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The Wages of Fear (1953)

The Wages of Fear (1953)
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Together with Diabolique, The Wages of Fear (Le Salaire de la Peur) earned Henri-Georges Clouzot the reputation as a "French Hitchcock." In truth, Clouzot's ability to sustain suspense may have even exceeded Hitchcock's; when originally released, Wages ran 155 tension-filled minutes. Based on the much-imitated novel by Georges Arnaud, the film is set in Central America. The Southern Oil Company, which pretty much rules the roost in the impoverished village of Las Piedras, sends out a call for long-distance truck drivers. Southern Oil's wages of 2,000 dollars per man are, literally, to die for -- the drivers are obliged to transport highly volatile nitroglycerine shipments across some of the most treacherous terrain on earth. Through expository dialogue, tense interactions and flashbacks, we become intimately acquainted with the four drivers who sign up for this death-defying mission: Corsican Yves Montand, Italian Folco Lulli, German Peter Van Eyck, and Frenchman Charles Vanel. The first half of the film slowly, methodically introduces the characters and their motivations. The second half -- the drive itself -- is a relentless, goosebump-inducing assault on the audience's senses. The winner of the Grand Prix at the Cannes Festival, The Wages of Fear was remade by William Friedkin as Sorcerer (1977). ~ Hal Erickson, Rovi

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Starring:
Yves MontandCharles Vanel, (more)
Director(s):
Henri-Georges Clouzot
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Wages of Fear

Together with Diabolique, The Wages of Fear (Le Salaire de la Peur) earned Henri-Georges Clouzot the reputation as a "French Hitchcock." In truth, Clouzot's ability to sustain suspense may have even exceeded Hitchcock's; when originally released, Wages ran 155 tension-filled minutes. Based on the much-imitated novel by Georges Arnaud, the film is set in Central America. The Southern Oil Company, which pretty much rules the roost in the impoverished village of Las Piedras, sends out a call for long-distance truck drivers. Southern Oil's wages of 2,000 dollars per man are, literally, to die for -- the drivers are obliged to transport highly volatile nitroglycerine shipments across some of the most treacherous terrain on earth. Through expository dialogue, tense interactions and flashbacks, we become intimately acquainted with the four drivers who sign up for this death-defying mission: Corsican Yves Montand, Italian Folco Lulli, German Peter Van Eyck, and Frenchman Charles Vanel. The first half of the film slowly, methodically introduces the characters and their motivations. The second half -- the drive itself -- is a relentless, goosebump-inducing assault on the audience's senses. The winner of the Grand Prix at the Cannes Festival, The Wages of Fear was remade by William Friedkin as Sorcerer (1977). ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
147 mins

Complete Cast of The Wages of Fear


Director(s):
Henri-Georges Clouzot
Writer(s):
Jerome GeronimiHenri-Georges Clouzot
Producer(s):
Henri-Georges ClouzotLouis Wipf
Theatrical MPAA Rating:
NR(Not For Children)
Categories:
Mystery & Suspense
The Wages of Fear Awards:
  • 1953 - Berlin International Film Festival - Golden Bear
  • 1954 - British Academy of Film and Television Arts - Best Film - Any Source
  • 1953 - Cannes Film Festival - Grand Prix
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    Member Reviews
     
    Greg H.

    The story is timeless, if not well known: Ex pats struggle to survive in a country less romantic than their dreams. One of the great things about this film is that its characters are not the simplistic, shallow creatures of today's films. Every character in the film has compromised things about themselves that one would think are not compromisable. The suspense is genuine, and the black and white film includes scenes that no actor or stuntman would do today. The ending is more dramatic and less realistic than today's film, but it is part of this film's charm.

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    Garth T.

    I was unimpressed by this movie after being enticed by the great reviews and "French Hitchcock" quality espoused in the synopsis. The first 30 to 60 minutes is a rather slow introduction to the characters and location, which is not entirely clear and does not contribute to the storytelling. The second half of the film I wouldn't call suspenseful, but rather anxiety driven moments strung together with minimal plot development and modest character development. There's little sense of satisfaction or audience deception at the end of the film, which generally contributes to a good suspense film.

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    Jean S.

    Cannot rate; cannot read sub-titles.

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