Jessica Hecht Movies

Acclaimed actor Leonardo DiCaprio stars in Academy Award-winning director Clint Eastwood's richly detailed biopic exploring the life and career of controversial FBI Director J. Edgar Hoover. For nearly 50 years, Hoover (DiCaprio) fought crime as one of the most powerful law enforcers in America. During Hoover's extended stint as Director of the FBI, however, his penchant for bending the law in the name of seeking justice and using the secrets of high profile leaders to gain personal leverage won him just as many supporters as detractors. Little did many other than his loyal colleague Clyde Tolson (Armie Hammer) and faithful secretary Helen Gandy (Naomi Watts) know, however, that Hoover himself was a man with many secrets to hide. Josh Lucas, Judi Dench, and Stephen Root co-star in film written by Oscar-winning Milk scribe Dustin Lance Black. ~ Jason Buchanan, Rovi

A notorious serial killer uses his dying breath to place a deadly curse on a small town in this shocker from legendary horror director Wes Craven (Scream, A Nightmare on Elm Street). It's been 16 years since the maniac who terrorized Riverton met his grim demise. Seven children were born on the night he died, and he vowed that he would return one day to claim them all. Like clockwork, exactly 16 years later, the children born that fateful night begin vanishing without a trace. Could the killer have somehow cheated death the night that everyone thought he was killed, or has he perhaps been reincarnated as one of seven teens he swore to kill? Only one person knows the answer to that burning question. Adam "Bug" Heller (Max Thieriot) never knew how close he came to death the night his father went on that bloody rampage, and despite remaining completely unaware of the atrocities that mar his family bloodline, he's suffered terrifying nightmares from as far back as he can remember. Now, in order to save his friends, Bug will be forced to confront the evil that won't stop until it accomplishes the awful task it set out to complete on the night he was born. ~ Jason Buchanan, Rovi

Old wounds are opened and buried secrets unearthed when the members of a Yale secret society come together for a reunion, and discover the reason why love and happiness has always eluded them. As students at Yale, they were some of the brightest that the Ivy League had to offer. Not only that, but they were all part of an elite secret society that was carefully guarded from outsiders. Years later, they have all moved on to successful careers. But the opportunity to rationalize who they have become proves impossible to resist. When the time comes for their reunion and the reality of the past finally comes into focus, the group is faced with some troubling truths about their collegiate indiscretions. ~ Jason Buchanan, Rovi

Waldo Salt Screenwriting Award recipient James C. Strouse follows up his 2007 Sundance Film Festival favorite Grace Is Gone with this comedy drama about an alcoholic ex-basketball star who gets a second chance at success on the court when recruited by a local high school principal to coach the girl's varsity team. Bill (Sam Rockwell) used to sink hoops in the NBA, but that was before the bottle got the best of him. These days, Bill's more likely to be spotted bussing tables at the local diner than hustling up and down the court. Handed the reins on his daughter's basketball team by the school's principal, Bill seizes the opportunity to get back in the game and set things right. ~ Jason Buchanan, Rovi

Frank Langella (Dracula, Good Night, and Good Luck.) stars in Andrew Wagner's independent drama Starting Out in the Evening, an adaptation of the acclaimed 1999 best-seller by Brian Morton. Langella plays Leonard Schiller, a once-celebrated author whose first four novels inspired Heather Wolfe (Lauren Ambrose) to pursue a career as a writer. These days, Leonard is still working toward completion of the novel that has occupied his life for nearly a decade. On the surface, Leonard has removed himself completely from the deep-seated need for success that characterized his life at an earlier point in time; but on a more buried level, he still longs for his fiction to be rediscovered and re-acclaimed. Now an eager graduate student in the throes of her thesis, Heather is writing her dissertation on Schiller, and promptly convinces him that she can use the thesis to regenerate popularity and discovery of his work. Heather also projects personal interest in Leonard, however, which cuts straight through to the core of his loneliness and brings him in touch with his need for a meaningful relationship even as it leaves him feeling shaken and increasingly uncertain. Meanwhile, Leonard finds that his relationship with his daughter, Ariel (Lili Taylor), is challenged, both by Heather's presence and by Ariel's decision to begin dating her former boyfriend Casey (Adrian Lester) once again -- a fact that Leonard finds most upsetting thanks to his disapproval of Casey. Suddenly, Leonard feels his entire world turned upside down, from his familial relationships to the security of his writing to his own physical vitality -- but he is also taking risks and plunging headfirst into the core of life for the first time, thus living out the principles long celebrated and upheld in his fiction and giving himself the capacity to grow. ~ Nathan Southern, Rovi

Thirty years after realizing that they had they had both found that rare once in a lifetime love, a man and a woman separated by fate decide to take a second shot at romance despite the fact that both had moved on with their lives a long time ago. As children growing up together in Grosse Pointe, Michigan, Mark and Sara were inseparable. As teens it just seemed that the two adolescents were just really close friends, but when Mark's family moves to New Orleans in the early 1970s the letters that he and Sarah exchange reveal that their true feelings for one another run far deeper. Though their love is vividly expressed in a pair of intensely heartfelt letters, any chance for romance is effectively destroyed when Mark's meddling mother Carole (Brooke Adams) intercepts the letters and hides them from her son. Mistakenly believing that each has rejected the other's love, Mark and Sara both manage to move on with their lives despite their initial devastation. Years later, Mark and Sara are both in their forties, living in different cities and locked in unhappy marriages - Mark to a career-driven psychiatrist named Laura (Jessica Hecht) and Sara to struggling alcoholic named Chris (Michael Arata). Mark feels like his life has become hollow, and spends the majority of his time confiding his true feelings in his older brother Earl (M.C. Gainey), an eccentric French Quarter artist. But one day, when Mark discovers the letters that had been hidden by his mother, he sees the opportunity for a new life of happiness and contacts Sara to tell her the truth. The moment the two make contact, it's as if they were both transported back to that special time when nothing else mattered aside from their growing feelings for one another. Neither Mark nor Sara are particularly happy with the way their lives have turned out, and excitedly make plans to rendezvous in New Orleans. Could it be that Mark and Sara were truly meant to be with one another, or did their one chance at a lifetime of happiness actually end with the hiding of those passionate correspondences so many moons ago? ~ Jason Buchanan, Rovi

An Asian-American woman and her mother both find their private lives are becoming a family matter in this romantic comedy-drama. Wilhelmina Pang (Michelle Krusiec) is a surgeon living in Manhattan whose mother (Joan Chen) is eager for her to settle down with a nice man and get married. What Ma doesn't know is that Wilhelmina happens to be a lesbian -- or rather, Ma prefers not to acknowledge it, since she once walked in on Wilhelmina and her girlfriend several years before. As it happens, Wilhelmina is looking for someone special in her life, and thinks she may have found her in Vivian (Lynn Chen), a beautiful dancer, but a fear of commitment and a desire to keep her medical career on track is making their relationship problematic. As Wilhelmina tries to get her love life in order, her mother's shifts into crisis mode. Ma, a 48-year-old widow, has just discovered she's pregnant, and her staunchly traditional father (Li Zhiyu) will not allow her back into the home they share until she's married someone respectable. Unwilling to name the father of her baby, Ma is forced to move in with Wilhelmina, and while enduring the emotional roller coaster of pregnancy she is being pressured by friends and relatives to marry Cho (Nathaniel Geng), a sweet but boring man she doesn't especially like. Saving Face was the first feature film from writer and director Alice Wu. ~ Mark Deming, Rovi

A grieving woman must make a journey into her past in this psychological thriller. Telly Paretta (Julianne Moore) is a mother who is struggling to put her life back together after the unexpected death of her eight-year-old son. Telly begins seeing a therapist (Gary Sinise) who offers a startling diagnosis -- that her son never really existed, and all her memories of the child are products of her imagination. When Telly meets a man with a strangely similar story to tell about his lost child (Dominic West), she becomes convinced that her doctor is wrong, and sets out to prove the existence of her child -- and that she isn't insane. The Forgotten also features Alfre Woodard and Anthony Edwards. An alternate ending exists to this film, which has been released on DVD and purportedly does a great deal to compensate for the story's weaknesses. ~ Mark Deming, Rovi

Actor, writer, and director Tim Blake Nelson adapts this grim look at the Holocaust from his own play, based on Miklós Nyiszli's book, Auschwitz: A Doctor's Eyewitness Account. The film centers on the Sonderkommando: Jewish concentration camp prisoners whose job was to herd their fellow Jews into the gas chamber, and to dispose of the bodies following the execution. In return, these prisoners received food and a little more time before their own executions. As the members of the sonderkommando struggle to orchestrate what would be the only armed insurrection in Auschwitz, a group of them discover a 14-year-old girl who somehow survived the gas chamber. The girl becomes a symbol for their own spiritual salvation and they become obsessed with keeping the girl alive, even if it endangers the uprising that could save thousands. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

Luke Ryland (Benjamin Busch), the demented "Internet killer" first seen on the previous episode "Homicide.com," is freed from prosecution on a technicality -- sending arresting officer Bayliss (Kyle Secor) off the deep end. Meanwhile, Giardello's (Yaphet Kotto) daughter Teresa (Audra McDonald) unexpectedly shows up in Baltimore to help her dad celebrate his promotion to captain -- and her brother Mike's (Giancarlo Esposito) long-overdue resignation from the FBI. Several last-minute revelations, apologies, and surprises occur in this, the 122nd and final episode of Homicide: Life on the Street -- which, in its terminal moments, neatly brings the entire series "full circle." ~ Hal Erickson, Rovi

Jonathan Blank (Sex, Drugs, & Democracy) directed this satirical slap at the media, centered around a reverend (Alan Thicke) who objects to public-access station Channel 69, where his daughter (Jessica Hecht) and other young radicals program such shows as Conspiracy of the Week. The reverend's solution is to buy the station and kick everyone out. They retaliate with protests and a fake bomb threat, barricading themselves in the studio to stage telecasts minus clothing. This film features one of the last film appearances of the late Timothy Leary. Shown at the 1998 Cinequest San Jose Film Festival. ~ Bhob Stewart, Rovi

Joey (Matt LeBlanc) is swamped with an unusually large amount of employment opportunities when Phoebe (Lisa Kudrow) takes over as his agent. Ross (David Schwimmer) has issues with his son Ben's choice of playthings, until Monica (Courteney Cox) reminds Ross of a few unmanly activities in his own youth. Chandler (Matthew Perry) makes the commitment to end all commitments in his relationship with Janice (Maggie Wheeler). And the episode's title comes into play via a generous helping of ice cream. ~ Hal Erickson, Rovi

Up until now, Phoebe (Lisa Kudrow) was the only person on earth who didn't know the ending to the old Disney picture Old Yeller. Now that she knows, she's prostrate with grief. Meanwhile, Monica (Courteney Cox) resents the fact that Joey (Matt LeBlanc) and Chandler (Matthew Perry) are taking up all of Richard's (Tom Selleck) time -- and trying to behave like Richard to boot. And Rachel (Jennifer Aniston) doesn't like Ross' (David Schwimmer) extremely long-range plans for their future. ~ Hal Erickson, Rovi