Peter Sarsgaard
An actor who has demonstrated a fearless capacity for exploring the darker side of human nature, Peter Sarsgaard became synonymous with the term "edgy young performer." With looks that allow him to either play soft-skinned pretty boys or greasy-haired white trash refuse, Sarsgaard has used his malleable features and brooding charisma to great effect in such films as Kimberly Peirce's Boys Don't Cry.
A graduate of St. Louis' Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors' Studio in New York. After he completed his studies, he was cast in the off-Broadway production of Horton Foote's Laura Dennis, and, as a member of Douglas Carter Beane's Drama Department, he appeared in John Cameron Mitchell's off-Broadway production of Kingdom of Earth.
Sarsgaard made his screen debut in Tim Robbins' Dead Man Walking (1995) but had his first substantial role in The Man in the Iron Mask (1998), which cast him as the ill-fated son of John Malkovich's dueling Muskateer. He then appeared in a series of largely unseen independent features, including Larry Clark's Another Day in Paradise and Morgan J. Freeman's Desert Blue (both 1998). In 1999, Sarsgaard broke out of obscurity with his role in Kimberly Peirce's Boys Don't Cry. Cast as a violent yet charismatic ex-con, the actor managed to stand out in a film saturated with strong performances, and the film's unanticipated success provided him with an introduction to a wide audience. His increased profile was reflected in the number of projects he was involved with the following year, including P.J. Hogan's Unconditional Love, a drama about a woman (Kathy Bates) who joins forces with the lover of a dead pop star to track down the star's murderer.
Sarsgaard reached a new level of critical acclaim with his supporting performances in two little-seen but highly praised features: 2003's journalist drama Shattered Glass and 2004's biopic Kinsey. In the former, he played dedicated, soft-spoken New Republic editor Chuck Lane, who becomes increasingly more agitated as he catches hotshot reporter Steven Glass fabricating stories. Racking up scores of Best Supporting Actor nods from critics' groups and the Golden Globes, it seemed inevitable that the Academy would recognize Sarsgaard, but he was passed over. A similar fate occurred with Kinsey, in which the actor convincingly played the curious, bisexual assistant - and occasional lover - of the sex researcher.
Though ignored by the Oscars, Sarsgaard found his profile rising with powerful casting directors, and in turn, the public. After memorably essaying the role of a stoner gravedigger in the popular 2004 indie Garden State, the actor broke through to mass audiences in 2005 with a trio supporting performances in big-budget genre films: the supernatural thriller The Skeleton Key, the blockbuster Flighplan, and the war memoir Jarhead. Bringing his distinctively low-key delivery to a range of parts that were by turns mystical, sinister and conflicted, Sarsgaard secured his place in the pantheon of great Hollywood character actors. ~ Rebecca Flint Marx, All Movie Guide
A graduate of St. Louis' Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors' Studio in New York. After he completed his studies, he was cast in the off-Broadway production of Horton Foote's Laura Dennis, and, as a member of Douglas Carter Beane's Drama Department, he appeared in John Cameron Mitchell's off-Broadway production of Kingdom of Earth.
Sarsgaard made his screen debut in Tim Robbins' Dead Man Walking (1995) but had his first substantial role in The Man in the Iron Mask (1998), which cast him as the ill-fated son of John Malkovich's dueling Muskateer. He then appeared in a series of largely unseen independent features, including Larry Clark's Another Day in Paradise and Morgan J. Freeman's Desert Blue (both 1998). In 1999, Sarsgaard broke out of obscurity with his role in Kimberly Peirce's Boys Don't Cry. Cast as a violent yet charismatic ex-con, the actor managed to stand out in a film saturated with strong performances, and the film's unanticipated success provided him with an introduction to a wide audience. His increased profile was reflected in the number of projects he was involved with the following year, including P.J. Hogan's Unconditional Love, a drama about a woman (Kathy Bates) who joins forces with the lover of a dead pop star to track down the star's murderer.
Sarsgaard reached a new level of critical acclaim with his supporting performances in two little-seen but highly praised features: 2003's journalist drama Shattered Glass and 2004's biopic Kinsey. In the former, he played dedicated, soft-spoken New Republic editor Chuck Lane, who becomes increasingly more agitated as he catches hotshot reporter Steven Glass fabricating stories. Racking up scores of Best Supporting Actor nods from critics' groups and the Golden Globes, it seemed inevitable that the Academy would recognize Sarsgaard, but he was passed over. A similar fate occurred with Kinsey, in which the actor convincingly played the curious, bisexual assistant - and occasional lover - of the sex researcher.
Though ignored by the Oscars, Sarsgaard found his profile rising with powerful casting directors, and in turn, the public. After memorably essaying the role of a stoner gravedigger in the popular 2004 indie Garden State, the actor broke through to mass audiences in 2005 with a trio supporting performances in big-budget genre films: the supernatural thriller The Skeleton Key, the blockbuster Flighplan, and the war memoir Jarhead. Bringing his distinctively low-key delivery to a range of parts that were by turns mystical, sinister and conflicted, Sarsgaard secured his place in the pantheon of great Hollywood character actors. ~ Rebecca Flint Marx, All Movie Guide
Filmography
A suburban teen in the midst of London's swinging '60s life is shaken up when a handsome socialite hits town in this coming-of-age drama from director Lone Scherfig (Just Like Home). Dominic Cooper, Peter Sarsgaard, Alfred Molina, and Emma Thompson star in the BBC Films production. ~ Jeremy Wheeler, All Movie Guide
Following the acclaim for his 1995 Kids debut, Larry Clark directed this drug-crime drama, set in the Midwest of the '70s. Teen junkie Bobbie (Vincent Kartheiser) shares an apartment with his girlfriend Rosie (Natasha Gregson Wagner) and pal Danny (Branden Williams). Bobbie is injured during an encounter with a security guard but regains his health under the supervision of his dynamic drug-dealer uncle Mel (James Woods). After a successful robbery of speed from an out-of-town doctor's clinic, Bobby, Rosie, Mel, and Mel's melancholy gal Sid (Melanie Griffith) encounter gunplay in a drug deal gone sour. With Mel and Bobby both wounded, they retreat to the headquarters of a gun merchant known as the Reverend (James Otis). When Rosie loses her baby, she slips into a depression and more drug use. Mel recovers and begins planning another heist, but the group is beginning to unravel. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, All Movie Guide
Based on a true story, this drama was adapted from the life of Brandon Teena, born Teena Brandon, a woman who chose to live her life as a man and suffered tragic consequences as a result. In 1993, 20-year-old Brandon (Hilary Swank) leaves Lincoln, Nebraska for the nearby community of Falls City, where she sports a crew cut, favors jeans and boots, and is regarded as a man by most of the people in town. While Brandon's friend Lonny (Matt McGrath) warns her that sexual outsiders aren't looked upon kindly in Falls City, she develops a reputation for being something of a ladies' man, and is soon living with a single mother named Candace (Alicia Goranson). But when Brandon meets teenage Lana (Chloe Sevigny), the two become romantically involved almost immediately. Brandon makes friends with Lana's mother (Jeanetta Arnette) and a burly ex-con named John (Peter Sarsgaard). John and his buddy Tom (Brendan Sexton) run with a rough group of men who like to drink and carouse, and they accept Brandon as one of their own. However, when Brandon ends up in jail on a traffic violation, her secret comes out, and, while Lana stands by Brandon's side, John and Tom feel betrayed -- and their anger soon boils over into violence. A distinguished feature debut for director Kimberly Peirce, Boys Don't Cry was enthusiastically received in its showings at 1999 film festivals in Venice, Toronto, and New York. ~ Mark Deming, All Movie Guide
Tim Robbins' second directorial effort (after the political satire Bob Roberts) was this drama based on a true story, which explores the issue of capital punishment. Sister Helen Prejean (Susan Sarandon) is a nun and teacher living in rural Louisiana. One day, she receives a letter from Matthew Poncelet (Sean Penn), who is scheduled to be executed soon for the rape and murder of two teenagers. After meeting Matthew, Sister Helen agrees to serve as spiritual counselor and see what she can do to stay the execution. However, Matthew's claims of innocence seem shaky at best, and it's clear he's a reprehensible, amoral racist. When it becomes obvious that Matthew's sentence will be carried out, Sister Helen offers what comfort she can to Matthew, but also tries to guide him to an open admission of the extent of his crimes and an acceptance of divine forgiveness, telling him "I want the last face you see to be the face of love." Susan Sarandon won an Oscar for her performance as Sister Prejean, and Sean Penn was similarly nominated for Best Actor as Matthew. ~ Mark Deming, All Movie Guide
Hip-hop mogul Damon Dash (Paper Soldiers) directs this semi-autobiographical film based on his life as the proprietor of Roc-a-Fella Records. Ebon Moss-Bachrach stars as David Katz, a reporter who, upon interviewing rap producer Damon (Capone), finds himself drawn deeper and deeper into the high-class world of hip-hop. Before he knows it, Katz ignites a war within the label that could bring down the operation for good. A bevy of celebrities from all walks of life make appearances, including Riddick Bowe, Lorraine Bracco, Mariah Carey, Sean "P. Diddy" Combs, Carson Daly, Jay-Z, Chloe Sevigny, James Toback, and countless others. ~ Matthew Tobey, All Movie Guide
Morgan J. Freeman directed this comedy-drama that takes place in the desert town of Baxter Beach, California, where the locals, lookers, visitors and slackers include dreamer Blue (Brendan Sexton III), pipe-bomb babe Ely (Christina Ricci), all-terrain-vehicle champ Pete (Casey Affleck), nerdy Sandy (Sara Gilbert), TV star Skye (Kate Hudson), and chubby Cale (Ethan Suplee). Blue's dad, who had hoped to bring water to the town, died mysteriously in a hotel fire, leaving an abandoned water slide, and Blue hopes to fulfill his father's dream by completing the water slide attraction. Actress Skye is just passing through with her father, a pop-culture prof. (John Heard), but they're forced to stay in town after a truck-spill leads to a quarantine and the presence of both an FBI agent (Michael Ironside) and an EPA agent (Aunjanue Ellis). Skye gets caught up in local fun and games (orange baseball, potato cannon salvos), while her dad reminisces about the '60s with UFO fanatic Caroline (Lucinda Jenney). Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide
Awards
- 2003 - Shattered Glass - National Society of Film Critics - Best Performance by an Actor in a Supporting Role in a Motion Picture
- 2003 - Shattered Glass - Boston Society of Film Critics - Best Performance by an Actor in a Supporting Role in a Motion Picture
- 2003 - Shattered Glass - Toronto Film Critics Association - Best Performance by an Actor in a Supporting Role in a Motion Picture
- 2003 - Shattered Glass - San Francisco Film Critics Circle - Best Performance by an Actor in a Supporting Role in a Motion Picture
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