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Gene Hackman Movies

A remarkably prolific and versatile talent, Gene Hackman was a successful character actor whose uncommon abilities and smart career choices ultimately made him a most unlikely leading man. In the tradition of Spencer Tracy, he excelled as an Everyman, consistently delivering intelligent, natural performances which established him among the most respected and well-liked stars of his era. Born January 30th, 1930 in San Bernardino, CA, Hackman joined the Marines at the age of 16 and later served in Korea. After studying journalism at the University of Illinois, he pursued a career in television production but later decided to try his hand at acting, attending a Pasadena drama school with fellow student Dustin Hoffman; ironically, they were both voted "least likely to succeed." After briefly appearing in the 1961 film Mad Dog Coll, Hackman made his debut off-Broadway in 1963's Children at Their Games, earning a Clarence Derwent Award for his supporting performance. Poor Richard followed, before he starred in 1964's production of Any Wednesday.

Returning to films in 1964, Hackman earned strong notices for his work in Warren Beatty's Lilith and 1966's Hawaii, but the 1967 World War II tale First to Flight proved disastrous for all involved. At Beatty's request, Hackman co-starred in Bonnie and Clyde, winning a Best Supporting Actor Oscar nomination and establishing himself as a leading character player. After making a pair of films with Jim Brown, (1968's The Split and 1969's Riot), Hackman supported Robert Redford in The Downhill Racer, Burt Lancaster in The Gypsy Moths, and Gregory Peck in Marooned. For 1970's I Never Sang for My Father, he garnered another Academy Award nomination. The following year Hackman became a star; as New York narcotics agent Popeye Doyle, a character rejected by at least seven other actors, he headlined William Friedkin's thriller The French Connection, winning a Best Actor Oscar and spurring the film to Best Picture honors. Upon successfully making the leap from supporting player to lead, he next appeared in the disaster epic The Poseidon Adventure, one of the biggest money-makers of 1972.

After co-starring with Al Pacino in 1973's Scarecrow, Hackman delivered his strongest performance to date as a haunted surveillance expert in Francis Ford Coppola's 1974 classic The Conversation and went on to tap his under-utilized comedic skills in Mel Brooks' Young Frankenstein. Arthur Penn's grim 1975 thriller Night Moves and the Western Bite the Bullet followed before the actor agreed to The French Connection 2. While remaining the subject of great critical acclaim, Hackman's box-office prowess was beginning to slip: 1975's Lucky Lady, 1977's The Domino, and March or Die were all costly flops, and although 1978's Superman -- in which he appeared as the villainous Lex Luthor -- was a smash, his career continued to suffer greatly. Apart from the inevitable Superman 2, Hackman was absent from the screen for several years, and with the exception of a fleeting appearance in Beatty's 1981 epic Reds, most of his early-'80s work -- specifically, the features All Night Long and Eureka -- passed through theaters virtually unnoticed.

Finally, a thankless role as an ill-fated war correspondent in Roger Spottiswoode's acclaimed 1983 drama Under Fire brought Hackman's career back to life. The follow-up, the action film Uncommon Valor, was also a hit, and while 1984's Misunderstood stalled, the next year's Twice in a Lifetime was a critical success. By the middle of the decade, Hackman was again as prolific as ever, headlining a pair of 1986 pictures -- the little-seen Power and the sleeper hit Hoosiers -- before returning to the Man of Steel franchise for 1987's Superman 4: The Quest for Peace. No Way Out, in which he co-starred with Kevin Costner, was also a hit. In 1988, Hackman starred in no less than five major releases: Woody Allen's Another Woman, the war drama Bat 21, the comedy Full Moon in Blue Water, the sports tale Split Decisions, and Alan Parker's Mississippi Burning. The last of these, a Civil Rights drama set in 1964, cast him as an FBI agent investigating the disappearance of a group of political activists. Though the film itself was the subject of considerable controversy, Hackman won another Oscar nomination.
During the 1990s, Hackman settled comfortably into a rhythm alternating between lead roles (1990's Narrow Margin, 1991's Class Action) and high-profile supporting performances (1990's Postcards From the Edge, 1993's The Firm). In 1992, he joined director and star Clint Eastwood in the cast of the revisionist Western Unforgiven, appearing as a small-town sheriff corrupted by his own desires for justice. The role won Hackman a Best Supporting Actor Academy Award. The performance helped land him in another pair of idiosyncratic Western tales, Wyatt Earp and The Quick and the Dead. In 1995, he also co-starred in two of the year's biggest hits, the submarine adventure Crimson Tide and the Hollywood satire Get Shorty. Three more big-budget productions, The Birdcage, The Chamber, and Extreme Measures, followed in 1996, and a year later Hackman portrayed the President of the United States in Eastwood's Absolute Power. In 1998, Hackman lent his talents to three very different films, the conspiracy thriller Enemy of the State, the animated Antz, and Twilight, a noirish mystery co-starring Paul Newman and Susan Sarandon. Moving into the new millennium with his stature as a solid performer and well-respected veteran well in place, Hackman turned up in The Replacements in 2000, and Heist the following year. 2001 also found Hackman in top form with his role as the dysfunctional patriarch in director Wes Anderson's follow-up to Rushmore, The Royal Tenenbaums. Hackman's lively performance brought the actor his third Golden Globe, this time for Best Actor in a Musical or Comedy. ~ Jason Ankeny, Rovi
2006  
PG  
Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, Rovi

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Starring:
Christopher ReeveGene Hackman, (more)
 
2004  
PG13  
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Hollywood filmmaker Donald Petrie directs the comedy Welcome to Mooseport. Gene Hackman stars as former U.S. President Monroe "The Eagle" Cole. He's retired to the small New England town of Mooseport, ME, in order to write his memoirs and relax. The retirement is put on hold, however, when he's persuaded to run for mayor of the town. Meanwhile, local hardware store owner and plumber Handy Harrison (Ray Romano) is just the sort of plaid-shirted everyman to run against him. Cole seems a sure win in the race, especially with his loyal personal assistants (Marcia Gay Harden and Fred Savage) aiding his every move. The competition gets even more severe when Handy's sweetheart Sally (Maura Tierney) comes between the two men. Welcome to Mooseport also stars Christine Baranski and Rip Torn. ~ Andrea LeVasseur, Rovi

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Starring:
Gene HackmanRay Romano, (more)
 
2004  
 
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The American film industry took it upon itself to act as a cheerleader for United States and Allied military interests during World War II, but Hollywood was initially reluctant to directly condemn Nazi anti-Semitism, and it wasn't until years after the war ended that American filmmakers began offering a realistic, dramatic look at the horrible toll of Hitler's "final solution." Imaginary Witness: Hollywood and the Holocaust is a documentary which examines how filmmakers reacted to German scapegoating of Jews before, during, and after the war, ranging from the boldness of Confessions of a Nazi Spy and The Mortal Storm (both of which were produced before America entered the war) to more oblique statements during the war itself, and then finally leading to an honest portrayal of the full consequences of the Holocaust beginning in the '50s. Produced for the cable television network American Movie Classics, Imaginary Witness: Hollywood and the Holocaust was premiered at the 2004 Tribeca Film Festival. ~ Mark Deming, Rovi

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Starring:
Gene HackmanSidney Lumet, (more)
 
2003  
PG13  
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Three people attempt to bend justice for their own purposes in this drama based on the best-selling novel by John Grisham. After a man dies in a shooting incident, his wife files a lawsuit against the company that manufactured the gun, with her lawyer, Wendell Rohr (Dustin Hoffman), arguing that the firm in question knew the shop which sold the weapon was not following federal regulations pertaining to the sale of firearms. As the case goes to trial, the firearm manufacturer is taking no chances on the outcome of a potentially devastating case, and they hire as part of their legal team Rankin Fitch (Gene Hackman), a "jury consultant" who makes it his business to see that he knows enough about the jurors to be able to guarantee the result of the trial. Fitch and his team have learned incriminating secrets about nearly everyone hearing the evidence, but Fitch discovers two factors he wasn't counting upon -- Nick Easter (John Cusack), the jury member who appears to have an agenda all his own, and Marlee (Rachel Weisz), a mysterious woman who has her own plans regarding bending the jury to her will. Bruce Davison, Jeremy Piven, and Bruce McGill round out the supporting cast. Incidentally, in John Grisham's original book, the case was filed against a cigarette manufacturer, but the producers opted to adjust the story after several real-life trials against tobacco companies. ~ Mark Deming, Rovi

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Starring:
John CusackGene Hackman, (more)
 
2001  
R  
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A clumsy criminal is put in a position where he not only has to save his own skin, but that of his girlfriend in this comedy with strong undercurrents of romance. Jerry Welbach (Brad Pitt) is a low-level Mafia "mechanic" whose ineptitude is countered by frequent (but unpredictable) bursts of dumb luck. Jerry's girlfriend Samantha (Julia Roberts) wants him to get out of the business, and after his latest blunder lands capo Arnold Margolese (Gene Hackman) in jail, so does mid-level crime kingpin Bernie Nayman (Bob Balaban). But Bernie insists that Jerry do one last errand for the mob before they let him find employment elsewhere -- he has to go to Mexico and recover a rare and very valuable pistol, which is said to be cursed. While Samantha objects to Jerry taking the assignment, he isn't in much of a position to argue; Jerry heads south of the border, while Samantha, in a huff, sets out for Las Vegas. Once in Mexico, Jerry finds the pistol easily enough, but making his way back to the States proves to be an unexpected challenge. Meanwhile, Jerry's superiors want insurance that he'll return with the goods, so they hire Leroy (James Gandolfini), a hitman, to kidnap Samantha and hold her hostage until Jerry comes back. However, Samantha and Leroy quickly strike up a friendship, and she soon learns the gunman has a sensitive side he doesn't show to the world -- along with a few other secrets. The Mexican marked the first screen pairing for mega-stars Julia Roberts and Brad Pitt -- though, given the film's narrative arc, they play only a handful of scenes together. The film was directed by Gore Verbinski, who won awards for his work in commercials before breaking through with the quirky family comedy Mouse Hunt. ~ Mark Deming, Rovi

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Starring:
Brad PittJulia Roberts, (more)
 
2001  
R  
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Director Wes Anderson and his longtime friend and writing partner Owen Wilson follow up Bottle Rocket (1996) and Rushmore (1998) with this similarly offbeat comedy about a dysfunctional family reunion. Royal Tenenbaum (Gene Hackman) was a successful attorney who had three children with his wife Etheline (Anjelica Huston), an archaeologist. Each of the Tenenbaum kids was a precocious genius: Chas (Ben Stiller) made a killing as a child investor. Richie (Luke Wilson) was a junior tennis champ and three-time U.S. Nationals winner. The adopted Margot (Gwyneth Paltrow) was a playwright who won a 50,000-dollar Braverman Grant in the ninth grade. When Royal abruptly left his family, however, it was the beginning of two decades of betrayal and failure that would scar the Tenenbaums for life. Their past resentments are bitterly held against Royal when he suddenly reappears, claiming to have six weeks to live and a desire to reconnect with his family. Typically, Royal's story is a sham, but his presence and sincere desire for absolution soon have a profound effect on the Tenenbaums, who are each dealing with thwarted desires and relationships. Among them are Richie's lifelong love for Margot, who's unhappily married to Raleigh St.Clair (Bill Murray) and Etheline's eccentric engagement to Henry Sherman (Danny Glover), who wishes to marry her. The Royal Tenenbaums also co-stars Owen Wilson and features narration provided by Alec Baldwin. ~ Karl Williams, Rovi

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Starring:
Gene HackmanAnjelica Huston, (more)
 
2001  
PG13  
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After the little white lies of Romy and Michele's High School Reunion (1997), director David Mirkin focuses on scheming of a different sort in Heartbreakers. Sigourney Weaver and Jennifer Love Hewitt play Max and Page Conners, a mother and daughter who share everything with each other: relationship advice, hair and makeup hints, and the money they win in costly divorce settlements with rich men. When the film opens, the Conners are putting the finishing touches on conning Dean (Ray Liotta), an auto-body shop owner. When the dust from that scam clears, Page announces she's ready to move away from her mother and set up shop on her own -- but in order to clear an outstanding debt, Max insists they bankrupt one more bachelor together. They settle upon phlegmatic Palm Springs widower William B. Tensy (Gene Hackman), a chain smoker with a heart of gold and a similarly bountiful bank account. Only two things stand in their way: Tensy's Teutonic caretaker Miss Madress (Nora Dunn) and beachfront bartender Jack (Jason Lee), a wry stargazer with whom Page becomes unexpectedly smitten. Heartbreakers is the third collaboration from writers Steven Mazur and Paul Guy, whose previous screwball comedy was 1997's international hit, Liar Liar. ~ Michael Hastings, Rovi

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Starring:
Sigourney WeaverJennifer Love Hewitt, (more)
 
2001  
PG13  
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A television commercial for a Sega game system that aired during the 1999 MTV Music Video Awards landed debut director John Moore a gig behind the camera of this military action thriller. Owen Wilson stars as Lt. Chris Burnett, a naval aviator aboard the U.S.S. Carl Vinson who's frustrated with the strict "hands-off" political policies that prevent him from experiencing combat against hostile Bosnian forces in his F/A-18 Superhornet jet. Burnett's commander, Admiral Reigert (Gene Hackman), thinks that the brash pilot doesn't have what it takes to be in the millitary, but the eager young officer soon gets the chance to prove his mettle. While conducting a routine photographic reconnaissance over a remote area of the Balkans, Burnett captures grisly images that serve as proof of genocidal crimes, but his plane is blown out of the sky. He's soon pursued on the ground by the forces of Lokar (Olek Krupa), a Serbian paramilitary leader intent on covering up unthinkable crimes, while Reigert defies the NATO orders of his superior (Joaquim de Almeida) and risks his career to mount a covert rescue mission. Behind Enemy Lines (2001), the first of two back-to-back releases starring Wilson and Hackman (the other being The Royal Tenenbaums), also stars David Keith, Gabriel Macht, and Charles Malik Whitfield. ~ Karl Williams, Rovi

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Starring:
Gene HackmanOwen Wilson, (more)
 
2001  
 
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Many Americans are familiar with the iconic image of American marines raising the U.S. flag at Iwo Jima on Mount Suribachi in 1945. However, most probably don't know that there were two U.S. flag raisings that day near the conclusion of 36 days of fighting. Originally telecast on A&E, this documentary explains that the image most of us are familiar with, and that was made into the famous statue, was actually the second time the U.S. flag went up that day. Hosted by Academy award-winning actor and ex-Marine Gene Hackman, this program tells the story of both flag raisings and features interviews with two dozen people, as well as never-before-televised color battle footage, some of it graphically violent. ~ Steve Blackburn, Rovi

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Starring:
Gene Hackman
 
2001  
R  
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Esteemed writer/director David Mamet fashioned this homage to the elegant, character-driven "tough guy" genre pictures of Warner Bros. in the 1930s and '40s, even using vintage scores in the soundtrack. Gene Hackman stars as Joe Moore, an accomplished thief whose career is jeopardized after he's caught on security cameras during a job. Broke, Joe and his associates Bobby (Delroy Lindo) and Pinky (Ricky Jay) are blackmailed by their longtime fence Bergman (Danny DeVito) into jacking Swiss gold bars from an airplane. As they plot the complicated score, Joe and his crew become suspicious of the relationship between Joe's young wife Fran (Rebecca Pidgeon) and Bergman's nephew Jimmy Silk (Sam Rockwell), who has been planted on the crew to keep an eye on them for his uncle. Betrayals and backstabbings are the order of the day as Joe gets closer to the payday of a lifetime. In an effort to reinforce the solid storytelling of classic crime dramas, Mamet eschewed the use of computers or high-tech gadgetry in the complicated plot. Heist (2001) co-stars Patti LuPone. ~ Karl Williams, Rovi

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Starring:
Gene HackmanDanny DeVito, (more)
 
2000  
 
A documentary about the iconic career of actor and filmmaker Clint Eastwood, Clint Eastwood: Out of the Shadows traces its subject's work from his earliest days in Hollywood to his award-winning (and career-salvaging) films of the 1990s. Directed by Bruce Ricker, who also made the lauded jazz films The Last of the Blue Devils and Thelonious Monk - Straight, No Chaser, the documentary combines archival footage with interviews from the likes of Sergio Leone, Curtis Hanson, Rip Torn, Meryl Streep, and, naturally, the man himself. ~ Rebecca Flint Marx, Rovi

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Starring:
Clint EastwoodMartin Scorsese, (more)
 
2000  
PG13  
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The 1987 National Football League players' strike inspired this sports-themed comedy. The Washington Sentinels are one of the strongest teams in pro football -- until contract negotiations break down and the Sentinels go on strike. Determined to play the team's schedule, owner Edward O'Neil (Jack Warden) recruits a ragtag band of scab players, to be headed up and whipped into shape by the retired veteran coach Jimmy McGinty (Gene Hackman). At the top of the recruitment list is quarterback Shane Falco (Keanu Reeves), a promising athlete until a catastrophic defeat in the Sugar Bowl dashed his confidence. Joining Falco on the team are Clifford Franklin (Orlando Jones), a receiver who can't catch the ball; Nigel Gruff (Rhys Ifans), a chain-smoking Welsh soccer player; Bateman (Jon Favreau), a former cop with anger management problems; Fumiko (Ace Yonamine), a sumo wrestler new to football; and Wilkinson (Michael Jace), a convict on parole to the Sentinels. Can McGinty mold his new squad of misfits and no-hopers (who truly love the game) into a winning team? Brooke Langton plays Annabelle, head of the Sentinels' cheerleading squad (who has to contend with replacements of her own), and football commentators John Madden and Pat Summerall appear as themselves. ~ Mark Deming, Rovi

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Starring:
Keanu ReevesGene Hackman, (more)
 
2000  
R  
Add Under Suspicion to Queue Add Under Suspicion to top of Queue  
When a powerful man is accused of murder, who tells the truth -- the man, or his estranged wife? Henry Hearst (Gene Hackman), an American attorney living in Puerto Rico, is called in to speak with police detective Victor Benezet (Morgan Freeman). A few days earlier, Hearst reported finding the body of a 12-year-old girl while taking his dog for a walk; however, investigators now believe that Hearst may have had a greater involvement in the crime than he's admitting. Under intense questioning by a confident young cop named Owens (Thomas Jane) and gentler but firm interrogation from Benezet, several cracks begin to appear in Hearst's story, but he's able to persuade the police to allow him to leave long enough to take part in a fund-raising function he'd promised to attend. However, upon his return, Hearst discovers that Benezet and Owens have been questioning someone else -- his wife Chantal (Monica Bellucci), who has been on poor terms with her husband for some time. Under Suspicion was based on the novel Brainwash by John Wainwright, which was previously filmed by French director Claude Miller as Garde a vue. ~ Mark Deming, Rovi

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Starring:
Morgan FreemanGene Hackman, (more)
 
1999  
 
This documentary, which world premiered in competition at the 1999 Sundance Film Festival, is composed of old footage and new interviews collected by filmmaker Michael Epstein, whose previous documentary, The Battle Over Citizen Kane, premiered at Sundance in 1996. Both films deal with "Old Hollywood" and the changes that took place in the 1930s and 40s, stemming from the shift in power from producer as chief architect of a film to the emergence of the director as primary auteur, and the battle for one's own vision. Narrated by Gene Hackman, the film juxtaposes the lives of two of Hollywood's biggest names, who were both collaborators and enemies. Producer David O. Selznick was on top of his game in the golden days of Hollywood; an Oscar-winning producer for Gone with the Wind, he created his own studio in Culver City and decided to bring an up-and-coming, 30-year-old English director named Alfred Hitchcock to America. Known for such dark films as The 39 Steps and The Lady Vanishes, Hitchcock was a promising talent in Europe when he got a call from Selznick, who wanted to put Hitchcock under contract to his studio. Once there, the two became a powerful force, creating Rebecca, which made Hitchcock a household name in America and won Selznick his second Best Picture Oscar. From there, however, things went downhill. Hitchcock was known for a distinct style that was clearly his own, yet directors at that time were merely hired hands executing shots for the producer. What happened in the years that followed was the rise of Alfred Hitchcock as one of America's great visionary directors and the fall of Selznick as one of Hollywood's old-school producers. Hitchcock and Selznick turned from friends to mortal enemies as Hitchcock eventually became a free agent and never turned to Selznick again. This signaled a change for all of Hollywood that still holds true today -- the director is the leading visionary for a film, and producers are mere financiers. Both may have made great films, but they also redefined a working relationship that has lasted ever since. ~ Arthur Borman, Rovi

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1998  
R  
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The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its "innocent man accidentally caught up in political corruption" story from such films as Francis Ford Coppola's The Conversation, Alfred Hitchcock's The Man Who Knew Too Much, and Sydney Pollack's Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn't know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel's murder. Since Dean isn't up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell's 1984 mantra "beware of big brother," as Dean realizes that in the modern world, there is no such thing as total privacy. ~ Arthur Borman, Rovi

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Starring:
Will SmithGene Hackman, (more)
 
1998  
PG  
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DreamWorks and Pacific Data Images collaborated on this all computer-animated comedy-adventure about the ant angst of misfit worker ant, Z (voice of Woody Allen), who feels trapped by the conformist confines of his totalitarian ant civilization and eventually sets forth in search of Insectopia. After DreamWorks began animating Prince of Egypt June 1, 1995, the company launched Antz in Palo Alto a year later (5/20/96), the same month the DreamWorks/PDI partnership was announced. The screenplay by Chris and Paul Weitz and Todd Alcott has uncredited input by Woody Allen (who matched dialogue to fit his usual style of verbal delivery). The story suggests the possible influence of Yevgeny Zamatin's classic novel We (1923) and Ayn Rand's similar-themed Anthem (1936), filmed in the early '70s in a rarely seen unauthorized film adaptation (which Rand never allowed to be shown commercially). Following the 1995 Toy Story (1995), Antz is the second fully computer-animated feature, preceding the release of Disney's all-CGI A Bug's Life by seven weeks. Antz begins with worker ant Z discussing his feelings of insignificance with a shrink (voice of Paul Mazursky) before heading off to his tunnel-digging job, work supervised by General Mandible (Gene Hackman) and Colonel Cutter (Christopher Walken). Mandible has big dreams of conquest, and he convinces the Queen (Anne Bancroft) an attack is necessary to prevent a termite invasion. Her daughter is Princess Bala (Sharon Stone), who's not overly enchanted by her engagement to Mandible. The Princess goes slumming, visiting the bar where Z hangs out with his friend Weaver (Sylvester Stallone). To the tune of "Guantanamera," Bala dances with Z -- in a scene with allusions to the dance in Pulp Fiction (1994). Entranced by the encounter, Z convinces Weaver to swap places, so a military parade will allow him to see Bala in the reviewing stand. Befriended by soldier ant Barbatus (Danny Glover) during the parade, Z nervously realizes he's actually marching into battle. Attacked by termites, the troops experience horrors highly reminiscent of the Starship Troopers (1997) bug battles. The dying Barbatus tells Z, "Don't follow orders all your life." As the only survivor of the slaughter, Z returns home a war hero. Threatened by Mandible, Bala and Z are thrown together in a journey into the outside world, and they travel toward the legendary Insectopia. Major city newspaper critics were almost unanimous in their praise of Antz. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Woody AllenSharon Stone, (more)
 
1998  
R  
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The Nobody's Fool (1994) team of Paul Newman, director Robert Benton, and scripter Richard Russo reassembled for this L.A. detective drama, beginning with a Puerto Vallarta prologue showing private eye Harry Ross (Newman) accidentally shot by 17-year-old Mel Ames (Reese Witherspoon) during his efforts to get her to return home. Two years later, the broke and divorced Ross lives in a garage apartment on the estate of Mel's parents, his movie-star friends Jack and Catherine Ames (Gene Hackman and Susan Sarandon). The cancer-ridden Jack is not unaware that Harry is attracted to Catherine. Delivering a package for Jack, Harry encounters elderly Lester Ivar (M. Emmet Walsh), who shoots at Harry and then dies. Harry's curiosity is provoked when he discovers that Ivar was an investigator checking into the disappearance of Catherine's first husband, written off 20 years earlier as an unsolved case, but now reactivated as Harry's sleuth-work leads him on a trail of past crimes and cover-ups. The Ames residence is actually the former Cedric Gibbons-Delores Del Rio home, and a never-completed Frank Lloyd Wright house near Malibu served as the Ames' ranchhouse. ~ Bhob Stewart, Rovi

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Starring:
Paul NewmanSusan Sarandon, (more)
 
1997  
R  
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In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, Rovi

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Starring:
Clint EastwoodGene Hackman, (more)
 
1996  
R  
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Based on a novel by John Grisham, this drama deals with a man trying to come to terms with his family and their ugly secrets. Adam Hall (Chris O'Donnell) is a successful attorney based in Chicago who travels to Mississippi to look into the case of Sam Cayhall (Gene Hackman). An outspoken racist and member of the Ku Klux Klan, Cayhall was convicted in the early '60s of the murder of a Jewish civil rights lawyer and his children. Pending a last-minute appeal, it looks as if Cayhall will finally go to the electric chair, and Adam has arrived to see what he can do. It hardly seems like the sort of case Adam would normally be involved with, until we discover Adam's secret: he is actually Cayhall's grandson, and despite his misgivings about the man's racist views, he wants to see if he can spare his life. Cayhall, however, has little use for Adam and even less regard for his legal skills. As Adam spends time with his Aunt Lee (Faye Dunaway), who witnessed Cayhall's execution of a black man years ago, he gets a more complete and disturbing picture of Cayhall's race hatred and the terrible toll it has taken on his family and the community. The Chamber marked the acting debut of former baseball and football star Bo Jackson. ~ Mark Deming, Rovi

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Starring:
Chris O'DonnellGene Hackman, (more)
 
1996  
R  
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Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, Rovi

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Starring:
Robin WilliamsGene Hackman, (more)
 
1996  
R  
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Comic leading man Hugh Grant gets serious in this drama about a physician who uncovers a truly disturbing secret. Guy Luthan (Hugh Grant), a British doctor serving a residence in a hospital in New York City, is very puzzled by a patient brought to the emergency room one night. Naked, disoriented, and bearing a hospital bracelet and a fresh surgical scar, the mystery man is suffering from a baffling variety of symptoms, and though he dies not long after he's admitted, Luthan can't get the patient out of his mind. When he asks to see the records on the patient a few days later, he's told they no longer exist, and the more he digs, the more he's convinced that someone knows something they're not telling. Against the advice of his friend Jodie Trammel (Sarah Jessica Parker), a nurse and colleague, and the instructions of his superiors, Luthan keeps digging into this and other strange cases that have come through the hospital lately. Luthan's sleuthing eventually brings him to the door of Dr. Lawrence Myrick (Gene Hackman), a well-known surgeon who is doing research in experimental surgery that could allow patients with severe spinal injuries to walk again. While Myrick's work is done with the most noble of intentions, there turns out to be a sinister undercurrent to his research techniques. Actress Elizabeth Hurley, Grant's offscreen significant other, was co-producer for this picture, the first from their joint production company. ~ Mark Deming, Rovi

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Starring:
Hugh GrantGene Hackman, (more)
 

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