Domiziana Giordano Movies

Nostalghia is Russian director Andrei Tarkovsky's enigmatic work about a writer (Oleg Yankovsky) who, trapped by his fame and an unhappy marriage, seeks out his cultural past in Italy. Here he meets Erland Josephson, a local pariah who declares that the world is coming to an end. The writer finds this prophecy curiously more alluring than the possibility of a dead-end future. Nostalghia won the Grand Prix de Creation and the International Critics Prize at the 1984 Cannes Film Festival. ~ Hal Erickson, Rovi

Zina (Domiziana Giordano) is the daughter of Russian revolutionary Leon Trotsky. When her father is exiled, Zina heads to Berlin in hopes of leading a normal life. Tormented by nightmares, Zina turns to a psychiatrist (Ian McKellan) for aid. The doctor comes to the conclusion that Zina's nocturnal visions are portents for future horrors--specifically the rise of the Nazis. This thought-provoking British film ends with the symbolic death of the ideals set down by the "visionary" Leon Trotsky. ~ Hal Erickson, Rovi

Nouvelle Vague marks the beginning of a period in Jean-Luc Godard's career in which he made films that looked back on his previous work. In these retrospective films, Godard asked himself whether it is possible to continue as a film director under the conditions imposed by international commercial cinema. Appropriately enough, Nouvelle Vague concerns the return of a man (Roger Lennox / Richard Lennox, played by Alain Delon, superstar of 60s and 70s international cinema) who may or may not have returned from the dead. The film's narrative is extremely disjointed and might be better understood as an essay on the idea of returning. The theme of a return from the dead gives Godard the opportunity to come back to the religious imagery and theological considerations that interested him from 1983's Hail Mary. The film's dialogue is a patchwork of unattributed quotations from works of literature, philosophy, and economics, a technique that Godard adopted in most of his films after this one. Even if the film's "story" is not easy to understand, the beauty of its images and sounds, along with the sublime rhythms of the editing, may be enough to ravish some audiences. ~ Louis Schwartz, Rovi

Anne Rice's best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan's major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat's cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child's body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences. ~ Judd Blaise, Rovi

Saying that she needs to "discover herself," Irene has just left her boyfriend, Andrea. Because she was the wealthy one with an apartment, he is now in need of a place to stay. In this comedy, when he goes to see his buddies for sympathy, he finds that they are in even worse straits. Sandro's wife has finally kicked him out after his umpteenth affair with a married woman, and Alberto has been trying (and failing) to conceive a baby with his wife. When Christian, a young soccer star, offers to put up the beleaguered Sandro and Andrea in his expensive bachelor digs, it looks like a heaven-sent opportunity for non-stop good times. However, Christian has had a surfeit of casual sex, and he longs to find a nice young girl to settle down with. ~ Clarke Fountain, Rovi