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Bluebeard (1972)

Bluebeard (1972)
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Bluebeard is the retelling of the now familiar story of a wealthy aristocrat who marries and murders and marries again. Baron Von Sepper (Richard Burton), the BlueBeard of the story, meets and marries Anne (Joey Heatherton) who becomes suspicious of Von Sepper when she finds evidence of his murders shortly after their wedding. Van Sepper then, in graphic detail, tells Anne the stories of his former wives' lives and deaths. The movie, directed with ham-handed archness by Edward Dmytryk, attempts to tell the story as a black comedy. Despite an array of beautiful women, including (Virna Lisi), (Nathalie Delon) and (Raquel Welch), nothing can distract from the abysmal performances of Burton and Heatherton. The film has some nice costumes and is beautifully photographed by cinematographer Gabor Pogany, but all the humor is unintentional and the actors, particularly Richard Burton all seem to wish they were elsewhere. ~ Linda Rasmussen, Rovi

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Starring:
Richard BurtonRaquel Welch, (more)
Director(s):
Edward DmytrykLuciano Sacripanti, (more)
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of Bluebeard

Bluebeard is the retelling of the now familiar story of a wealthy aristocrat who marries and murders and marries again. Baron Von Sepper (Richard Burton), the BlueBeard of the story, meets and marries Anne (Joey Heatherton) who becomes suspicious of Von Sepper when she finds evidence of his murders shortly after their wedding. Van Sepper then, in graphic detail, tells Anne the stories of his former wives' lives and deaths. The movie, directed with ham-handed archness by Edward Dmytryk, attempts to tell the story as a black comedy. Despite an array of beautiful women, including (Virna Lisi), (Nathalie Delon) and (Raquel Welch), nothing can distract from the abysmal performances of Burton and Heatherton. The film has some nice costumes and is beautifully photographed by cinematographer Gabor Pogany, but all the humor is unintentional and the actors, particularly Richard Burton all seem to wish they were elsewhere. ~ Linda Rasmussen, Rovi

Theatrical Feature Running Time:
124 mins

Complete Cast of Bluebeard


Director(s):
Luciano SacripantiEdward Dmytryk
Writer(s):
Edward DmytrykMaria Pia FuscoEnnio de Concini
Producer(s):
Ilya SalkindAlexander Salkind
Theatrical MPAA Rating:
R(Violence, Nudity, Not For Children, Adult Language, Adult Situations)
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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    Neena G.

    I just 10 when I saw this movie, the things adults don't think we remember. That movie is something else, someone needs to do a remake up to date version. It would be Great, Johnny Depp might do a good job. This movie is Freaky... in every sense of the word. Not For Children!!!

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    Joshua M.

    A perfect choice if you're looking for something to watch on a rainy Sunday afternoon when you're not feeling especially productive and don't want to think too much. The acting swings wildly between over-the-top and sleep-walking but, still, the film has some good moments. I agree with the other reviewer who stated the film should be re-made today. It's a classic fairy tale with many possibilities for interpretation. Although this production is flawed in just about every aspect in which a film can be, it's still worth a look - if only for nostalgia purposes (if one is of a certain age) to remember all the rage over Joey Heatherton back in the `70's. The various ways Bluebeard `takes care of' his wives is enough to make the film worth seeing.

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    Lisa M.

    This movie made me laugh terrible acting, a WAY TOO RED bedroom, 1960s hairdos, makeup and clothes when I believe it was set in the 1920s to 1945. Richard Burtons huge eyes, his maid Martha brushing the hair on a doll that was supposed to be a corpse, the freezer with obvious quilting batting to pose as frost and local townies dumber than a box of rocks. But the best was the Nazi theme with a mixed up Iron Cross theme. Although I think that the best was the exteriors of the castle – it looked very Los Angeles (perhaps the producer’s house) and then would cut into the interiors that were obviously a set – I am pretty sure that the blue hotel room and the Barons RED bedroom were the same, just painted different. LAME

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