Liv Ullmann
Though born a citizen of Norway, Liv Ullmann did not set foot in her homeland until she was seven years old. The daughter of a Norwegian engineer stationed in Japan at the time of her birth, Ullmann moved to Canada when World War II broke out, then relocated to Norway in 1946, where she received the bulk of her education. Deciding upon an acting career, she studied at the Webber-Douglas academy in London. Ullmann began her stage work in Stavanger and Oslo, and in the late '50s, she starred in the Norwegian production of The Diary of Anne Frank.
In films from 1959, Ullmann's breakthrough role was catatonic actress Elisabeth Vogler in Ingmar Bergman's Persona (1966), a part she landed primarily because of her striking resemblance to co-star Bibi Andersson. Bergman became Ullmann's mentor and paramour; they lived together for several years, during which time Ullmann bore the director a daughter named Linn Ullmann, who has occasionally appeared in her mother's films. Ullmann was honored with numerous New York Film Critics Awards during the early '70s; she also earned Oscar nominations for her work in The Emigrants (1971) and Bergman's Face to Face (1976), and has received eight honorary college degrees.
An attempt to establish herself in Hollywood films was largely unsuccessful, though Ullmann received a Golden Globe nomination for her performance in 40 Carats (1973). She fared rather better on Broadway, starring in a 1977 revival of Anna Christie and a 1979 musical adaptation of I Remember Mama. In 1977, she wrote her memoirs, Changing, prematurely as it turned out, since she had many years' work ahead of her. During the '90s, Ullmann turned to directing, helming the theatrical features Sofie (1992) and Kristin Lauransdotter (1995) (both of which she also scripted), and the 1996 Swedish TV miniseries Enskilda Samtal. ~ Hal Erickson, All Movie Guide
In films from 1959, Ullmann's breakthrough role was catatonic actress Elisabeth Vogler in Ingmar Bergman's Persona (1966), a part she landed primarily because of her striking resemblance to co-star Bibi Andersson. Bergman became Ullmann's mentor and paramour; they lived together for several years, during which time Ullmann bore the director a daughter named Linn Ullmann, who has occasionally appeared in her mother's films. Ullmann was honored with numerous New York Film Critics Awards during the early '70s; she also earned Oscar nominations for her work in The Emigrants (1971) and Bergman's Face to Face (1976), and has received eight honorary college degrees.
An attempt to establish herself in Hollywood films was largely unsuccessful, though Ullmann received a Golden Globe nomination for her performance in 40 Carats (1973). She fared rather better on Broadway, starring in a 1977 revival of Anna Christie and a 1979 musical adaptation of I Remember Mama. In 1977, she wrote her memoirs, Changing, prematurely as it turned out, since she had many years' work ahead of her. During the '90s, Ullmann turned to directing, helming the theatrical features Sofie (1992) and Kristin Lauransdotter (1995) (both of which she also scripted), and the 1996 Swedish TV miniseries Enskilda Samtal. ~ Hal Erickson, All Movie Guide
Filmography
Adapted by Jay Presson Allen from the French farce by Pierre Barillet and Jean-Pierre Gredy, Forty Carats is a standard-issue sex comedy elevated by the performances of its stars. Fortyish Realtor Ann Stanley (Liv Ullman) finds herself attracted to Peter Latham (Edward Albert) - a man literally half her age. After a summer fling in Greece, Ann and Peter come to a parting of the ways, and that, Ann supposes, is that. Imagine her surprise when Peter comes to visit her back in New York. Though at first dismissed as a fortune hunter, Peter turns out to a financial whiz with a lot more in the bank than his lady friend. Both Ann's mother (Binnie Barnes, whose husband Mike Frankovich produced the film) and daughter (Deborah Raffin) are delighted at the prospect of Ann's romance with Peter -- the only one unsure is Ann herself. Lending his considerable comic expertise to Forty Carats is Gene Kelly as Liv Ullman's ex-husband-who also takes a liking to the personable Edward Albert and encourages the May-December romance. ~ Hal Erickson, All Movie Guide
It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., All Movie Guide
This 1977 documentary feature closely examines the person, views and life of Norwegian actress Liv Ullman, perhaps best known for her many appearances in the famed Swedish director Ingmar Bergman's films. Clips of her films are included, as well as numerous interviews granted by her especially for this film, which was released shortly after her autobiography Changing was published. This documentary is subtitled: "Norway's Live Ullman/Liv Ullmann's Norway." ~ Clarke Fountain, All Movie Guide
Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While hovering between life and death, she imagines she sees all the people who've been influential in her life, and rails against them for causing her neuroses. Only while recovering does she learn who the spectral old woman is and why she is undergoing so harrowing an emotional experience. Like his later Scenes From a Marriage, Bergman's Face to Face (Ansikte mot ansikte) originated as a multipart TV series, which was then pared down into a two-hour-plus feature film. ~ Hal Erickson, All Movie Guide
Ingrid Bergman, the Swedish expatriate who became one of Hollywood's greatest stars, and Ingmar Bergman, one of the world's most acclaimed filmmakers and Sweden's most honored director, worked together for the first and only time in this intensely personal drama about the troubled relationship between a mother and daughter. Charlotte (Ingrid Bergman) is an acclaimed concert pianist who is visiting her daughter Eva (Liv Ullmann), the wife of a parson in a rural community, for the first time in seven years. While Charlotte and Eva struggle to be civil, there is a deep emotional gulf between them. Eva resents her mother for not caring enough for her as a child, feeling that Charlotte was more interested in her career and her other daughter, Helena (Lena Nyman), who is severely handicapped and can only communicate through inarticulate noises. Charlotte, on the other hand, is uncomfortable with the fact that Helena now lives with Eva, and she is still coming to terms with the emotional devastation of her husband's recent death. Herbstsonate, released in America as Autumn Sonata, earned Ingrid Bergman some of the most enthusiastic acclaim of her career; she received an Oscar nomination for Best Actress, and she won the same honor from the National Board of Review and the New York Film Critics Circle. It was also her last theatrical release; she would appear in only one more project, a TV movie about the life of Golda Meir, before her death in 1982. ~ Mark Deming, All Movie Guide
Awards
- 1976 - Ansikte mot Ansikte - Los Angeles Film Critics Association - Best Actress
- 1968 - Hour of the Wolf - National Board of Review - Best Actress
- 1972 - The Emigrants - Golden Globe - Best Performance by an Actress in a Motion Picture - Drama
- 1972 - Cries and Whispers - New York Film Critics Circle - Best Actress
- 1974 - Scenes from a Marriage - New York Film Critics Circle - Best Actress
- 1973 - Nybyggarna - National Board of Review - Best Actress
- 1976 - Ansikte mot Ansikte - New York Film Critics Circle - Best Actress
- 1976 - Ansikte mot Ansikte - National Board of Review - Best Actress
- 1972 - The Emigrants - New York Film Critics Circle - Best Actress
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