Leo Mostovoy Movies

The Glenn Miller Story traces Miller's rise from pit-orchestra trombone player to leader of the most successful big band of his era. June Allyson is on hand as Miller's wife, Helen, who learns the value of patience when Glenn spends his wedding night jamming with Gene Krupa and Louis Armstrong. Given an officer's commission during World War II, Miller helms the swingin'est military band ever heard. In December of 1944, a plane carrying Miller disappears while flying over the English Channel. In memoriam, radio stations all over the world suspend their regular broadcasts to play such Miller standards as "Moonlight Serenade," "Chattanooga Choo Choo," and "Little Brown Jug." Many of Miller's contemporaries, including his first big-time boss, Ben Pollack, appear as themselves. The success of The Glenn Miller Story inspired Universal to give the go-ahead for another musical biopic, 1956's The Benny Goodman Story, with Steve Allen in the title role. ~ Hal Erickson, All Movie Guide

Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, All Movie Guide

This anthology film tells three stories of love involving the passengers of an ocean liner at sea. In the first, "The Jealous Lover," James Mason plays Charles Coudray, a well-known ballet director. When someone asks Coudray why he staged his masterpiece, "Astarte," only once, he tells the story of Paula Woodward (Moira Shearer), a superb dancer he found practicing in his theater. He was awestruck by her technique and her beauty, but he discovered that she had a secret -- due to a cardiac condition, she has been forbidden to dance too strenuously, as it could tax her heart and eventually kill her. Charles urges Paula to perform for him, so he may use her movements to choreograph his next great work; she agrees, but the exertion proves too much for her and she dies. He arranges for the work she inspired to be performed only once, in hopes that she will somehow see it from on high. In the second segment, "Mademoiselle," Tommy (Ricky Nelson) is a 12-year-old boy travelling with his French governess and tutor (Leslie Caron); she's tired of spending her days watching over a child, and he'd like to get away from Teacher for a while. Mrs. Pennicott (Ethel Barrymore), a older woman who happens to be a witch, hears Tommy wishing he could be a grown-up, and she grants his request: suddenly Tommy is a grown man (played by Farley Granger), but only for the next four hours. The Governess meets the mysterious stranger Tommy has become, and soon they fall in love. In the final segment, "Equilibrium," Kirk Douglas plays Pierre Narval, a high-wire artist who retired from performing after his partner died while performing a trapeze act, an accident Pierre blames on himself. He begins to reconsider his decision when he saves the life of Nina (Pier Angeli), a woman who attempted to drown herself; her husband died in a Nazi concentration camp during World War II, and she feels she is to blame for his death. Their shared fatalism equals fearlessness in Pierre's eyes, and he teaches Nina the art of the trapeze; however, when he begins to fall in love with her, he's no longer so certain that he wants her to risk her life. "The Jealous Lover" and "Equilibrium" were directed by Gottfried Reinhardt, while "Mademoiselle" was directed by Vincente Minnelli. ~ Mark Deming, All Movie Guide

Gregory Peck and Anthony Quinn play two seal-hunting rivals in this adventure film set in the days when Alaska was a Russian territory. Peck is adventuring seafarer Jonathan Clark, who falls in love with Russian Countess Marina Selanova (Ann Blyth) while the countess is in San Francisco fleeing an arranged marriage to the vile Prince Semyon (Carl Esmond). The Countess wants to hire a ship to take her to Sitka, AK, where her uncle, General Ivan Vorashilov (Sig Rumann), is governor. Portugee (Quinn) can't raise money for the voyage, so the countess agrees to sail with Clark, and the two quickly fall in love. But Prince Semyon sails into San Francisco just as Clark and the Countess are about to be wed, and the prince abducts her and takes her to Alaska, threatening to kill her uncle if she doesn't marry him. Clark and Portugee then agree to race to Alaska, with the winner getting the other's ship and the seal catch. Clark's boat wins the race, but the Russians arrest both the men as seal poachers. Countess Marina agrees to marry Semyon if he will order the seal hunters released. ~ Michael Betzold, All Movie Guide

Sexual harassment can work both ways as can be seen in this romantic comedy when ad man endeavors to maneuver out of a relationship with his girlfriend. This is difficult as she controls a major account for his company and refuses to renew it unless he continues to go out with her. The frustrated fellow then begins having neurotic fits until, at last, he is taken off her account. For his new assignment, he must promote a psychiatrist's latest book. They meet and he is captivated by the lovely doctor. The nervous fellow then becomes her patient, and before long they both fall in love. Unfortunately, the other woman has not given up. His troubles are far from over when he later discovers that the shrink doesn't really love him--she is only using him for a case study. ~ Sandra Brennan, All Movie Guide

One of two con-artists ends up arrested and given five days of freedom before he must go to jail. This comedy chronicles those five days. The man loves to eat; knowing that prison food is lousy, he decides to spend his days stuffing himself with the finest foods available. He is accompanied to numerous 4-star restaurants by his partner and the arresting officer. Each of these two are interested in learning where he stashed a half-million dollars in loot. Eventually the man begins looking at his lovely partner and thinking of things other than his stomach. This leads to marriage. After serving his time, he and his bride go on to lead honest lives. ~ Sandra Brennan, All Movie Guide

Two Girls and a Sailor is another of those all-star, no-plot wartime musicals turned out by the bushel basket in the 1940s. Its lack of nuance does not lessen its entertainment value in the least. Gloria DeHaven and June Allyson play a couple of well-meaning sisters who stage their own USO shows in their apartment for the benefit of visiting servicemen. They'd like to expand their show, so GI Van Johnson, who happens to be a millionaire, buys an empty factory and has it converted into a canteen. A trivial love triangle develops, but who cares? Bring on the stars! In the case of Two Girls and a Sailor, the celebrity lineup includes Jimmy Durante, Lena Horne, Jose Iturbi, Xavier Cugat, Grace Allen (performing her immortal "Concerto for Index Finger"), Harry James, Helen Forrest, and, in an amusing uncredited cameo, Buster Keaton (Also: keep a sharp eye out for Ava Gardner) ~ Hal Erickson, All Movie Guide

This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat. ~ Hal Erickson, All Movie Guide

In this frothy musical comedy, Ann Carter (Deanna Durbin) is an aspiring singer from the Midwest who decides to move to New York in hopes of advancing her career. Her half brother, Martin Murphy (Pat O'Brien), is already living in the Big Apple, and has told her that he's doing well as a businessman; however, when she arrives at his door, she discovers that he's actually working as a valet for Charles Gerard (Franchot Tone), a well-known composer. This is good news for Ann, since Charles could doubtlessly do a great deal to give her career a boost, but Martin is hesitant to talk to his boss about Ann. Charles is inundated with pleas from semi-talented would-be musicians all day long, and putting another in his path would earn Martin no favors. However, Martin soon has bigger worries; it seems that Charles has developed an interest in Ann which Martin is convinced has nothing to do with music. As you might expect, Durbin sings several songs, including "In the Spirit of the Moment," "When You're Away," and an aria from Puccini. ~ Mark Deming, All Movie Guide

Having accidentally caused a merchant ship to blow up, stowaways Bob Hope and Bing Crosby are shipwrecked on the African coast. Commandeering a convenient camel (who takes time to ad-lib a spit in Hope's eye!), Bob and Bing are off on the road to Morocco, an event they celebrate in song. With nary a penny in their pockets, the boys try various methods to scare up a meal. Old reliable Bing shows up with the necessary funds; when Bob asks where the money came from, Bing calmly informs his pal that he's been sold into slavery. Bob is dragged off to parts unknown; later, Bing, his conscience bothering him, scours the town in search of his buddy. He stumbles into a luxurious palace, where Bob is being treated like a rajah. Even more puzzling, Bob is being kissed and cosseted by Moroccan-princess Dorothy Lamour, who announces plans to marry him in a few days! Neither Bing nor Bob can figure this out, but the audience knows that Dorothy has been advised by her astrologers that her first husband will suffer a violent death, and that her second marriage will be long and happy. Since Dorothy is affianced to desert sheik Anthony Quinn, ol' buddy Bob is once more set up as a dead duck. But Dorothy finds herself attracted to Bing, and forgets all about her pre-arranged marriage to Quinn (just as well, since Quinn is the heavy of the piece). On the eve of the wedding, the astrologers find they've made a mistake, and that Dorothy is now free to marry the man of her dreams-who, by this time, is Bing. Bob must console himself with handmaiden Dona Drake, who's some looker herself. As the wedding procession proceeds, Quinn comes riding into town, kidnaps Dorothy, and leaves Bob and Bing trussed up in the desert. Freeing themselves, Bob and Bing make their way through the desert wastes ("This must be where they empty the old hourglasses") in search of Quinn's camp. After an amusing series of mirages, the boys sneak into camp and attempt to rescue Dorothy and Dona. Imprisoned by Quinn, the boys muff an opportunity to use a magic ring, but still manage to escape. Using exploding cigars and hotfoots, our heroes sabotage a peace conference between Quinn and rival sheik George Givot, prompting a talking camel to remark "This is the screwiest picture I've ever been in." Bob, Bing and the girls escape to New York, but not before Crosby spoils Hope's chances at getting an Academy Award by interrupting Bob's "mad scene." Generally regarded as the best of the "Road" pictures, Road to Morocco is as fresh and funny today as it was back in 1942; even in repeated viewings, the rapid-fire one liners and comic setpieces result in boffo bellylaughs. An Oscar was bestowed upon Johnny Burke and Jimmy Van Heusen's ballad "Moonlight Becomes You". ~ Hal Erickson, All Movie Guide