Universal

The Blair Witch Project co-creator Eduardo Sanchez returns to direct his first feature film since that 1999 forest-bound frightener that took the world of horror by storm with this shocker concerning a group of former alien abductees who seek vengeance against the malevolent extraterrestrials who kidnapped them fifteen years prior. It's been more than a decade since five hunters were swept out of the forest and into the night skies by a powerful otherworldly force, but only four of the lifelong friends ever found their way back to terra firma. In the wake of that inexplicable tragedy the remaining friends found their bond growing stronger than ever before. None of the men have ever forgotten about their long lost friend, or the trauma that they endured on that fateful night. Years later, upon capturing one of the very same creatures that caused all of their suffering, the four friends retreat into a remote forest compound to execute their long awaited revenge. To set the creature free would be to sign their own death warrants, and to kill it would almost certainly spell their doom as well. As the long night wears on and an impenetrable blackness once again washes over the darkened woods, the hunters realize that they only have a few hours left to decide the fate of the strange and menacing creature. ~ Jason Buchanan, All Movie Guide

Jesse Dylan's American Wedding rounds up the characters from the American Pie films for a trip to the altar. Jim (Jason Biggs) proposes to Michelle (Alyson Hannigan). Hoping to make the wedding day as special as possible for his bride, Jim enlists the help of his friends Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), and the always obnoxious Stifler (Seann William Scott) to help him convince a dressmaker to create the perfect gown, make a good impression on his future in-laws, and assist him in getting out of the embarrassing situations in which he so often seems to find himself. Stifler and Finch battle for the attention of Michelle's younger sister Cadence (January Jones), Jim's Grandmother objects to the wedding because Michelle is not Jewish, and Stiffler's poorly timed surprise bachelor party are just some of the obstacles that must be overcome before the happy event can transpire. ~ Perry Seibert, All Movie Guide

A young pig fights convention to become a sheep dog -- or, rather, sheep pig -- in this charming Australian family film, which became an unexpected international success due to superior special effects and an intelligent script. The title refers to the name bestowed on a piglet soon after his separation from his family, when he finds himself on a strange farm. Confused and sad, Babe is adopted by a friendly dog and slowly adjusts to his new home. Discovering that the fate of most pigs is the dinner table, Babe devotes himself to becoming a useful member of the farm by trying to learn how to herd sheep, despite the skepticism of the other animals and the kindly but conventional Farmer Hoggett (James Cromwell). Because technically impeccable animatronics and computer graphics allow the farm animals to converse easily among themselves, first-time director Chris Noonan can treat the film's menagerie as actual characters, playing scene not for cuteness but for real emotions. The result is often surprisingly touching, with Noonan and George Miller's script, based on Dick King-Smith's children's book and, indirectly, a true story, seamlessly combining gentle whimsy and sincere feeling. These same qualities are embodied by in Cromwell's beautifully understated performance as Farmer Hoggett, which anchors the film. Despite its unlikely premise and low profile, Babe's inspirational story was embraced by audiences and critics, and the movie became an international sleeper that won an Academy Award nomination for Best Picture. It was followed in 1999 by the less successful Babe: Pig in the City. ~ Judd Blaise, All Movie Guide

This rental contains both Babe and Babe: Pig in the City

Diane Keaton stars as a unconditionally loving, but meddling, mother whose vain attempt to prevent her insecure youngest daughter from repeating the same mistakes that she made leads to a series of comic misunderstandings in director Michael Lehmann's affectionate family comedy. When it comes to the topic of motherhood, Daphne Wilder (Keaton) has seen it all. Her eldest daughter, Maggie (Lauren Graham), is a highly respected psychologist and her middle daughter, Mae (Piper Perabo), is both sexy and smart, but youngest Milly (Mandy Moore) just can't seem to get things right no matter how hard she tries. Recognizing that the romantic exploits of her charming-but-struggling youngest always seem to end in tears, concerned mother Daphne vows to find Millie the perfect man. Though she always means well, Daphne's misguided attempt to set her daughter up by placing a carefully worded personal ad proves once and for all that even the most well-intending of mothers can sometimes overstep their boundaries. ~ Jason Buchanan, All Movie Guide

Based on author Helen Fielding's sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason picks up four weeks after the original film left off, with Bridget (Renée Zellweger) emotionally satisfied at long last with Mark Darcy (Colin Firth), her barrister boyfriend. Stability in Bridget's life, however, quickly becomes a contradiction in terms. Though Mark is openly supportive of Bridget's eccentricities -- and there are many -- she is nonetheless threatened by Mark's young, nubile intern, not to mention irked at finding out that he is, among other less desirable qualities in her eyes, a conservative voter. Complicating issues further is the reentrance of her ex-lover, Daniel Cleaver (Hugh Grant), whom Jones, perhaps mistakenly, thought she had finally gotten over. Before long, the situation escalates into another series of embarrassing circumstances for Bridget, who is faced once again with a crippling feeling of self-doubt and has only her diary and friends to combat it. ~ Tracie Cooper, All Movie Guide