Cleo Moore Movies

In this thriller, a middle-aged husband is insanely jealous of his trophy wife, a showgirl. The young bride soon becomes romantically involved with one of her husband's employees. Together they conspire to kill the old goat. The treacherous wife then leaves her late husband's estate to his twin brother, an ex-con recently released from prison. In an interesting plot twist, it is discovered that the lovers actually murdered the twin brother, not the husband. The husband then begins exacting his revenge. ~ Sandra Brennan, All Movie Guide

With the exception of the vastly superior Caged, Columbia's Women's Prison was the quintessential "babes behind bars" drama of the 1950s. Ida Lupino (who else?) stars as Amelia VanZant, the sadistic supervisor of the titular prison. Unable to establish any sort of relationship with a man, Amelia takes it out on her long-suffering inmates. When prison psychiatrist Clark (Howard Duff) tries to improve conditions for the women, he too is targetted for destruction by the vituperous Ms. VanZant. The cast includes such perennial "hard-boiled dames" as Jan Sterling, Cleo Moore, Audrey Totter, Phyllis Thaxter, Gertrude Michael and Mae Clarke. Not taken very seriously in the first place, Women's Prison was elevated to the level of "high camp" by youthful film buffs of the 1960s and 1970s. ~ Hal Erickson, All Movie Guide

Bait starts out with a cunning pre-credits sequence, wherein a dapper, erudite gentlemen (Sir Cedric Hardwicke), after signing a series of autographs for his admiring fans, introduces himself as the Devil. Addressing the viewer, His Satanic Majesty introduces a cautionary tale of sex and greed--which turns out to be yet another steamy Hugo Haas-directed melodrama, this one titled Bait. Once more, Haas casts himself as a truculent middle-aged man who succumbs to the charms of trashy young blonde Cleo Moore. The plot concerns a lost gold mine, which Haas has been seeking out for nearly 20 years. All he needs is a bright young man to share expenses and responsibilities for a prospecting expedition. Enter John Agar, whose avarice is exceeded only by his lust for Haas' buxom wife Moore. It turns out that Haas has intended all along to use Moore as bait to lure in Agar, as the first step in an elaborate murder and robbery scheme. ~ Hal Erickson, All Movie Guide

Filmmaker Hugo Haas unfolds his usual cautionary "old man-young woman" story in One Girl's Confession. Perennial Haas leading lady Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison. A few years later, Mary is placed on probation, whereupon she takes a waitressing job at the seaside eatery run by Dragomie Damitrof (Haas). A chronic gambler, Damitrof is on the verge of losing his café when Mary offers to loan him money. When Damitrof begins spending cash like a sailor, Mary is convinced that he's located her hidden loot, whereupon she hits him on the noggin and leaves him for dead. Deciding that the money is too much trouble, Mary donates the rest of the loot to an orphanage and confesses to Damitrof's murder. But that's not the end of the story .... ~ Hal Erickson, All Movie Guide

The third of actor Hugo Haas' endeavors as producer-director, Strange Fascination is at least superficially better and more original than the first two. While it's true that Haas once more deploys the theme of a middle-aged man falling hopelessly in love with a much-younger woman, he eschew his usual fondness for melodrama in favor of sentiment. Haas plays Paul Marvan, an international renowned concert pianist. Marvan's career goes into eclipse almost immediately after his marriage to the beautiful Margo (Cleo Moore, in the first of her many Hugo Haas films). It isn't anyone's fault, really: it is simply that Cruel Fate is dead set against Mr. and Mrs. Marvan ever enjoying true happiness. The grimly ironic finale of Strange Fascination is proof positive that there is, indeed, a long long time from May to December. ~ Hal Erickson, All Movie Guide

Robert Ryan plays Jim Wilson, a tough police detective embittered by years of dealing with low-life urban scum, in Nicholas Ray's moving film noir. After severely beating several suspects, Jim is assigned to a case far from the city to find the killer of a young girl. Joining the manhunt, in snow-covered terrain, Wilson finds himself paired with the victim's father, Walter Brent (Ward Bond), who plans to shoot the killer himself. When the two men come upon a cabin occupied by Mary Malden (Ida Lupino), a blind woman who is also the killer's sister, Wilson's life is changed forever. Mary, a generous and loving person who has cared for her mentally ill brother Danny (Sumner Williams) since the death of their parents, convinces Wilson to protect Danny from Brent. Wilson also promises to get help for Danny if he surrenders to him. Inspired by Mary's courage and recognizing Brent's rage as the mirror image of his own, Wilson gains the insight to free himself from his own blindness. The film includes a memorable score by Alfred Hitchcock favorite Bernard Herrmann. ~ Steve Press, All Movie Guide

Tim Holt and Richard Martin, RKO's resident western good guys, are back in Dynamite Pass. Usually cast as cowpunchers, Holt and Martin are construction workers Ross and Chito this time out. Someone is trying to prevent honest road builder Dan (Regis Toomey) from completing his job, and that someone is his unscrupulous rival Thurber (John Dehner), the owner of a profitable toll road. Had Thurber waited a few years, he could have found a job on the Pennsylvania turnpike. As it stands, however, Ross and Chito must stop Thurber before he destroys the road project permanently. Dynamite Pass is distinguished by better-than-usual performances from all concerned. ~ Hal Erickson, All Movie Guide

Bright Leaf, a sprawling saga of the tobacco industry in North Carolina, began as a novel by Foster Fitzsimmons, a native Carolinian who for many years taught at the University of North Carolina-Chapel Hill's theatre department. The film version of Bright Leaf has been simplified and reshaped to serve as a traditional Gary Cooper vehicle. Cooper stars as tenant farmer Brant Royle, who after being driven from his home town by autocratic tobacco tycoon Major Singleton (Donald Crisp) returns in triumph with a revolutionary cigarette-making machine. Royle's streamlined techniques soon drive Singleton out of business. Margaret Singleton (Patricia Neal), Royle's old flame, agrees to marry him to save her father from ruin--whereupon the Major commits suicide. The vengeful Margaret then does everything she can to destroy Royle. The question remaining: can Brant Royle save himself and find ultimate happiness with his true love, Sonia Kovac (Lauren Bacall)? Also appearing in Bright Leaf are Jack Carson as Royle's flamboyant business partner Chris Malley and Jeff Corey as John Barton, the inventor of the "miracle" cigarette-making apparatus. ~ Hal Erickson, All Movie Guide

Gig Young was just beginning to toughen up his previously lightweight screen image when he starred in Hunt the Man Down. In a tense, tight, 68 minutes, public defender Paul Bennett (Young) dedicates himself to freeing an innocent man who has already spent 12 years in jail. Accused of murder, transient Richard Kinkaid (James Anderson) had been unable to afford proper legal representation at his first trial. With no new evidence, Bennett is obliged to solve the murder himself, and to do that he must track down the original witnesses to the crime. The cast is a film buff's paradise, ranging from leading ladies Lynne Roberts and Carla Balenda to featured players Harry Shannon, Iris Adrian, Mary Anderson, Gerald Mohr, Cleo Moore and prolific voiceover artist Paul Frees. ~ Hal Erickson, All Movie Guide