John Qualen Movies
The son of a Norwegian pastor, John Qualen was born in British Columbia. After his family moved to Illinois, Qualen won a high school forensic contest, which led to a scholarship at Northwestern University. A veteran of the tent-show and vaudeville circuits by the late '20s, Qualen won the important role of the Swedish janitor in the Broadway play Street Scene by marching into the producer's office and demonstrating his letter-perfect Scandinavian accent. His first film assignment was the 1931 movie version of Street Scene. Slight of stature, and possessed of woebegone, near-tragic facial features, Qualen was most often cast in "victim" roles, notably the union-activist miner who is beaten to death by hired hooligans in Black Fury (1935) and the pathetic, half-mad Muley in The Grapes of Wrath (1940). Qualen was able to harness his trodden-upon demeanor for comedy as well, as witness his performance as the bewildered father of the Dionne quintuplets in The Country Doctor (1936). He was also effectively cast as small men with large reserves of courage, vide his portrayal of Norwegian underground operative Berger in Casablanca (1942). From Grapes of Wrath onward, Qualen was a member in good standing of the John Ford "stock company," appearing in such Ford-directed classics as The Long Voyage Home (1940), The Searchers (1955), Two Rode Together (1961), and The Man Who Shot Liberty Valance (1962). John Qualen was acting into the 1970s, often appearing in TV dramatic series as pugnacious senior citizens. ~ Hal Erickson, All Movie Guide
Elmer Gantry (Burt Lancaster), a drunken, dishonest street preacher allegedly patterned on Billy Sunday, wrangles a job with the travelling tent ministry conducted by Sister Sharon Falconer (Jean Simmons). Thanks to Gantry's enthusiastic hellfire-and-brimstone sermons, Sister Sharon's operation rises to fame and fortune, enough so that Sharon realizes her dream of building her own enormous tabernacle. These ambitions are put in jeopardy when a prostitute (Oscar-winning Shirley Jones), a former minister's daughter who'd been deflowered by Gantry years earlier, lures Gantry into a compromising situation and has photographs taken. It took several years for any Hollywood studio to take a chance with Sinclair Lewis' novel, and when it finally did arrive on the screen, producer/director Richard Brooks was compelled to downplay some of the more "sacrilegious" passages in the original. Also appearing in Elmer Gantry are Arthur Kennedy as an H.L. Mencken-style atheistic journalist, and Edward Andrews as George Babbitt, a character borrowed from another Sinclair Lewis novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Jean Simmons, (more)
- 1960
Hell Bent for Leather is a standard western that features Audie Murphy in the role of Clay, a cowboy hunted by a posse out for blood. Clay deals and trade in horses in an honest way, and he does not suspect that a crooked U.S. Marshal (Stephen McNally) interested in furthering his career, is determined to nab him as a killer though he knows full well Clay is innocent. When first attacked, Clay grabs a hostage (Felicia Farr) who eventually sides with him and helps him in the long chase that follows. Clay's challenge is not only to get away from the Marshal and his posse but to somehow prove his innocence as well. Murphy, the most decorated soldier in World War II was still riding the popularity of his own real-life story in 1955's To Hell and Back when this western was released. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Audie Murphy, Felicia Farr, (more)
Based on the best-selling novel by Robert Traver (the pseudonym for Michigan Supreme Court justice John D. Voelker), Anatomy of a Murder stars James Stewart as seat-of-the-pants Michigan lawyer Paul Biegler. Through the intervention of his alcoholic mentor, Parnell McCarthy (Arthur O'Connell), Biegler accepts the case of one Lt. Manion (Ben Gazzara), an unlovable lout who has murdered a local bar owner. Manion admits that he committed the crime, citing as his motive the victim's rape of the alluring Mrs. Manion (Lee Remick). Faced with the formidable opposition of big-city prosecutor Claude Dancer (George C. Scott), Biegler hopes to win freedom for his client by using as his defense the argument of "irresistible impulse." Also featured in the cast is Eve Arden as Biegler's sardonic secretary, Katherine Grant as the woman who inherits the dead man's business, and Joseph N. Welch -- who in real life was the defense attorney in the Army-McCarthy hearings -- as the ever-patient judge. The progressive-jazz musical score is provided by Duke Ellington, who also appears in a brief scene. Producer/director Otto Preminger once more pushed the envelope in Anatomy of a Murder by utilizing technical terminology referring to sexual penetration, which up until 1959 was a cinematic no-no. Contrary to popular belief, Preminger was not merely being faithful to the novel; most of the banter about "panties" and "semen," not to mention the 11-hour courtroom revelation, was invented for the film. Anatomy of a Murder was filmed on location in Michigan's Upper Peninsula. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Lee Remick, (more)
- 1958
Revolt in the Big House stars Gene Evans as a prison "lifer" who rules the roost in his particular cell block. With the help of such loose cannons as prison psycho Timothy Carey, Evans engineers a jailbreak. As the cons and the cops sweat through a standoff, it becomes clear that Evans doesn't care how many of his fellow prisoners die so long as he busts out. Conscience-stricken inmate Robert Blake saves his cell mates from the consequences of Evans' recklessness. Revolt in the Big House is excessive violent at times, but never so much as to become "Revolting in the Big House". ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Evans, Robert Blake, (more)
- 1958
The third and (as of 2005) the last film adaptation of Ernest Hemingway's short story To Have and Have Not, The Gun Runners was as topical as this morning's news when it came out in 1958. Audie Murphy plays Sam Martin, a charter-boat skipper based in Key West, whose bad luck has enlarged from the gambling tables to his business. He's managed to stay honest up to this point, with a little help from his boozy friend and first-mate, Harvey (Everett Sloane), and a lot from his loyal, loving wife, Lucy (Patricia Owens), both of whom represent the best things in Sam's life. But then he finds himself about to lose his boat, and the only opportunity he has to save it lies with a larcenous American arms seller named Hannagan (Eddie Albert), who isn't above murder to get what he wants. Sam falls in with him, first for a quick trip in and out of Cuba and then up to his neck, and he is suddenly faced with destroying the most decent part of himself and the only people who care about him. ~ Bruce Eder, All Movie Guide
- Starring:
- Audie Murphy, Eddie Albert, (more)
The "psycho"-logical melodrama My World Dies Screaming was appropriately released on a double bill with Lost, Lonely and Vicious, which also featured a profoundly disturbed protagonist. In My World, Gerald Mohr plays Philip Tierney, who hopes to expunge the inner demons plaguing his wife Sheila (Cathy O'Donnell). He persuades her to return to the crumbling old mansion where, as a child, she witnessed a brutal axe murder. Incredibly, the killers do not return to finish the job; instead, the audience is treated to all manner of pseudo-Freudian symbolism as Sheila subconsciously battles her way towards normalcy. My World Dies Screaming isn't bad: it's just that the films substitutes style for substance. ~ Hal Erickson, All Movie Guide
- 1958
Making the acquaintance of pretty Abigail Taylor (Joanna Barnes) in the lobby of a Denver hotel, Bret (James Garner) cannot help but notice that the lady has a tight grip on a hatbox. Abigail insists that the box contains important documents, and that there is a sinister stranger who is out to steal them. Would Bret be a darling and protect Abigail as she prepares to deliver the papers? Bret agrees--unaware that he's being set up as a dupe in an elaborate swindle. ~ Hal Erickson, All Movie Guide
- 1957
Produced by Alan Ladd's own Jaguar company, The Big Land stars Ladd as Texas cattleman Morgan. As a means to expedite shipment of his stock to Missouri, Morgan convinces several Kansas farmers to build a small town as a railroad link between the Rio Grande and Kansas City. He is opposed in this by crooked cattle buyer Brog (Anthony Caruso), who realizes that any speed-up of Morgan's shipments will increase livestock prices. Surprisingly, Alan Ladd seems tired and listless throughout the proceedings; in fact, Virginia Mayo, cast as a saloon hall gal, delivers the film's liveliest performance. Still, the Ladd name brought in plenty of business, encouraging the star to stick with westerns well into the next decade. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1956
Coadapted by David Harmon from his own TV play, the psychological western Johnny Concho stars Frank Sinatra as the title character, a callow young punk who lives off the reputation of his gunslinger brother. Most of the townsfolk consider Johnny to be nothing more than a cowardly bully; only Mary Dark (Phyllis Kirk), who loves Johnny, and gunfighter-turned-preacher Barney Clark (Keenan Wynn) can see the scared little boy beneath his swaggering facade. When word comes down that Johnny's brother has been killed and that the killers (William Conrad and Christopher Dark) intend to take over the town, Johnny runs like a scared rabbit. Eventually summoning up his innate courage, Johnny returns, hoping to convince the citizens to help him rid the town of the despotic killers. As "zero hour" approaches, however, Johnny is forced to go up against his enemies all by himself. The political symbolism in Johnny Concho is impossible to ignore, though it is up to the viewer to decide if this is an anti-Red or anti-McCarthy tract. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Keenan Wynn, (more)
If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years after the end of the Civil War. Ethan still has his rebel uniform and weapons, a large stash of Yankee gold, and no explanations as to where he's been since Lee's surrender. A loner not comfortable in the bosom of his family, Ethan also harbors a bitter hatred of Indians (though he knows their lore and language well) and trusts no one but himself. Ethan and Martin Pawley (Jeffrey Hunter), Aaron's adopted son, join a makeshift band of Texas Rangers fending off an assault by renegade Comanches. Before they can run off the Indians, several homes are attacked, and Ethan returns to discover his brother and sister-in-law dead and their two daughters kidnapped. While they soon learn that one of the girls is dead, the other, Debbie, is still alive, and with obsessive determination, Ethan and Martin spend the next five years in a relentless search for Debbie -- and for Scar (Henry Brandon), the fearsome Comanche chief who abducted her. But while Martin wants to save his sister and bring her home, Ethan seems primarily motivated by his hatred of the Comanches; it's hard to say if he wants to rescue Debbie or murder the girl who has lived with Indians too long to be considered "white." John Wayne gives perhaps his finest performance in a role that predated screen antiheroes of the 1970s; by the film's conclusion, his single-minded obsession seems less like heroism and more like madness. Wayne bravely refuses to soft-pedal Ethan's ugly side, and the result is a remarkable portrait of a man incapable of answering to anyone but himself, who ultimately has more in common with his despised Indians than with his more "civilized" brethren. Natalie Wood is striking in her brief role as the 16-year-old Debbie, lost between two worlds, and Winton C. Hoch's Technicolor photography captures Monument Valley's savage beauty with subtle grace. The Searchers paved the way for such revisionist Westerns as The Wild Bunch (1969) and McCabe & Mrs. Miller (1971), and its influence on movies from Taxi Driver (1976) to Close Encounters of the Third Kind (1977) and Star Wars (1977) testifies to its lasting importance. ~ Mark Deming, All Movie Guide
- Starring:
- John Wayne, Jeffrey Hunter, (more)
- 1956
Fired after decades of loyal service to an investment firm, mousy Benjamin Stepp (John Qualen) retaliates by murdering his boss Mr. Baldwin (Sebastian Cabot). Imagine Stepp's astonishment when, the day after the murder, Mr. Baldwin shows up in the office alive and well -- and not only rehires Stepp, but gives him a raise and a promotion. Not surprisingly, Stepp cannot rely upon the evidence of his own eyes...but what happens after he has gotten over his initial shock is quite a surprise indeed. ~ Hal Erickson, All Movie Guide
- 1956
In dire need of money for his wife's operation, Mr. Crabtree (John Qualen) accepts a job from a certain Mr. X (played by a decidedly pre-Bonanza Lorne Greene). Crabtree's assignment should he decide to accept it (as if he has any choice) is to murder a blackmailer. Our hero goes along with scheme, taking great pains to make it appear as if the blackmailer has committed suicide -- but just before the murder is to be carried out, Fate takes a hand in matters. The role of the presumed blackmailer is played by Malcolm Atterbury, best remembered as the fellow who notices the crop duster "where there aren't any crops" in Alfred Hitchcock's 1959 movie classic North by Northwest. ~ Hal Erickson, All Movie Guide
- 1956
Retired insurance salesmen Mr. Fox (Robert H. Harris) and Mr. Shaw (John Qualen) are of the theory that the hotter the temperature, the more likely people are to commit murder. Upon making the acquaintance of the nagging Mrs. Shrike (Jo Van Fleet), Mr. Fox and Mr. Shaw are convinced that she is doomed to die at the hands of her henpecked husband (Mike Ross), and thus attempt to save her from this fate. The results are a bit surprising, not to mention slightly surreal. "Shopping for Death" is the first of several Alfred Hitchcock Presents episodes based on the works of Ray Bradbury; in this case, the source material is Bradbury's short story "Touched by Fire." ~ Hal Erickson, All Movie Guide
John Wayne plays anti-Nazi Prussian sea captain Karl Erlich in Sea Chase, one of the many film commentaries released post WWII. Though staunchly opposed to the Nazi regime, Karl (Wayne) feels it would nevertheless be unpatriotic should he refuse to save his ship from destruction. His ship--an old, rusty 5,000 ton freighter named the Ergenstrasse--is being pursued by a British warship on his journey from Australia back to Germany. Captain Erlich does everything he can to save his ship and his crew, but the process is long and dangerous, particularly without a plentiful supply of fuel and provisions. Erlich must face obstacles ranging from horrendous sea storms and shark attacks to false murder accusations, and it seems his only devotee is Elsa (Lana Turner), a beautiful German spy. Despite nearly falling to the determined English ship and a mutiny attempt by his own crew, Captain Erlich manages to survive what was anything but a routine trip back to his home country. ~ Tracie Cooper, All Movie Guide
- Starring:
- John Wayne, Lana Turner, (more)
- 1955
This fact-based prison drama tells the tale of a band of prisoners living in the innovative 2,600-acre prison at Chino, California. The place takes a humanistic approach to reform and there are no armed guards, no lockups and no uniforms. The underlying philosophy is that if these things are not there, the prisoners will not want to escape, and will instead accept their punishment. A new inmate arrives and soon accustoms himself to the new idea. The story includes the Oscar nominated song Unchained Melody. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Hale, Chester Morris, (more)
- 1955
One of the best of the High Noon derivations, At Gunpoint is the story of reluctant hero Fred MacMurray. When a band of gunmen invade a small frontier town, storekeeper MacMurray fires off a lucky shot and kills the leader. Hailed as a hero, MacMurray realizes deep down that he's a coward. When the surviving gunmen return to town, thirsting for revenge, the townsfolk expect MacMurray to singlehandedly stand up to the villains. When he asks for help, his neighbors turn their backs on him, ordering him to get out of town to avoid further trouble. Only doctor Walter Brennan and MacMurray's wife Dorothy Malone remain loyal. Facing certain death,MacMurray discovers that he's not as yellow as he thought he was-a revelation that brings about a change in the rest of the town. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Dorothy Malone, (more)
For The High and the Mighty, director William Wellman made a point of using Cinemascope to heighten the dramatic content of a confined screen space -- in this instance, the cockpit of a plane in flight. Copilot Dan Roman (John Wayne) seems a lot more in control of things than Captain John Sullivan (Robert Stack) when the plane loses an engine during a flight from Honolulu to San Francisco. Wellman crosscuts from the tension in the cockpit to the various subplots involving the plane's passengers, among them May Holst (Claire Trevor), Lydia Rice (Laraine Day), Howard Rice (John Howard), Sally McKee (Jan Sterling), Ed Joseph (Phil Harris), and Humphrey Agnew (Sidney Blackmer) (as a character named Humphrey Agnew -- a remarkable prescient cognomen given the future of the U.S. vice presidency!). Adapted by Ernest K. Gann from his best-selling novel, The High and the Mighty was one of the first (and most profitable) entries in the "terror in the sky" genre. Its theme music, written by Dimitri Tiomkin and whistled incessantly by John Wayne in the film, would later become a best-selling hit throughout the world. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Claire Trevor, (more)
The winning combination of producer Benedict Bogeaus and director Allan Dwan once more struck box-office gold with Passion. Set in 19th century California, the film stars Cornel Wilde as a young rancher seeking vengeance for the murders of his wife Yvonne de Carlo and his parents. The guilty parties are a group of terrorists, headed by Rodolpho Acosta, whom Wilde, now a fugitive from justice himself, intends to knock off one by one. Loyally standing by her man is the sister of Wilde's slain wife, also played by Yvonne de Carlo (one character is demure, the other fiery). Featured in the cast is Raymond Burr as a police chief determined to follow the letter of the law--at least, until things get too personal. Passion was effectively color-photographed on location in the mountain ranges between California and Nevada. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Raymond Burr, (more)
- 1954
In this drama, a filmmaker emigrates to the States and ends up marrying the studio head's daughter. Later, he gets into trouble when he refuses to give the studio prima donna the part she wants. For revenge she slips him a mickey, frames him, and the blackmails him for $50,000. The desperate director does the only thing he can--he kills her and blames a nearby vagrant. In the end, he is captured and justice prevails. ~ Sandra Brennan, All Movie Guide
- Starring:
- Hugo Haas, Lance Fuller, (more)
- 1954
Edmund Purdom plays Prince Karl, but Mario Lanza sings the bold tunes coming out of Purdom's mouth, in this MGM remake of the 1927 Ernst Lubitsch silent picture based on the renowned 1924 operetta by Sigmund Romberg and Dorothy Donnelly, which itself was based on the novel and play by Wilhelm Meyer-Foerster. Lanza was signed to play the German Prince of Heidelberg, but weight and temperament problems caused the director Richard Thorpe to use Purdom instead. Lanza's pre-recorded tenor tones come out of Purdom's lip-synching mouth in the many lusty tunes such as "Drink, Drink, Drink" and "Golden Days." Prince Karl's grandfather, the king (Louis Calhern), wants his sheltered grandson to see the world and sow a few wild oats before he returns to the marriage that has been pre-arranged with Princess Johanna (Betta St. John). The prince ends up in a tavern in Heidelberg and meets and falls in love with Kathie (Ann Blyth), the niece of the local innkeeper. But the King gets sick and dies, and Prince Karl must return to assume the throne. He can't have a peasant girl as his queen, so he must part with his secret lover. ~ Michael Betzold, All Movie Guide
- Starring:
- Ann Blyth, Edmund Purdom, (more)
- 1953
Ambush at Tomahawk Gap is a characteristically brutal program western from Columbia's Wallace MacDonald unit. John Hodiak, John Derek, David Brian and Ray Teal play ex-convicts who ride into a Godforsaken western town. They're on the lookout for the loot that they buried from their last big "job." Before we are treated to the requisite "thieves fall out" scene, Tomahawk Gap is besieged by Apaches. The survivor of the carnage is allowed the usual ride into the sunset with Indian maiden Mary Eleana Marques. Featured in the supporting cast of Ambush at Tomahawk Gap are such old reliable sagebrush standbys as Trevor Bardette, John Doucette and Percy Helton. ~ Hal Erickson, All Movie Guide
- Starring:
- John Hodiak, John Derek, (more)
- 1953
Mike Hammer, author Mickey Spillane's brutal-but-eloquent private eye, made his screen debut in this cleaned-up cinemadaptation of the Mickey Spillane best-seller I, the Jury. Galvanized into action by the murder of a friend, Hammer (Biff Elliot) barges into the rarefied worlds of art collecting and psychoanalysis. Along the way, he gets beaten up several times by nameless thugs, and also administers several bloody beatings himself. He also indulges in Spillane's standard gay- and commie-bashing, with nary a "politically correct" moment in the film's 87 minutes. The finale is lifted directly from the deathless final pages of the original novel, right down to Hammer's laconic "It was easy!" The cast includes the requisite bosomy females, including Peggie Castle, Margaret Sheridan, Frances Osborne, Mary Anderson and twin sisters Tani Seitz and Dran Seitz. The male supporting players range from Preston S. Foster as Hammer's "friendly enemy-" police-department contact to an unbilled Joe Besser as an elevator operator. Originally filmed in 3D, I the Jury was released in 2D in most theaters. The property was remade in 1982, with Armand Assante as Hammer. ~ Hal Erickson, All Movie Guide
- Starring:
- Biff Elliot, Preston S. Foster, (more)
- 1953
Working out of Missing Persons, Friday (Jack Webb) and Smith (Ben Alexander) investigate when Martha Borg (Irene Tedrow) reports that her husband has disappeared. In the days that follow, the two detectives unearth considerable evidence that Mr. Borg has left on his own accord, fed up by his wife's "high-hat" behavior--not to mention her pet Pekinese! The mystery is solved when a "John Doe" is found wandering the streets, ostensibly suffering from amnesia. This episode is based on the Dragnet radio broadcast of June 21, 1953. ~ Hal Erickson, All Movie Guide
- 1953
Friday (Jack Webb) and Smith (Ben Alexander) investigate when a young wife and mother (Frances Rafferty) claims that she and her husband had signed a year-long lease for an apartment--only to have landlord Edward Daniels (John Qualen) chase them off the property at gunpoint before they can even move in. At a loss to explain Daniels' bizarre behavior, the two detectives begin poking around the apartment in question, and in so doing they uncover evidence of an arson scheme. Future TV producer Aaron Spelling appears as a suspiciously squirrely handyman. This episode is based on the Dragnet radio broadcast of April 23, 1953. ~ Hal Erickson, All Movie Guide
