Baki Davrak Movies

The winner of the Best Screenplay award at the 2007 Cannes Film Festival, director Fatih Akin's deeply humanistic, multi-layered drama follows the stories of six people -- four Turks and two Germans -- as they realize the meaning of love while facing the harsh realities of the world we live in. Nejat is a second-generation Turkish immigrant living in Germany. His father Ali is a retired widower. When lonely Ali invites pretty prostitute Yeter to move in with him, Nejat makes no attempt to mask his disapproval. Nejat's opinion of Yeter begins to soften a bit, however, when he learns that she regularly sends tuition money to her daughter Ayten in Turkey. Suddenly, Yeter is dead, the unfortunate victim of Ali's violent temper. In the wake of Yeter's death, Nejat is determined to do the right thing for Ayten, and prepares to travel to Turkey to find the girl. But Ayten is a political activist who has recently fled from Turkey to Germany, where she befriended a German student named Lotte. Lotte's conservative mother Susanne isn't comfortable with her daughter's decision to invite a fugitive to live with their family, and when Ayten is arrested by German police and deported back to Turkey, the rebellious daughter rejects her mother and sets out in search of her friend. Later, in Istanbul, Nejat and Lotte are brought together by fate and Susanne is prompted to reexamine her values while searching for her daughter and being confronted with life on the other side. ~ Jason Buchanan, Rovi

When young Turkish talent Kutlug Ataman wanted to make a film about transvestites, the first location he had in mind was Istanbul. As he developed the script, his thought was to place these marginal characters, who are subject to societal prejudices in an environment where there is already discrimination, would add dramatic effect. Supported by funding from German sources, Ataman set his story in Berlin, inside the community of "guest workers" where Turkish transvestites are shunned not only by Germans, but by their own kind as well. The result is a strong film with moments of tenderness, emotion and laughter juxtaposed with the harsh realities of life for those who dare to be different. 16 year old Murat (Baki Davrak) is a Turk who is curious about gay life and eventually submerges himself in the gay hustler and transvestite subculture. He is taken by the free and easy atmosphere of the dimly lit bars and the appearance of camaraderie among this marginal community, while at home his very conservative brother Osman (Hasan Ali Mete) rules with an iron fist. Murat finds the brotherly love denied at home in a transvestite, Lola (Gandi Mukli), who turns out to be his actual brother, disowned by Osman years ago. As more family secrets come to the open, violence erupts. Murat survives the ensuing tragedy and finally finds a way of living his own life. Most of the players in this film are non-professional actors from Berlin's Turkish community (and incidentally, not all of them are gay or transvestite). Veteran German actress Inge Keller, who plays the mother of Frederich, an aristocrat who risks his social standing because of his passion for Bilidikid (Erdal Yildiz), is the only famous name among the cast. Clever editing by Ewa J. Lind prevents a downhill flow into sheer melodrama by periodically mixing the narrative with dynamic performances in Turkish transvestite bars, as if giving the audience a chance to fuel up before charging them with the next powerful emotion. Night scenes in the desolate parks of Berlin accentuate the loneliness of the characters with impressive camerawork by Chris Squires. Lola und Bilidikid opened the Panorama section of the 49th International Berlin Film Festival, 1999 and won the Teddy Bear Award given to gay/lesbian films. ~ Gönül Dönmez-Colin, Rovi