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Oscar-nominated filmmaker Todd Field teams with novelist Tom Perrotta to adapt Perrotta's acclaimed novel concerning the suburban malaise experienced by a handful of small-town individuals whose intersecting lives converge in a variety of surprising, and sometimes ominous, ways. Kate Winslet, Jennifer Connelly, and Patrick Wilson star in a cinematic adaptation that doesn't aim so much to simply reproduce the book for the screen as it does to re-imagine the written word by exploring new possibilities for the characters and situations originally presented in Perrotta's 2004 best-seller. Sarah (Winslet) is a suburban outsider who, unlike the other playground moms, isn't afraid to approach the dreamy but long-absent father whom smitten housewives have taken to calling the "Prom King." Long days at the local community pool with their respective children soon find Sarah becoming acquainted with local husband and father Brad (Patrick Wilson) -- who seems to share in her seething discontentment with life in their quaint commuter town. An English literature major who never envisioned a fate as a soccer mom, Sarah has a growing dissatisfaction with her successful husband (Gregg Edelman) that parallels Brad's increasing frustration with his inability to pass the bar and connect with his wife, Kathy (Jennifer Connelly), a successful documentary filmmaker. It's not long before the dejected pair is meeting for a series of illicit afternoon trysts as their unsuspecting spouses work and their children lie quietly napping. Meanwhile, after the community is riled by the return of a convicted sex offender (Jackie Earle Haley) who leaves the concerned parents scrambling to protect their young ones, an attempt made by Sarah and Brad to legitimize their clandestine relationship by dining together with their respective spouses begins to awaken Kathy's suspicions about the fidelity of her husband. ~ Jason Buchanan, All Movie Guide
With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide
Two sisters learn that the bonds of family don't always end after death in this gentle observational comedy drama that marks celebrated Spanish filmmaker Pedro Almodóvar's 16th feature. The story explores the interactions between three generations of women in a Spanish family. Raimunda (Penélope Cruz) was born and raised in the apocryphal village of Alcanfor de las Infantas, in La Mancha, Spain. However, she now resides in Madrid, where she works as a janitor. She is married to Paco (Antonio de la Torre), an unemployed layabout, and looks after her daughter, Paula (Yohana Cobo). Raimunda's mother, Irene (Carmen Maura), died several years back (along with her father) in a house fire. Raimunda's younger sister, Sole (Lola Dueñas), also lives in Madrid and works as a hair stylist, while their aunt Paula (Chus Lampreave) still makes her home in La Mancha, with occasional help from neighbor Agustina (Blanca Portillo). The story takes an unusual and mystical twist when Agustina mentions that Irene has begun reappearing in ghostly form -- a fact questioned by Raimunda and Sole. After a murder and an unexpected family tragedy, Paula's story is indeed corroborated by the appearance of Irene's spirit (who has come to comfort her family), and Sole must decide how to respond to the long-dead mother's strange, enchanting presence. ~ Mark Deming, All Movie Guide
Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil's Backbone with this haunting fantasy-drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen (Ariadna Gil), recently remarried to sadistic army captain Vidal (Sergi López) and soon to bear the cruel military man's child, shy young Ofelia (Ivana Baquero) is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia's bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan (Doug Jones). Convinced by Pan that she is the lost princess of legend and that in order to return to her underground home she must complete a trio of life-threatening tasks, Ofelia sets out to reclaim her kingdom and return to her grieving father as Vidal's housekeeper Mercedes (Maribel Verdú) and doctor (Alex Angulo) plot secretly on the surface to keep the revolution alive. ~ Jason Buchanan, All Movie Guide
A man whose life has been touched by tragic illness is drawn into the life of another victim whose story has an unsettling twist in this drama. Gabriel Noone (Robin Williams) is a radio talk show host who has developed a loyal following for his deeply personal on-air monologues, many of which deal with his relationship with his companion Jess (Bobby Cannavale), who is HIV-positive and struggling with his health. When Jess' condition improves, he surprises Gabriel by announcing he needs his space and has decided to break up with him. Gabriel is shaken and feels creatively blocked until Ashe (Joe Morton), a friend in the publishing business, gives him an advance copy of a memoir by Pete Logand (Rory Culkin), a 14-year-old boy living with AIDS. Pete's book is a harrowing memoir of a childhood fraught with abuse of all sorts meted out at the hands of his parents, and Gabriel is deeply moved by his story. One night, Gabriel gets a phone call from Pete, who claims to be a big fan of his radio show, but the call is cut off by Donna (Toni Collette), Pete's stern and protective stepmother. While Gabriel admires Pete's book, he begins to question its veracity, and with the help of Anna (Sandra Oh) tries to research the facts behind the story. As he uncovers more loose ends, Gabriel begins to suspect that Pete isn't the true author of the work, and that Donna has created his terrible past in the name of literary celebrity. The Night Listener was adapted from the novel by Armistead Maupin. ~ Mark Deming, All Movie Guide
An encounter between two people with a shared past and conflicting futures is played out on a split-image screen in this offbeat drama. An unnamed man (Aaron Eckhart) and woman (Helena Bonham Carter) are enjoying drinks and cigarettes in a hotel room after attending a wedding reception. At first, the two seem to be playing a flirtatious game, as he cheerfully but confidently advances toward her, and she seems at once attracted and put off by his bravado. Their pas de deux is shot and edited in split screen, with his image appearing in one half of the divided frame and hers appearing in the other. As time wears on, the man and woman begin crossing their appointed boundaries, and in some sequences one half of the frame represents the present while the other shows us events in the past. We learn that the man and woman had a tempestuous affair when they were in their late teens, and both are now committed to other people -- she has a husband, while he has a steady girl. How will the experiences of their past affect their present, and are they willing to betray their lovers for an evening's pleasure? Conversations With Other Women was the first feature film from director Hans Canosa. ~ Mark Deming, All Movie Guide
The rousing, true-life story of a single dad who went from living on the streets to owning his own brokerage firm is brought to the big screen by superstar Will Smith, appearing for the first time opposite his real-life son Jaden Smith. Set in early-'80s San Francisco, the film charts the hard times and eventual comeback of Chris Gardner, a suddenly single salesman who has custody of his son, but finds that providing for the two of them is a challenge in the increasingly unstable economic climate. He struggles to work his way from unpaid intern at Dean Witter to something more substantial, even as life continues to offer him setbacks. Making his Hollywood debut, Italian director Gabriele Muccino was championed by Will Smith for the project. ~ Michael Hastings, All Movie Guide
An unruly collection of clever but crass Thatcher-era English high-school students seek to earn the scores needed to enroll in Oxford and Cambridge in director Nicholas Hytner and screenwriter Alan Bennett's screen adaptation of Bennett's Tony-winning play. The History Boys focuses on a group of eight students, all of them deemed by their overeager headmaster (Clive Merrison) to be the best and the brightest. Though they've been coddled by their humanities-loving instructor, Hector (Richard Griffiths), and their acerbic history teacher, Mrs. Lintott (Frances de la Tour), the boys are deemed in need of additional tutoring; thus, the brash, young Irwin (Stephen Campbell Moore) is recruited to challenge them further. The subtle power games the boys used to their advantage with their previous tutors are of no use with Irwin, whose wit borders on the callous. Meanwhile, Irwin's presence -- and a hush-hush scandal -- forces all of the faculty members to reassess their position at the school. Hytner shot The History Boys shortly after the play's Broadway run, to capitalize on the enthusiasm and energy exhibited in the live shows. ~ Jason Buchanan, All Movie Guide
