Paul Newman

Wanna see a movie in 3 minutes? Then Adventure 1: Trailers on Tape is right up your alley. Here is a collection of some of Hollywood's finest "trailers" -- not the mobile-home variety, but instead those "previews of coming attractions" reels that have whetted viewers' appetites over the past six decades. This volume features the original theatrical trailers for such classics as Lost Horizon (1937), The Wild One (1954), From Russia With Love (1964), Torn Curtain (1965) and Wild in the Streets (1968). Forty titles in all are represented in this entertaining blast from the past. ~ Hal Erickson, All Movie Guide

First published in early 1956, Mark Harris' baseball novel Bang the Drum Slowly was swiftly adapted for television; on September 24, 1956, a streamlined 60-minute version of the Harris novel was telecast live on The US Steel Hour. Paul Newman plays Henry Wiggen, a slang-happy, unabashedly self-promotional pitcher for the fictional New York Mammoths. Wiggen spends a great deal of his free time protecting his dimwitted roomate, catcher Bruce Pearson (Albert Salmi), from being dropped from the team. It's not that Henry is overly fond of Bruce; it's simply that he knows (but the rest of the team doesn't) that Bruce is dying of Hodgkin's disease. This TV adaptation remains faithful to the first-person singular style of the novel by having Henry periodically step "out" of the drama to address the audience: this device is most effective at the finale when, after tearfully recalling the "ragging" he often gave his now-deceased teammate, Henry sobs "From here on, I rag nobody." A very young George Peppard appears as Piney Woods, the country-boy ballplayer who sings the ballad from which the drama's title is derived. A kinescoped version of Bang the Drum Slowly was included in the 1981 PBS anthology The Golden Age of Television. Harris' novel was later adapted into a 1973 theatrical feature, starring Michael Moriarty as Henry and Robert De Niro as the "doom-ded" Bruce. ~ Hal Erickson, All Movie Guide

Blaze is a comic-strip re-telling of the curious late-1950s relationship between famed striptease artist Blaze Starr (Lolita Davidovitch) and Lousiana governor Earl Long (played in gorgeously flamboyant fashion by Paul Newman). Their romance is counterbalanced with the story of Long's efforts to win voting rights for Louisiana's black citizens. The governor's political enemies ruin his chances at re-election, then try to put him out of the way permanently with a trumped-up insanity charge. But with faithful Blaze at his side (and in close proximity to other portions of his anatomy), Long confounds his foes by winning a congressional seat. On the eve of this triumph, Earl Long dies, bringing this boisterous story to a sobering conclusion. Since the film is based on Blaze Starr's own reminiscences, one might prepare oneself with several grains of salt. The real Blaze Starr shows up early in the film as a stripper named Lily. ~ Hal Erickson, All Movie Guide

Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide

This dynamic and commanding adaptation of Tennessee Williams' Pulitzer Prize-winning play focuses on a troubled Southern family and the discord over their dying father's millions. Wealthy plantation owner Big Daddy Pollitt (Burl Ives), celebrating his 65th birthday, is visited by his sons, Brick (Paul Newman) and Gooper (Jack Carson). He has cancer, but a doctor has deliberately and falsely declared it in remission. Seemingly perfect son Gooper and his wife, Mae (Madeleine Sherwood), have several children and are anxiously expecting to inherit Daddy's millions. By contrast, Big Daddy's "favorite," Brick, is a has-been football star who's taken to drinking his days away since the suicide of his "best friend" a year earlier. He resents his wife, Maggie (Elizabeth Taylor), because he believes that she had an affair with his deceased friend. As a result, he refuses to sleep with her, although she remains devoted to him. Since Brick and Maggie have failed to produce any grandchildren, Big Daddy is inclined to leave his estate to Gooper, but Maggie attempts to prevent that by telling him that she is pregnant. Big Daddy knows better, yet he recognizes that Maggie loves Brick so much that she would be willing to do anything for him. Although Brick is self-destructive and resentful, unable to come to terms with his losses, it takes Big Daddy's recognition of his own mortality to make Brick change his perspective. Brick's struggle with his sexual identity, and the nature of his relationship with his "friend," had to be toned down for mass consumption, although this intelligently written and acted film covers such topics as infertility, adultery, and alcoholism that were still considered taboo in the 1950s. Newman brings depth and feeling to the role as Brick, while Taylor succeeds brilliantly in portraying Maggie as a passionate and understanding woman despite her own real-life emotional turmoil over the death of her husband at the time, producer Mike Todd. ~ Don Kaye, All Movie Guide

This documentary video looks at the preparations for the Normandy invasion. Narrated by Paul Newman, both parts are about the 84th Infantry Division fighting in Belgium. ~ All Movie Guide

Two Southern railroad workers drive a train engine to Chicago to protest the closing of the station in Clifford, Arkansas. Will Haney (Wilford Brimley) and his friend Leo Pickett (Levon Helm) steal the engine and hope to confront the company president to prevent the shutdown. The duo gathers encouragement at every hamlet along the way as entire towns come out to lend support for the cause. The company tries to use the rural rubes to their promotional advantage, but Haney and Pickett take a stand and win an audience with aging company figurehead Thomas Clinton (Henderson Forsythe). Clinton takes a liking to the two activists and agrees to let himself be kidnapped back to Clifford. Mary Steenburgen, Kevin Bacon, and Barbara Barrie co-star in this routine but entertaining moral melodrama. ~ Dan Pavlides, All Movie Guide

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide

This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide

Harry (Paul Newman), a middle-aged hardhat, has trouble communicating with his teenaged son Howard (Robby Benson). While Harry wants Howard to find a bread-and-butter job, the sensitive boy would rather pursue a writing career. Howard tries his best to please his dad, but ultimately realizes that he must march to his own beat if he's to find lasting happiness. The best scenes in this by-the-numbers domestic drama are those between Howard and his pregnant girlfriend (Ellen Barkin). Adapted from The Lost King, a novel by Don Capite, Harry and Son represents one of the rare occasions that star Paul Newman directed himself (at least officially!) ~ Hal Erickson, All Movie Guide

Having been burned by compromises to censors on his earlier films Cat on a Hot Tin Roof and Sweet Bird of Youth, Paul Newman decided to star in as uncompromising a property as he could find. That property was Hud, inspired by a portion of Larry McMurtry's novel, Horseman Pass By. Hud Bannon (Newman) is a young Texas rancher who lives with his cattleman father Homer (Melvyn Douglas) and his hero-worshipping nephew Lon (Brandon DeWilde). Hud is an amoral, cold-hearted creature; his father, who holds Hud responsible for the death of his other son, tries to imbue Lon with a sense of decency and responsibility to others, but Lon is devoted to Hud and isn't inclined to listen. When hoof and mouth disease shows up in one of the elder Bannon's cows, Hud is all for selling the herd before the government inspectors find out. But Homer orders the cattle destroyed (the film's most harrowing sequence), driving an even deeper wedge between himself and Hud. Finally, Hud steps over the line by attempting to rape Alma (Patricia Neal), the earthy but warm-hearted housekeeper. Paul Newman was so repellantly brilliant as an unregenerate heel that his Oscar nomination for Hud was a foregone conclusion. Although Newman lost the Oscar to Sidney Poitier in Lilies of the Field, Oscars did go to Neal for Best Actress, Douglas for Best Supporting Actor, and cinematographer James Wong Howe. ~ Hal Erickson, All Movie Guide