (Frank Lovejoy), Alex stages a spectacular comeback, striking out Yankee Tony Lazzeri during the 1926 World Series and leading his team to victory. The script rearranges the chronology of Alexander's life, suggests incorrectly that the Lazzeri strikeout was the last play in the deciding Series game, and-most amusingly-depicts the unloveable Rogers Hornsby as a 100 % sweetheart. Otherwise, The Winning Team provides an excellent showcase for Ronald Reagan-though in later years he expressed some reservations about the script, noting that, by adhering to Warner Bros' insistence that the word "epilepsy" never be spoken, the picture confused audiences as to the true nature of Alexander's affliction. ~ Hal Erickson, Rovi

Based on a play by Fay Kanin, this comedy drama follows a successful congresswoman's emotional journey back to her alma mater. When Agatha Reed (Joan Crawford) is offered an honorary degree at her former college, she is forced to remember the reason she was expelled to begin with. Nearly twenty years prior, Agatha (Crawford) had an affair with Dr. James Merrill (Robert Young), one of her professors. After her departure, Dr. Merrill (Young) slowly rose through the ranks, eventually becoming the president of the school. Despite having left under less than desirable circumstances, Agatha is excited to see him and hopes to rekindle their relationship. Meanwhile, newspaper reporter Matt Cole (Frank Lovejoy), not only follow's Agatha to her former university, but unsucessfully proposes marriage. Unfortunately for him, the alumna's eyes are set firmly towards her old flame. However, once Matt (Lovejoy) and Agatha team up in a passionate attempt to update the school's outdated curriculum, she realizes who she truly loves. ~ Tracie Cooper, Rovi