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In Kathryn Bigelow's tale of vampires in the American Southwest, the creatures of the night aren't elegant, cloaked aristocrats. They're a gun-toting gang that dresses and acts like a motorcycle gang. Caleb (Adrian Pasdar), a restless young man from a small farm town, meets an alluring drifter named Mae (Jenny Wright). She reveals herself to be a vampire, who "turns" Caleb into one of her kind rather than kill him. But the rest of her "family" is slow to accept the newcomer. The ancient leader, Jesse (Lance Henriksen), and his psychotic henchman Severen (Bill Paxton) lay down the law; Caleb has to carry his own weight or die. However, he can't bring himself to kill. He manages to win the gang's approval when he rescues them from certain death in a daytime gunfight during a spectacular motel shoot-out in which every bullet hole lets in a deadly ray of sunlight. When the vampires threaten Caleb's real family, he's forced to choose between life and death. The film avoids the complex vampire mythology of such films as Interview with the Vampire. Instead, it emphasizes the intense, seductive bond that forms between Caleb and the violent but tightly knit gang. Bigelow would later utilize this powerful dramatic device in her 1991 film Point Break. ~ Jonathan E. Laxamana, All Movie Guide

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

After injecting new life into classic movie monsters Dracula and Frankenstein, Hammer Studios apply their Gothic touch to another monster genre with this excellent, stylish piece -- probably the best of the old school (i.e. pre-Rick Baker) man-to-wolf transformation films in the mold of Universal's The Wolf Man. The title curse surfaces when a mute servant girl bears a child on Christmas day after being raped by a bestial madman and first shows itself at the infant's christening, whereupon the holy water begins to boil. Things go downhill from there, as young Leon's development is marred by savage, violent behavior during a full moon. Upon adulthood, Leon's (Oliver Reed) only relief from his murderous impulses comes from the love of Christina (Catherine Feller)... but he soon begins to fear that this cannot contain the beast within. Liberally based on Guy Endore's The Werewolf of Paris (here relocated to Spain), this film represents Hammer at their early best, building tension through mood and character (Reed turns in a bravura performance) and saving the effective monster transformation for the climax. ~ Cavett Binion, All Movie Guide

Based on the best-selling novel by Sebastian Faulks, this drama, set in Europe during World War II, stars Cate Blanchett as Charlotte, a Scottish woman living in London. Charlotte falls in love with Peter (Rupert Penry-Jones), a handsome RAF pilot, and the two are soon caught up in a torrid affair. Before long, Peter is sent off on a mission over France, and Charlotte receives word that Peter has been reported missing in action. Fluent in French and desperate to find the man she loves, Charlotte volunteers for work with British intelligence and is soon smuggled into France where she is to work with French resistance forces, posing as a woman from Paris. As Charlotte goes about her duties and tries to find Peter, she finds herself drawn to Julien (Billy Crudup), a Communist working with resistance forces. Charlotte is assigned to pose as a domestic at the home of Julien's father, Levade (Michael Gambon), where he's hiding two Jewish boys whose parents have been captured by Nazi troops. In order to maintain her cover and protect Julien, Levade, and the boys, Charlotte finds herself drawn into a relationship with Renech (Anton Lesser), a busybody schoolteacher who is collaborationg with the occupation troops. Directed by Gillian Armstrong, Charlotte Gray also features James Fleet, Ron Cook, and Helen McCrory. ~ Mark Deming, All Movie Guide