Screen Name: karaz
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Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie's room, making him think there might be something to Frank's prophesies after all. The rest of Donnie's world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie's quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director's cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly's first cut of the film. ~ Mark Deming, All Movie Guide
A small-time pool shark with dreams of the big time seeks revenge against the mentor who did him wrong in this drama. Johnny Doyle (Mars Callahan) was a teenaged orphan when Joe (Chazz Palminteri) took him under his wing and taught him everything there is to know about shooting pool. Johnny became a genius with a cue, but while he dreamed of becoming a respected professional billiards player, Joe preferred to keep him working along the lower rungs of pool hustling. When Johnny learns just how far Joe has gone to keep him down, Johnny breaks away from him, but Joe and his thugs take revenge against Johnny by breaking his wrists. Tara (Alison Eastwood), Johnny's upper-crust girlfriend, urges him to get out of the pool racket, and Johnny grudgingly agrees, though he feels empty without the excitement of the table. Johnny renews ties with his younger brother Danny (Michael Rosenbaum), and begins to fear he's going to fall into the same sort of traps that snared him -- especially when he finds out that Joe has his eyes on Danny. Johnny decides to give pool playing another go, and teams up with Mike (Christopher Walken), who bankrolls hustlers and would like to take Joe down a notch or two. But Joe has found a new player, Brad (Rick Schroder), whose talent rivals Johnny's, and he's not sure if he knows a way to beat him on the green felt. Poolhall Junkies also features Rod Steiger in one of his final roles; the film didn't see theatrical release until nearly nine months after his death. ~ Mark Deming, All Movie Guide
A handful of disparate characters, both adults and children, find themselves navigating the tricky waters of intimacy in this award-winning independent comedy drama. Richard (John Hawkes) is a recent divorcé who is alternately exhilarated and terrified with his life and the world around him. While he believes great things are in store for him, he's also become so despondent about his wife's departure that he attempts to set his hand on fire. Richard meets Christine (Miranda July) at the shoe store where he works; Christine likes to paint a picture of herself as a stylish and confident video artist, but in truth she supports herself as a driver with a car service for the elderly, and she'd very much like to meet someone special. As Richard and Christine fumble their way into a relationship, Richard's two sons have issues of their own. Seven-year-old Robby (Brandon Ratcliff) has met someone in an Internet chat room who responds to his naïve and scatological perceptions of sex, while 14-year-old Peter (Miles Thompson) finds himself on the receiving end of unusual and unexpected attention from two girls in his class. Me and You and Everyone We Know was the first feature film written and directed by noted performance artist Miranda July; the picture won prizes in 2005 at the Cannes Film Festival and Sundance Film Festival. ~ Mark Deming, All Movie Guide
Directed by Shona Auerbach, Dear Frankie revolves around nine-year-old Frankie (Jack McElhone) and his mother, Lizzie (Emily Mortimer). The mother and son duo have been on the run for as long as Frankie, who has been deaf for years, can remember. In an effort to protect Frankie from the truth -- that a psychotic father, whose physical abuse caused his hearing loss, is at the root of their constant need to move from one home to the next -- Lizzie pens a series of letters from Frankie's "father" in hopes of assuaging his curiosity. However, when Frankie becomes convinced that his father is taking a break from his exotic adventures and making his way back home, Lizzie must make a tough decision: find another way to pacify Frankie's desire to meet his father or tell him the awful truth. ~ Tracie Cooper, All Movie Guide
Curtis Hanson's adaptation of Jennifer Weiner's novel In Her Shoes stars Toni Collette and Cameron Diaz as a pair of very close but very different sisters. Free-wheeling irresponsible Maggie Feller (Diaz) gets through her life thanks to her remarkable looks and her lack of scruples. She constantly goes to her straight-laced, plain-Jane successful lawyer sister Rose (Collette) for financial help. The two sisters have been very close to each other in part because their troubled mother died when they were girls. Right about the same time that Maggie discovers hidden letters that reveal she and Rose have a grandmother, Maggie does something to betray Rose's trust. Maggie sets off for Florida to find the grandmother. A failed workplace romance forces Rose to rethink her career, a career that has been the center of her life. As Rose tentatively begins a new relationship and Maggie gets to know her grandmother (played by Shirley MacLaine), the two learn a dark family secret that helps smooth the path toward reconciliation. ~ Perry Seibert, All Movie Guide
In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, All Movie Guide
In this independent drama, Ana (America Ferrera) is a bright and ambitious 18-year-old Latina who has just graduated from high school in East Los Angeles. Ana wants to broaden her horizons and go on to college, but her mother Carmen (Lupe Ontiveros) has other ideas; Ana's older sister Estela (Ingrid Oliu) oversees the family business, a dress factory, and Carmen has decided that Ana should put higher education on hold and go to work as a seamstress. When Estela loses four employees in a week, Ana reluctantly agrees to take a job at the factory to help her out, while she applies for college scholarships without her mother's knowledge. Ana's job at the dress factory proves to be a real eye opener; she gains a new respect for Estela's business acumen, but is also appalled by the low wages and unpleasant working conditions that are part and parcel of the garment industry. While Ana is not unattractive, she carries more than a few extra pounds, a subject her mother mentions at every available opportunity, and as Ana encourages her co-workers at the shop to stand up for themselves and gain a greater perspective of their own worth, she takes a long hard look at her own self-image. Real Women Have Curves won the Audience Award at the 2002 Sundance Film Festival, while actresses America Ferrera and Lupe Ontiveros received a Special Jury Prize at the same festival for their performances. ~ Mark Deming, All Movie Guide
Writer/director Paul Thomas Anderson followed his critical and commercial breakthrough Boogie Nights with this wildly ambitious story of lives intertwining on a single day in California's San Fernando Valley. Earl Partridge (Jason Robards), a successful producer of television game shows, left his wife when she contracted cancer to marry the younger and more beautiful Linda (Julianne Moore). Now, Earl has cancer himself, and Linda spends her day fetching medicines and trying to deal with the imminent death of her husband, whom she has only now come to love. Earl asks his nurse Phil (Philip Seymour Hoffman) to arrange a meeting with his estranged son, Frank Mackey (Tom Cruise), known for his self-help program "Seduce and Destroy," in which he preaches the importance of male sexual prowess; he cared for his mother after Earl left her, and he has no desire to see his father again. Earl's best-known show is hosted by Jimmy Gator (Philip Baker Hall), who also learns that he is dying. Jimmy's show pits bright adults against unusually smart kids; one of Jimmy's child contestants, Stanley (Jeremy Blackman), arrives late for a taping after being left stranded by his father Rick (Michael Bowen), who is supported by his more successful son. Meanwhile, Donnie Smith (William H. Macy), who was a champ on Jimmy's show as a child, is not having as much luck as an adult; he's just lost his job and needs to pay for some expensive dental work. Jimmy wants to reconcile with his estranged and emotionally fragile daughter Claudia (Melora Walters), who despises him and who will become involved with well-meaning police officer Jim Kurring (John C. Reilly), who has been desperately lonely since his divorce three years ago. Magnolia reunites much of the cast and crew of Boogie Nights and features eight original songs by singer/songwriter Aimee Mann and a musical score by Jon Brion. ~ Mark Deming, All Movie Guide
