Iben Hjejle Movies

Michael Farr (Ciarán Hinds of Munich) is a depressed widower who teaches shop in the small seaside town of Cobh, in County Cork, Ireland, where he lives with his two children. While he continues to adjust to life without his beloved wife, who died two years earlier, he begins to experience strange, possibly supernatural occurrences connected to his elderly father-in-law, who is close to death in a local nursing home. When Michael volunteers at the town's annual literary festival, he's assigned to look after Lena Morelle (Iben Hjejle of High Fidelity). Lena is known for her ghost stories, and Michael, impressed with the realistic nature of her writing, shares his recent experiences with her. While Michael and Lena grow closer, another famous author, Nicholas Holden (Aidan Quinn), a married man with a scandalous reputation, arrives in town for the festival, hoping to rekindle a brief affair he had with Lena a year before. As Michael and Nicholas clash over Lena's affections, Michael's supernatural visions grow more vivid and disturbing. The Eclipse was directed by Irish playwright Conor McPherson (The Actors), from a script by McPherson and author/playwright Billy Roche, loosely based on the story "Table Manners" from Roche's collection Tales from Rainwater Pond. The film had its world premiere at the 2009 Tribeca Film Festival, where Hinds won the award for Best Actor in a Narrative Feature. ~ Josh Ralske, Rovi

As a CG-animated adaptation of a popular Scandinavian comic book by Danish author/illustrator Claus Deleuran, co-directors Craig Frank, Kresten Vestbjerg Andersen and Thorbjørn Christoffersen's Rejsen til Saturn (Journey to Saturn) gently sends up science fiction genre as it throws in irreverent contemporary elements. The tale concerns Per, a young man tapped to serve as navigator on a Danish space flight to Saturn, the sixth planet from the Sun. But Per, truth be told, is on a fool's errand: little does he realize that Saturn has already been colonized - and that the infrastructure in his home country of Denmark now threatens to crumble because its take-no-prisoners desire for an empire and unfettered greed are driving it into areas not merely unproductive but dangerous. Performers including Ali Kazim, Frank Hvam, Simon Jul Jorgensen and Casper Christensen provide some of the voices on display. ~ Nathan Southern, Rovi

Lars von Trier's black comedy The Boss of It All (Direktøren for Det Hele) concerns an IT company owner who -- in need of a figurehead to "hide behind" when confronted with employee problems -- invented the personage of a CEO during the startup period for his corporation. The scheme worked for a surprisingly long period, but when the time arrives to sell the business, massive problems arise -- for the prospective buyers insist on only negotiating with the CEO, in person. Thus, the owner further extends the ruse, by hiring a down-and-out actor to impersonate the chief officer. With Direktøren for Det Hele, von Trier uses a new means of filmmaking for this film: Automavision, whereby filming is done with an "automatic randomized camera" that selects the shots. It became a means for Von Trier to "clean up" his approach to directorial work and reconnect with his own love of filmmaking. ~ Nathan Southern, Rovi

Two female drifters search for their next short-term jobs and for the reasons their lives have been filled with such wanderlust in Søren Kragh-Jacobsen's modern-day romantic fable Skagerrak. Best friends Marie (Iben Hjejle) and Sophie (Bronagh Gallagher) land on the Scottish mainland after a stint working on an oil rig, eager to move on to their next adventure. Just as Sophie decides to head to Glasgow to track down her mechanic boyfriend, the pair are set back after a one-night stand leaves Sophie severely beaten and robbed. While tending to Sophie at the hospital, Marie encounters a strange older man (James Cosmo) who later invites her to his estate while proclaiming to have an irresistible proposition for her. The old man, Sir Robert Lumley, offers to pay several thousands of pounds to Marie if she will agree to become a surrogate mother for his childless son and daughter-in-law. Initially disgusted, Marie reluctantly consents but struggles with the decision throughout her pregnancy. When a worse tragedy strikes the wanderers, Marie is forced to confront a number of issues in her life as she also finds both an unexpected love interest and an unexpected ally from the Scottish estate she has grown to hate. ~ Ryan Shriver, Rovi

Lasse Spang Olsen directs the Danish action film Old Men in New Cars aka In China They Eat Dogs II. Harold (Kim Bodnia), Peter (Tomas Villum Jensen), and Martin (Nikolaj Lie Kaas) travel to Sweden in order to help the convict Ludvig (Torkel Pettersson) escape from prison. They return to Copenhagen and proceed to rob a bank, capture hostage Mille (Iben Hjejle), and hold up an airport. ~ Andrea LeVasseur, Rovi

A career criminal stumbles upon his big chance to get out of the business, though not everyone thinks it's such a good idea, in this witty thriller. Torkild (Soren Pilmark) is the leader of a band of small-time crooks; having just celebrated his 40th birthday (which coincided with his being dumped by his girlfriend), Torkild is looking to land a big score so he can get out of the business. While trying to map out a major heist, a guy known as the Man From Faro (Peter Anderson) approaches Torkild with a job -- he needs someone to steal a bag for him. Torkild and his cronies are up for the job, but they soon discover that a team of security guards is on hand to make sure the bag isn't stolen, and one of Torkild's friends is wounded in a shootout. After they've made their getaway, Torkild discovers why everyone was fighting over the bag -- it contains over four million kroner ($500,000 in American currency) -- and he and his partners decide they're not keen on turning it over to the Man From Faro. After their car breaks down, Torkild and company happen upon an old restaurant that's up for sale, and they decide to use their newfound wealth to buy it and go into business -- which would be complicated enough without the arrival of the Man From Faro, who wants to know what happened to the money he hired Torkild to steal. Blinkende Lygter also stars Iben Hjejle, who gained the attention of American audiences as John Cusack's love interest in the film High Fidelity. ~ Mark Deming, Rovi

Mifunes Sidste Sang is the third feature produced according to the Dogma 95 manifesto, ten strict rules drawn up by the Danish directors Lars von Trier and Thomas Vinterberg. The title of the film refers to the late Japanese actor Toshiro Mifune, who played a bogus samurai of peasant origins in Akira Kurosawa's Shichinin no Samurai/ Seven Samurai. The protagonist, Kresten, comes from humble country origins but now lives in the yuppie circles of Copenhagen and has the prospects of a glittering career until a telephone call on his wedding night shatters his hopes of a better life. Kresten's father has just died; he has always told everyone he knows, including his wife Claire, that he has no living family, but now he has to explain he does have one after all. When he returns to his father's dilapidated farmhouse, he meets his elder brother Rud, who is mentally retarded. Kresten is embarrassed by the prospect of having his poverty-stricken past unveiled and keeps his wife away, telling one lie after another. While trying to settle things on the farm, he becomes attached to his brother and tries to find a housekeeper to help alleviate the horrible conditions he is living in, so Kresten can go back to his comfortable life without feelings of guilt. However, the housekeeper turns out to be a high-class hooker on the run, and Kresten is extremely attracted to her. Meanwhile his wife, who is beginning to get suspicious, is threatening to join him. The basic philosophy behind the film is you can't lie your way out of the past on the farm. Director Soren Kragh-Jacobsen followed the Dogma 95 rules closely in this film -- the music is recorded along with the images, the camera is hand-held, there is no artificial lighting, no props, the plot takes place here and now without superficial action, no guns or murders. But unlike Lars von Trier's Dogma film, The Idiots, it was not shot on video and the director admits to adding a shrub or two to the farm scenes. Mifunes Sidste Sang-Dogme 3 received the Jury Grand Prix Silver Bear at the 49th Berlin International Film Festival in 1999, while actress Iben Hjejle got a Special Mention for her role as Liva, the prostitute. ~ Gönül Dönmez-Colin, Rovi

Drug-dealing Danish thugs engage in various criminal activities in violently hip but gritty crime drama. The interesting cinematography provides one of the film's points of interest. But for one scene all exterior shots seemed to be filmed in grainy black and white high contrast film that is then tinted an almost lurid orange. Interior shots are filmed in normal color. Janus has just been released from prison. He immediately teams up with his juvenile delinquent little brother Jakob, steals a car and meets gang leader Lasse at the Café Teuton. Lasse invites Janus to live in his sister Eva's apartment and then gives him his first assignment which is to go down to local housing projects and frighten the sick and elderly into handing over their drug prescriptions so that Lasse will have a good supply to sell. Trouble erupts when Janus and Eva get into a violent relationship. ~ Sandra Brennan, Rovi