Poppy Montgomery
Harboring an awesome wellspring of determination, Australian émigré actress Poppy Montgomery moved from down under to Los Angeles in 1993 (at the tender age of 18) and, with no connections or leads to her name, bought a copy of a book called How to Make it in Hollywood. In that text, Montgomery read an anecdote about one of Julia Roberts' early managers, who had helped engineer some of the actress' early successes. Montgomery searched diligently until she found the manager's telephone number, then so plagued him with calls, one after another, that she ultimately wore down his resistance; he put Montgomery in touch with a manager who helped launch her career. The self-assurance evident in this "breakout strategy" had taken root early in Montgomery's life; born June 19, 1975, in Paddington, New South Wales, Australia (a suburb of Sydney), Montgomery realized as a young girl that she only wanted to spend her life acting. Once in Hollywood, she refused to be snubbed or overlooked. As an ingenue in Los Angeles, Montgomery sustained smaller turns for seven years, including a role on NYPD Blue and performances in the Eddie Murphy comedy Life and the Garry Marshall tearjerker The Other Sister, until late 2000, when she landed the highly coveted lead role of Marilyn Monroe in the autobiographical miniseries about the superstar, Blonde, adapted from the book by esteemed belletrist Joyce Carol Oates. Though critics felt the telemovie uneven, most singled out Montgomery and raved over her interpretation.
This unique, inherent ability to reach down deep into a character and understand her on the most intuitive level shone through again and again in Montgomery's work, and doubtless enabled her to land a recurring role on the CBS drama Without a Trace, about the day-to-day searches of a missing-persons unit headed by Anthony LaPaglia. When she received the call about Without a Trace, Montgomery had contributed exemplary work to two otherwise unsuccessful series -- Elizabeth Waclawek in The Beat (2000) and Ellie Sparks in Glory Days (2002) -- and needed a boost. The program, of course, became a massive hit, thanks in no small part to Montgomery's fine work. In the series she portrays FBI agent Samantha Spade with marked believability. As one season of Without a Trace after another unfolded, Montgomery worked with equal emphasis in film and television. Her cinematic roles included Allison in the Gen-X indie comedy How to Lose Your Lover (2004) and Nadine Roberts in David Ocañas' metaphysical thriller Between (2004); in 2005, Montgomery played Generosa Rand, the issue-ridden (and possibly homicidal) wife of wealthy investment banker Ted Ammon, in the made-for-television true crime saga Murder in the Hamptons. ~ Nathan Southern, All Movie Guide
This unique, inherent ability to reach down deep into a character and understand her on the most intuitive level shone through again and again in Montgomery's work, and doubtless enabled her to land a recurring role on the CBS drama Without a Trace, about the day-to-day searches of a missing-persons unit headed by Anthony LaPaglia. When she received the call about Without a Trace, Montgomery had contributed exemplary work to two otherwise unsuccessful series -- Elizabeth Waclawek in The Beat (2000) and Ellie Sparks in Glory Days (2002) -- and needed a boost. The program, of course, became a massive hit, thanks in no small part to Montgomery's fine work. In the series she portrays FBI agent Samantha Spade with marked believability. As one season of Without a Trace after another unfolded, Montgomery worked with equal emphasis in film and television. Her cinematic roles included Allison in the Gen-X indie comedy How to Lose Your Lover (2004) and Nadine Roberts in David Ocañas' metaphysical thriller Between (2004); in 2005, Montgomery played Generosa Rand, the issue-ridden (and possibly homicidal) wife of wealthy investment banker Ted Ammon, in the made-for-television true crime saga Murder in the Hamptons. ~ Nathan Southern, All Movie Guide
Filmography
Informed by a Chicago police detective that her sister Diane has recently gone missing in Tijuana, Mexico, successful lawyer Nadine Roberts (Poppy Montgomery) travels south of the border on a desperate mission to locate her lost sibling, and instead finds her sanity slipping amidst an unsetting series of strange circumstances. Immediately after learning that her sister has disappeared, Nadine informs her husband James (Adam Kaufman) that she will be leaving for Mexico, and will not return until she discovers what fate befell Diane. While Tijuana Detective Campos (Jose Yenque) is adamant that Nadine return home immediately and leave the search to the authorities, she outwardly rejects his advice -- instead choosing to navigate the labyrinthine streets with instinct as her only guide. Later, after waking in a strange hotel room, Nadine has a series of bizarre run-ins with such mysterious figures as idiosyncratic hotel clerk Victor (Danny Pino) and enigmatic Old Tijuana matriarch Mrs. Gonzalez (Patricia Reyes Spindola). Driven near the point of insanity due to the indecipherable language spoken by Victor and Mrs. Gonzalez, Nadine is momentarily snapped back to reality due to the surprise appearance of her husband James. But no one can be trusted when the only thing dividing dreams from reality is a single, spare thread, and now Nadine is about to discover what really lies in that mysterious zone between life and death. ~ Jason Buchanan, All Movie Guide
The remarkable life and tragic death of Marilyn Monroe has fascinated film fans for decades, but this two-part TV miniseries, based on a novel by Joyce Carol Oates, takes an unusual approach, using dramatic license (the film announces itself as a work of fiction using the names of real people) to look inside the minds of Monroe and those around her to ponder the circumstances of her rise and fall. Young Norma Jeane Baker (Skye McCole Bartusiak) is raised by single mother Gladys (Patricia Richardson), who is unstable, uncaring, and poorly equipped to deal with the responsibilities of parenthood. As Norma Jeane grows up without a father and with little affection from her mother, she suffers from a poor self-image and craves attention; when she grows into a beautiful young woman who is unusually attractive to men, she falls into a number of romances and a short-lived marriage in search of the approval she needs so desperately. When Norma Jeane (now played by Poppy Montgomery) turns 20, she meets a photographer, Otto (Eric Bogosian), who sees star potential in her beauty. Otto's cheesecake pictures catch the eye of I.E. Shinn (Wallace Shawn), an agent who in turned introduces her to Mr. R (Richard Roxburgh), the head of a movie studio, who offers to make Norma Jeane a star -- if she would be willing to have sex with him. Norma Jeane unenthusiastically agrees, and Mr. R proves good to his word; renamed Marilyn, she becomes an major film star and an international sex symbol. But the adulation proves to be a poor substitute for the love she craves, and as she falls into relationships with any man who treats her with a modicum of respect -- including a famous baseball player (Titus Welliver) and an acclaimed author (Griffin Dunne) -- her life begins to spiral out of control. Blonde also stars Ann-Margret, Kirstie Alley, and Patrick Dempsey; the series first aired May 13 and May 16, 2001, on the CBS television network. ~ Mark Deming, All Movie Guide
Before the box office success of Varsity Blues (1999) and the critical acclaim of Election (1999), the MTV cable channel created this raunchy campus comedy, the debut feature from MTV Films, the network's motion picture production banner. Josh Miller (Tom Everett Scott) is a studious and responsible pre-med student entering college as a freshman. His wild, hard-partying roommate Cooper Frederickson (Mark-Paul Gosselaar), on the other hand, is a spoiled rich kid who never studies and spends his time getting drunk and ogling co-eds. Before long, Cooper's fun-filled lifestyle has corrupted Josh, and both are on the verge of flunking out of school. That's when they discover a little-used codicil in the college's charter stating that any student whose roommate commits suicide will automatically receive straight A's. Since their third roommate has moved in with his girlfriend, Josh and Cooper set about recruiting the most depressed, suicidal classmate they can find. The prime candidate: Cliff (Lochlyn Munro), a mentally unbalanced wild man. ~ Karl Williams, All Movie Guide
Owen (Paul Schneider of All the Real Girls) wants to be a serious writer, but ever since moving to Los Angeles, the only work he can get is co-writing trashy autobiographies for people who'd prefer he omit the unseemly truth, like Bucky (Fred Willard) an egotistical, philandering former astronaut. Owen thinks L.A. is keeping him from achieving his romantic and professional goals, but he can't bring himself to leave. After a big earthquake inspires Owen's manipulative, unfaithful ex-girlfriend to tell him she wants nothing more to do with him, he finally decides to get out of town. He arranges to write a bio for a Princeton physicist, and he tells all his friends and acquaintances the brutal truth, so that he won't be tempted to stay or come back to L.A. He tells his friend and housemate Rob (Dorian Missick) that he can't stand his girlfriend. He admits to Stephanie (Tori Spelling) that his other housemate, Allison (Poppy Montgomery), has always found her attractive, but he neglected to tell Stephanie this because he doesn't like her. But he can't bring himself to say anything unpleasant to his promiscuous bisexual best friend, Allison. Owen is at the airport, ready to board his flight, when he runs into Val (Jennifer Westfeldt of Kissing Jessica Stein), an attractive acquaintance of his ex. She's seeing off her ex-boyfriend, and invites Owen to have coffee, causing him to miss his flight. There's an immediate attraction. Owen is still determined to leave town, and now no one wants him around, but he has to take a few days to prove to himself that things would never work out with Val. How to Lose Your Lover, the feature debut of writer/director/producer Jordan Hawley, had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide
Comedians Eddie Murphy and Martin Lawrence team up for a story that wouldn't appear to have many immediate humorous possibilities -- two men serving life sentences in prison for a crime they did not commit. Life opens in Harlem in 1932, where Ray Gibson (Eddie Murphy) is a small-time con man in debt to Spanky, a gangster (Rick James). Ray spots would-be bank teller Claude Banks (Martin Lawrence) at a gambling spot and, figuring him for an easy mark, lifts his wallet -- only to discover Claude is broke. Ray and Claude's mutual need to raise some cash brings them together when Spanky offers them a job bringing back a load of moonshine from bootleggers in the deep south. However, things don't go well for Ray and Claude, and they're arrested by a sheriff in Mississippi who recently killed a man and needs someone on whom he can hang the charge. Since Ray and Claude are black, from out of town and have been caught red-handed with a load of illegal liquor, the sheriff figures they're easy pickings and frames them for the murder. Soon the two men are inmates in a Southern work camp, where they spend the next 55 years learning to get along with the other inmates, avoiding the wrath of the guards, seeing younger prisoners come and go and never losing hope that someday, somehow, their innocence will be proven and they'll be released. Life is the second screen pairing for Murphy and Lawrence, who also shared screen time in 1992's Boomerang, and was scripted by Robert Ramsey and Matthew Stone from an original idea by Murphy. The supporting cast includes Ned Beatty, Clarence Williams III, Bernie Mac, Nick Cassavetes and R. Lee Ermey. ~ Mark Deming, All Movie Guide
Produced for the Lifetime channel, the made-for-cable Murder in the Hamptons uses the titular 2001 murder, that of multimillionaire investment banker Ted Ammon (David Sutcliffe), as the starting point for a lengthy flashback beginning in 1995. It was during that year that Ammon met and married Generosa Rand (Poppy Montgomery), a talented and temperamental artist. As Ammon's fortune grew, so did the couple's conspicuous consumption, as manifested in a huge, castle-like estate in Long Island; the family itself also expanded, with Ted and Generosa adopting two children. Unfortunately, with each passing year, this "ideal" marriage became less so, with Generosa exhibiting some mighty peculiar behavior, her neuroses and insecurities causing her to fly off the handle at the least provocation. During the inevitable divorce proceedings, Generosa demands that Ted relinquish both the mansion and their children -- and she also launches into an affair with electrician Danny Pelosi (Shawn Christian), who has a criminal record. When Ted is found murdered, suspicion immediately falls upon Danny, though no tangible evidence is available. Ultimately, Generosa marries Danny -- only to leave him as well when she is diagnosed with terminal cancer. Evidently undergoing numerous epiphanies in her final months, Generosa begins to let go of the many things she held dear during and after her marriage -- but if she knows anything about Ted's death, it is a secret she will carry to the grave. How justice is ultimately served figures into the climax of Murder in the Hamptons, which first aired on July 11, 2005. ~ Hal Erickson, All Movie Guide
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