Annabella Movies

Using materials from 1927 and 1936 versions of his classic film Napoleon vu par Abel Gance (hence the presence of several individuals in the cast and credits who had since died), director Gance was able to restore and reconstruct it for modern audiences. This four-hour-long version was made possible through the efforts of Claude Lelouche and the Centre Du Cinema of the French government. It contains scenes which were newly shot for this release, and has an introduction in which Gance explains what his original intentions were for the film, and why the silent version was unavailable for so long. One of the cinematic innovations remaining from those earlier versions is the use of a triply split screen. Gance originally shot at higher film speeds (20 frames per second) than most of his contemporaries. The higher film speed yielded smoother-looking movement (acceptable to modern viewers) and aided in studio dubbing. Among the legendary actors appearing in the film are Koubitzky, Antonin Artaud and Annabella. The story of the film covers the rise of Napoleon during the French Revolution through to the Italian Campaign, which propelled him to power. The full terror of the Revolution is shown, with a menacing performance by Antonin Artaud as Marat. Gance himself appears as the revolutionary apologist, St. Just. ~ Clarke Fountain, Rovi

This film is not only a revealing glimpse into the workings of the O.S.S. (Office of Strategic Services) during WW II, but it is also a full-fledged spy thriller. An excellent cast includes James Cagney, Karl Malden, E.G. Marshall, and Red Buttons. Cagney stars as an O.S.S. training officer, bent upon discovering a German traitor within his ranks while at the same time completing highly dangerous espionage assignments. The risks increase when one of his men is murdered from within, and Cagney, convinced he knows who the murdering infiltrator is, vows revenge. Authentic O.S.S. film footage make this film historically significant as well as entertaining. ~ Rovi

An American pilot swears to get revenge on the German ace who shot his brother in this war movie set in war-torn Europe. Montgomery is the pilot. After he sees his brother die while trying to parachute to safety, Montgomery's plane is shot down over Germany. He is placed in a POW camp. There he meets a Russian medic and a Czech. Together the trio escapes. Along the way it is discovered that the Czech is a Nazi spy. The medic, Annabella, makes it to England through the underground. Montgomery, discovers a local airport, impersonates a German pilot, steals a plane and flies home. He also manages to kill the flying ace who shot his brother. ~ Sandra Brennan, Rovi

In this French war drama, a battleship captain tries to keep an enemy cruiser from sinking his vessel; he then must defend his honor during a court-martial. Much of the tale is told in flashback and centers not only on the battle itself, but also on the young woman who is having an affair with a younger officer. It is her very indiscretions that ironically save the captain from being drummed out of the service. ~ Sandra Brennan, Rovi

Hotel du Nord was the second in Marcel Carne's trio of "fatalistic romantic melodramas", bracketed on either side by Quai des Brumes and Le Jour se Leve. Star-crossed lovers Annabella and Jean-Pierre Aumont draw up a suicide pact, making their fatal rendezvous at the Hotel du Nord. Aumont shoots Annabella, but loses his nerve when time comes to take his own life. Seedy criminal Louis Jouvet and his mistress Arletty help Aumont to escape the authorities-but he can't very well run away from himself. Happily, Annabella recovers from her wounds and forgives the repentant Aumont. Fate, however, has other things in store for the tormented hero, as elucidated by the grimly ironic ending. ~ Hal Erickson, Rovi

Filmed in Paris and along the French Riviera, Dinner at the Ritz afforded David Niven the chance to play his first starring role. As Paul de Brack, he is a government agent and playboy and is quite at home among the elite set, whether in England or France. This comes in handy when he falls in with Ranie Racine (Annabella), a gay Paris socialite and the daughter of a recently murdered financier. The father's death has been ruled a suicide, but Ranie refuses to accept this. As the man assigned to investigate the banker's death, Paul accompanies Ranie on a series of undercover investigations that take them to Monte Carlo and London. Along the way, they discover the truth about a serious banking scandal, as well as evidence that the man responsible for acine's death may be someone close to Ranie. ~ Craig Butler, Rovi

This romantic comedy, set amidst the exciting world of horseracing is Britain's first Technicolor film. The story, set in the late 1880s, concerns the tempestuous love between an Irish nobleman and the fiery Spanish gypsy he loves. Despite the strident objections of his stuffy, blue-blooded parents, the lovers wed. Unfortunately, the woman is widowed when her husband falls from a horse. The grieving lass returns to her wandering clan in Spain and does not return to Erin for thirty years. When she finally does, it is with a fabulous race horse and her beautiful granddaughter (the spitting image of the old woman in her youth) who masquerades as a boy so she can ride the horse in the Epsom Downs Derby. While awaiting the big race, the granddaughter meets a handsome Canadian horse trainer. He finds out her true sex, but says nothing. One night, he sees her dressed for a gala and seeing that she is truly a beauty falls deeply in love, even though he knows that the lass is engaged to another. Still the trainer and the bogus jockey fall in love. The excellent cinematography offers one of the film's highlights. Rather than following the Hollywood custom of using almost garish and vividly contrasting colors (to create a larger-than-life, almost cartoonish ambiance) in shooting, cinematographers Ray Rennahan and Jack Cardiff elected to film the story in beautiful pastel hues that add a soft pastoral feeling. ~ Sandra Brennan, Rovi

In this French drama, a daring young woman falls in love with a strange inventor. She is quite the adventuress and has five handsome young pilots teach her to fly. They are contemptuous of the mousy inventor until the impetuous lass takes off by herself in a plane to set a record and ends up lost in a terrible storm. To save her, all of the rivals team up and begin their desperate search. ~ Sandra Brennan, Rovi

Less ambitious than his previous Golgotha, Julien Duvivier's La Bandera is nonetheless more entertaining. A Foreign Legion yarn, La Bandera downplays spectacular battle scenes in favor of a romantic triangle. Accused of murder, Pierre (Jean Gabin) joins the Legion, with detective Lucas (Robert Le Vigan) hot on his trail. Both Pierre and Lucas fall in love with beautiful Bedouin girl Aischa (Annabella), which only intensifies their hatred of one another. The two antagonists are eventually forced to bury the hatchet when fighting shoulder to shoulder against uprising natives. The ending is rather startling, inasmuch as the audience was expected the actor with the best screen billing to get the girl. ~ Hal Erickson, Rovi

Varietes started out as a remake of E. A. DuPont's silent German classic Variety. Unfortunately, DuPont himself made his own remake, so writer-director Nicholas Farkas was obliged to whip up a new story. Annabella, Jean Gabin and Fernand Gravey star as a trio of circus trapeze artists. Both Gabin and Gravey love Annabella, but she has eyes only for Gravey. Seething with jealousy, Gabin plots revenge against his rival. He "accidentally" drops Gravey into a net during rehearsal -- but does he plan to do the same during a performance, when the trio works without a net? Though the audience may have thought that it was a step or two ahead of the story, there's a last-minute surprise in Varietes that never failed to elicit gasps from the viewers back in 1935. ~ Hal Erickson, Rovi

Charles Boyer played his first major Hollywood role (and gets to sing in the bargain!) in the oddball musical romance Caravan. A miscast Loretta Young stars as young Countess Wilms, who is forced to wed by midnight or lose her inheritance. She impulsively chooses gypsy vagabond Latzi (Boyer), offering him a huge sum of money if he'll consent. Swallowing his pride, Latzi agrees to the marriage, but soon the coy Countess falls in love with young Lieutenant Von Tokay (Philips Holmes) -- who is himself in love with Latzi's gypsy sweetheart Tinka (Jean Parker). Director Erik Charrell, famed for his European musical productions (notably Congress Dances), seems uncomfortable adapting to the Hollywood movie-making process. Though evidently intended to be taken seriously, there are times that Caravan comes off like a parody of operettas: one half expects the stars to join in a duet of Cole Porter's spoofish "Wunderbar." ~ Hal Erickson, Rovi