Susan Anspach Movies

In 1994 -- six years after the final episode of the groundbreaking 1980s television crime drama Cagney & Lacey -- Sharon Gless and Tyne Daly reprised their iconic roles for the first of four TV-movie sequels. Cagney & Lacey: The Return finds the now-retired Lacey reuniting with the now-married Cagney for a case involving weapons smuggling, all while dealing with women's issues such as career, marriage, parenthood -- and, this time around, menopause -- in the trademark style that made the parent show such a cultural touchstone. ~ Sandra Bencic, Rovi

The tapes referred to in the movie title contain evidence revealing a chemical-weapons industry sanctioned by a Soviet-block country; they are filled with computer statistics of the African natives who have succumbed to the illegally dispensed chemicals. The evidence fall into the unwitting hands of an American journalist and her small son. An American special agent is sent to recover the tapes and rescue the endangered journalist from the intrigue. Meanwhile, ruthless Libyan agents intend to secure the tapes at any cost. ~ Rovi

Siblings Eric Roberts and Julia Roberts appear in this old-fashioned saga about oppressed Sicilian wine-growers in 19th-century California. Giancarlo Giannini stars as Sebastian Collogero, the robust Italian patriarch who is battling with railroad mogul William Bradford Berrigan (Dennis Hopper) to prevent his land from being taken over by the rail company. Sebastian's spirited son, Marco (Eric Roberts), is in love with Angelica (Lara Harris), the daughter of a rival wine-grower's clan. Marco is not very concerned about the warfare about to erupt between the wine-growers and the railroad until Berrigan's thugs torture and kill Sebastian in front of his daughter Maria (Julia Roberts). Marco then gets his friends together and organizes a revolt against Berrigan and his railroad empire. ~ Paul Brenner, Rovi

This slick throwback to the giant-mutant-insect movies of the 1950's has built a small reputation solely on its irrelevant title -- the film contains no monkeys, blue or otherwise -- which confused both reviewers and viewers alike. (This dilemma was solved in its second video incarnation, under the more honest title Insect.) The story begins when a gardener becomes infected with a plant-borne insect larva, which he disgorges upon his arrival at the County Memorial Hospital. When the bug-baby ingests a large dose of growth hormone called NAC-5 (hospitals are always leaving that stuff around where bugs can get at it), it immediately bulks up to the size of a bulldozer. The plot quickly shifts into Alien mode, as scientists, police (namely wild-eyed cop Steve Railsback) and hospital personnel creep down the hospital's labyrinthine corridors in search of the insectoid monster, which they hope to destroy with conveniently-provided experimental laser equipment before it can test the capacity of the maternity ward with a few million larvae. Despite the lurid promotional materials (showing pretty nurses SCREAMING IN HORROR!!), the story is played quite straight -- more of an homage to films like Them! than a parody of same -- and benefits from good performances (John Vernon is great as the hospital director), a tight script and a strong emphasis on suspense and action from director William Fruet. ~ Cavett Binion, Rovi

Page Fletcher stars as the title character in this 1983-1988 made-for-cable suspense anthology. ~ Jason Ankeny, Rovi

In Misunderstood, Henry Thomas ("Elliot" in E.T.) co-stars with Gene Hackman as a son-and-father duo who through no fault of their own fail to communicate their mutual affection. Ned (Hackman) is a shipping magnate living with his family in a villa in Tunisia when he suffers through the death of his wife Lilly (Susan Anspach). It is an agony for him to tell his older son Andrew (Thomas) that his mother has died, and from that moment on, he is so overcome by his own grief -- drowning it in work -- that he unwittingly hurts the feelings of the two boys. He was always inept in relating to them, and now it is even more difficult. The two brothers compensate by inventing their own pastimes, though a visiting relative chides Ned for expecting his sons to handle themselves like adults. So just as Ned begins to realize what he has been doing, the sons try harder to keep up a good facade -- and then Andrew has a serious accident, causing all the undercurrents to suddenly emerge on the surface. Loosely based on a 1967 Italian film, Incompreso, this story first emerged as a turn-of-the-20th-century novel by Florence Montgomery and is here told by director Jerry Schatzberg, but the dialogue and plot do not reach the level set by the good interpretations of the lead actors, who transform a predictable story into an emotional experience. ~ Eleanor Mannikka, Rovi

After running away with her boyfriend, a teenager is searched for by her mother and an old friend in San Diego. ~ Rovi

The title character, a nasty landlord (Elliott Gould), is killed in a car accident and descends into hell. There he meets the Devil (Bill Cosby), who promises him his life back if he can find three people willing to sell their souls in three months. ~ John Bush, Rovi

Marilyn Jordan (Susan Anspach), an American-born housewife, mother, and socialite living in Sweden, is crumbling under the weight of her own existence. She deeply resents her husband Martin's (Erland Josephson) frequent holiday absences and his indifferent attitude toward their two children ("If they are going to grow up in today's world," he admits, "it's about time they faced the fact that nobody keeps promises anymore"). Moreover, Marilyn's eccentric father (who believes he is Buffalo Bill and fires off guns in the house to prove it) and her children -- who hatch an outrageous plan to set up a dating service for senior citizens -- start to drive her completely around the bend. Marilyn feels herself domestically imprisoned -- encased in a bell jar. Her subsequent behavior grows not simply eccentric, but irrational and then comically outrageous. She cooks wiener schnitzel for the entire family, but eats it all herself; unsuccessfully attempts to poison the family beagle; and -- convinced that insects are attacking her during the night -- showers the plant above her bed with bug repellent, much to Martin's consternation. Finally, irritated by Martin's sexual indifference to her, Marilyn manages to get his attention in a last, desperate move by setting his bed on fire late one night. Deeply concerned, Martin consults psychologist Dr. Pazardjian (Per Oscarsson), who does little to help Marilyn and (indeed) turns out to be even nuttier than any of the members of the Jordan family. Via a comic security mix-up, Marilyn later becomes stranded at the Stockholm airport and hitches a ride with a band of horny Yugoslavian immigrants celebrating the new year; they take her to their ZanziBar nightclub for a couple of days, where she begins to break out of her domestic prison by engaging in a torrid extramarital affair with randy Slavic zookeeper Montenegro and by performing as a one-time chaunteuse on-stage. Eventually, Marilyn's family beckons for her to return -- but her brush with independence has made her a very different woman, indeed. Montenegro marked controversial writer/director Dusan Makavejev's English-language debut, and earned widespread critical raves for Anspach's career-defining performance. ~ Nathan Southern, Rovi

Despite the promise of his early career, the life of former world-class runner Michael Andropolis has been a crashing failure. The icing on his life's bitter cake was his divorce from the woman he still loves. Wanting to win back both his wife and his self-respect, Andropolis decides to start running again in hopes of making it to the Olympic marathon team. This sports-melodrama chronicles the 34-year old's heroic struggle. ~ Sandra Brennan, Rovi

Richard Dreyfuss plays Moses Wine, an ex-Sixties radical who pays the bills as a private eye. Wine is hired to stem a smear campaign against a popular political candidate. Gradually the plot thickens into a murder case, involving a hippie leader whose values, like Wine's, have been severely compromised over the years - and who plans to blow up a major LA freeway as a protest. Susan Anspach provides a great deal of dramatic (and sexual) tension as Wine's boss. Among the minor players are future stars Mandy Patinkin and F. Murray Abraham. The Big Fix was adapted by Roger L. Simon from his own novel. ~ Hal Erickson, Rovi

A burly professional wrestler falls in love with a caring woman who helps convince him to abandon his vengeful search for the one who murdered his brother in this drama. ~ Sandra Brennan, Rovi