Romance

A man who teaches dateless wonders how to become irresistible to women learns just how hard it can be to do it yourself in this romantic comedy. When a guy in New York City wants to make the right impression with a certain lady, Alex "Hitch" Hitchens (Will Smith) is the man he calls. Hitch has made a career out of coordinating a man's first three dates so that they'll show him to his best advantage (for a price, of course), and more than a few have taken women to the altar they first started courting with Hitch's help. But Hitch discovers his own romantic limitations when he falls for Sara (Eva Mendes), a journalist who has her own ideas about romance, and might just expose Hitch's underground business to the world. In the midst of all this, Hitch has his hands full with Albert, a sweet but socially inept man who has enlisted Hitch's services. ~ Mark Deming, All Movie Guide

A middle-aged man finds a callow twentysomething usurping his professional life and worming his way into his family in this alternately funny and poignant comedy drama. Dan Foreman (Dennis Quaid) is a middle-aged man who has spent 20 years as the head of advertising sales for Sports America, a leading athletics magazine. Dan is happily married to Ann (Marg Helgenberger) and has a college-age daughter, Alex (Scarlett Johansson), whom he dotes on, but Dan's comfortable life is given a major shake-up when a large multimedia firm buys the magazine. Seen as a bit long in the tooth to be truly competitive, Dan is demoted to second in command of advertising, and his position is handed over to Carter Duryea (Topher Grace), a 26-year-old who talks a good game about sales but has no practical experience in the field. Dan's wounded ego makes working with the arrogant Carter an uphill battle, but when he learns that Ann is expecting another baby, Dan is in no position to quit. Before long, Dan becomes aware of Carter's intense insecurities about his new job as the younger man reaches out to him for guidance, but this doesn't make Dan any less angry when Carter begins a romance with Alex after his marriage to Kimberley (Selma Blair) crashes and burns. In Good Company marked the solo directorial debut of Paul Weitz; he previously worked in collaboration with his brother Chris Weitz, who serves as producer on this film. ~ Mark Deming, All Movie Guide

Based on author Helen Fielding's sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason picks up four weeks after the original film left off, with Bridget (Renée Zellweger) emotionally satisfied at long last with Mark Darcy (Colin Firth), her barrister boyfriend. Stability in Bridget's life, however, quickly becomes a contradiction in terms. Though Mark is openly supportive of Bridget's eccentricities -- and there are many -- she is nonetheless threatened by Mark's young, nubile intern, not to mention irked at finding out that he is, among other less desirable qualities in her eyes, a conservative voter. Complicating issues further is the reentrance of her ex-lover, Daniel Cleaver (Hugh Grant), whom Jones, perhaps mistakenly, thought she had finally gotten over. Before long, the situation escalates into another series of embarrassing circumstances for Bridget, who is faced once again with a crippling feeling of self-doubt and has only her diary and friends to combat it. ~ Tracie Cooper, All Movie Guide

Directed by Nick Hurran, Little Black Book follows Stacy (Brittany Murphy), an associate producer of a popular daytime talk show starring Kippie Kann (Kathy Bates), as she tries to figure out the root of her boyfriend's (Ron Livingston) commitment-phobic nature. Rather than continue to fruitlessly question Derek (Livingston) regarding his slew of failed relationships, Stacy sneaks into his Palm Pilot and begins interviewing his ex-girlfriends under the pretense of gathering information for a future show. Though she justifies the deception with her need to find out whether or not Derek can be trusted for a long-term relationship, complications arise when Stacy becomes good friends with one of Derek's former flames. Holly Hunter makes an appearance as Stacy's boss (the show's senior associate producer), while Josie Maran, Julianne Nicholson, Rashida Jones, Sharon Lawrence, and Bush frontman Gavin Rossdale are featured in supporting roles. ~ Tracie Cooper, All Movie Guide

Thirteen-year-old Jenna (Shana Dowdeswell) has had enough with the trials of adolescence. In addition to being saddled with a devoted-but-nerdy best friend, Matt (Sean Marquette), she falls victim to one of the dangers of playing Seven Minutes in Heaven with the coolest kids in school: being stranded without a willing make-out partner. Humiliated, Jenna buries herself in the aformentioned make-out closet, wishing she could skip the whole adolescence bit and move straight into adulthood, and miraculously wakes just weeks away from her 30th birthday. Of course, a lot has changed since going to bed the night before, not the least of which being an impressive set of womanly curves. The new, older Jenna (Jennifer Garner) is a successful magazine editor with friends in high places and a lion's share of potential suitors -- including a hockey-playing boyfriend and a swarthy married man. The problem is that her mind hasn't matured with her body; Jenna not only finds living on her own more terrifying than cool, but is quick to dismiss any male over the age of 14 as "gross." Half excited, half mortified, Jenna seeks out Matt (Mark Ruffalo), whom she learns she had spurned as a teenager in an effort to join the popular crowd. Gary Winick directed, from a script by Josh Goldsmith and Cathy Yuspa; Gina Matthews produced. Choreographer Michael Peters - who died in 1994 - received posthumous credit, as his choreography from the Michael Jackson Thriller video is used in one scene. ~ Tracie Cooper, All Movie Guide