Nick Adams Movies

Ace Jones (Nick Adams) is a ex-stockcar racer who finds himself in need of repairs on his truck. The garage is owned by a young widow Sandy (Jeannine Riley), whose husband was killed in a racing accident at the local track. He gets a job as a mechanic helping the veteran wrench-man Toad (Vaughn Taylor) and eventually takes over the racetrack. Two of his friends are the victims of sabotage and lose their lives in a fiery crash. Ace decides to leave the life in the fast lane behind and settle down with Sandy. This was the last film for the late Nick Adams, whose once-promising career made him the talk of Hollywood akin to his buddy James Dean. Adams was best known as Johnny Yuma on the television series "The Rebel." Plagued by personal excesses, he will be remembered just as much for what he could have done in cinema as what he left behind. ~ Dan Pavlides, Rovi

This routine science-fiction saga concerns the crew of a rocket ship slated to travel to the red planet Mars. Mike (Darren McGavin) is the chief pilot who is assisted by the navigator Nick (Nick Adams). Using several scenes containing stock footage of McDonnell Air Force Base and Cape Kennedy, the crew takes off for their destination. Alice (Shirley Parker) is the wife who worries her husband Nick may not return. The action plods along for an hour, building to a climax in the final 27 minutes. The Forum Quorum provides the rock music for the feature, which supposedly was the last for Nick Adams before his sudden death at an early age. This feature is the initial film shot at Studio City in Miami, Florida. ~ Dan Pavlides, Rovi

Unfortunately, the comedy in this film is just about as crummy as its title. On the bright side, it does feature a number of veterans from popular TV sitcoms. It is set in a run-down diner where a bumbling short-order cook and a klutzy waitress work. They are so terrible at their jobs that they soon lose them. Next the two go to help a pal run her recently inherited bookstore. There they found trouble when a Russian spy mistakenly identifies the former cook as a defecting cosmonaut. Meanwhile, two would-be bank robbers are secretly sneaking 'round the bookstore trying to tunnel into the bank vault next door. ~ Sandra Brennan, Rovi

Toho's bid to merge the Godzilla series with their popular alien-invasion films resulted in this entertainingly goofy entry. The plot involves the discovery of the mysterious Planet X in our solar system, leading to a joint U.S./Japanese space exploratory mission. The explorers bump into some aliens with no fashion sense whatsoever (even for 1965), who claim their planet has been under constant attack from the powerful Monster Zero -- also known to Godzilla fans as Ghidrah, the three-headed monster from the previous year. The aliens suggest a deal with the Earthlings: if they can "borrow" Godzilla and Rodan to help rid their planet of Ghidrah, they will cure all of humankind's diseases in return. Of course, this is actually an elaborate ruse to rid the Earth of its monstrous defenders, leaving it vulnerable to invasion. As always, it's up to a handful of resourceful characters -- including token American Nick Adams and series regular Akira Takarada -- to save the day and return Earth's monsters for the requisite city-smashing finale. After a slow start, this movie serves up a good portion of flashy pyrotechnics and noisy monster-grappling but lapses into several moments of deliberate silliness (particularly Godzilla's goofy Irish jig) and rampant use of ill-fitting footage from previous monster installments. ~ Cavett Binion, Rovi

This exploitation crime drama offers a fictionalized account of John Dillinger just before he became known as one of the most ruthless mobsters of the 1930s. The tale begins as Dillinger and his girlfriend try to rob her daddy's safe and get caught red-handed. Dillinger takes the fall and goes to the joint where he encounters some of America's most infamous gangsters including Pretty Boy Floyd and Baby Face Nelson. Dillinger helps them all escape and together they become some of the most fearsome criminals ever. Because he is considered Public Enemy No. 1, Dillinger decides to undergo a total face transformation. Following the operation, he kills the surgeon, who was trying to force himself on Dillinger's moll. Later, he wrongs her and this ultimately leads to tragedy for him and for her. Keep an eye out for background people dressed in 1960s clothing, quite an anomaly for a film set in the '30s. ~ Sandra Brennan, Rovi

Producer Samuel Goldwyn Jr. took a stab at directing with this '60s-era melodrama about college students dealing with the realities of love, sex, and war. Peter Fonda and Sharon Hugueny star as Eddie and Pam, the titular young lovers. An art student and teacher's assistant, the two meet in college and proceed to fall into a passionate affair. Emotional tumult later follows though, when Pam announces she is pregnant with Eddie's child. Also starring Nick Adams' and Deborah Walley, The Young Lovers was the final big-screen appearance by Hugueny whose career spiraled into disarray after her short marriage to producer Robert Evans. ~ Matthew Tobey, Rovi

In Volume 27 of a collection culled from the 1963-1965 science fiction anthology television series, two Earthlings square off against a pair of aliens, with the continued survival of their individual planets promised to the winner. ~ Jason Ankeny, Rovi

Saunders (Vic Morrow) and the squad are assigned to capture a heavily guarded enemy bridge. Threatening to sabotage the mission from the get-go is Pvt. Mick Haler (guest star Nick Adams), an obnoxious wisecracker who'll do anything to stay alive long enough to resume his civilian career as a jazz drummer. The other men wonder if Haler is merely another griper, or a craven coward who will let them down when they need him most. By episode's end, most of the survivors are asking themselves the same question that Haler had posed at the beginning: Is all the bloodshed really worth it? ~ Hal Erickson, Rovi

Only slightly murky around the edges of character delineation, this wartime drama by George Seaton focuses on three American soldiers on board a neutral Finnish vessel during the Korean War. Seasoned veteran Sgt. P.J. Briscoe (Kirk Douglas) has had no more than the normal difficulties when being forced to kill the enemy during combat. But now he and Pvts. Dennison (Robert Walker) and Hackett (Nick Adams) have been given orders to execute a prisoner they have on board. Killing outside of active combat is something else, and the men vacillate as they try come to grips with their reluctance. Meanwhile, a few shady aspects of their past come to light. ~ Eleanor Mannikka, Rovi

Don Siegel's only war film and unfortunately his only teaming with Steve McQueen, an actor whose rebellious persona jibed well with the director's vision, it puts the star in the familiar role of antihero. His character, Reese, is an embittered G.I. who has just been sent back to join his war-weary unit holding down a position opposite a pillbox on the Siegfried Line in Belgium. Recently demoted back to private from staff sergeant for drinking, he chafes under all authority, and is a pariah to fellow grunts, despite their awareness of his extraordinary courage in battle. A natural leader, he persuades his sergeant (Harry Guardino) to implement a plan he's formulated to keep the Germans at bay by making them believe that the small outfit is larger than it is. While this is temporarily effective, Reese knows that it's only a matter of time before the enemy discovers the truth, and takes it on his own authority to lead an attack on the well-defended pillbox, although his unit has been assigned only to hold their ground. ~ Michael Costello, Rovi

The fabulously successful Pillow Talk was essentially Shop Around the Corner for the 1950s. Playboy composer Rock Hudson and interior-decorator Doris Day are obliged to share a telephone party line. Naturally, their calls overlap at the least opportune times, and just as naturally, this leads to Hudson and Day despising each other without ever having met in person. In a cute but convenient coincidence, Doris' boy friend is Tony Randall, who also happens to be Hudson's best pal. Thus Hudson gets a glimpse at Day, and it's love at first sight. To avoid revealing that he's her telephone rival, Hudson poses as a wealthy Texan and turns the charm on Day. But when he starts pitching woo, Day instantly recognizes all the "make-out" lines Hudson has used on the phone with his other conquests. She gets even by decorating Hudson's apartment in a hideous manner. But Hudson loves her all the same; he "kidnaps" her, carrying her through the streets in her nightgown in full view of everyone, including a laughing cop who refuses to intervene. He praises her horrifying interior decoration job effusively, and at this point Day can't help but give in to his marriage proposal. A bit too arch and cute for modern tastes at times, Pillow Talk is still one of the best of the frothy Doris Day-Rock Hudson vehicles; it made a fortune at the box office and garnered five Oscar nominations. ~ Hal Erickson, Rovi

Mac Hyman's hilarious barracks novel No Time for Sergeants was adapted for TV by Ira Levin in 1955, with newcomer Andy Griffith as bumptious Air Force draftee Will Stockdale. This TV version was soon afterward transformed into a Broadway play, and then a movie, again with Griffith in the lead. Brought to the Air Force base in handcuffs because his farmer father has been hiding his draft notices, good-natured Will becomes the target of ridicule for the other transcripts. Especially nasty is Private Irvin (Murray Hamilton), but Will is able to forgive him because he knows that Irvin is suffering from some mysterious disease called ROTC. Will's best pal is hot-headed private Ben (Nick Adams), who wants to be transferred to the Infantry and convinces Will to try for the same goal. Slowly becoming aware that the trusting, naïve Will may prove to be a troublemaker, career sergeant King (Myron McCormick), who wants nothing more out of life than a little peace and quiet, tries to keep Stockdale out of mischief by appointing him "PLO" -- Permanent Latrine Orderly, a dubious distinction in which Will takes enormous pride. Later on, King tries to pull strings to get Will transferred, succeeding only in losing his sergeant's stripes. The story goes off on a zany tangent when Will and Ben find themselves on a crippled plane in flight. They manage to escape with their lives, but all evidence suggests that they've been killed in the plane's crash. Imagine the dismay of newly reinstated Sergeant King when Will and Ben show up in his office -- just as the entire base is gathered for a memorial service for the two "fallen heroes." Featured in a minor role as a "coordination officer" is Griffth's future TV cohort Don Knotts, while Sammy Jackson, who played Stockdale in a 1964 sitcom version of No Time for Sergeants, shows up in an unbilled bit. ~ Hal Erickson, Rovi