Steve Buscemi

In the 2004 presidential election, Ohio became the state that decided who would lead the nation for the next four years; throughout the campaign, both George W. Bush and John Kerry realized it was a key "swing state" which could go to either candidate, and they devoted much of their time and resources to bringing in the vote in the Buckeye state. The controversies of the 2000 election led many to suspect that voter fraud could be a possibility, and many were watchful for tampering of voting machines or registration rolls. Filmmakers James D. Stern and Adam Del Deo brought their cameras to Ohio for the final weeks of the election, and ...So Goes the Nation is a documentary which offers a detailed look at both Bush and Kerry's campaign staffs as they make the final push toward victory or defeat. While examining the possibilities of election tampering, ...So Goes the Nation primarily concerns itself with the differences between the campaign styles of the candidates and how their behind-the-scenes staffs struggles to swing voters to their man, with Kerry concentrating on domestic issues of economics, health, and security while Bush spoke of the war on terror and Kerry's alleged "flip flopping" and service record in Vietnam. ...So Goes the Nation received its World Premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

In this romantic comedy, a journalist who's become too much the life of the party finds a new lease on life in a drug and alcohol treatment center. New York newspaper columnist Gwen Cummings (Sandra Bullock) has a fondness for liquor, a boyfriend (Dominic West) with a similar taste for the bottle, and a party girl image that camouflages plenty of emotional baggage. At the wedding of her sister (Elizabeth Perkins), Gwen's pursuit of a good time goes a bit too far when she topples the wedding cake and steals the bridal party's limousine. The result is a court-ordered, 28-day stay in a rehabilitation facility for drug and alcohol abusers. Gwen's failure to get with the program causes her to butt heads with the clinic's director (Steve Buscemi), but her attitude begins to change when she meets Eddie Boone (Viggo Mortensen), a baseball player trying to deal with his substance abuse problems. Diane Ladd, Marianne Jean-Baptiste, and Azura Skye play Gwen's fellow rehab inmates, and legendary roots rock band NRBQ performs at the wedding reception. ~ Mark Deming, All Movie Guide

Actor-turned-director Steve Buscemi follows up on his restrained 1996 directorial debut Trees Lounge (1996) with this gritty, understated prison drama. Twenty-one-year-old suburban kid Ron (Edward Furlong) got busted for dealing drugs and slapped with an especially severe jail sentence. Though he tries to keep a low profile at prison, he soon attracts unsavory attention of various sex-starved goons. Fearing rape, he appeals directly to Earl (Willem Dafoe), a fellow prisoner who runs the place like it was his own fiefdom. Though Ron's request is strictly against this rarified culture's baroque rules, Earl takes him under his wing, and soon he is a part of Earl's inner circle. Slowly Ron learns the breadth of Earl's power, ranging from the easy procurement of drugs to the violent dispatching of a prisoner who gets out of line. As Ron grows increasingly indebted to Earl, he wonders how he is expected to repay him. Yet Earl, who shows his fondness for the lad with fatherly tenderness counterbalanced with repressed yearning, never pushes his advantage. Other members of the cast include Tom Arnold as a salivating hill-billy and an almost unrecognizable Mickey Rourke as a cross-dressing prison queen. This film was highly praised at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

Prospective parents everywhere, meet the world's least likely paternal role model: Adam Sandler! In Big Daddy, Sandler plays 30-year-old bachelor Sonny Koufax, a carefree slob who has never much taken to adult responsibilities; he works one day a week as a tollbooth collector, and spends the remainder of his time living off of a $200,000 reward he collected from an auto accident. All told, the life suits him just fine. However, as his old buddies start getting married and drifting away, Sonny realizes that if he doesn't do something soon, he could end up all alone for the rest of his life. When his most recent girlfriend, Vanessa (Kristy Swanson), indicates that she needs some time off because she's sick of being with a man who can't act like a grown-up, he decides that it's time to take drastic action to win her back. Conveniently enough, a little boy named Julian (Cole Sprouse and Dylan Sprouse) turns up on his doorstep, claiming that he's the biological son of Sonny's roommate and friend from law school, Kevin (Jon Stewart). The kid tells Sonny that he's from Buffalo, New York; Kevin has never been to Buffalo, New York, but no matter - Sonny foresees, in Julian, an opportunity to convince Vanessa that he can face adult responsibilities. He thus takes charge of the little boy over a long Columbus Day weekend, pretending to be Kevin. However, the plan doesn't work as expected, and the authorities hone in on a discovery of Sonny's real identity. Meanwhile, Sonny finds himself genuinely drawn to the tyke. Also supporting Sandler in Big Daddy are Joey Lauren Adams, Josh Mostel and Rob Schneider. ~ Mark Deming, All Movie Guide

Master of infantilism Adam Sandler stars as the title character, an overgrown rich kid who wiles away his days poolside, swilling kegs of beer and appreciating fine nudie magazines such as "Drunk Chicks" -- that is, until his father (Darren McGavin) decides to test his mettle as future head of the family business by posing a challenge: retake and pass grades K-12 in 24 weeks or watch control of the business pass to the requisite conniving underling (Bradley Whitford). Forced into action, Billy vows to change his drunken ways. He enrolls in kindergarten, makes new friends, pelts pint-sized kids with playground balls and develops a love interest in a pretty teacher (Bridgitte Wilson). The action culminates in an academic showdown between Billy and the purportedly Harvard-educated underling for the future of the family enterprise -- no small feat for a man fresh out of the first grade. There's gross, moronic, off-color low humor galore in Billy Madison, particularly in one subplot involving a romantically forward elementary school principal (Josh Mostel, son of theater great Zero Mostel) and his secret former life as a professional wrestler; another scene includes the hypertense school bus driver (Chris Farley, in a typical over-the-top cameo) lying in the meadow with a hallucinatory penguin. As one might suspect, Billy Madison is not for every taste; Sandler fans will laugh from start to finish; others beware. ~ Jeremy Beday, All Movie Guide

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide

Jim Jarmusch's black-and-white feature Coffee and Cigarettes contains three vignettes originally released as short films along with separate yet somewhat related sketches. As the title suggests, most of the vignettes involve famous people smoking cigarettes and drinking coffee. The first, "Coffee and Cigarettes," is a six-minute short from 1986 starring Stephen Wright and Roberto Benigni. The 1989 installment, "Memphis Version," stars Steve Buscemi, Joie Lee, and Cinqué Lee. The award-winning 1993 segment, "Somewhere in California," stars musicians Iggy Pop and Tom Waits. The remaining sketches include Cate Blanchett performing a duel role, a conversation with Bill Murray and members of the Wu-Tang Clan, and Alfred Molina and British television actor Steve Coogan as themselves. In its full-length version form, Coffee and Cigarettes was shown at the 2003 Venice Film Festival. ~ Andrea LeVasseur, All Movie Guide

Writer/director Tom DiCillo's satire Delirious (2006) eviscerates Hollywood celebrity and celebrity types with a relentlessly dissecting gaze and take-no-prisoners humor. DiCillo mainstay Steve Buscemi stars as Les Galantine, a sleazy and merciless tabloid photographer from the Big Apple, whose most noteworthy accomplishments are an image of Goldie Hawn eating lunch and one of Elvis Costello sans any headwear. Les is hoping desperately for his ticket in -- which he perceives as a prize shot of pop sensation K'Harma Leeds (Alison Lohman) as she's departing from a local club. He finds that ticket -- sort-of -- in the form of Toby (Michael Pitt), a homeless young man with serious acting aspirations, who has a very brief exchange with K'Harma under his belt. Toby uses that exchange to finagle his way to an assistantship under Galantine, and the two team up for a stakeout, managing to swing 700 dollars for a photo of a celebrity who is recovering from penis surgery. While DiCillo cuts between the adventures of the two men and the vapid lifestyle of the untalented hack K'Harma, Toby begins his meteoric rise to the top of the Hollywood trash heap by attending a Soap Stars Against STD Convention, where he not only meets and impresses a big-shot casting director (Gina Gershon) but runs into K'Harma once again -- recently split from her beau -- and finds his way into her bed, setting the stage for his own ascent to superstardom. ~ Nathan Southern, All Movie Guide

A documentary profile of filmmaker John Waters, Divine Trash focuses on the bad-taste pioneer's early years, especially his 1972 breakthrough Pink Flamingos, which turned the director of Mondo Trasho and Multiple Maniacs into the king of midnight movies thanks to word of mouth about the film's gleeful taboo-bashing -- and a distribution deal with the fledgling New Line Cinema. Interviews with filmmakers who both influenced Waters (Paul Morrissey, Herschell Gordon Lewis, Mike Kuchar, George Kuchar) and were influenced by him (Steve Buscemi, Jim Jarmusch, David O. Russell, Hal Hartley) are interspersed with copious behind-the-scenes footage from the making of Pink Flamingos, including the infamous doggy-doo scene. Through it all, the witty Waters provides commentary, recollections, and one-line quips. Pete Garey, owner of the film lab where Waters learned the technical side of moviemaking, recalls his first meetings with the youthful auteur. Mink Stole and other Dreamland Studios superstars reminisce about growing up in suburban Baltimore with Waters, who as a youngster loved car crashes, puppets, and clowns. The director's strait-laced parents reminisce about the financial support they provided for Pink Flamingos, which they have never seen. Neither has Frances Milstead, who looks back on the career of her late son, drag terrorist and Waters muse Divine. Divine and late "egg lady" Edith Massey crop up in various archival interviews and film clips. The man who played the "talking asshole" in Pink Flamingos also appears, albeit anonymously and disguised. Various film theorists and critics debate the merits and meaning of the Waters oeuvre, while Baltimore critic Don Walls and former Maryland film censor Mary Avara express their incredulity about the director's success. Divine Trash won the Filmmakers Trophy for Best Documentary at the 1998 Sundance Film Festival. Director Steve Yeager, a longtime friend of Waters, would go on to direct In Bad Taste: The John Waters Story and help Milstead write a book about her son. ~ Brian J. Dillard, All Movie Guide

A cop tries to sort out his personal life while a wave of odd behavior sweeps through his apartment building in this quirky comedy. Ray Pluto (Dennis Leary) is a New York City police detective who has been in an emotional slump since his wife and daughter died in an accident several years ear. Ray's mood isn't lightened at all when he and his partner Jerry Cubbins (Steve Buscemi) stop into a fast food restaurant just as an armed robbery is taking place. Ray throws out his back while reaching for his gun and drops the weapon; a child who picks up the gun and kills the intruders is declared a hero in the press, while Ray is dubbed "the loser cop." Put on medical leave, Ray sinks deeper into a funk until he starts seeing a chiropractor for his bad back; the beautiful Dr. Ann Beamer (Elizabeth Hurley) begins kneading the kinks out of Ray's spine and starts him thinking about a new romance. Meanwhile, Juan Benitez (Luis Guzman) is the superintendent of Ray's apartment building, and he's not been getting along well with his teenage daughter Maribel (Melonie Diaz), who has a wild streak and refuses to obey her father's strict rules. Maribel is no happier with her father, and decides to do something about their relationship -- she hires two men to assassinate her dad. And elsewhere in the same building, a pair of would-be screenwriters (Donald Faison and Keith Knobbs) wants to ensure the realism of their cops-and-robbers story by going on a little crime spree of their own. Double Whammy had its world premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Escape from L.A. finds Kurt Russell once again in the role of Snake, which he played in the 1981 film, Escape from New York. Los Angeles has finally had the really big earthquake everyone was afraid of, and what remains is now an island. Because the country's ultra-righteous President-for-Life (Cliff Roberton) wants it that way, all the weirdos and freaks that previously inhabited New York in large numbers, and the rest of the U.S. in smaller concentrations, have been quarantined on the island of L.A. The president has Snake taken from the nice, decent prison he was living in for a special mission in L.A. The president's daughter has joined the resistance movement determined to overthrow his one-man rule, and has stolen his secret "black box" (a doomsday machine) to boot. Snake is given a poison which will kill him in a few hours unless he returns to the president for the antidote. His mission is to recover the black box and kill the president's daughter. ~ Clarke Fountain, All Movie Guide