Romance

Following a fight with his boyfriend, Jerome leaves Paris for California, discovering romance and friendship with pot dealers, drag queens, and Hollywood locals along the way. ~ Jason Buchanan, All Movie Guide

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

The fabulously successful Pillow Talk was essentially Shop Around the Corner for the 1950s. Playboy composer Rock Hudson and interior-decorator Doris Day are obliged to share a telephone party line. Naturally, their calls overlap at the least opportune times, and just as naturally, this leads to Hudson and Day despising each other without ever having met in person. In a cute but convenient coincidence, Doris' boy friend is Tony Randall, who also happens to be Hudson's best pal. Thus Hudson gets a glimpse at Day, and it's love at first sight. To avoid revealing that he's her telephone rival, Hudson poses as a wealthy Texan and turns the charm on Day. But when he starts pitching woo, Day instantly recognizes all the "make-out" lines Hudson has used on the phone with his other conquests. She gets even by decorating Hudson's apartment in a hideous manner. But Hudson loves her all the same; he "kidnaps" her, carrying her through the streets in her nightgown in full view of everyone, including a laughing cop who refuses to intervene. He praises her horrifying interior decoration job effusively, and at this point Day can't help but give in to his marriage proposal. A bit too arch and cute for modern tastes at times, Pillow Talk is still one of the best of the frothy Doris Day-Rock Hudson vehicles; it made a fortune at the box office and garnered five Oscar nominations. ~ Hal Erickson, All Movie Guide

A political consultant in the midst of a bitter divorce attempts to delicately divulge the truth about his past relationships to his curious young daughter, who simply won't stop asking questions until she's satisfied with all the answers. Ten-year-old Maya (Abigail Breslin) is heartbroken to see her parents splitting up, but she's determined to find out precisely how it was that mom and dad came together in the first place. When Maya starts questioning her father Will (Ryan Reynolds) about his life before marriage, dad's memories soon drift back to the time when, as a naïve Wisconsin native and aspiring politician hoping to work on the presidential election, he first arrived in New York City. As Will gradually became savvy to the ways of the big city, he gradually developed romantic relationships with three very different women: Emily (Elizabeth Banks) was the girl-next-door that he could always depend on, apolitical April (Isla Fisher) was the best friend and confidante who was always there to listen, and free-spirited journalist Summer (Rachel Weisz) was both beautiful and ambitious. In order to prevent his perceptive little girl from predicting the outcome before his story is told, Will carefully changes the names of his three romantic interests, creating a hopelessly romantic puzzle that highlights both the joys and hardships of true love. ~ Jason Buchanan, All Movie Guide

A single father who has just found success as the host of an outrageous television talk show begins to question his path in life when he returns home to attend his parents' 50th wedding anniversary party in the company of his famous fiancée -- a reality television star -- in this crisis-of-conscience comedy starring Martin Lawrence. RJ Stevens (Lawrence) is a television talk-show sensation who has transcended his modest Southern beginnings to become the most popular self-help guru ever to grace the small screen. His show, "Team of Me," is a ratings juggernaut, his fiancée is a beautiful reality television star, and his pockets are always lined with large bills. There are few Tinseltown dreams that RJ hasn't already achieved, so when his parents announce their 50th wedding anniversary, the family-oriented television star immediately drops everything and sets his sights on Georgia. As a boy, RJ was always the target of ridicule within his family, but these days things are different; not only does RJ have a ten-year-old son, but his bride-to-be is admired by countless viewers all across the globe on a weekly basis. But RJ's egotistical West Coast attitude simply doesn't fly in the South, and when his lovable but relentless family refuses to cut him any slack due to his current superstar status, he must finally pause and take stock of the man he has become. Louis C.K., Cedric the Entertainer, Michael Clarke Duncan, and James Earl Jones co-star in a Southern-flavored family comedy written and directed by Malcolm D. Lee. ~ Jason Buchanan, All Movie Guide