Paul Henreid Movies
Some sources list actor Paul Henreid's birthplace as Italy. In fact, at the time of his birth, Henreid's hometown of Trieste was still part of the Austro-Hungarian empire. Of aristocratic stock, Henreid felt drawn to theatrical activities while attending college. He briefly supported himself as a translator before Max Reinhardt's assistant Otto Preminger officially discovered him and launched his stage career. Still billed under his given name of Von Hernreid, he made his film debut in a 1933 Moroccan production. Relocating to England in 1935, he was often as not cast as Teutonic villains, most memorably in the 1940 melodrama Night Train.In 1940, Henreid became an American citizen--and, at last, a leading man. Henreid's inbred Continental sophistication struck a responsive chord with wartime audiences. He spent his finest years as an actor at Warner Bros., where he appeared as Jerry Durrance in Bette Davis' Now Voyager (1942), as too-good-to-be-true resistance leader Victor Lazslo in Casablanca (1942), and as troubled medical student Philip Carey in the 1946 remake of Of Human Bondage (1946). Henreid exhibited a great deal of vivacity in such swashbucklers as The Spanish Main (1945), Last of the Buccaneers (1950) and The Siren of Bagdad (1953); in the latter film, the actor engagingly spoofed his own screen image by repeating his lighting-two-cigarettes bit from Now Voyager with an ornate water pipe. He was also an effective villain in Hollow Triumph (1948, which he also produced) and Rope of Sand (1949).
Henreid's star faded in the 1950s, a fact he would later attribute (in his 1984 autobiography Ladies Man) to the Hollywood Blacklist. He turned to directing, helming such inexpensive but worthwhile dramas as For Men Only (a 1951 indictment of the college hazing process) and A Woman's Devotion (1954). One of his best directorial efforts was the 1964 meller Dead Ringer, starring his former Warners co-star (and longtime personal friend) Bette Davis. In addition, Henreid directed dozens of 30- and 60-minute installments of such TV series as Alfred Hitchcock Presents and Maverick. His last on-camera appearance was as "The Cardinal" in Exorcist 2: The Heretic (1977).
Henreid married Elizabeth Gluck in 1936, with whom he had two daughters, Monica Henreid and Mimi Duncan. On March 29, 1992, he died of pneumonia, following a stroke, in Santa Monica, California. ~ Hal Erickson, All Movie Guide
- 1956
Battle Shock and War Shock were the titles bestowed by British distributors upon the Paul Henreid-directed psychological drama A Woman's Devotion. Ralph Meeker stars as Trevor Stevenson, an emotionally scarred World War II veteran who has channelled his fears and phobias into his painting. At present, he is in Acapulco on his honeymoon with bride, Stella (Janice Rule). Shortly after Trevor's arrival, two women are murdered. The audience is presented with a "lady or the tiger" situation, with clues pointing to Trevor's guilt or innocence depending upon one's point-of-view. Henreid cagily avoids telling us the whole story -- continuing to withhold information right up to the grim finale. Trevor's behavior in the climactic scenes is an interesting precursor to the "crazed Vietnam vet" school of drama. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Meeker, Janice Rule, (more)
- 1955
Paul Henreid was light-years removed from Now Voyager and Casablanca when he starred in the Columbia costume cheapie Pirates of Tripoli. Henreid is cast as Edri-Al-Gadrian, a bold buccaneer who comes to the rescue of Princess Karjan (Patricia Medina). Much of the action footage is culled from earlier Columbia pirate epics, which explains the variety of costumes worn by the good and bad guys. Despite his reduced surroundings, Henreid seems to be having more fun than usual in his role. The remainder of the cast is comprised of such B-flick regulars as Paul "Tiny" Newland, John Miljan and William Fawcett, the latter eschewing his standard grizzled-old-propector characterization to portray a grizzled old street beggar. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Patricia Medina, (more)
- 1954
Though set in Germany, the 1954 musical melodrama Cabaret bears no relation to the 1972 film of the same name. The gossamer-thin plotline involves a famed singer-composer (Paul Henreid), his wife (Eva Kerbler) and his mistress (Elma Karlowa). Hoping to effect a reconciliation with his wife, the composer is prevented from doing so by the intervention of WWI. The story exists only as a peg upon which to hang a series of musical numbers, nostalgically staged in pre-1914 fashion. Curiously, only two old-time song hits are heard; the rest are new compositions, many of them written by director Willi Forst. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Eva Kerbler, (more)
Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Helen Traubel, (more)
- 1953
Paul Henreid stars in the compact British noir thriller Man in Hiding. Henreid plays a detective, out to capture a slippery murderer. At one point, our hero is forced by circumstances to elude the law himself. Future "Miss Moneypenny" Lois Maxwell, former "Saint" Hugh Sinclair, and Kieron Moore costar. For the record, in later years Henreid would claim that he did so many inexpensive foreign films in the 1950s because he'd been politically blacklisted in the US; who are we to doubt him? Man in Hiding was also released as Man-Trap. ~ Hal Erickson, All Movie Guide
- 1953
In this thriller, an imprisoned psycho killer's wife tries to start a new life. She changes her name and marries again. Her true identity is known only by her employer. The trouble begins when the killer escapes from prison. A detective pursues him and discovers that the killer is perfectly sane and is only trying to find the man who framed him. He then discovers that the woman's employer is the real murderer, and fortunately, he is killed during the final chase. ~ Sandra Brennan, All Movie Guide
- 1953
Everyone involved with Siren of Bagdad decided early on that this adventure could never be taken seriously; thus it's played strictly for laughs, and actually earns a few. Paul Henried stars as an Arabian-Nights magician who becomes involved with a passel of harem girls and an usurping sultan. We know what to expect from the rest of the film when, in the very first scene, Henried burlesques his Now Voyager role by smoking two hookahs, then handing one to a lady friend ("Nine out of ten Arabian doctors recommend this brand"). As Henried's comic sidekick, Hans Conried is forced to deliver such lines as "Excuse me, sir; I know they haven't been invented yet, but have you got a match?" Hardly a gut-buster, Siren of Bagdad is fitfully amusing if you're willing to go along for the ride. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Patricia Medina, (more)
- 1952
Brilliant plastic surgeon Philip Ritter (Paul Henreid) loses the love of his life, concert pianist Alice Brent (Lizabeth Scott), to her manager, David (Andre Morell). As a balm to his wounded pride, Dr. Ritter Henreid makes over a hideously scarred female criminal into the spitting image of the woman who jilted him (the girl is played by Mary McKenzie "before," and, of course, by Lizabeth Scott "after"). Alas, he cannot make over her personality as well, and soon she's run off with her own crooked crowd. A not-bad precursor to Hitchcock's Vertigo, A Stolen Face was produced by Britain's Hammer Films, and distributed in the U.S. by Lippert. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Lizabeth Scott, (more)
- 1952
Generous portions of stock footage from 1948's Joan of Arc are somehow worked into the Arabian Nights proceedings of Thief of Damascus. His tongue firmly in cheek, Paul Henreid plays the title character, aka Abu Amdar. The plot has something to do with an evil desert chieftain (John Sutton) who agrees to end his siege of Damascus if Princess Zafir (Helen Gilbert) will promise to marry him. Abu Amdar and his band of followers hope to rescue the Princess from this grisly fate. That Thief of Damascus is not to be taken seriously is demonstrated by the supporting cast, which includes an impish Robert Clary as Aladdin and an oafish Lon Chaney Jr. as Sinbad. Stealing the show is Ms. Jeff Donnell as Scheherezade, who insists upon rattling off her 1001 stories to everyone in earshot, whether they want to hear them or not! ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, John Sutton, (more)
- 1952
Also known as The Tall Lie, For Men Only was a hard-hitting if somewhat gratuitous expose of college fraternity "hazing." A young man is rushed by a popular and well-established frat, only to discover that part of the initiation ceremony requires him to kill a puppy. He drops out of the fraternity and tells the world its "secrets". The fraternity leader, played by Russell Johnson, organizes a campaign to drive the pledge off the campus--which results in the pledge's death. Professor Paul Henried investigates, and learns that the fraternity's ties to the business community are so strong that he can do nothing to stop the cruelty of the hazing process. Henried's only recourse is to expose arrogant frat leader Johnson as a coward with feet of clay--which he does, in a breast-beating scene that will surprise those who know Russell Johnson only as the mild-mannered "Professor" on Gilligan's Island. Made inexpensively, For Men Only is competently directed by star Paul Henried. The only question is: Why should the non-collegiates in the audience care anything about the iniquities of fraternity life? ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Robert Sherman, (more)
- 1951
Filmed on location, the Franco-American co-production Pardon My French stars Merle Oberon and Paul Henreid. Oberon is cast against type as Elizabeth Rockwell, a staid Bostonian schoolmarm who insists that all "squatters" remove themselves from the French chateau she's just inherited. The head squatter Paul Rencourt, played by Henreid, turns on his patented charm in hopes of deflecting Rockwell from her eviction plans. It so happens that the widowed Rencourt is the father of five precocious children, who despite their appalling behavior eventually endear themselves to Rockwell. Director Bernard Vorhaus was blacklisted not long after Pardon My French was released; the reasons, of course, were political, and had nothing to do with the quality of the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Merle Oberon, (more)
- 1950
Actor Paul Henreid made his directorial debut with the well-intentioned So Young, So Bad. The scene is a correctional home for delinquent girls, where sadistic warden Riggs (Cecil Clovelly) and head matron Beuhler (Grace Coppin) rule with an iron fist. Compassionate psychiatrist Dr. Jason (Paul Henreid) and assistant superintendent Ruth Levering (Catherine McLeod) disagree with the brutal disciplinary methods advocated by Riggs and Buehler. Dr. Jason is a proponent of kindness and occupational therapy, and Ruth agrees. But as long as the institutionalized girls are afraid to speak up before a board of inquiry, Jason can do nothing about their mistreatment. Fortunately, one of the girls, Loretta (Anne Francis) decides "enough is enough". Featured in the cast of So Young, So Bad is young Rosita Moreno, who went on to fame and fortune after changing her first name to Rita. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Catherine McLeod, (more)
- 1950
Generous amounts of stock footage from 1950's Fortunes of Captain Blood made its way into the Sam Katzman production Last of the Buccaneers. Paul Henreid plays famed buccaneer Jean Lafitte, who, after being chased out of Louisiana following the Battle of New Orleans, sets up shop on the island of Galveston. The American authorities leave Lafitte alone, so long as he confines his raids to Spanish vessels. But when one of Lafitte's lieutenants attacks an American ship, it's open season on the handsome pirate. Though Karin Booth is the nominal leading lady, second billing in The Last of the Buccaneers is bestowed upon Jack Oakie, who makes the most of the few comic opportunities he is given. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Jack Oakie, (more)
- 1949
Producer Hal Wallis evidently hoped to recapture the magic of his earlier Casablanca with 1949's Rope of Sand. To that end, he hired three of Casablanca's supporting players: Paul Henreid, Claude Rains, and Peter Lorre. This time, Henreid is the villain, a sadistic police inspector named Paul Vogel. Stationed somewhere in Africa, Vogel hopes to find a legendary lost diamond field. His principal rival in this endeavor is jewel thief Mike Davis (Burt Lancaster), who continues bouncing back from every death trap lain for him by the ill-tempered Vogel. The scenes in which Davis is subjected to various physical tortures is pretty raw for a 1940s film. Claude Rains co-stars as a diamond syndicate head misleadingly named Toady, while Peter Lorre does his shifty-mercenary act. Billed ninth as the nominal heroine is Hal Wallis' latest discovery, French actress/singer Corinne Calvet. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Paul Henreid, (more)
John Muller (Paul Henreid), an intelligent, arrogant criminal who has been a medical student and a phony psychoanalyst, believes that people are only interested in themselves and do not notice what is happening around them. Paroled from prison to a boring job, Muller is more interested in a big score, and along with his old cronies robs a crooked gambling joint owned by Rocky Stansyck (Thomas Brown Henry). Although he gets away with the money, some of his men are caught by Stansyck and identify John as the ringleader. On the run from Stansyck's gang, he is mistaken for Dr. Bartok, a psychiatrist also played by Henreid. Curious, Muller goes to the doctor's office, and meets Bartok's secretary and lover, Evelyn Nash (Joan Bennett). Needing to avoid capture, he assumes Bartok's identity, but first must scar his face like the doctor's. Working from a photograph printed from a reversed negative, he applies the scar to the wrong side. Though fooled at first, when Evelyn discovers the truth, she decides to leave, although she is in love with Muller/Bartok. Steve Sekely's Hollow Triumph (aka The Scar) is a film that requires an exceptionally hefty suspension of disbelief in its reliance on coincidence and the literal acceptance of Muller's cynical view of human blindness. ~ Steve Press, All Movie Guide
- Starring:
- Paul Henreid, Joan Bennett, (more)
- 1947
Song of Love is the MGM-ified version of the lives and loves of 19th century musicians Clara Wieck Schumann (Katharine Hepburn), Robert Schumann (Paul Henreid) and Johannes Brahms (Robert Walker, who the previous year had played another composer, Jerome Kern, in Til the Clouds Roll By). Clara gives up her thriving career as a concert pianist to devote herself to her struggling composer husband Robert. Unable to cope with disappointment and failure, Robert dies in an asylum, leaving poor Clara to cope with seven children and mounting debts. At this point, the eminently successful Brahms, who has loved Clara all along, proposes to her, but Clara insists upon going it alone, perpetuating her husband's memory on the concert stage. Also represented in this musical "through the years" pageant is Franz Liszt, played with remarkable understatement by Henry Daniell. Clearly designed to capitalize on the popularity of Columbia's Chopin biopic A Song to Remember, Song of Love is slow and poky at times, though it's fascinating to see Katharine Hepburn at the piano (reportedly, she learned to play enough classical music to get by in the close-up scenes, though her music is dubbed in medium and long shots). ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Paul Henreid, (more)
- 1946
This second film version of Somerset Maugham's classic novel stars Paul Henreid as a clubfooted, introverted medical student--an Englishman in the novel, but not in the hands of the mittel-European Mr. Henried. Eleanor Parker is featured as Mildred, the vulgar, brassy cockney waitress in whom Henreid is foolishly enamored. The role of Mildred had made Bette Davis a star in the 1934 version of Bondage; the magic didn't happen for poor Ms. Parker, who'd spend several years in variable parts before achieving full stardom. The subject matter of the original Maugham novel, which explored how sexual obsession can ruin an otherwise rational man, was missing in the 1946 version thanks to timorous studio censors. To quote Alexis Smith, who played the second female lead, "The remake of Of Human Bondage shouldn't have been made." This 1946 version would disappear completely from view upon the occasion of the third filmization of Of Human Bondage in 1964, wherein Kim Novak was pathetically miscast as Mildred. ~ Hal Erickson, All Movie Guide
- Starring:
- Eleanor Parker, Paul Henreid, (more)
- 1946
Deception is an operatic rehash of the 1929 film Jealousy. Music teacher Bette Davis--who evidently has a large student pool, judging by the size of her penthouse apartment--is reunited with her cellist lover Paul Henreid, whom she believed to have been killed in the war. Henreid wants to marry Davis, but he is unaware that she has, for the past several years, been the "protege" of composer Claude Rains. Rains agrees to keep quiet about his affair with Davis, but takes sadistic delight in tormenting the woman and working behind the scenes to sabotage Henreid's career. When Rains tells Bette of his plans to publicly humiliate Henreid, she shoots her ex-lover dead. Henreid agrees to stand by Davis no matter what is in store for her. Director Irving Rapper had originally wanted to treat the hoary plot twists of Deception comically, with the three principals walking off together at the end with a "what the hell?" attitude. He was tersely told to stick to the script; after all, people didn't pay to see Bette Davis but to see her suffer. Like the 1929 version of Jealousy, Deception was based on a play by Louis Verneuil. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Paul Henreid, (more)
- 1945
Roundly blasted upon its release because of the extreme liberties it takes with the truth, Devotion is better as cinema than as history. Not that it's great cinema, mind you, mainly because the filmmakers opted to replace historical fact with either tired dramatic clichés or wild improbabilities. As an example of the latter, the film posits that Paul Henreid's character, who is a standard-issue film romantic hero (troubled, but understandably so), is the inspiration for two of the most passionate, fiery characters in the canon of English literature. Arthur Kennedy as brother Bramwell is much more passionate and fiery, a fact which tends to further muddle things up. The generic setting is also disappointing; these ladies wrote as they wrote because of where they lived and how they lived, but little of this makes it to the screen. Fortunately, Devotion has Olivia de Havilland and Ida Lupino on hand. De Havilland is quite good, grabbing hold of whatever she can find in the script and milking it for all it's worth. Lupino does even better, often making this standard-issue (at best) writing seem engaging and moving. As indicated, Kennedy also makes things work for him, and Nancy Coleman does what she can with the little she is handed. Erich Wolfgang Korngold's score provides plenty of the atmosphere that Curtis Bernhardt's direction often lacks. Ultimately, Devotion's assets, particularly Lupino and de Havilland, manage to squeeze it into the winner's column -- but it's a pretty close call. The film was produced in 1943, hence the presence of Montagu Love, who died that year. ~ Craig Butler, All Movie Guide
- Starring:
- Ida Lupino, Paul Henreid, (more)
- 1945
RKO Radio's first film in the three-color Technicolor process was the standard-issue swashbuckler The Spanish Main. Paul Henried is his usual stoic self as Laurent Van Horn, a Dutch sea captain shipwrecked on the coast of Cartagena, a Spanish-held island. Sentenced to be hanged, Van Horn and his crew escape from jail and take up piracy as revenge against Spain. Soon afterward, they capture a ship carrying Francisca (Maureen O'Hara), the fiance of Cartagena's corrupt governor Don Alvarado (Walter Slezak). Van Horn vengefully forces Francisca to marry him instead, which causes dissension at the Pirate colony of Tortuga. Naturally, Van Horn and Francisca eventually fall in love with each other, but the bad guys must be vanquished before a happy ending can be realized. Binnie Barnes steals the show as feisty female buccaneer Anne Bonney (who in real life looked less like Barnes and more like Walter Slezak!) The script is a cynical melange of pirate-movie cliches and the performances are generally routine, but The Spanish Main pleased the crowd in 1945, posting a profit of nearly $1.5 million and encouraging future Technicolor adventure films from RKO. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Maureen O'Hara, (more)
- 1944
In this remake of Outward Bound, which updated the story to include topical refences to the war still raging in Europe, Henry (Paul Henreid) and Ann (Eleanor Parker) are a couple from Austria hoping to escape Nazi bombings. They are en route to a ship leaving Europe when an explosion throws them from their car and leaves many passersby dead. Despondent and unable to meet the ship, the couple return to their apartment and decide to commit suicide by turning on the gas. They awake to find themselves on a ship shrouded in fog and carrying many passengers, among them Tom Prior (John Garfield), a wisecracking reporter who was also a witness to the earlier bombing. Henry and Ann discover that the ship is actually Limbo, a waiting station between Heaven and Hell, where Mr. Thompson (Sydney Greenstreet) will determine their final destination for eternity. ~ Mark Deming, All Movie Guide
- Starring:
- John Garfield, Paul Henreid, (more)
- 1944
The West Coast's answer to Broadway's Stage Door Canteen, the Hollywood Canteen was created as a GI morale-booster by film stars Bette Davis and John Garfield. The Canteen was established so that Our Boys on leave in Tinseltown could have a good time with good food and good dancing -- and, as a bonus, rub shoulders with their favorite movie personalities, who functioned as waiters, chefs, busboys and dancing partners. Since the 1944 all-star flick Hollywood Canteen was produced by Warner Bros., it was only to be expected that the celebrities seen herein would consist mostly of Warner Bros. contract players. The frail plot concerns a soldier on medical leave (played by Robert Hutton) who falls in love with lovely leading lady Joan Leslie (played by Joan Leslie) while visiting the Canteen. Bette Davis and John Garfield are on hand to emcee the Canteen's variety acts, and to act as cupids for the Hutton/Leslie romance. The "supporting cast" includes the likes of The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Sidney Greenstreet, Paul Henreid, Peter Lorre, Ida Lupino, Dennis Morgan, Roy Rogers, S.Z. Sakall, Barbara Stanwyck, and the Jimmy Dorsey and Carmen Cavallaro musical aggregations. Virtually everyone involved donated their salaries to the Canteen fund--even Jack Benny. As with most of these patriotic wartime star rallies, the results are a mixed bag: the best sequences include Benny's violin "duel" with Joseph Szigeti and Roy Rogers and the Sons of the Pioneers introducing Cole Porter's Don't Fence Me In. Hollywood Canteen won three Oscar nominations, more for its good intentions than its inherent excellence. Still, don't pass up the opportunity when this "movie star salad" shows up on cable TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Hutton, Jack Benny, (more)
- 1944
This Casablanca-esque spy thriller set during WWII centers on the exploits of the notorious "Flying Dutchman," a fugitive resistance leader from Holland who heads for Lisbon where he hooks up with other members of the underground. One of them is a beautiful young woman, and none of the others trust her because she is married to an important German official. For the resistance leader, real trouble comes when he is framed for the murder of a fellow agent. Still he escapes from prison and hides out with his other colleague while he works to prove that he is innocent and carry out a major secret mission for the resistance. ~ Sandra Brennan, All Movie Guide
- Starring:
- Hedy Lamarr, Paul Henreid, (more)
